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Philosophe et théoricien du politique et de l'esthétique, Brian Massumi développe ici le concept d'une politique animale, c'est-à-dire d'une pensée de la politique à partir de l'animal. Abordant des questions comme le comportement animal ou les facultés propres de l'humain, il propose une approche du concept de nature redonnant de l'importance à des notions comme le jeu,(...)
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Philosophe et théoricien du politique et de l'esthétique, Brian Massumi développe ici le concept d'une politique animale, c'est-à-dire d'une pensée de la politique à partir de l'animal. Abordant des questions comme le comportement animal ou les facultés propres de l'humain, il propose une approche du concept de nature redonnant de l'importance à des notions comme le jeu,(...)
Title:
Ce que les bêtes nous apprennent de la politique
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Philosophe et théoricien du politique et de l'esthétique, Brian Massumi développe ici le concept d'une politique animale, c'est-à-dire d'une pensée de la politique à partir de l'animal. Abordant des questions comme le comportement animal ou les facultés propres de l'humain, il propose une approche du concept de nature redonnant de l'importance à des notions comme le jeu, la sympathie ou la créativité.
Ce que les bêtes nous apprennent de la politique
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Philosophe et théoricien du politique et de l'esthétique, Brian Massumi développe ici le concept d'une politique animale, c'est-à-dire d'une pensée de la politique à partir de l'animal. Abordant des questions comme le comportement animal ou les facultés propres de l'humain, il propose une approche du concept de nature redonnant de l'importance à des notions comme le jeu, la sympathie ou la créativité.
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books
books
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May 2019
May 2019
Subject:
Critical Theory
Critical Theory
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books
books
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical(...)
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical(...)
Title:
Parables for the virtual: movement, affect, sensation
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, "Keywords for Affect" and "Missed Conceptions about Affect," in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.
Parables for the virtual: movement, affect, sensation
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, "Keywords for Affect" and "Missed Conceptions about Affect," in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.
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books
books
Publication:
September 2021
September 2021
Subject:
Critical Theory
Critical Theory
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books
books
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Rational self-interest is often seen as being at the heart of liberal economic theory. In The Power at the End of the Economy Brian Massumi provides an alternative explanation, arguing that neoliberalism is grounded in complex interactions between the rational and the emotional. Offering a new theory of political economy that refuses the liberal prioritization of(...)
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Rational self-interest is often seen as being at the heart of liberal economic theory. In The Power at the End of the Economy Brian Massumi provides an alternative explanation, arguing that neoliberalism is grounded in complex interactions between the rational and the emotional. Offering a new theory of political economy that refuses the liberal prioritization of(...)
Title:
The power at the end of the economy
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Rational self-interest is often seen as being at the heart of liberal economic theory. In The Power at the End of the Economy Brian Massumi provides an alternative explanation, arguing that neoliberalism is grounded in complex interactions between the rational and the emotional. Offering a new theory of political economy that refuses the liberal prioritization of individual choice, Massumi emphasizes the means through which an individual’s affective tendencies resonate with those of others on infra-individual and transindividual levels. This nonconscious dimension of social and political events plays out in ways that defy the traditional equation between affect and the irrational. Massumi uses the Arab Spring and the Occupy Movement as examples to show how transformative action that exceeds self-interest takes place. Drawing from David Hume, Michel Foucault, Gilles Deleuze, Niklas Luhmann and the field of nonconsciousness studies, Massumi urges a rethinking of the relationship between rational choice and affect, arguing for a reassessment of the role of sympathy in political and economic affairs.
The power at the end of the economy
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Rational self-interest is often seen as being at the heart of liberal economic theory. In The Power at the End of the Economy Brian Massumi provides an alternative explanation, arguing that neoliberalism is grounded in complex interactions between the rational and the emotional. Offering a new theory of political economy that refuses the liberal prioritization of individual choice, Massumi emphasizes the means through which an individual’s affective tendencies resonate with those of others on infra-individual and transindividual levels. This nonconscious dimension of social and political events plays out in ways that defy the traditional equation between affect and the irrational. Massumi uses the Arab Spring and the Occupy Movement as examples to show how transformative action that exceeds self-interest takes place. Drawing from David Hume, Michel Foucault, Gilles Deleuze, Niklas Luhmann and the field of nonconsciousness studies, Massumi urges a rethinking of the relationship between rational choice and affect, arguing for a reassessment of the role of sympathy in political and economic affairs.
Form:
books
books
Publication:
December 2014
December 2014
Subject:
Critical Theory
Critical Theory
Form:
books
books
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$32.95
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as(...)
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as(...)
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Semblance and event : activist philosophy and the occurrent arts
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: "lived abstraction." A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented - variously known as interactive art, ephemeral art, performance art, art intervention - which he refers to collectively as the "occurrent arts."
Semblance and event : activist philosophy and the occurrent arts
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: "lived abstraction." A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented - variously known as interactive art, ephemeral art, performance art, art intervention - which he refers to collectively as the "occurrent arts."
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books
books
Publication:
July 2011
July 2011
Subject:
Critical Theory
Critical Theory
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books
books
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$43.95
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Bringing the creative process of three contemporary artists into conversation, ''Architectures of the Unforeseen'' stages an encounter between philosophy and art and design. Its prose invites the reader to think along with Brian Massumi as he thoroughly embodies the work of these artists, walking the line that separates theory from art and providing equally nurturing(...)
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Bringing the creative process of three contemporary artists into conversation, ''Architectures of the Unforeseen'' stages an encounter between philosophy and art and design. Its prose invites the reader to think along with Brian Massumi as he thoroughly embodies the work of these artists, walking the line that separates theory from art and providing equally nurturing(...)
Title:
Architectures of the unforeseen: essays in the occurrent arts
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Bringing the creative process of three contemporary artists into conversation, ''Architectures of the Unforeseen'' stages an encounter between philosophy and art and design. Its prose invites the reader to think along with Brian Massumi as he thoroughly embodies the work of these artists, walking the line that separates theory from art and providing equally nurturing sustenance for practicing artists and working philosophers. Based on Massumi’s lengthy relationships with digital architect Greg Lynn, interactive media artist Rafael-Lozano Hemmer, and mixed-media installation creator Simryn Gill, ''Architectures of the Unforeseen' delves into their processes of creating art. The book’s primary interest is in what motivates each artist’s practice and in how their pieces work to give off their unique effects.
Architectures of the unforeseen: essays in the occurrent arts
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Bringing the creative process of three contemporary artists into conversation, ''Architectures of the Unforeseen'' stages an encounter between philosophy and art and design. Its prose invites the reader to think along with Brian Massumi as he thoroughly embodies the work of these artists, walking the line that separates theory from art and providing equally nurturing sustenance for practicing artists and working philosophers. Based on Massumi’s lengthy relationships with digital architect Greg Lynn, interactive media artist Rafael-Lozano Hemmer, and mixed-media installation creator Simryn Gill, ''Architectures of the Unforeseen' delves into their processes of creating art. The book’s primary interest is in what motivates each artist’s practice and in how their pieces work to give off their unique effects.
Form:
books
books
Publication:
June 2019
June 2019
Subject:
Art Theory
Art Theory
Form:
books
books
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$24.95
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L’orthodoxie économiste s’obstine à imposer le modèle d’un individu décideur rationnel, qui maximise ses revenus à force de calculs régis par le souci de son intérêt bien entendu. Opérant un changement d’échelle radical, « L’économie contre elle-même » soutient plutôt que le néolibéralisme se fonde aux niveaux infra- et trans-individuel, sur une interaction complexe entre(...)
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L’orthodoxie économiste s’obstine à imposer le modèle d’un individu décideur rationnel, qui maximise ses revenus à force de calculs régis par le souci de son intérêt bien entendu. Opérant un changement d’échelle radical, « L’économie contre elle-même » soutient plutôt que le néolibéralisme se fonde aux niveaux infra- et trans-individuel, sur une interaction complexe entre(...)
Title:
L'économie contre elle-même : vers un art anti-capitaliste de l'événement
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L’orthodoxie économiste s’obstine à imposer le modèle d’un individu décideur rationnel, qui maximise ses revenus à force de calculs régis par le souci de son intérêt bien entendu. Opérant un changement d’échelle radical, « L’économie contre elle-même » soutient plutôt que le néolibéralisme se fonde aux niveaux infra- et trans-individuel, sur une interaction complexe entre rationnel et affectif. Brian Massumi insiste en effet sur la manière dont, en deçà du niveau individuel, les tendances et contre-tendances affectives d’un individu résonnent avec celles des autres pour amorcer et orienter l’action. Cette plongée vers l’infra-économie des affects entraîne une recomposition conceptuelle de toutes les dynamiques sociales : là se dessinent les mouvements des corps sensibles et se constitue la volonté, mais surtout, là se crée l’action de transformation sociale. Empruntant à Hume, Foucault, Deleuze, Spinoza et Luhmann, L’économie contre elle-même a l’ambition de déployer une nouvelle théorie de l’économie politique.
L'économie contre elle-même : vers un art anti-capitaliste de l'événement
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L’orthodoxie économiste s’obstine à imposer le modèle d’un individu décideur rationnel, qui maximise ses revenus à force de calculs régis par le souci de son intérêt bien entendu. Opérant un changement d’échelle radical, « L’économie contre elle-même » soutient plutôt que le néolibéralisme se fonde aux niveaux infra- et trans-individuel, sur une interaction complexe entre rationnel et affectif. Brian Massumi insiste en effet sur la manière dont, en deçà du niveau individuel, les tendances et contre-tendances affectives d’un individu résonnent avec celles des autres pour amorcer et orienter l’action. Cette plongée vers l’infra-économie des affects entraîne une recomposition conceptuelle de toutes les dynamiques sociales : là se dessinent les mouvements des corps sensibles et se constitue la volonté, mais surtout, là se crée l’action de transformation sociale. Empruntant à Hume, Foucault, Deleuze, Spinoza et Luhmann, L’économie contre elle-même a l’ambition de déployer une nouvelle théorie de l’économie politique.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Art Theory
Art Theory
Form:
books
books
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$26.95
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Summary:
La « recherche-création » monte en puissance en France. Erin Manning et Brian Massumi en sont parmi les plus radicaux théoriciens. Ils se demandent dans ce petit ouvrage quelle écologie de l'expérience mettre en place, entre recherche et création, pour nous aider à penser ensemble et à mettre la pensée en acte. En guise de réponses, ils tirent de leurs expériences vingt(...)
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La « recherche-création » monte en puissance en France. Erin Manning et Brian Massumi en sont parmi les plus radicaux théoriciens. Ils se demandent dans ce petit ouvrage quelle écologie de l'expérience mettre en place, entre recherche et création, pour nous aider à penser ensemble et à mettre la pensée en acte. En guise de réponses, ils tirent de leurs expériences vingt(...)
Title:
Pensée en acte : vingt propositions pour la recherche-création
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La « recherche-création » monte en puissance en France. Erin Manning et Brian Massumi en sont parmi les plus radicaux théoriciens. Ils se demandent dans ce petit ouvrage quelle écologie de l'expérience mettre en place, entre recherche et création, pour nous aider à penser ensemble et à mettre la pensée en acte. En guise de réponses, ils tirent de leurs expériences vingt propositions décoiffantes et enjouées, qui donnent des envies plutôt que des leçons. Ils sèment ainsi des graines d'événements éminemment politiques, dont notre avenir a bien besoin.
Pensée en acte : vingt propositions pour la recherche-création
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La « recherche-création » monte en puissance en France. Erin Manning et Brian Massumi en sont parmi les plus radicaux théoriciens. Ils se demandent dans ce petit ouvrage quelle écologie de l'expérience mettre en place, entre recherche et création, pour nous aider à penser ensemble et à mettre la pensée en acte. En guise de réponses, ils tirent de leurs expériences vingt propositions décoiffantes et enjouées, qui donnent des envies plutôt que des leçons. Ils sèment ainsi des graines d'événements éminemment politiques, dont notre avenir a bien besoin.
Form:
books
books
Publication:
November 2018
November 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Deleuze and architecture
Deleuze and architecture
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Fifteen essays by interdisciplinary scholars, including John Rajchman (Columbia University), Elizabeth Grosz (Rutgers University), and Brian Massumi (European Graduate School) trace, among other concerns, Deleuze's influence on the emerging biotechnological paradigm and new practices of participatory design. They engage with contemporary approaches to the theory and(...)
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Fifteen essays by interdisciplinary scholars, including John Rajchman (Columbia University), Elizabeth Grosz (Rutgers University), and Brian Massumi (European Graduate School) trace, among other concerns, Deleuze's influence on the emerging biotechnological paradigm and new practices of participatory design. They engage with contemporary approaches to the theory and(...)
Title:
Deleuze and architecture
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Fifteen essays by interdisciplinary scholars, including John Rajchman (Columbia University), Elizabeth Grosz (Rutgers University), and Brian Massumi (European Graduate School) trace, among other concerns, Deleuze's influence on the emerging biotechnological paradigm and new practices of participatory design. They engage with contemporary approaches to the theory and practice of architecture and outline radical agendas for the future practice of Deleuzian thought.
Deleuze and architecture
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Fifteen essays by interdisciplinary scholars, including John Rajchman (Columbia University), Elizabeth Grosz (Rutgers University), and Brian Massumi (European Graduate School) trace, among other concerns, Deleuze's influence on the emerging biotechnological paradigm and new practices of participatory design. They engage with contemporary approaches to the theory and practice of architecture and outline radical agendas for the future practice of Deleuzian thought.
Form:
books
books
Publication:
June 2013
June 2013
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Of sponge, stone and the intertwinements with the here and now: a methodology of artistic research
Of sponge, stone and the intertwinements with the here and now: a methodology of artistic research
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This concise book introduces the notion of "experience" as a key concept in a methodology of artistic research. The author traces a genealogy of "experience" from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept in a framework of research in visual art. The argument is founded in the practice of artistic research and in the(...)
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Summary:
This concise book introduces the notion of "experience" as a key concept in a methodology of artistic research. The author traces a genealogy of "experience" from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept in a framework of research in visual art. The argument is founded in the practice of artistic research and in the(...)
Title:
Of sponge, stone and the intertwinements with the here and now: a methodology of artistic research
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$19.95
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Summary:
This concise book introduces the notion of "experience" as a key concept in a methodology of artistic research. The author traces a genealogy of "experience" from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept in a framework of research in visual art. The argument is founded in the practice of artistic research and in the reflection on the interweaving of thinking and making. This publication is a slightly extended version of Wesseling's inaugural lecture at Leiden University in September 2016. Included is a collaboration with the Austrian performance artist and PhD researcher Lilo Nein.
Of sponge, stone and the intertwinements with the here and now: a methodology of artistic research
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$19.95
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Summary:
This concise book introduces the notion of "experience" as a key concept in a methodology of artistic research. The author traces a genealogy of "experience" from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept in a framework of research in visual art. The argument is founded in the practice of artistic research and in the reflection on the interweaving of thinking and making. This publication is a slightly extended version of Wesseling's inaugural lecture at Leiden University in September 2016. Included is a collaboration with the Austrian performance artist and PhD researcher Lilo Nein.
Form:
books
books
Publication:
February 2017
February 2017
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$41.50
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
$41.50
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
November 2001, New York
November 2001, New York
Title:
The pragmatist imagination : thinking about things in the making
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What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state to emergent forms of transnationalism. The authors include Stanley Aronowitz, Marshall Berman, Casey Nelson Blake, Sandra Buckley, Teresa Caldeira, Jean-Louis Cohen, Jonathan Crary, Rosalyn Deutsche, Kenneth Frampton, Gerald E. Frug, Peter Galison, Elizabeth Grosz, Andreas Huyssen, Isaac Joseph, David Lapoujade, Reinhold Martin, Brian Massumi, Mary McLeod, Paul Miller a.k.a. DJ Spooky, Chantal Mouffe, Joan Ockman, John Rajchman, Martha Rosler, Hashim Sarkis, Saskia Sassen, Sandhya Shukla, Richard Shusterman, Abdoumaliq Simone, Anders Stephanson, Bernard Tschumi, Nadia Urbinati, Mabel Wilson, and Gwendolyn Wright. The book includes an introduction by John Rajchman and an afterword by Casey Nelson Blake.
The pragmatist imagination : thinking about things in the making
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What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state to emergent forms of transnationalism. The authors include Stanley Aronowitz, Marshall Berman, Casey Nelson Blake, Sandra Buckley, Teresa Caldeira, Jean-Louis Cohen, Jonathan Crary, Rosalyn Deutsche, Kenneth Frampton, Gerald E. Frug, Peter Galison, Elizabeth Grosz, Andreas Huyssen, Isaac Joseph, David Lapoujade, Reinhold Martin, Brian Massumi, Mary McLeod, Paul Miller a.k.a. DJ Spooky, Chantal Mouffe, Joan Ockman, John Rajchman, Martha Rosler, Hashim Sarkis, Saskia Sassen, Sandhya Shukla, Richard Shusterman, Abdoumaliq Simone, Anders Stephanson, Bernard Tschumi, Nadia Urbinati, Mabel Wilson, and Gwendolyn Wright. The book includes an introduction by John Rajchman and an afterword by Casey Nelson Blake.
Form:
books
books
Publication:
November 2001, New York
November 2001, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
