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''Reciprocal landscapes: stories of material movements'' traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and(...)
Reciprocal landscapes: stories of material movements
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''Reciprocal landscapes: stories of material movements'' traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and the urban site where the material ended up – together, exploring themes of unequal ecological exchange, labor, and material flows. This book considers the social, political, and ecological entanglements of material practice, challenging readers to think of materials not as inert products but as continuous with land and the people that shape them, and to reimagine forms of construction in solidarity with people, other species, and landscapes elsewhere.
Landscape Theory
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Volume five of the Landscript series examines material culture in the context of landscape architecture theory and design, positing the constructed landscape as a site for the investigation of human-nature relations and the factors that mediate their production, from labor to physical materials.
Landscript 5: material culture, assembling and disassembling landscapes
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Volume five of the Landscript series examines material culture in the context of landscape architecture theory and design, positing the constructed landscape as a site for the investigation of human-nature relations and the factors that mediate their production, from labor to physical materials.
Landscape Theory
Scapegoat 03: realism
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This latest issue extends and departs from the investigations of Scapegoat 02: Materialism, examining the histories, influences, and strategies of realism in architecture and landscape.
Scapegoat 03: realism
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This latest issue extends and departs from the investigations of Scapegoat 02: Materialism, examining the histories, influences, and strategies of realism in architecture and landscape.
Magazines
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Materialism continues the commitment of our first two issues on Property and Service to examine foundational yet overlooked concepts in architecture and landscape architecture. In our estimation, these disciplines are haunted by materialism. We see its specular presence invoked in design research’s emphasis on large-scale flows and sites of material production, in the(...)
Scapegoat issue 2: materialism
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Materialism continues the commitment of our first two issues on Property and Service to examine foundational yet overlooked concepts in architecture and landscape architecture. In our estimation, these disciplines are haunted by materialism. We see its specular presence invoked in design research’s emphasis on large-scale flows and sites of material production, in the renewed focus on ‘performance’ and the rehabilitation of functionalism, in the centrality of ‘material’ as an expressive layer of tectonics, and through the import of non-human actors into discussions about spatial design. Each of the above invokes matter as its base.
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Wood holds unique and timely lessons for urbanization, yet it remains inadequately characterized in architecture, landscape architecture, and urbanism. From under-considered thermal properties to emerging manufacturing possibilities, from changing forestry regimes to larger carbon cycle dynamics, "Wood Urbanism" explores the unique material and scalar properties of wood,(...)
Wood urbanism: from the molecular to the territorial
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Wood holds unique and timely lessons for urbanization, yet it remains inadequately characterized in architecture, landscape architecture, and urbanism. From under-considered thermal properties to emerging manufacturing possibilities, from changing forestry regimes to larger carbon cycle dynamics, "Wood Urbanism" explores the unique material and scalar properties of wood, presenting it as a critical material for design today. It brings into conversation scholars and practitioners who focus on wood from a range of perspectives: from the working forest to the mid-rise building to the basic cell. Drawing from the inherent intelligence and depth of multiple disciplines, this book offers a transcalar perspective on the role of wood in contemporary urbanization: from the imperceptibly small to the confoundingly large.
Timber Construction
books
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255 pages : color illustrations ; 26 cm
Brooklyn, N.Y. : Punctum Books, 2013.
Making the geologic now : responses to material conditions of contemporary life / edited by Elizabeth Ellsworth, Jamie Kruse.
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255 pages : color illustrations ; 26 cm
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Brooklyn, N.Y. : Punctum Books, 2013.
Habitante no. 2
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De la fiction à la théorie critique, de l'arbre au territoire, de la maison à la mégastructure, « Habitante » raconte les espaces où l'on vit, et la manière dont on les pense. Au sommaire du numéro 2 : Loger ensemble par Yves Dreier et Oscar Gential; La condition automobile par Fanny Taillandier; Du bois pourri par Jane Hutton; Géopolitique du brouillard par Jakuta(...)
Habitante no. 2
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De la fiction à la théorie critique, de l'arbre au territoire, de la maison à la mégastructure, « Habitante » raconte les espaces où l'on vit, et la manière dont on les pense. Au sommaire du numéro 2 : Loger ensemble par Yves Dreier et Oscar Gential; La condition automobile par Fanny Taillandier; Du bois pourri par Jane Hutton; Géopolitique du brouillard par Jakuta Alikavazovic.
Magazines
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SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer,(...)
SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer, architect Lisa Hutton, engineer Jane Wernick, and critics Diane Ghirado and Wilfried Wang give a frank review of the firm’s current work. This volume includes excerpts from the oral history of Gordon Bunshaft, who led the firm from the 1950s through the 1980s. Projects discussed include: 7 WTC, the Bank of Kuwait, Cantilevered Green Glass Tube, the Delbarton School, the European Central Bank Competition, the Lever House Exterior Skin Replacement, the Milliken Carpet Collaboration, Memorial Sloane Kettering, the Qatar Science Center, and the U.S. Census Bureau.
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August 2004, Ostfildern-Ruit, Germany
small format