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The maps in this book are drawn with satellites, assembled with pixels radioed from outer space, and constructed from statistics; they record situations of intense conflict and express fundamental transformations in our ways of seeing and of experiencing space. These maps are built with GPS, remote sensing satellites,or GIS: digital spatial hardware and software designed(...)
Close up at a distance: mapping, technology and politics
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The maps in this book are drawn with satellites, assembled with pixels radioed from outer space, and constructed from statistics; they record situations of intense conflict and express fundamental transformations in our ways of seeing and of experiencing space. These maps are built with GPS, remote sensing satellites,or GIS: digital spatial hardware and software designed for such military and governmental uses as reconnaissance, secrecy, monitoring, ballistics, the census, and national security. Rather than shying away from the politics and complexities of their intended uses, Laura Kurgan attempts to illuminate them. Poised at the intersection of art, architecture, activism, and geography, her analysis uncovers the implicit biases of the new views, the means of recording information they present, and the new spaces they have opened up.
Architectural Plans and Cartography
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This diverse, literary patchwork of Rio de Janeiro contains 10 short stories set in varied quarters of the city drawing on its inhabitants' experiences of recent historical and cultural changes. From Copacabana's thriving LGBT scene in the 1960s where the military dictatorship simultaneously terrorizes and represses politically-minded citizens, to the exhausted labourers(...)
The book of Rio: a city in short fiction
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This diverse, literary patchwork of Rio de Janeiro contains 10 short stories set in varied quarters of the city drawing on its inhabitants' experiences of recent historical and cultural changes. From Copacabana's thriving LGBT scene in the 1960s where the military dictatorship simultaneously terrorizes and represses politically-minded citizens, to the exhausted labourers constructing the Rio-Niteroi bridge - 'the pride of Brazil' - at gunpoint in 1974, to contemporary life in the neighbourhood of Leblon, where a call girl trying to get to a party reluctantly accepts a very strange job for the evening. The ten stories in this anthology bring to life the complex and ever-changing face of Rio de Janeiro behind the images of slums, carnivals and the sex trade.
City Guides
The Curious Map Book
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Over the centuries, maps have served many varied purposes; far from mere guides for reaching a destination, they are unique artistic forms, aides in planning commercial routes, literary devices for illuminating a story. Accuracy—or inaccuracy—of maps has been the make-or-break factor in countless military battles throughout history. They have graced the walls of homes,(...)
Architectural Plans and Cartography
October 2015
The Curious Map Book
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Over the centuries, maps have served many varied purposes; far from mere guides for reaching a destination, they are unique artistic forms, aides in planning commercial routes, literary devices for illuminating a story. Accuracy—or inaccuracy—of maps has been the make-or-break factor in countless military battles throughout history. They have graced the walls of homes, bringing prestige and elegance to their owners. They track the mountains, oceans, and stars of our existence. Maps help us make sense of our worlds both real and imaginary—they bring order to the seeming chaos of our surroundings. With The Curious Map Book, Ashley Baynton-Williams gathers a chronologically ordered variety of cartographic gems, mainly from the vast collection of the British Library
Architectural Plans and Cartography
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viii, 376 pages : illustrations ; 24 cm
Philadelphia : University of Pennsylvania Press, [2016]
Ideas of Chinese gardens : Western accounts, 1300-1860 / edited by Bianca Maria Rinaldi.
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viii, 376 pages : illustrations ; 24 cm
books
Philadelphia : University of Pennsylvania Press, [2016]
books
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xii, 196 pages : illustrations, maps ; 24 cm
New York, NY : Routledge, 2010.
Disrupted cities : when infrastructure fails / edited by Stephen Graham.
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xii, 196 pages : illustrations, maps ; 24 cm
books
New York, NY : Routledge, 2010.
books
$56.95
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Games like America’s Army, World of Warcraft and Grand Theft Auto and the music of Snoop 'Doggy' Dogg, Dizzee Rascal and Juan Atkins are fuelling the engines of globalization. As a result, popular culture is taking an ever firmer grip on our living environment and on our lives. In Mediapolis the authors sound out an urban environment pulsing to the rhythm of the popular(...)
Mediapolis : popular culture and the city
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Games like America’s Army, World of Warcraft and Grand Theft Auto and the music of Snoop 'Doggy' Dogg, Dizzee Rascal and Juan Atkins are fuelling the engines of globalization. As a result, popular culture is taking an ever firmer grip on our living environment and on our lives. In Mediapolis the authors sound out an urban environment pulsing to the rhythm of the popular media. They introduce a pop philosophy whose concepts include the Urban Container, 'scenius', sonic communities and nodal urbanity. Here technological, political, cultural, economic and even military developments meet head-on. Mediapolis makes clear what urban pop culture is and how it has influenced our notion of city. The words of the Italian Futurist Antonio Sant’Elia are as true today as in 1914 : "Every generation must build its own city".
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June 2006, Rotterdam
Urban Theory
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This book travels back and forth in time through scenes of erasure at three primary locations—Southwest, Washington DC (displacement); North St Louis (demolition), and South Los Angeles (extraction). "Erasure by design" shares first person narratives of growing up in the wake of slum clearance—that is, "urban renewal"—in Southwest, Washington DC, while assembling archival(...)
Erasure by design: Racial protocols of displacement, demolition, and extraction
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This book travels back and forth in time through scenes of erasure at three primary locations—Southwest, Washington DC (displacement); North St Louis (demolition), and South Los Angeles (extraction). "Erasure by design" shares first person narratives of growing up in the wake of slum clearance—that is, "urban renewal"—in Southwest, Washington DC, while assembling archival references that narrate racialized erasure and its legal and spatial precedents. It traces a military complex under construction, where St Louis’s cleared grounds and blacked out sites are also defined by satellites, body experiments, explosions, and emptiness. It moves through specific grounds in Los Angeles—dirt walls, hills, oil fields, gas lines, and houses in the forest—to trace how those grounds matter and how their holding intersects with maps that plan erasure, inhabitation, and extraction.
Humans and cities
Mosca 1962
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In the summer of 1962, while still a university student of architecture, Andrea Branzi went to visit his brother Piergiorgio in Moscow, where he was working as a Rai correspondent. This was the world of the Cold War, but the "thaw" heralded by Nikita Khrushchev had somewhat loosened the grip of the Soviet regime. The young Branzi took the chance to wander around the city,(...)
Mosca 1962
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In the summer of 1962, while still a university student of architecture, Andrea Branzi went to visit his brother Piergiorgio in Moscow, where he was working as a Rai correspondent. This was the world of the Cold War, but the "thaw" heralded by Nikita Khrushchev had somewhat loosened the grip of the Soviet regime. The young Branzi took the chance to wander around the city, exploring it from top to bottom. With a curiosity for everything, he was struck by the immense size of the capital, by its new neighbourhoods, by the signs of communism and its history, by the omnipresence of the military, but also by the relaxed outlook of the youth, the department stores, the Russians' carefree relationship with nature, the innocence of the children and the widespread love of chess.
Photography monographs
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This volume considers how contemporary photographers have responded to the US military’s impact on the domestic environment since the 1970s, a dynamic period for environmental activism as well as for photography. This catalogue presents a lively range of voices at the intersection of art, environmentalism, militarism, photography, and politics. Alongside interviews with(...)
Devour the land: War and american landscape photography since 1970
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This volume considers how contemporary photographers have responded to the US military’s impact on the domestic environment since the 1970s, a dynamic period for environmental activism as well as for photography. This catalogue presents a lively range of voices at the intersection of art, environmentalism, militarism, photography, and politics. Alongside interviews with prominent contemporary artists working in the landscape photography tradition, the images speak to photographers’ varied motivations, personal experiences, and artistic approaches. The result is a surprising picture of the ways violence and warfare surround us. Although most modern combat has taken place abroad, the US domestic landscape bears the footprint of armed conflict—much of the environmental damage we live with today was caused by our own military and the expansive network of industries supporting its work.
Photography by Region
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The tenth issue of "The Funambulist" operates somehow in continuity with issue 9 Islands (January-February 2017), which offered the words of indigenous and anticolonial struggles from various islands of the world. Voices from Kanaky, Mayotte, Hawai’i, and Puerto Rico resonate therefore here with those from Libya, Kenya, Palestine, and Java, in the colonial situations they(...)
The Funambulist 10: Architecture and colonialism
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The tenth issue of "The Funambulist" operates somehow in continuity with issue 9 Islands (January-February 2017), which offered the words of indigenous and anticolonial struggles from various islands of the world. Voices from Kanaky, Mayotte, Hawai’i, and Puerto Rico resonate therefore here with those from Libya, Kenya, Palestine, and Java, in the colonial situations they all describe. While the last issue was dedicated to the seminal work of Édouard Glissant, inscribed throughout the pages of this present one is the influence of another Martiniquais: Frantz Fanon. The two editorial arguments of this issue are simple: colonialism is not an era, it is a system of military/police, legal, administrative, social, and cultural system of domination; and, architecture is not (only) an aesthetic vessel, it is an apparatus organizing and hierarchizing bodies in space.