5344 Results
Level of archival description:
Series
Series
Reference number:
AP163.S1
Description:
Series documents Victor Prus's student work at the School of Architecture at Liverpool and his work as assistant professor at the Polish University College of London. Series also includes other material, including drawings and textual material, that was probably produced during the period between 1949 and 1952, when Prus was working in England, including material related to his work as Senior Executive Officer at the Festival of Britain. Material in this series was produced between 1946 and 1952. Series contains conceptual, design development, working and presentation drawings, presentation panels, photographic materials and textual records.
AP163.S1
Description:
Series documents Victor Prus's student work at the School of Architecture at Liverpool and his work as assistant professor at the Polish University College of London. Series also includes other material, including drawings and textual material, that was probably produced during the period between 1949 and 1952, when Prus was working in England, including material related to his work as Senior Executive Officer at the Festival of Britain. Material in this series was produced between 1946 and 1952. Series contains conceptual, design development, working and presentation drawings, presentation panels, photographic materials and textual records.
People:
Date:
1946-1952
1946-1952
Title:
Student and professional work in England
Actions:
AP163.S1
Description:
Series documents Victor Prus's student work at the School of Architecture at Liverpool and his work as assistant professor at the Polish University College of London. Series also includes other material, including drawings and textual material, that was probably produced during the period between 1949 and 1952, when Prus was working in England, including material related to his work as Senior Executive Officer at the Festival of Britain. Material in this series was produced between 1946 and 1952. Series contains conceptual, design development, working and presentation drawings, presentation panels, photographic materials and textual records.
Student and professional work in England
Actions:
AP163.S1
Description:
Series documents Victor Prus's student work at the School of Architecture at Liverpool and his work as assistant professor at the Polish University College of London. Series also includes other material, including drawings and textual material, that was probably produced during the period between 1949 and 1952, when Prus was working in England, including material related to his work as Senior Executive Officer at the Festival of Britain. Material in this series was produced between 1946 and 1952. Series contains conceptual, design development, working and presentation drawings, presentation panels, photographic materials and textual records.
Level of archival description:
Series 1
Series 1
Date:
1946-1952
1946-1952
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
People:
Date:
1997-1998
1997-1998
Title:
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Form:
textual records
textual records
Date:
1997-1998
1997-1998
People:
Form:
events
events
Actions:
Description:
Visiting Scholar Irene Sunwoo presents her research: During the 1970s and 1980s, the Architectural Association (AA) in London tested a “marketplace” model of architectural education that supported an array of theoretical investigations. Exploring issues including politics, phenomenology, semiotics, sustainability, literature, and third-world housing, the school became a(...)
Visiting Scholar Irene Sunwoo presents her research: During the 1970s and 1980s, the Architectural Association (AA) in London tested a “marketplace” model of architectural education that supported an array of theoretical investigations. Exploring issues including politics, phenomenology, semiotics, sustainability, literature, and third-world housing, the school became a(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
27 July 2017, 6pm
27 July 2017, 6pm
Title:
Visiting Scholar Seminar: Irene Sunwoo
Actions:
Description:
Visiting Scholar Irene Sunwoo presents her research: During the 1970s and 1980s, the Architectural Association (AA) in London tested a “marketplace” model of architectural education that supported an array of theoretical investigations. Exploring issues including politics, phenomenology, semiotics, sustainability, literature, and third-world housing, the school became a(...)
Visiting Scholar Seminar: Irene Sunwoo
Actions:
Description:
Visiting Scholar Irene Sunwoo presents her research: During the 1970s and 1980s, the Architectural Association (AA) in London tested a “marketplace” model of architectural education that supported an array of theoretical investigations. Exploring issues including politics, phenomenology, semiotics, sustainability, literature, and third-world housing, the school became a(...)
Form:
events
events
Date:
27 July 2017
6pm
27 July 2017
6pm
Location:
Shaughnessy House
Shaughnessy House
Form:
exhibitions
exhibitions
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Location:
Main galleries
Main galleries
Date:
19 July 1994 to 25 September 1994
19 July 1994 to 25 September 1994
Title:
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Form:
exhibitions
exhibitions
Date:
19 July 1994 to
25 September 1994
19 July 1994 to
25 September 1994
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Location:
Main galleries
Main galleries
Date:
26 May 1999 to 31 October 1999
26 May 1999 to 31 October 1999
Title:
Carlo Scarpa, Architect: Intervening with History
Actions:
Description:
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Carlo Scarpa, Architect: Intervening with History
Actions:
Description:
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Form:
exhibitions
exhibitions
Date:
26 May 1999 to
31 October 1999
26 May 1999 to
31 October 1999
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Reference number:
AP142.S1.D93
Description:
File documents an unexecuted project for new buildings for the School of Architecture, University of Miami, Coral Gables, Florida. Material in this file was produced between 1986 and 1990. File contains design drawings, design development drawings, working drawings, and presentation drawings. File also contains textual records, including correspondence, building codes, an architect's report, poems from Iraklis G. Mavromatidis, an aerial view, drawings and 137 slides of the site.
AP142.S1.D93
Description:
File documents an unexecuted project for new buildings for the School of Architecture, University of Miami, Coral Gables, Florida. Material in this file was produced between 1986 and 1990. File contains design drawings, design development drawings, working drawings, and presentation drawings. File also contains textual records, including correspondence, building codes, an architect's report, poems from Iraklis G. Mavromatidis, an aerial view, drawings and 137 slides of the site.
People:
Date:
1986-1990
1986-1990
Title:
University of Miami, New School of Architecture
Actions:
AP142.S1.D93
Description:
File documents an unexecuted project for new buildings for the School of Architecture, University of Miami, Coral Gables, Florida. Material in this file was produced between 1986 and 1990. File contains design drawings, design development drawings, working drawings, and presentation drawings. File also contains textual records, including correspondence, building codes, an architect's report, poems from Iraklis G. Mavromatidis, an aerial view, drawings and 137 slides of the site.
University of Miami, New School of Architecture
Actions:
AP142.S1.D93
Description:
File documents an unexecuted project for new buildings for the School of Architecture, University of Miami, Coral Gables, Florida. Material in this file was produced between 1986 and 1990. File contains design drawings, design development drawings, working drawings, and presentation drawings. File also contains textual records, including correspondence, building codes, an architect's report, poems from Iraklis G. Mavromatidis, an aerial view, drawings and 137 slides of the site.
Level of archival description:
File 93
File 93
Date:
1986-1990
1986-1990
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Location:
Hall cases
Hall cases
Date:
17 January 1990 to 22 April 1990
17 January 1990 to 22 April 1990
Title:
Process as Interpretation: Photographs from the CCA
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Process as Interpretation: Photographs from the CCA
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Form:
exhibitions
exhibitions
Date:
17 January 1990 to
22 April 1990
17 January 1990 to
22 April 1990
Location:
Hall cases
Hall cases
Level of archival description:
Series
Series
Reference number:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
People:
Date:
1958-2016
1958-2016
Title:
Correspondence and recommendation letters
Actions:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Correspondence and recommendation letters
Actions:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Level of archival description:
Series
Series
Date:
1958-2016
1958-2016
People:
Form:
exhibitions
exhibitions
Actions:
Description:
*Cities of Artificial Excavation: The Work of Peter Eisenman, 1978–1988* explores how American architect and writer Peter Eisenman questioned the concept of “site,” and demonstrates the importance of drawing and modelmaking in generating his ideas. The exhibition reveals the richness and complexity of the design process by looking carefully at Eisenman’s drawings and(...)
*Cities of Artificial Excavation: The Work of Peter Eisenman, 1978–1988* explores how American architect and writer Peter Eisenman questioned the concept of “site,” and demonstrates the importance of drawing and modelmaking in generating his ideas. The exhibition reveals the richness and complexity of the design process by looking carefully at Eisenman’s drawings and(...)
Location:
Main galleries
Main galleries
Date:
2 March 1994 to 19 June 1994
2 March 1994 to 19 June 1994
Title:
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988
Actions:
Description:
*Cities of Artificial Excavation: The Work of Peter Eisenman, 1978–1988* explores how American architect and writer Peter Eisenman questioned the concept of “site,” and demonstrates the importance of drawing and modelmaking in generating his ideas. The exhibition reveals the richness and complexity of the design process by looking carefully at Eisenman’s drawings and(...)
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988
Actions:
Description:
*Cities of Artificial Excavation: The Work of Peter Eisenman, 1978–1988* explores how American architect and writer Peter Eisenman questioned the concept of “site,” and demonstrates the importance of drawing and modelmaking in generating his ideas. The exhibition reveals the richness and complexity of the design process by looking carefully at Eisenman’s drawings and(...)
Form:
exhibitions
exhibitions
Date:
2 March 1994 to
19 June 1994
2 March 1994 to
19 June 1994
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Melvin Charney fonds
Melvin Charney fonds
Reference number:
AP041
Synopsis:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
AP041
Synopsis:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
People:
Date:
1947-2012
1947-2012
Title:
Melvin Charney fonds
Actions:
AP041
Synopsis:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
Melvin Charney fonds
Actions:
AP041
Synopsis:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2012
1947-2012
People:
