books
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xvii, 297 pages : illustrations ; 24 cm
Princeton, New Jersey : Princeton University Press, [2020], ©2020
Lives of houses / edited by Kate Kennedy and Hermione Lee.
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Description:
xvii, 297 pages : illustrations ; 24 cm
books
Princeton, New Jersey : Princeton University Press, [2020], ©2020
Picturing indians: photographics encounters and tourist fantasies in H.H. Bennett's Wisconsin Dells
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Summary:
The interactions between Indian and white man, photographer amd photographed, suggested a relationship in which commercial motives and friendly feelings mixed, though not necessarily in equal measure. The Ho-Chunk resourcefully sought new ways to survive in the increasingly tourist-driven economy of the Dells. Bennett, struggling to keep his photography business alive,(...)
Picturing indians: photographics encounters and tourist fantasies in H.H. Bennett's Wisconsin Dells
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$44.95
(available to order)
Summary:
The interactions between Indian and white man, photographer amd photographed, suggested a relationship in which commercial motives and friendly feelings mixed, though not necessarily in equal measure. The Ho-Chunk resourcefully sought new ways to survive in the increasingly tourist-driven economy of the Dells. Bennett, struggling to keep his photography business alive, capitalized on America's comfortably nostalgic image of Native peoples as a vanishing race, no longer treatening and now safe for white consumption.
Photography by Region
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In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to make them worthy of protection from more quotidian forms of destruction. Examining key episodes in the history of this preservation effort, Lucia Allais(...)
Designs of destruction: the making of monuments in the twentieth century
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In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to make them worthy of protection from more quotidian forms of destruction. Examining key episodes in the history of this preservation effort, Lucia Allais demonstrates how the group deployed the notion of culture to shape architectural sites, and how architecture in turn shaped the very idea of global culture.
Architectural Theory
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Building a skyscraper requires more than steel and concrete—it takes a wide array of people, each with their particular skills. In Autobiography of a Skyscraper, legendary developer Francis Greenburger offers an unprecedented behind-the-scenes look at the construction of Chicago's 1000M tower, describing the way almost 1,000 people—from concrete workers to concierges,(...)
Autobiography of a skyscraper
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Building a skyscraper requires more than steel and concrete—it takes a wide array of people, each with their particular skills. In Autobiography of a Skyscraper, legendary developer Francis Greenburger offers an unprecedented behind-the-scenes look at the construction of Chicago's 1000M tower, describing the way almost 1,000 people—from concrete workers to concierges, architects to investors—transformed an empty lot into a 74-story landmark. "Real estate isn't about property; it's about people," Greenburger reflects in this book that, throughout, underscores his point. This is the story of an Italian immigrant who bet his family's entire inheritance on a hole in the ground; of window installers dancing on narrow ledges 800 feet above Michigan Avenue; of a chief concierge managing a community of 700 residents across 80,000 square feet of amenities; and of the safety manager who "babysits grown men" to keep them safe hundreds of feet in the air.
Contemporary Architecture
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In this contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual(...)
Screening fears: On protective media
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In this contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual media function as barriers or enclosures that defend against the apparent threats and dangers that seem increasingly to surround us. Working with an original historical overview that begins with the Phantasmagoria of the late eighteenth century, then the shared interior spaces of the movie theater in the early to mid-twentieth century, and finally the solitary digital milieus of the present, Casetti traces the outlines of the protective 'bubbles' that disconnect us from our immediate surroundings. To be provided with a shield of immunity to the hazards and uncertainties of the world while experiencing them at a safe remove might seem a positive development. But, he asks, what if these media, instead of providing invulnerability, ensnare individuals in a suffocating enclosure? What if, in their effort to keep reality under control, they exercise a violence equal to that of the dangers they resist? In a dialectical exercise, and through a vivid range of cultural artifacts, ''Screening fears'' traces the emergence of modern protective media and the way they changed our forms of mediation with the world in which we live.
Critical Theory