Out of Beirut
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Summary:
Beirut had been a renowned resort and a center of culture and style for hundreds of years, when, in the late twentieth century, it became the site of terrible violence and trauma. More than 15 years after the official end of Lebanon's civil war in 1990, political instability, bombings and assassinations still dominate the international headlines, obscuring years of swift(...)
January 2007, Oxford
Out of Beirut
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$32.95
(available to order)
Summary:
Beirut had been a renowned resort and a center of culture and style for hundreds of years, when, in the late twentieth century, it became the site of terrible violence and trauma. More than 15 years after the official end of Lebanon's civil war in 1990, political instability, bombings and assassinations still dominate the international headlines, obscuring years of swift change. In that time, Beirut became fertile ground for radical and innovative art-making and critical thought. "Out of Beirut" introduces new and recent work by artists who have been at the forefront of that activity, and who, in this new time of turmoil and change, will be watching Beirut's fate closely, chronicling it, and perhaps by their responses, changing it. With work by Fadi Abdallah, Gilbert Hage, Heartland, Bernard Khoury, Rabib Mroué, Walid Raad, Walid Sadek, Jalal Toufic, Paola Yacoub and Michel Lasserre and Akram Zaatari, among others.
The postconceptual condition
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Summary:
If, as Walter Benjamin claimed, "it is the function of artistic form […] to make historical content into a philosophical truth” then it is the function of criticism to recover and to complete that truth. Contemporary art makes this work more difficult than ever. Today’s art is a point of condensation for a vast array of social and historical forces, economic and political(...)
The postconceptual condition
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Price:
$39.99
(available to order)
Summary:
If, as Walter Benjamin claimed, "it is the function of artistic form […] to make historical content into a philosophical truth” then it is the function of criticism to recover and to complete that truth. Contemporary art makes this work more difficult than ever. Today’s art is a point of condensation for a vast array of social and historical forces, economic and political forms, and technologies of image production. Contemporary art, Osborne maintains, expresses this condition through its distinctively postconceptual form. These essays—extending the scope and arguments of Osborne’s Anywhere or Not At All: Philosophy of Contemporary Art—move from a philosophical consideration of the changing temporal conditions of capitalist modernity, via problems of formalism, the politics of art and the changing shape of art institutions, to interpretation and analysis of particular works by Akram Zaatari, Xavier Le Roy and Ilya Kabakov, and the postconceptual situation of a crisis-ridden New Music.
Art Theory