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Focused on post-labor, psychopathology, and plasticity of human mind and body, this book introduces insight, critiques, and propositions in the area of “self-design,” ranging from design and architecture to science, media, history, philosophy, and contemporary art. The field of design has radically expanded. As a practice, design is no longer limited to the world of(...)
Superhumanity: Post-labor, psychopathology, plasticity
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Focused on post-labor, psychopathology, and plasticity of human mind and body, this book introduces insight, critiques, and propositions in the area of “self-design,” ranging from design and architecture to science, media, history, philosophy, and contemporary art. The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects, but rather extends from carefully crafted individual looks and online identities, to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes.
Architectural Theory
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This book, published by Circo de Ideias, edited and authored by Francisco Ferreira, presents a critical and visual approach to George Lucas’s 1971 film THX 1138. "Space Fictions – Booklets on Architecture and Cinema (THX 1138. George Lucas, 1971)" is part of a collection developed as a space for reflection on the relationship between architecture and cinema, in the sense(...)
Space Fictions: Booklets on architecture and cinema (THX 1138. George Lucas, 1971)
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$12.00
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This book, published by Circo de Ideias, edited and authored by Francisco Ferreira, presents a critical and visual approach to George Lucas’s 1971 film THX 1138. "Space Fictions – Booklets on Architecture and Cinema (THX 1138. George Lucas, 1971)" is part of a collection developed as a space for reflection on the relationship between architecture and cinema, in the sense that both disciplines recognise themselves as artificial devices that make it possible to reach and manipulate the senses of space.
Architecture and Film, Set Design
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This book, published by Circo de Ideias and edited by Francisco Ferreira, with an essay by Dietrich Neumann, presents a critical and visual approach to Steven Soderbergh’s 2002 film Solaris. "Space Fictions – Booklets on Architecture and Cinema (Solaris. S. Soderbergh, 2002)" is part of a collection developed as a space for reflection on the relationship between(...)
Space Fictions: Booklets on architecture and cinema (Solaris. S. Soderbergh, 2002)
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This book, published by Circo de Ideias and edited by Francisco Ferreira, with an essay by Dietrich Neumann, presents a critical and visual approach to Steven Soderbergh’s 2002 film Solaris. "Space Fictions – Booklets on Architecture and Cinema (Solaris. S. Soderbergh, 2002)" is part of a collection developed as a space for reflection on the relationship between architecture and cinema, in the sense that both disciplines recognise themselves as artificial devices that make it possible to reach and manipulate the senses of space.
Architecture and Film, Set Design
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This book, published by Circo de Ideias and edited by Francisco Ferreira, with an essay by Alexandra Areia, presents a critical and visual approach to Roman Coppola’s 2001 film CQ. "Space Fictions – Booklets on Architecture and Cinema (CQ. Roman Coppola, 2001)" is part of a collection developed as a space for reflection on the relationship between architecture and(...)
Space Fictions: Booklets on architecture and cinema (CQ. Roman Coppola, 2001)
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$12.00
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This book, published by Circo de Ideias and edited by Francisco Ferreira, with an essay by Alexandra Areia, presents a critical and visual approach to Roman Coppola’s 2001 film CQ. "Space Fictions – Booklets on Architecture and Cinema (CQ. Roman Coppola, 2001)" is part of a collection developed as a space for reflection on the relationship between architecture and cinema, in the sense that both disciplines recognise themselves as artificial devices that make it possible to reach and manipulate the senses of space.
Architecture and Film, Set Design
Space Fictions: Booklets on architecture and cinema (Being John Malkovich. Spike Jonze, 1999)
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This book, published by Circo de Ideias and edited by Francisco Ferreira, with an essay by Susana Ventura, presents a critical and visual approach to Spike Jonze’s 1999 film Being John Malkovich. "Space Fictions – Booklets on Architecture and Cinema (Being John Malkovich. Spike Jonze, 1999)" is part of a collection developed as a space for reflection on the relationship(...)
Space Fictions: Booklets on architecture and cinema (Being John Malkovich. Spike Jonze, 1999)
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$12.00
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This book, published by Circo de Ideias and edited by Francisco Ferreira, with an essay by Susana Ventura, presents a critical and visual approach to Spike Jonze’s 1999 film Being John Malkovich. "Space Fictions – Booklets on Architecture and Cinema (Being John Malkovich. Spike Jonze, 1999)" is part of a collection developed as a space for reflection on the relationship between architecture and cinema, in the sense that both disciplines recognise themselves as artificial devices that make it possible to reach and manipulate the senses of space.
Architecture and Film, Set Design
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This book, published by Circo de Ideias and edited by Francisco Ferreira, with an essay by Joaquim Sapinho, presents a critical and visual approach to Robert Wiene’s 1920 film Das Cabinet des Dr. Caligari. "Space Fictions – Booklets on Architecture and Cinema (Das Cabinet des Dr. Caligari. Robert Wiene, 1920)" is part of a collection developed as a space for reflection(...)
Space Fictions: Booklets on architecture and cinema (Das Cabinet des Dr. Caligari. Robert Wiene, 1920)
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This book, published by Circo de Ideias and edited by Francisco Ferreira, with an essay by Joaquim Sapinho, presents a critical and visual approach to Robert Wiene’s 1920 film Das Cabinet des Dr. Caligari. "Space Fictions – Booklets on Architecture and Cinema (Das Cabinet des Dr. Caligari. Robert Wiene, 1920)" is part of a collection developed as a space for reflection on the relationship between architecture and cinema, in the sense that both disciplines recognise themselves as artificial devices that make it possible to reach and manipulate the senses of space.
Architecture and Film, Set Design
The smart loft
$59.95
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What makes a loft smart? This book presents the extraordinary designs of recently completed lofts that highlight three kinds of smart solutions. Through smart technology, a variety of electronic devices attend to your needs while in the loft, and carry on a variety of necessary functions while you're away. Smart materials provide solutions through newly invented building(...)
Residential Architecture
November 2003, New York
The smart loft
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What makes a loft smart? This book presents the extraordinary designs of recently completed lofts that highlight three kinds of smart solutions. Through smart technology, a variety of electronic devices attend to your needs while in the loft, and carry on a variety of necessary functions while you're away. Smart materials provide solutions through newly invented building materials and innovative twists on traditional ones. And smart design is used by ingenious architects with difficult design challenges to transcend these problems and create spectacular lofts, often on a very modest budget.
Residential Architecture
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Why architects still draw
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Why would an architect reach for a pencil when drawing software and AutoCAD are a click away? Use a ruler when 3D-scanners and GPS devices are close at hand? In Why Architects Still Draw, Paolo Belardi offers an elegant and ardent defense of drawing by hand as a way of thinking. Belardi is no Luddite; he doesn't urge architects to give up digital devices for watercolors(...)
Why architects still draw
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Why would an architect reach for a pencil when drawing software and AutoCAD are a click away? Use a ruler when 3D-scanners and GPS devices are close at hand? In Why Architects Still Draw, Paolo Belardi offers an elegant and ardent defense of drawing by hand as a way of thinking. Belardi is no Luddite; he doesn't urge architects to give up digital devices for watercolors and a measuring tape. Rather, he makes a case for drawing as the interface between the idea and the work itself. A drawing, Belardi argues, holds within it the entire final design. It is the paradox of the acorn: a project emerges from a drawing-even from a sketch, rough and inchoate-just as an oak tree emerges from an acorn. Citing examples not just from architecture but also from literature, chemistry, music, archaeology, and art, Belardi shows how drawing is not a passive recording but a moment of invention pregnant with creative possibilities.
books
March 2014
Architectural Theory
books
$25.95
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Ann Pendleton-Jullian tells the story of the Open City in Ritoque, Chile, a designed city still in formation that has no master plan, no imposed ordering devices, and no hierarchical networks of infrastructure. The strange buildings placed among dunes and grasslands (...)
The road that is not a road and the open city, Ritoque, Chile
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Ann Pendleton-Jullian tells the story of the Open City in Ritoque, Chile, a designed city still in formation that has no master plan, no imposed ordering devices, and no hierarchical networks of infrastructure. The strange buildings placed among dunes and grasslands reflect instead the mind's translation of urban phenomena and natural phenomena relative to the construction of memory, and a process of composition that is not dependent on stylistic precedents, drawing boards, or academic discourse. Teaching takes place on site and employs poetic methods to activate the design process; the endeavor is considered more important than the result. More than 100 photographs are included, capturing the mystical spirit of the place and of its architecture. With a foreword by Joseph Rykwert.
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November 1996, Cambridge, Mass.
Urban Theory
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The Valparaíso School, as it became known, acquired an international reputation for its radical stance and its commitment to dialogue between architects and other disciplines. Since 1970 the Valparaíso School has focused much of its research and design activity on the open city (ciudad abierta) project, created by a group of architects, artists, poets, and engineers(...)
Architectural Theory
August 2003, Montreal / Kingston
Valparaiso School : open city group
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The Valparaíso School, as it became known, acquired an international reputation for its radical stance and its commitment to dialogue between architects and other disciplines. Since 1970 the Valparaíso School has focused much of its research and design activity on the open city (ciudad abierta) project, created by a group of architects, artists, poets, and engineers with a vision of a city with "no master plan, no imposed ordering devices, and no hierarchical networks of infrastructure." Originally set up as a laboratory-type environment, this alternative community has since become the place of residence and work for many people. "Valparaíso School: open city group" provides insight into this radical experiment in urban development through a series of essays and photographs.
Architectural Theory