5874 Results
Form:
exhibitions
exhibitions
Description:
This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
11 September 2009 to 10 January 2010
11 September 2009 to 10 January 2010
Title:
Carlo Scarpa's Tomba Brion: Photographs by Guido Guidi, 1997-2007
Actions:
Description:
This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
Carlo Scarpa's Tomba Brion: Photographs by Guido Guidi, 1997-2007
Actions:
Description:
This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
Form:
exhibitions
exhibitions
Date:
11 September 2009 to
10 January 2010
11 September 2009 to
10 January 2010
Location:
Octagonal gallery
Octagonal gallery
Level of archival description:
Project
Project
Reference number:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
People:
Date:
1971-2017
1971-2017
Title:
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Level of archival description:
Project
Project
Date:
1971-2017
1971-2017
People:
Form:
events
events
Description:
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
27 September 2007
27 September 2007
Title:
Naoya Hatakeyama and Hubertus von Amelunxen in Conversation
Actions:
Description:
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
Naoya Hatakeyama and Hubertus von Amelunxen in Conversation
Actions:
Description:
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
Form:
events
events
Date:
27 September 2007
27 September 2007
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
exhibitions
exhibitions
Actions:
Description:
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
Location:
Main galleries
Main galleries
Date:
8 September 1992 to 28 February 1993
8 September 1992 to 28 February 1993
Title:
Opening the Gates of Eighteenth-Century Montréal
Actions:
Description:
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
Opening the Gates of Eighteenth-Century Montréal
Actions:
Description:
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
Form:
exhibitions
exhibitions
Date:
8 September 1992 to
28 February 1993
8 September 1992 to
28 February 1993
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Mel Ziegler: Growing Concern
Mel Ziegler: Growing Concern
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Description:
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
Location:
Baile Park
Baile Park
Date:
16 June 1998 to 8 November 1998
16 June 1998 to 8 November 1998
Title:
Mel Ziegler: Growing Concern
Actions:
Description:
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
Mel Ziegler: Growing Concern
Actions:
Description:
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
Form:
exhibitions
exhibitions
Date:
16 June 1998 to
8 November 1998
16 June 1998 to
8 November 1998
Location:
Baile Park
Baile Park
Form:
events
events
Title:
Learning from... Calgary
Learning from... Calgary
Actions:
Description:
Andrew Nikiforuk presents a talk entitled The political architecture of extreme oil, on the rapid development of bitumen in northern Alberta and its effects on the character of the region, and the country. Although the problems of oil exporting countries are well studied, Canada has yet to consider them or prepare for future oil price shocks. A journalist, Andrew(...)
Andrew Nikiforuk presents a talk entitled The political architecture of extreme oil, on the rapid development of bitumen in northern Alberta and its effects on the character of the region, and the country. Although the problems of oil exporting countries are well studied, Canada has yet to consider them or prepare for future oil price shocks. A journalist, Andrew(...)
Location:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
17 March 2011 , 7pm
17 March 2011 , 7pm
Title:
Learning from... Calgary
Actions:
Description:
Andrew Nikiforuk presents a talk entitled The political architecture of extreme oil, on the rapid development of bitumen in northern Alberta and its effects on the character of the region, and the country. Although the problems of oil exporting countries are well studied, Canada has yet to consider them or prepare for future oil price shocks. A journalist, Andrew(...)
Learning from... Calgary
Actions:
Description:
Andrew Nikiforuk presents a talk entitled The political architecture of extreme oil, on the rapid development of bitumen in northern Alberta and its effects on the character of the region, and the country. Although the problems of oil exporting countries are well studied, Canada has yet to consider them or prepare for future oil price shocks. A journalist, Andrew(...)
Form:
events
events
Date:
17 March 2011
7pm
17 March 2011
7pm
Location:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Form:
exhibitions
exhibitions
Actions:
Description:
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
29 September 2016 to 22 January 2017
29 September 2016 to 22 January 2017
Title:
17 Volcanoes: Works by Franz Wilhelm Junghuhn, Armin Linke, and Bas Princen
Actions:
Description:
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
17 Volcanoes: Works by Franz Wilhelm Junghuhn, Armin Linke, and Bas Princen
Actions:
Description:
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
Form:
exhibitions
exhibitions
Date:
29 September 2016 to
22 January 2017
29 September 2016 to
22 January 2017
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
30 January 2014 to 25 May 2014
30 January 2014 to 25 May 2014
Title:
Photographing the Arab City in the Nineteenth Century
Actions:
Description:
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Photographing the Arab City in the Nineteenth Century
Actions:
Description:
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Form:
exhibitions
exhibitions
Date:
30 January 2014 to
25 May 2014
30 January 2014 to
25 May 2014
Location:
Octagonal gallery
Octagonal gallery
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Gianni Pettena fonds
Gianni Pettena fonds
Reference number:
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
People:
Date:
1960-2019
1960-2019
Title:
Gianni Pettena fonds
Actions:
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Gianni Pettena fonds
Actions:
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1960-2019
1960-2019
People:
Form:
events
events
Actions:
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
25 January 2024, 6pm
25 January 2024, 6pm
Form:
events
events
Date:
25 January 2024
6pm
25 January 2024
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
