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The landscape and people of the American Midwest have captivated photographer Terry Evans (b. 1944) throughout her forty-year photographic career. Evans has a deep connection to her native region, which she has explored from a variety of visual and thematic perspectives. Heartland traces the evolution of Evans’s vision, beginning in the early 1970s with her social(...)
Photography monographs
October 2012
Heartland: the photographs of Terry Evans
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The landscape and people of the American Midwest have captivated photographer Terry Evans (b. 1944) throughout her forty-year photographic career. Evans has a deep connection to her native region, which she has explored from a variety of visual and thematic perspectives. Heartland traces the evolution of Evans’s vision, beginning in the early 1970s with her social documentary images of people in Kansas. She became a landscape photographer in 1978, focusing on the grasses, land, and skies of the prairie; this was followed by an aerial survey of the entire Great Plains, from Texas to Canada. She has also photographed Chicago from the air, an abandoned military site, small-town life in Kansas, and historical samples of prairie flora and fauna from Chicago’s Field Museum. More recently, she has documented the steel industry in the Midwest and oil and gas drilling in North Dakota. This illustrated book examines all of these works, which together reveal the enduring beauty of the prairie landscape.
Photography monographs
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Nye looks at America's development of its electrical grid, which made large-scale power failures possible; military blackouts before and during World War II ("The silence was the big surprise of the blackout, the darkness discounted," wrote Harold Ross in The New Yorker in 1942); New York City's contrasting 1965 and 1977 blackout experiences (the first characterized by(...)
When the lights went out, a history of blackouts in America
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Nye looks at America's development of its electrical grid, which made large-scale power failures possible; military blackouts before and during World War II ("The silence was the big surprise of the blackout, the darkness discounted," wrote Harold Ross in The New Yorker in 1942); New York City's contrasting 1965 and 1977 blackout experiences (the first characterized by cooperation, the second by looting and disorder); the growth in consumer demand that led to rolling blackouts made worse by energy traders' market manipulations; blackouts caused by terrorist attacks and sabotage; and, finally, the "greenout" (exemplified by the new tradition of "Earth Hour"), a voluntary reduction organized by environmental organizations. Blackouts, writes Nye, are breaks in the flow of social time that reveal much about the trajectory of American history. Each time one occurs, Americans confront their essential condition—not as isolated individuals, but as a community that increasingly binds itself together with electrical wires and signals.
Urban Theory
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This guide is a celebration of the works of professional architects in three South African metropolitan centres, namely Cape Town, Durban and the Johannesburg/Pretoria Axis. The content ranges from the early years of European settlement, where architects were trained by the military schools of engineering, through the period of apprenticeship either to a recognised(...)
South Africa architectural guide
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This guide is a celebration of the works of professional architects in three South African metropolitan centres, namely Cape Town, Durban and the Johannesburg/Pretoria Axis. The content ranges from the early years of European settlement, where architects were trained by the military schools of engineering, through the period of apprenticeship either to a recognised practicing architect or in public works, to the twentieth century and beyond, where architects were regulated as professionals by legislation, as was their education. The projects selected are all secular, being either in the public domain or eye, and therefore readily accessible. This guide is structured along main themes, each historically located. Each episode or project type featured is highlighted by a representative from each metropolitan centre, each being discussed in broader detail alongside similar contemporaneous local examples. In total the guide features over a hundred-and-fifty projects with all salient information as to their dates of construction, designers and locality (by way of QR codes).
City Guides
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When World War II came along, the American military found itself in need of a prefabricated, lightweight shelter that could be easily shipped and quickly assembled. The quonset hut, that sliced tube of corrugated metal, was the answer. Over a hundred thousand were produced as part of the war effort. In its aftermath, even more were built and existing huts were adapted to(...)
Quonset hut : metal living for a modern age
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When World War II came along, the American military found itself in need of a prefabricated, lightweight shelter that could be easily shipped and quickly assembled. The quonset hut, that sliced tube of corrugated metal, was the answer. Over a hundred thousand were produced as part of the war effort. In its aftermath, even more were built and existing huts were adapted to house the postwar population boom. Of course, it couldn't last: the American desire for permanence meant decay and neglect for many of these rough-and-ready shelters and quickie warehouses. But in the midst of its almost tragic tale of extinction, the quonset hut has emerged as an unexpected icon of Americana and an oasis of architectural imagination. Travel the back roads of America and you will find the quonset's distinctive shape enclosing everything from houses of worship to houses of pancakes. "Quonset Hut" tells the story of this unique architectural phenomena, from its birth during WWII as a mass-production shelter to its new status as an icon of American pragmatism, ingenuity, perseverance, and individuality.
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In 1664, England decided to invade the Dutch-controlled city of New Amsterdam on Manhattan Island. Charles II and his brother, the Duke of York, had dreams of empire, and their archrivals, the Dutch, were in the way. But Richard Nicolls, the military officer who led the English flotilla bent on destruction, changed his strategy once he encountered Peter Stuyvesant, New(...)
Taking Manhattan: The extraordinary events that created New York and shaped America
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In 1664, England decided to invade the Dutch-controlled city of New Amsterdam on Manhattan Island. Charles II and his brother, the Duke of York, had dreams of empire, and their archrivals, the Dutch, were in the way. But Richard Nicolls, the military officer who led the English flotilla bent on destruction, changed his strategy once he encountered Peter Stuyvesant, New Netherland’s canny director general. Bristling with vibrant characters, "Taking Manhattan" reveals the founding of New York to be an invention, the result of creative negotiations that would blend the multiethnic, capitalistic society of New Amsterdam with the power of the rising English empire. But the birth of what might be termed the first modern city is also a story of the brutal dispossession of Native Americans and of the roots of American slavery. The book draws from newly translated materials and illuminates neglected histories—of religious refugees, Indigenous tribes, and free and enslaved Africans. "Taking Manhattan" tells the riveting story of the birth of New York City as a center of capitalism and pluralism, a foundation from which America would rise.
History until 1900, North America
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This book is a real first in the world of architecture publishing. It is the first time that the work of Donald Judd has been fully expounded in an architectural context. As one of the most important exponents of American minimal art, Donald Judd (1928–1994) has exerted a lasting influence in the field of architecture. Among the lesser-known aspects of his work is a(...)
Architecture Monographs
September 2007, Basel, Boston, Berlin
Donald Judd : Architecture in Marfa, Texas
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This book is a real first in the world of architecture publishing. It is the first time that the work of Donald Judd has been fully expounded in an architectural context. As one of the most important exponents of American minimal art, Donald Judd (1928–1994) has exerted a lasting influence in the field of architecture. Among the lesser-known aspects of his work is a large collection of architectural designs that explore the relationship between architecture and art. Of special importance for Judd’s work in this field is a former military fort in Marfa, Texas, part of which he purchased and then, beginning in 1971, transformed into one of the largest existing ensembles of contemporary art. The Marfa buildings have for the first time been carefully measured and drawn to scale by the author and his students. Using standard CAD drawings together with historical and contemporary photographs, this volume illustrates Judd’s architectural alterations to the buildings in Marfa, and discusses and describes them in its accompanying text. The result is an invaluable source of inspiration for contemporary architecture.
Architecture Monographs
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On 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition ''50 Years Bauhaus'' opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war(...)
September 2023
50 Years after 50 Years of the Bauhaus
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On 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition ''50 Years Bauhaus'' opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war exhibition on the Bauhaus. Fifty years after the opening of '50 Years Bauhaus'', the Württembergischer Kunstverein undertook a critical re-reading of the 1968 exhibition, with a particular focus on the ambiguous relationship that various prominent members of the Bauhaus had with National Socialism and the murky connections between the art avant-gardes and the military-industrial complex. While the 1968 exhibition historicized the reception of the Bauhaus, reducing it to West Germany and the US, the publication 50 Years After 50 Years of the Bauhaus reflects on the famous school in the context of artistic movements like the International Movement for an Imaginist Bauhaus and the Situationist International.
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Jacopo de' Barbari's "View of Venice," a woodcut first printed in the year 1500, presents a bird's-eye portrait of Venice at its peak as an international hub of trade, art, and culture. An artistic and cartographic masterpiece of the Renaissance, the View depicts Venice as a vibrant, waterborne city interconnected by canals and bridges and filled with ornate buildings,(...)
A view of Venice: Portrait of a Renaissance city
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Jacopo de' Barbari's "View of Venice," a woodcut first printed in the year 1500, presents a bird's-eye portrait of Venice at its peak as an international hub of trade, art, and culture. An artistic and cartographic masterpiece of the Renaissance, the View depicts Venice as a vibrant, waterborne city interconnected by canals and bridges and filled with ornate buildings, elaborate gardens, and seafaring vessels. The contributors to "A view of Venice: Portrait of a Renaissance city" draw on a high-resolution digital scan of the over nine-foot-wide composite print to examine the complexities of this extraordinary woodcut and portrayal of early modern Venetian life. The essays show how the View constitutes an advanced material artifact of artistic, humanist, and scientific culture. They also outline the ways the print reveals information about the city's economic and military power, religious and social infrastructures, and cosmopolitan residents. Featuring methodological advancements in the digital humanities, "A view of Venice" highlights the reality and myths of a topographically unique, mystical city and its place in the world.
Art Theory
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The technological innovation and unprecedented physical growth of the cold war era permeated American life in every aspect and at every scale. From the creation of the military-industrial complex and the beginnings of suburban sprawl to the production of the ballpoint pen and the TV dinner, the artifacts of the period are as numerous and diverse as they are familiar. Over(...)
Architectural Theory
April 2004, New York
Cold war hothouses : inventing postwar culture, from cockpit to Playboy
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The technological innovation and unprecedented physical growth of the cold war era permeated American life in every aspect and at every scale. From the creation of the military-industrial complex and the beginnings of suburban sprawl to the production of the ballpoint pen and the TV dinner, the artifacts of the period are as numerous and diverse as they are familiar. Over the past half-century, our awe at the advances of postwar society has softened to nostalgia, and our affection for its material culture has clouded our memories of the enormous spatial reorganizations and infrastructural transformations that changed American life forever. "Cold War Hot Houses" casts a clear, even playful, eye on this pivotal time in history, examining topics as diverse as the creation of the interstate highway system and the shopping centre, and the domestication of the national parks as well as the production of such seemingly mundane products as the drive-in theater, aluminum foil, and the king-size bed. The result is a vivid snapshot of American culture that still resonates today.
Architectural Theory
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In late 20th century urban Europe, a great many landmarks of industrial, merchant and military activity were abandoned and fell into disuse. No longer limited to a specific use or content, these 'available' structures could be adapted to house a wide range of cultural projects. The modular nature of the buildings enabled them to be transformed and utilized for(...)
Engineering Structures
April 2002, Basel / Berlin / Boston
Factories : conversions for urban culture
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In late 20th century urban Europe, a great many landmarks of industrial, merchant and military activity were abandoned and fell into disuse. No longer limited to a specific use or content, these 'available' structures could be adapted to house a wide range of cultural projects. The modular nature of the buildings enabled them to be transformed and utilized for experimentation, artistic creation and the blending of people and cultures. An international team of photographers and authors including artists, sociologists and exhibition designers have come together to present a striking visual portrayal of industrial buildings - some typical, some extraordinary - which have all been converted into cultural buildings. Amongst the projects are Ateneu Popular in Barcelona, the City Arts Centre in Dublin, the WUK in Vienna, and the Kaapelitehdas in Helsinki. Further examples have been taken from Belgium, Denmark, Germany, France, Great Britain, Italy, the Netherlands, Sweden, and Slovenia. The wide variety of uses featured in this book clearly show that architecture has a significant role to play in an urban life beyond the monotony of commerce.
Engineering Structures