The city and the city
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Author China Miéville delivers an existential thriller set in a city unlike any other – real or imagined. When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than(...)
The city and the city
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Author China Miéville delivers an existential thriller set in a city unlike any other – real or imagined. When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined. Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives. What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities. Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, "The City & the City" is a murder mystery taken to dazzling metaphysical and artistic heights.
Situationism
Immaterialism
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What objects exist in the social world and how should we understand them? Is a specific Pizza Hut restaurant as real as the employees, tables, napkins and pizzas of which it is composed, and as real as the Pizza Hut corporation with its headquarters in Wichita, the United States, the planet Earth and the social and economic impact of the restaurant on the lives of its(...)
Immaterialism
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What objects exist in the social world and how should we understand them? Is a specific Pizza Hut restaurant as real as the employees, tables, napkins and pizzas of which it is composed, and as real as the Pizza Hut corporation with its headquarters in Wichita, the United States, the planet Earth and the social and economic impact of the restaurant on the lives of its employees and customers? In this book the founder of object-oriented philosophy develops his approach in order to shed light on the nature and status of objects in social life. While it is often assumed that an interest in objects amounts to a form of materialism, Harman rejects this view and develops instead an "immaterialist" method. By examining the work of leading contemporary thinkers such as Bruno Latour and Levi Bryant, he develops a forceful critique of "actor-network theory." In an extended discussion of Leibniz’s famous example of the Dutch East India Company, Harman argues that this company qualifies for objecthood neither through "what it is" or "what it does," but through its irreducibility to either of these forms. The phases of its life, argues Harman, are not demarcated primarily by dramatic incidents but by moments of symbiosis, a term he draws from the biologist Lynn Margulis. This book provides a key counterpoint to the now ubiquitous social theories of constant change, holistic networks, performative identities, and the construction of things by human practice. It will appeal to anyone interested in cutting-edge debates in philosophy and social and cultural theory.
Critical Theory
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The projects brought together in this book refer to new architectures applied on locations that have experienced, firstly, sporadic warfare; secondly, areas where the earth has functioned as a source of geological workings; and thirdly, marginal territories and urban environments that have undergone industrial development. This initial structure proposes, then, three(...)
Afterwards: remaking landscapes
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The projects brought together in this book refer to new architectures applied on locations that have experienced, firstly, sporadic warfare; secondly, areas where the earth has functioned as a source of geological workings; and thirdly, marginal territories and urban environments that have undergone industrial development. This initial structure proposes, then, three categories as points of reference for linking the contents, with sufficient flexibility for the final argument to be seen via other intersecting readings, tracing associations from one category to another. Thus, apart from the deliberate intensity of each intervention, and far from anchoring this in one or another group according to its nature, we present a wide range of projects hand led in terms of their specific singularities, while emphasizing their abilities and their potential to embrace new uses. Other documents are also presented to strengthen this argument, documents that provide alternatives to the architectural discipline and serve as possible comparable approaches: from the journalistic record to the clearly artistic contribution, taking in the scientific report. These documents will speak (also in terms of their particular uniqueness) of the abstraction and universalization of the degraded territory independently of the moment, its nature and causes. What, finally, the schemes presented share is that in terms of their execution they span a generally extended period of time; on top of that, the participation of institutions and administrative bodies as major sponsors; and, along with an impact on the contemporary landscape, a set of differentiated strategies and mechanisms of intervention
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January 1900, Barcelona
Gardens
Nozone x: forecast
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Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated(...)
Graphic Design and Typography
September 2008, New York
Nozone x: forecast
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Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated with dry charts and graphs predicting technological, economic, and ecological transformations that are already dramatically altering the way we live. Forecast revisualizes these abstractions about everything from our environment to our waistlines, from the stock market to the Middle East through the eyes of cartoonists and graphic designers who have made comics with a conscience: Ward Sutton imagines a nation divided into a red and a blue zone; Paula Scher maps out the Northern Hemisphere of 2100; Elizabeth Amon interviews New Yorker journalist Elizabeth Kolbert on global warming; and Tom Tomorrow looks back on the legacy of Bush-Cheney. Ultimately, Forecast is an optimistic book: using humor, it encourages all of us to take responsibility for predictions of the future and to take action to affect change. Forecast is the latest installment of Nozone. Featured in the Cooper Hewitt's Design Triennial, Nozone is a decade-old political graphic design and comics zine, edited around a theme. Nicholas Blechman is principal of Knickerbocker Design in New York City and art director of the New York Times Book Review. He is the editor of Empire and co-author of Evil, both published by Princeton Architectural Press. Blechman is publisher of the award-winning political underground magazine Nozone.
Graphic Design and Typography
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Amidst city concrete and suburban sprawl, Americans are discovering new ways to reconnect with the natural world. From community gardens in New York's Lower East Side to homeless shelters in California, the search for a more sustainable future has led grassroots groups to a profound reconnection to place and to the natural world. Studies of the health consequences of(...)
Urban place : reconnecting with the natural world
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Amidst city concrete and suburban sprawl, Americans are discovering new ways to reconnect with the natural world. From community gardens in New York's Lower East Side to homeless shelters in California, the search for a more sustainable future has led grassroots groups to a profound reconnection to place and to the natural world. Studies of the health consequences of renewing a connection with nature support the urgency of providing green surroundings as cities expand and the majority of the earth's population lives in urban areas. Medical research results, from groups as diverse as healthy volunteers, surgery patients, and heart attack survivors, suggest that contact with nature may improve health and well-being. Engagement with nearby natural places also provides restoration from mental fatigue and support for more resilient and cooperative behavior. Aspects of stronger community life are fostered by access to nature, suggesting that there are significant social as well as physical and psychological benefits from connection with the natural world. This volume brings together research from anthropology, sociology, public health, psychology, and landscape architecture to highlight how awareness of locale and a meaningful renewal of attachment with the earth are connected to delight in learning about nature as well as to civic action and new forms of community. Community garden coalitions, organic market advocates, and greenspace preservationists resist the power of global forces, enacting visions of a different future. Their creative efforts tell a story of a constructive and dynamic middle ground between private plots and public action, between human health and ecosystem health, between individual attachment and urban sustainability.
Urban Theory
Antarctic resolution
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Accounting for approximately 10% of the land mass of Planet Earth, the Antarctic is a global commons we collectively neglect. Far from being a pristine natural landscape, the continent is a contested territory which conceals resources that might prove irresistible in a world with ever-increasing population growth. The 26 quadrillion tons of ice accumulated on its bedrock,(...)
Antarctic resolution
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Accounting for approximately 10% of the land mass of Planet Earth, the Antarctic is a global commons we collectively neglect. Far from being a pristine natural landscape, the continent is a contested territory which conceals resources that might prove irresistible in a world with ever-increasing population growth. The 26 quadrillion tons of ice accumulated on its bedrock, equivalent to around 70% of the fresh water on our planet, represent at once the most significant repository of scientific data available, providing crucial information for future environmental policies, and the greatest menace to global coastal settlements threatened by the rise in sea levels induced by anthropogenic global warming. ''Antarctic Resolution'' advocates the rejection of the pixelated view of Antarctica offered to us by big data companies and urges the construction of a high-resolution image focusing on the continent’s unique geography, unparalleled scientific potential, contemporary geopolitical significance, experimental governance system and its extreme inhabitation model. Only the concerted determination of a transnational network of multidisciplinary polar experts—represented here in the form of authored texts, photographic essays and data-based visual portfolios—could construct such an image and reveal the intricate web of growing economic and strategic interests, tensions and international rivalries, which are enveloped in darkness, as is the continent for six months of the year. Learning from Antarctica’s spirit of cooperation, ''Antarctic Resolution'' aspires to launch a platform, an agency for change, where citizens can undertake a true Antarctic resolution and engage in a unanimous effort—independent of nation—to shape the future of the Antarctic and, in turn, of our planet.
Contemporary Architecture
Notes on the Underground
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The underground has always played a prominent role in human imaginings, both as a place of refuge and as a source of fear. The late nineteenth century saw a new fascination with the underground as Western societies tried to cope with the pervasive changes of a new social and technological order. In Notes on the Underground, Rosalind Williams takes us inside that critical(...)
Notes on the Underground
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The underground has always played a prominent role in human imaginings, both as a place of refuge and as a source of fear. The late nineteenth century saw a new fascination with the underground as Western societies tried to cope with the pervasive changes of a new social and technological order. In Notes on the Underground, Rosalind Williams takes us inside that critical historical moment, giving equal coverage to actual and imaginary undergrounds. She looks at the real-life invasions of the underground that occurred as modern urban infrastructures of sewers and subways were laid, and at the simultaneous archaeological excavations that were unearthing both human history and the planet’s deep past. She also examines the subterranean stories of Verne, Wells, Forster, Hugo, Bulwer-Lytton, and other writers who proposed alternative visions of the coming technological civilization. Williams argues that these imagined and real underground environments provide models of human life in a world dominated by human presence and offer a prophetic look at today’s technology-dominated society. In a new afterword written for this edition, Williams points out that her book traces the emergence in the nineteenth century of what we would now call an environmental consciousness--an awareness that there will be consequences when humans live in a sealed, finite environment. Today we are more aware than ever of our limited biosphere and how vulnerable it is. Notes on the Underground, now even more than when it first appeared, offers a guide to the human, cultural, and technical consequences of what Williams calls "the human empire on earth."
Architectural Theory
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Paul Shepheard's previous book, What is Architecture?, was about making real, material things in the world -- landscapes, buildings, and machines. The Cultivated Wilderness is about those landscapes, and about the strategies that govern what we've done in shaping them.In the author's words, this book is about "seeing things that are too big to see." His emphasis on(...)
The cultivated wilderness or, what is landscape?
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Paul Shepheard's previous book, What is Architecture?, was about making real, material things in the world -- landscapes, buildings, and machines. The Cultivated Wilderness is about those landscapes, and about the strategies that govern what we've done in shaping them.In the author's words, this book is about "seeing things that are too big to see." His emphasis on strategy makes landscape fundamental -- he says that every architectural move is set in a landscape. Norman England, for example, was constructed as a network of strong points, in a strategy of occupation. The eighteenth-century grid cities of the New World reflect a strategy of reason. Our current strategy is the economic exploitation of the Earth, an intricately woven blanket of commerce that covers up a multitude of other possibilities, many other ways to treat the surface of the globe -- some of which are the landscapes revealed in this book.In a series of first-person narratives, reminiscent of his last book, the author pairs six landscapes, in order of descending scale from global to local, from the seven wonders of the ancient world to the condensed destruction of World War I's Western Front. In an engaging style, Shepheard takes the reader on an odyssey through these landscapes, meeting people and seeing places. He states that now, at the end of a century in which the appropriate landscape was sought but never found, the strategy of turning the land to profit is under review -- and offers this book as his contribution to that review.
Landscape Theory
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Landforms are a fast-developing art form that enjoy a wide following today, because of their multiple uses and their enveloping beauty. As formal landscapes that often arise from necessity - recycling a coal site for human use or making new use of excess earth - they are a pleasure to walk over and through. In this collection of his recent work, Charles Jencks explains(...)
The universe in the landscape: landforms by Charles Jencks
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Landforms are a fast-developing art form that enjoy a wide following today, because of their multiple uses and their enveloping beauty. As formal landscapes that often arise from necessity - recycling a coal site for human use or making new use of excess earth - they are a pleasure to walk over and through. In this collection of his recent work, Charles Jencks explains his particular approach to the landform. Like the prehistoric earthworks of Britain that have been an inspiration, such as Stonehenge, his landforms contain cosmic symbolism, and they draw together sculpture, epigraphy, water, gardens, scrap metal and architecture. They address perennial themes - identity, patterns of nature, death and the power of life - but in a contemporary way, based on the insights of science. So Jencks portrays universal aspects of DNA, the spacetime warp of a black hole, the extraordinary way cells divide and unite and some basic forms of life. In this publication Jencks seeks to define a new landscape iconography based on forms and themes that may be eternal, in the sense that they crystallise nature's laws, some of which have been recently discovered. To see a world in a grain of sand was a poetic quest of William Blake and, in a different sense, to find the universe in a ritual landscape was a goal of prehistoric cultures. Jencks allies these spiritual affinities with the view of science that stresses the common patterns that underlie all parts of the cosmos, thus making them like our home planet, and the universe in a landscape.
Landscape Architecture, Monographs
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What is a designer proposes what design could be: there is no question mark in its title. Potter’s book is unusual in combining elevated ideas with down-to-earth advice. The first edition was published by Studio Vista in 1969. The second edition, published by Hyphen Press in 1980, was a very different work: completely reset and with new chapters that doubled the book in(...)
What is a designer : things, places, messages
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What is a designer proposes what design could be: there is no question mark in its title. Potter’s book is unusual in combining elevated ideas with down-to-earth advice. The first edition was published by Studio Vista in 1969. The second edition, published by Hyphen Press in 1980, was a very different work: completely reset and with new chapters that doubled the book in extent. A third edition (1989) incorporated revisions and updatings, and included a new introduction in which Norman Potter considered his own position in the light of the tremendous changes of the 1980s: some sharp blows were delivered at ‘designer culture’. Now, after the author’s death in 1995, the book is reissued in what must be a final edition: the outdated references again excised, to leave the enduring core of Potter’s arguments. The three parts of the book are signalled visibly by a change of paper colour. The first part contains a sequence of quite general essays. A number of central ideas are discussed here. Design is essentially a useful and modest art. The designer is at the service of the community. These principles should animate education. Potter casts a critical and sceptical eye over the realities of design education. In the reference section the book stands apart from other literature on design, in its discussions of the processes of getting work done. Finally there is a set of appendixes, prodding the reader into thought and action. The book has no visual illustrations. By this means it achieves a greater generality of reference and — true to its critical principles — avoids giving readers models for imitation. The book includes an afterword by Robin Kinross.
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April 2002, London
Graphic Design and Typography