Dan Graham
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying(...)
Dan Graham
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.
Contemporary Art Monographs
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"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape(...)
Architecture and Film, Set Design
September 2024
Architecture, film, and the in-between: Spatio-cinematic between
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"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnès Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosophers—such as Juhani Pallasmaa, Beatriz Colomina, and Graham Harman—the book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies.
Architecture and Film, Set Design
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ANCB The Aedes Metropolitan Laboratory was launched in 2009 as a physical and intellectual space focused on the inseparable interplay between urban form and social life. Now in its eighth year, ANCB decided to broaden its experimental journey as an independent public platform with an annual magazine entitled The Metropolitan Laboratory that further explores our deliberate(...)
The Metropolitan Laboratory Magazine, Vol. 1. Education: trial and error
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ANCB The Aedes Metropolitan Laboratory was launched in 2009 as a physical and intellectual space focused on the inseparable interplay between urban form and social life. Now in its eighth year, ANCB decided to broaden its experimental journey as an independent public platform with an annual magazine entitled The Metropolitan Laboratory that further explores our deliberate goal of providing an alternative urban discourse. Entitled “Education: Trial and Error”, this first issue looks at the topic of artistic and architectural education. As a survey of highly progressive pedagogical approaches, it questions the role of education in past, present, and future. The broad spectrum of articles and essays ranges from Black Mountain College, Joseph Beuys, Paul Thek, Cedric Price, and Oswald Ungers all the way to Beatriz Colomina, Olafur Eliasson, Ai Wei Wei, Thom Mayne, Odile Decq, Peter Cook, and Joan Ockmann, to mention but a few. Inherent to all of these contributions is a profound apprehension of the positive surplus of unsolicited changes, uninvited irritants, unanticipated setbacks, and failures as the future seeds of human achievement and progress.
Magazines
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican(...)
Havana modern: Critical readings in Cuban architecture
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican Modernity (2005), Freud’s Mexico (2010) and Proust’s Latin Americans (2014)—the volume is arranged in 10 chapters authored by current and former Princeton faculty members and graduate students. These essays, which arose from seminars organized by Gallo and historian Beatriz Colomina, examine Max Abramovitz’s American Embassy; Richard Neutra’s De Schultess House; Martín Domínguez Esteban, Miguel Gastón and Emilio del Junco’s Radiocentro; Mies van Der Rohe’s office building for Ron Barcardí S.A.; Vittorio Garatti, Roberto Gottardi and Ricardo Porro’s National Art Schools for Havana; Mario Girona’s Coppelia Ice-cream parlor and park; Vittorio Garatti, Hugo D’Acosta and Sergio Baroni’s Cuban Pavilion at Expo 67; Antonio Quintana and Alberto Rodriguez’s "Edificio Experimental"; and Aleksandr Grigorievich Rochegov’s USRR Embassy. Havana Modern draws on history, politics, culture, literature and film to elucidate this outstandingly rich era in architectural history.
Architecture since 1900, Americas
Aesthetic subjects
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Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume-prominent scholars in literature, philosophy, art history, architecture, history, and anthropology-begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of(...)
Aesthetic subjects
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Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume-prominent scholars in literature, philosophy, art history, architecture, history, and anthropology-begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of aesthetics within historical and social contexts tell us a great deal about the experience of aesthetic encounters. From multiple and complementary perspectives, the contributors address topics as varied as Nabokov and Dickens, Caravaggio and Shelley Winters, gender and sexuality, advertising and AIDS. Taken together, their essays constitute a sustained and multifarious effort to resituate aesthetic pleasure in the mixed, impure conditions characteristic of every social practice and experience, however privileged or marginalized, and to ask what happens to the aesthetic if we consider it apart from-or at least in tension with-its historically dominant discursive formulations. Contributors : Leo Bersani, Susan Bordo, Bill Brown, Beatriz Colomina, Ulysse Dutoit, Lee Edelman, Maureen Harkin, Howard Horwitz, Audrey Jaffe, Martin Jay, Kay Bea Jones, Robert Kaufman, Alphonso Lingis, Joseph Litvak, Douglas Mao, Barbara Stafford, Kathleen Stewart, Kathryn Bond Stockton, Judith Stoddart, Michael Taussig.
Art Theory
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This volume showcases the best illustrated architecture books ever published. The author, John Hill, is the founder of the influential architecture blog "A Daily Dose of Architecture," which recently shifted course to focus entirely on architecture books of all kinds. His selection for this volume spans centuries, continents, and genres to include Le Corbusier’s "Towards(...)
Buildings in print: 100 influential and inspiring illustrated architecture books
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This volume showcases the best illustrated architecture books ever published. The author, John Hill, is the founder of the influential architecture blog "A Daily Dose of Architecture," which recently shifted course to focus entirely on architecture books of all kinds. His selection for this volume spans centuries, continents, and genres to include Le Corbusier’s "Towards a New Architecture," "Project Japan" by Rem Koolhaas, "Atlas of Another America: An Architectural Fiction by Keith Krumwiede," "X-Ray Architecture" by Beatriz Colomina and Thomas Wolfe’s "From Bauhaus to Our House." The books selected are organized into the categories of Manifestos, Histories, Education, Housing, Monographs, Buildings, Exhibitions, Building Cities, and Critiques, and each one has a reproduction of the book’s cover along with selected spreads which are accompanied by Hill’s informed, personal, and engaging take on what makes the title unique and indispensable. In addition, sidebar "Top 10" lists from many of today’s leading critics and architects are scattered throughout. Capturing the best of Hill’s insightful and curious mind, this invaluable resource will broaden the world of anyone interested in the field of architecture– and provide irrefutable arguments for these works’ continued relevance.
Book Design
The gothic
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This collection of writings examines the pervasive and influential role of "the Gothic" in contemporary visual culture. The contemporary Gothic in art is informed as much by the stock themes of the eighteenth- and nineteenth-century Gothic novel as it is by more recent permutations of the Gothic in horror film theory, Lacanian psychoanalysis, and Goth subcultures. This(...)
The gothic
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This collection of writings examines the pervasive and influential role of "the Gothic" in contemporary visual culture. The contemporary Gothic in art is informed as much by the stock themes of the eighteenth- and nineteenth-century Gothic novel as it is by more recent permutations of the Gothic in horror film theory, Lacanian psychoanalysis, and Goth subcultures. This reader from London's Whitechapel Gallery brings together artists as different as Matthew Barney, Gregor Schneider, Louise Bourgeois, and Douglas Gordon; its intent is not to use "the Gothic" to group together dissimilar artists but rather to shed light on a particular understanding of their practice. Anthony Vidler looks at ideas of the uncanny to explore Rachel Whiteread's House, and Jeff Wall uses the motif of vampirism to analyze fellow artist Dan Graham's Kammerspell; Hal Foster considers Robert Gober's recent work--laden with Christian symbolism, criticism of America as a nexus of power, and fragmented bodies--as an updated American Gothic, and Kobena Mercer examines the Gothic's depiction of the Other in relation to Michael Jackson's pop video Thriller. Texts by artists including Mike Kelley, Damien Hirst, Tacita Dean, Jonathan Meese, and Catherine Sullivan are complemented by extracts from Walpole's genre-establishing gothic novel The Castle of Otranto, William Gibson, Bret Easton Ellis, and Stephen King, among others, and theoretical writings by such key thinkers as Carol Clover, Beatriz Colomina, Julia Kristeva, Eve Kosofsky Sedgwick, Marina Warner, and Slavoj Zizek. The Gothic provides the first comprehensive overview of the uses of Gothic in contemporary visual culture.
Art Theory