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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
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Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
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books
books
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November 1998, Cambridge, Mass.
November 1998, Cambridge, Mass.
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Architectural Theory
Architectural Theory
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books
books
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Architectural postmodernism had a significant impact on the broader development of postmodern thought: Utopia’s Ghost is a critical reconsideration of their relationship. Combining discourse analysis, historical reconstruction, and close readings of buildings, projects, and texts from the 1970s and 1980s, Reinhold Martin argues that retheorizing postmodern architecture(...)
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Architectural postmodernism had a significant impact on the broader development of postmodern thought: Utopia’s Ghost is a critical reconsideration of their relationship. Combining discourse analysis, historical reconstruction, and close readings of buildings, projects, and texts from the 1970s and 1980s, Reinhold Martin argues that retheorizing postmodern architecture(...)
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Utopia's ghost: architecture and postmodernism, again
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Architectural postmodernism had a significant impact on the broader development of postmodern thought: Utopia’s Ghost is a critical reconsideration of their relationship. Combining discourse analysis, historical reconstruction, and close readings of buildings, projects, and texts from the 1970s and 1980s, Reinhold Martin argues that retheorizing postmodern architecture gives us new insights into cultural postmodernism and its aftermath.
Utopia's ghost: architecture and postmodernism, again
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Architectural postmodernism had a significant impact on the broader development of postmodern thought: Utopia’s Ghost is a critical reconsideration of their relationship. Combining discourse analysis, historical reconstruction, and close readings of buildings, projects, and texts from the 1970s and 1980s, Reinhold Martin argues that retheorizing postmodern architecture gives us new insights into cultural postmodernism and its aftermath.
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books
books
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April 2010
April 2010
Subject:
Architectural Theory
Architectural Theory
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books
books
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Throughout the twentieth century, housing displays have proven to be a singular genre of architectural and design exhibitions. By crossing geographies and adopting multiple scales of observation – from domestic space to urban visions – this volume investigates a set of unexplored events devoted to housing and dwelling, organised by technical, professional, cultural or(...)
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Throughout the twentieth century, housing displays have proven to be a singular genre of architectural and design exhibitions. By crossing geographies and adopting multiple scales of observation – from domestic space to urban visions – this volume investigates a set of unexplored events devoted to housing and dwelling, organised by technical, professional, cultural or(...)
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The housing project: discourses, ideals, models and politics in 20th century exhibitions
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Throughout the twentieth century, housing displays have proven to be a singular genre of architectural and design exhibitions. By crossing geographies and adopting multiple scales of observation – from domestic space to urban visions – this volume investigates a set of unexplored events devoted to housing and dwelling, organised by technical, professional, cultural or governmental institutions from the interwar years to the Cold War. The book offers a first critical assessment of twentieth-century housing exhibits and explores the role of exhibitions in the codification of notions of domesticity, social models, policies, and architectural and urban discourse. At the intersection of housing studies and the history of exhibitions, ''The Housing Project'' not only offers a novel angle on architectural history but also enriches scholarly perspectives in urban studies, cultural and media history, design, and consumption studies.
The housing project: discourses, ideals, models and politics in 20th century exhibitions
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$93.95
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Summary:
Throughout the twentieth century, housing displays have proven to be a singular genre of architectural and design exhibitions. By crossing geographies and adopting multiple scales of observation – from domestic space to urban visions – this volume investigates a set of unexplored events devoted to housing and dwelling, organised by technical, professional, cultural or governmental institutions from the interwar years to the Cold War. The book offers a first critical assessment of twentieth-century housing exhibits and explores the role of exhibitions in the codification of notions of domesticity, social models, policies, and architectural and urban discourse. At the intersection of housing studies and the history of exhibitions, ''The Housing Project'' not only offers a novel angle on architectural history but also enriches scholarly perspectives in urban studies, cultural and media history, design, and consumption studies.
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books
books
Publication:
August 2019
August 2019
Subject:
Collective Housing
Collective Housing
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books
books
Title:
Towards an articulated phenomenological interpretation of architecture: phenomenal phenomenology
Towards an articulated phenomenological interpretation of architecture: phenomenal phenomenology
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This book sheds light on the contemporary status of phenomenological discourse in architecture and investigates its current scholastic as well as practical position. Starting with a concise introduction to the philosophical grounds of phenomenology from the points of view of Husserl, Merleau-Ponty and Heidegger, it presents a critical reading of the works of some leading(...)
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This book sheds light on the contemporary status of phenomenological discourse in architecture and investigates its current scholastic as well as practical position. Starting with a concise introduction to the philosophical grounds of phenomenology from the points of view of Husserl, Merleau-Ponty and Heidegger, it presents a critical reading of the works of some leading(...)
Title:
Towards an articulated phenomenological interpretation of architecture: phenomenal phenomenology
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This book sheds light on the contemporary status of phenomenological discourse in architecture and investigates its current scholastic as well as practical position. Starting with a concise introduction to the philosophical grounds of phenomenology from the points of view of Husserl, Merleau-Ponty and Heidegger, it presents a critical reading of the works of some leading figures of architectural phenomenology in both theory and practice, such as Christian Norberg-Schultz, Kenneth Frampton, Juhani Pallasmaa, and Steven Holl. Highlighting the main challenges of the current phenomenological discourse in architecture, this book formulates a more articulated method of 'phenomenological interpretation' – dubbed 'phenomenal phenomenology' - as a new and innovative method of interpreting the built environment. Finally, using Tadao Ando's Langen Foundation Museum as a case study, it investigates the architect's contribution to phenomenological discourse, interprets and analyzes the Museum building using the new heuristic method, and thus provides a clear example of its applicability.
Towards an articulated phenomenological interpretation of architecture: phenomenal phenomenology
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This book sheds light on the contemporary status of phenomenological discourse in architecture and investigates its current scholastic as well as practical position. Starting with a concise introduction to the philosophical grounds of phenomenology from the points of view of Husserl, Merleau-Ponty and Heidegger, it presents a critical reading of the works of some leading figures of architectural phenomenology in both theory and practice, such as Christian Norberg-Schultz, Kenneth Frampton, Juhani Pallasmaa, and Steven Holl. Highlighting the main challenges of the current phenomenological discourse in architecture, this book formulates a more articulated method of 'phenomenological interpretation' – dubbed 'phenomenal phenomenology' - as a new and innovative method of interpreting the built environment. Finally, using Tadao Ando's Langen Foundation Museum as a case study, it investigates the architect's contribution to phenomenological discourse, interprets and analyzes the Museum building using the new heuristic method, and thus provides a clear example of its applicability.
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books
books
Publication:
October 2016
October 2016
Subject:
Architectural Theory
Architectural Theory
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books
books
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$48.95
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In this volume the author investigates the predominance of interdisciplinary discourse, exploring topics that range from public art to homelessness to the repression feminism in critical theories of public space.
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In this volume the author investigates the predominance of interdisciplinary discourse, exploring topics that range from public art to homelessness to the repression feminism in critical theories of public space.
Title:
Evictions : art and spatial politics
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In this volume the author investigates the predominance of interdisciplinary discourse, exploring topics that range from public art to homelessness to the repression feminism in critical theories of public space.
Evictions : art and spatial politics
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In this volume the author investigates the predominance of interdisciplinary discourse, exploring topics that range from public art to homelessness to the repression feminism in critical theories of public space.
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books
books
Publication:
October 1996, Cambridge, Mass.
October 1996, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
Foucault for architects
Foucault for architects
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From the mid-1960s onwards Michel Foucault has had a significant impact on diverse aspects of culture, knowledge and the arts including architecture and its critical discourse. The implications for architecture have been wide-ranging. His archaeological and genealogical approaches to knowledge have transformed architectural history and theory, while his attitude to arts(...)
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From the mid-1960s onwards Michel Foucault has had a significant impact on diverse aspects of culture, knowledge and the arts including architecture and its critical discourse. The implications for architecture have been wide-ranging. His archaeological and genealogical approaches to knowledge have transformed architectural history and theory, while his attitude to arts(...)
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Foucault for architects
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From the mid-1960s onwards Michel Foucault has had a significant impact on diverse aspects of culture, knowledge and the arts including architecture and its critical discourse. The implications for architecture have been wide-ranging. His archaeological and genealogical approaches to knowledge have transformed architectural history and theory, while his attitude to arts and aesthetics led to a renewed focus on the avant-garde. The book concentrates on a number of historical and theoretical issues often addressed by Foucault that have been grouped under the themes of archaeology, enclosure, bodies, spatiality and aesthetics in order to examine and demonstrate their relevancy for architectural knowledge, its history and its practice.
Foucault for architects
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From the mid-1960s onwards Michel Foucault has had a significant impact on diverse aspects of culture, knowledge and the arts including architecture and its critical discourse. The implications for architecture have been wide-ranging. His archaeological and genealogical approaches to knowledge have transformed architectural history and theory, while his attitude to arts and aesthetics led to a renewed focus on the avant-garde. The book concentrates on a number of historical and theoretical issues often addressed by Foucault that have been grouped under the themes of archaeology, enclosure, bodies, spatiality and aesthetics in order to examine and demonstrate their relevancy for architectural knowledge, its history and its practice.
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books
books
Publication:
December 2012
December 2012
Subject:
Architectural Theory
Architectural Theory
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books
books
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$42.95
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Robert A. M. Stern is one of contemporary architecture’s most influential figures, with a career encompassing every facet of the profession As a preeminent force in the discourse of the field, Stern was one of the first critics to use and analyze the term “postmodern” in architecture. This collection of essays—Stern’s first—brackets the years defined by the changes in(...)
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Robert A. M. Stern is one of contemporary architecture’s most influential figures, with a career encompassing every facet of the profession As a preeminent force in the discourse of the field, Stern was one of the first critics to use and analyze the term “postmodern” in architecture. This collection of essays—Stern’s first—brackets the years defined by the changes in(...)
Title:
Architecture on the edge of postmodernism
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Robert A. M. Stern is one of contemporary architecture’s most influential figures, with a career encompassing every facet of the profession As a preeminent force in the discourse of the field, Stern was one of the first critics to use and analyze the term “postmodern” in architecture. This collection of essays—Stern’s first—brackets the years defined by the changes in architectural thinking introduced by Robert Venturi in 1966 and the exhibition Deconstructivist Architecture at the Museum of Modern Art in 1988. Throughout, Stern provides close readings of architectural events and offers firsthand accounts of transformations in architectural thinking during a critical period.
Architecture on the edge of postmodernism
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Robert A. M. Stern is one of contemporary architecture’s most influential figures, with a career encompassing every facet of the profession As a preeminent force in the discourse of the field, Stern was one of the first critics to use and analyze the term “postmodern” in architecture. This collection of essays—Stern’s first—brackets the years defined by the changes in architectural thinking introduced by Robert Venturi in 1966 and the exhibition Deconstructivist Architecture at the Museum of Modern Art in 1988. Throughout, Stern provides close readings of architectural events and offers firsthand accounts of transformations in architectural thinking during a critical period.
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books
books
Publication:
November 2009
November 2009
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books
books
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$75.00
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Presenting a range of original perspectives on the theoretical work of Canadian architect George Baird, this publication constructs for the first time a critical framework of his contribution to architectural discourse over a period of more than 50 years. The influence of his writing on more recent scholarly work is also addressed. The book includes previously unpublished(...)
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Presenting a range of original perspectives on the theoretical work of Canadian architect George Baird, this publication constructs for the first time a critical framework of his contribution to architectural discourse over a period of more than 50 years. The influence of his writing on more recent scholarly work is also addressed. The book includes previously unpublished(...)
Title:
The Architect and the public: On George Baird's contribution to architecture
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Presenting a range of original perspectives on the theoretical work of Canadian architect George Baird, this publication constructs for the first time a critical framework of his contribution to architectural discourse over a period of more than 50 years. The influence of his writing on more recent scholarly work is also addressed. The book includes previously unpublished essays and interviews with key protagonists, among them Peter Eisenman and Kenneth Frampton, who have enjoyed intellectual exchanges with Baird. In total, eighteen contributors converge on Baird’s complex career as an example of the architect’s public engagement in contemporary society.
The Architect and the public: On George Baird's contribution to architecture
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Presenting a range of original perspectives on the theoretical work of Canadian architect George Baird, this publication constructs for the first time a critical framework of his contribution to architectural discourse over a period of more than 50 years. The influence of his writing on more recent scholarly work is also addressed. The book includes previously unpublished essays and interviews with key protagonists, among them Peter Eisenman and Kenneth Frampton, who have enjoyed intellectual exchanges with Baird. In total, eighteen contributors converge on Baird’s complex career as an example of the architect’s public engagement in contemporary society.
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books
books
Publication:
July 2020
July 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
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$41.99
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Summary:
This book presents over 120 of the key arguments of today's major architectural philosophers. These show that the modern architecture of the early part of this century has mutated into three main traditions: a critical and ecological post-modernism; a high-tech and sculptural late modernism, and deconstructive, subversive new modernism. Here are the seminal texts of James(...)
$41.99
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Summary:
This book presents over 120 of the key arguments of today's major architectural philosophers. These show that the modern architecture of the early part of this century has mutated into three main traditions: a critical and ecological post-modernism; a high-tech and sculptural late modernism, and deconstructive, subversive new modernism. Here are the seminal texts of James(...)
Title:
Theories and manifestoes of contemporary architecture
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$41.99
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This book presents over 120 of the key arguments of today's major architectural philosophers. These show that the modern architecture of the early part of this century has mutated into three main traditions: a critical and ecological post-modernism; a high-tech and sculptural late modernism, and deconstructive, subversive new modernism. Here are the seminal texts of James Stirling, Robert Venturi, Colin Rowe, Christopher Alexander, Frank Gehry, Reyner Banham, Bernard Tschumi, Rem Koolhaas and many others who have changed the discourse of architecture. Here also are the anti-modern texts of the traditionalists - Leon Krier, Demetri Porphyrios, Quinlan Terry, Prince Charles and others. Many of these texts are concise, edited versions of influential books. Reprinted in 2003.
Theories and manifestoes of contemporary architecture
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$41.99
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Summary:
This book presents over 120 of the key arguments of today's major architectural philosophers. These show that the modern architecture of the early part of this century has mutated into three main traditions: a critical and ecological post-modernism; a high-tech and sculptural late modernism, and deconstructive, subversive new modernism. Here are the seminal texts of James Stirling, Robert Venturi, Colin Rowe, Christopher Alexander, Frank Gehry, Reyner Banham, Bernard Tschumi, Rem Koolhaas and many others who have changed the discourse of architecture. Here also are the anti-modern texts of the traditionalists - Leon Krier, Demetri Porphyrios, Quinlan Terry, Prince Charles and others. Many of these texts are concise, edited versions of influential books. Reprinted in 2003.
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books
books
Publication:
September 1997, London
September 1997, London
Subject:
Architectural Theory
Architectural Theory
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books
books
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$62.00
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Summary:
"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet(...)
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"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet(...)
Title:
Mute icons: pressing dichotomy in contemporary architecture
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"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet engaging architectural images. No longer concerned with narrative excesses or with the "shock and awe" of sensation making; the mute icon becomes intriguing in its deceptive indifference towards context, perplexing in its unmitigated apathy towards the body. Object and building, absolute and unstable, anticipated and strange, manifest and withdrawn, such is the dichotomy of mute icons. Dwelling in the paradox between silence and sign and aiming to debunk a false dichotomy between critical discourse, a pursue of formal novelty and the attainment of social ethics, "Mute icons" reaffirms the cultural need and socio-political relevance of the architectural image, suggesting a much-needed resolution to the present but incorrect antagonism between formal innovation, social responsibility and economic austerity. Intersecting relevant historical antecedents and polemic theoretical speculations with original design concepts and provocative representations of P-A-T-T-E-R-N-S recent work, the book aspires to stimulate authentic speculations on the real.
Mute icons: pressing dichotomy in contemporary architecture
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$62.00
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Summary:
"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet engaging architectural images. No longer concerned with narrative excesses or with the "shock and awe" of sensation making; the mute icon becomes intriguing in its deceptive indifference towards context, perplexing in its unmitigated apathy towards the body. Object and building, absolute and unstable, anticipated and strange, manifest and withdrawn, such is the dichotomy of mute icons. Dwelling in the paradox between silence and sign and aiming to debunk a false dichotomy between critical discourse, a pursue of formal novelty and the attainment of social ethics, "Mute icons" reaffirms the cultural need and socio-political relevance of the architectural image, suggesting a much-needed resolution to the present but incorrect antagonism between formal innovation, social responsibility and economic austerity. Intersecting relevant historical antecedents and polemic theoretical speculations with original design concepts and provocative representations of P-A-T-T-E-R-N-S recent work, the book aspires to stimulate authentic speculations on the real.
Form:
books
books
Publication:
July 2021
July 2021
Subject:
Architectural Theory
Architectural Theory
