2188 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierre Jeanneret fonds
Pierre Jeanneret fonds
Reference number:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
People:
Date:
1870s-2011
1870s-2011
Title:
Pierre Jeanneret fonds
Actions:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Pierre Jeanneret fonds
Actions:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1870s-2011
1870s-2011
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
26 March 1997 to 1 June 1997
26 March 1997 to 1 June 1997
Title:
Richard Pare – Tadao Ando: The Colours of Light
Actions:
Description:
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Richard Pare – Tadao Ando: The Colours of Light
Actions:
Description:
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Form:
exhibitions
exhibitions
Date:
26 March 1997 to
1 June 1997
26 March 1997 to
1 June 1997
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Location:
Main galleries
Main galleries
Date:
25 January 1995 to 23 April 1995
25 January 1995 to 23 April 1995
Title:
The Photographs of Édouard Baldus: Landscapes and Monuments of France
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
The Photographs of Édouard Baldus: Landscapes and Monuments of France
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Form:
exhibitions
exhibitions
Date:
25 January 1995 to
23 April 1995
25 January 1995 to
23 April 1995
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Arrivals
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Location:
Hall cases
Hall cases
Date:
24 January 2008 to 23 March 2008
24 January 2008 to 23 March 2008
Title:
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Form:
exhibitions
exhibitions
Date:
24 January 2008 to
23 March 2008
24 January 2008 to
23 March 2008
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Location:
Hall cases
Hall cases
Date:
17 January 1990 to 22 April 1990
17 January 1990 to 22 April 1990
Title:
Process as Interpretation: Photographs from the CCA
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Process as Interpretation: Photographs from the CCA
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Form:
exhibitions
exhibitions
Date:
17 January 1990 to
22 April 1990
17 January 1990 to
22 April 1990
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
Location:
Hall cases
Hall cases
Date:
22 April 2015 to 30 November 2015
22 April 2015 to 30 November 2015
Title:
The CCA in Photographs, 1987–2015
Actions:
Description:
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
The CCA in Photographs, 1987–2015
Actions:
Description:
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
Form:
exhibitions
exhibitions
Date:
22 April 2015 to
30 November 2015
22 April 2015 to
30 November 2015
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
21 April 1999 to 26 September 1999
21 April 1999 to 26 September 1999
Title:
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Form:
exhibitions
exhibitions
Date:
21 April 1999 to
26 September 1999
21 April 1999 to
26 September 1999
Location:
Octagonal gallery
Octagonal gallery
Actions:
Reference number:
PH1979:0607
Description:
Album titled 'Vues de Paris prises au Daguerréotype. Daziaro 15 boulevart [sic] des Italiens'. The name Daziaro refers to the print merchant from Saint Petersburg, in Paris. The title page reads: 'Collection de vues de Paris prises au daguerréotype. Gravures en taille douce sur acier par Chamouin'. It shows 25 steel engravings for which daguerreotypes were used as references, of views of Paris (and one of Versailles). It is an example of an early use of photography to make iconographical illustrations. The monuments of Paris portrayed in this album are Place de la Concorde, Palais du Sénat, Hôtel de Ville, Fontaine de la Place Louvois, Château des Tuileries, Église St.-Germain l'Auxerrois, Palais royal, La Bourse, Pont Neuf, Arc de Triomphe, Église de la Madeleine, École militaire et Champ de Mars, Arc de Triomphe du Carrousel, Château de Versailles, Palais du Corps législatif et Ministère des Affaires Étrangères, Louvre, Église Notre-Dame, Fontaine Molière, Colonne de la Place Vendôme, Colonne de Juillet, Dôme des Invalides, Panthéon and Église Saint-Sulpice.
PH1979:0607
Description:
Album titled 'Vues de Paris prises au Daguerréotype. Daziaro 15 boulevart [sic] des Italiens'. The name Daziaro refers to the print merchant from Saint Petersburg, in Paris. The title page reads: 'Collection de vues de Paris prises au daguerréotype. Gravures en taille douce sur acier par Chamouin'. It shows 25 steel engravings for which daguerreotypes were used as references, of views of Paris (and one of Versailles). It is an example of an early use of photography to make iconographical illustrations. The monuments of Paris portrayed in this album are Place de la Concorde, Palais du Sénat, Hôtel de Ville, Fontaine de la Place Louvois, Château des Tuileries, Église St.-Germain l'Auxerrois, Palais royal, La Bourse, Pont Neuf, Arc de Triomphe, Église de la Madeleine, École militaire et Champ de Mars, Arc de Triomphe du Carrousel, Château de Versailles, Palais du Corps législatif et Ministère des Affaires Étrangères, Louvre, Église Notre-Dame, Fontaine Molière, Colonne de la Place Vendôme, Colonne de Juillet, Dôme des Invalides, Panthéon and Église Saint-Sulpice.
People:
Subject:
architecture
architecture
Date:
ca. 1855
ca. 1855
Title:
Vues de Paris prises au Daguerréotype
Actions:
PH1979:0607
Description:
Album titled 'Vues de Paris prises au Daguerréotype. Daziaro 15 boulevart [sic] des Italiens'. The name Daziaro refers to the print merchant from Saint Petersburg, in Paris. The title page reads: 'Collection de vues de Paris prises au daguerréotype. Gravures en taille douce sur acier par Chamouin'. It shows 25 steel engravings for which daguerreotypes were used as references, of views of Paris (and one of Versailles). It is an example of an early use of photography to make iconographical illustrations. The monuments of Paris portrayed in this album are Place de la Concorde, Palais du Sénat, Hôtel de Ville, Fontaine de la Place Louvois, Château des Tuileries, Église St.-Germain l'Auxerrois, Palais royal, La Bourse, Pont Neuf, Arc de Triomphe, Église de la Madeleine, École militaire et Champ de Mars, Arc de Triomphe du Carrousel, Château de Versailles, Palais du Corps législatif et Ministère des Affaires Étrangères, Louvre, Église Notre-Dame, Fontaine Molière, Colonne de la Place Vendôme, Colonne de Juillet, Dôme des Invalides, Panthéon and Église Saint-Sulpice.
Vues de Paris prises au Daguerréotype
Actions:
PH1979:0607
Description:
Album titled 'Vues de Paris prises au Daguerréotype. Daziaro 15 boulevart [sic] des Italiens'. The name Daziaro refers to the print merchant from Saint Petersburg, in Paris. The title page reads: 'Collection de vues de Paris prises au daguerréotype. Gravures en taille douce sur acier par Chamouin'. It shows 25 steel engravings for which daguerreotypes were used as references, of views of Paris (and one of Versailles). It is an example of an early use of photography to make iconographical illustrations. The monuments of Paris portrayed in this album are Place de la Concorde, Palais du Sénat, Hôtel de Ville, Fontaine de la Place Louvois, Château des Tuileries, Église St.-Germain l'Auxerrois, Palais royal, La Bourse, Pont Neuf, Arc de Triomphe, Église de la Madeleine, École militaire et Champ de Mars, Arc de Triomphe du Carrousel, Château de Versailles, Palais du Corps législatif et Ministère des Affaires Étrangères, Louvre, Église Notre-Dame, Fontaine Molière, Colonne de la Place Vendôme, Colonne de Juillet, Dôme des Invalides, Panthéon and Église Saint-Sulpice.
Date:
ca. 1855
ca. 1855
People:
Subject:
architecture
architecture
Form:
exhibitions
exhibitions
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
15 March 2000 to 7 May 2000
15 March 2000 to 7 May 2000
Title:
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Form:
exhibitions
exhibitions
Date:
15 March 2000 to
7 May 2000
15 March 2000 to
7 May 2000
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Location:
Hall cases
Hall cases
Date:
5 September 2013 to 5 December 2013
5 September 2013 to 5 December 2013
Title:
H-BLOCK: Social Housing – Ilse Bing
Actions:
Description:
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
H-BLOCK: Social Housing – Ilse Bing
Actions:
Description:
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Form:
exhibitions
exhibitions
Date:
5 September 2013 to
5 December 2013
5 September 2013 to
5 December 2013
Location:
Hall cases
Hall cases
