Space magazine 04: Ana Kras
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The 4th issue of Space Magazine is the “Collector's Issue.” With a cover featuring Ana Kras the artistic director of menswear at Louis Vuitton, this issue explores the psychology of collecting through many facets. Photographer Anders Edström travels to the swedish island Fårö explore director, Ingmar Bergman’s hidden VHS tape collection, and more.
Space magazine 04: Ana Kras
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The 4th issue of Space Magazine is the “Collector's Issue.” With a cover featuring Ana Kras the artistic director of menswear at Louis Vuitton, this issue explores the psychology of collecting through many facets. Photographer Anders Edström travels to the swedish island Fårö explore director, Ingmar Bergman’s hidden VHS tape collection, and more.
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"Too Much: Magazine of Romantic Geography" explores how the manmade coexists with the natural. Shanghai's 16-Story Mountain by Jesper Larsson, Breathing in the Dust of the World by Dani Pujalte and Rita Puig-Serra, A Copy of the World in an Indonesian Cave by Naoki Ishikawa Chinju-No-Mori: A Shinto Forest, and In the Center of the City by Yoshiko Imaizumi, Uncomfortable(...)
Too Much 06: magazine of romantic geography - Summer 2015
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"Too Much: Magazine of Romantic Geography" explores how the manmade coexists with the natural. Shanghai's 16-Story Mountain by Jesper Larsson, Breathing in the Dust of the World by Dani Pujalte and Rita Puig-Serra, A Copy of the World in an Indonesian Cave by Naoki Ishikawa Chinju-No-Mori: A Shinto Forest, and In the Center of the City by Yoshiko Imaizumi, Uncomfortable With Space, Language, Humor, Climate And Culture Mentorship by Anders Edström, and The City: Paris Techno Parade by Sophie Jane Stafford are among the stories included.
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In this curators’ roundtable, Claire Fontaine and Jens Hoffmann get together for “Artistic Bitches and Curatorial Bastards,” Triple Candie’s “Let the Artists Die” and an illus- trated history on The Exhibitionist Issues IX–XII.
The exhibitionist no.12, June 2016
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In this curators’ roundtable, Claire Fontaine and Jens Hoffmann get together for “Artistic Bitches and Curatorial Bastards,” Triple Candie’s “Let the Artists Die” and an illus- trated history on The Exhibitionist Issues IX–XII.
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The plan 094
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
The plan 094
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
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D'a (D'architectures) 249
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
D'a (D'architectures) 249
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
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Border crossings 140
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
Border crossings 140
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
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ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the(...)
Detail 12 2016 : colour materials finishes
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ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the coloured interiors of the masters’ houses in Dessau by Walter Gropius show that not everything was reduced to that hue. There are probably just as many colour theories as there are colour tones; but the streets in our towns and cities are rarely characterized by a consistent colour scheme. In this respect, the materials and their surface finishes play a dominant role. In our December issue, we present various architectural concepts that focus on the effects of colour. For example, the Sparren-burg Visitors’ Centre in Bielefeld with its tamped concrete facades enters into a dialogue with the historical surroundings, while the polychrome glazing of Sauerbruch Hutton’s office building in London forms a deliberate counterpoint to the urban environment. As one can see, architecture has to come to terms with colour. There is no such thing as neutrality.
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a+u issue 553, October 2016, featuring Carl-VIggo Holmebakk.
a+u 553: Carl-Viggo Holmeback
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a+u issue 553, October 2016, featuring Carl-VIggo Holmebakk.
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Continuité 151
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« Les toponymes témoignent des traits géographiques et culturels qui se rapportent aux lieux qu’ils désignent ou à leur environnement. De plus, ils informent aussi bien sur la nature, la position et l’aspect des lieux que sur le mode de vie, les desseins et l’imaginaire de ceux qui les ont créés. Le patrimoine toponymique est une boîte à souvenirs à l’échelle d’un pays »,(...)
Continuité 151
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« Les toponymes témoignent des traits géographiques et culturels qui se rapportent aux lieux qu’ils désignent ou à leur environnement. De plus, ils informent aussi bien sur la nature, la position et l’aspect des lieux que sur le mode de vie, les desseins et l’imaginaire de ceux qui les ont créés. Le patrimoine toponymique est une boîte à souvenirs à l’échelle d’un pays », écrivait Danielle Turcotte dans l’édition de 2006 du dictionnaire illustré Noms et lieux du Québec de la Commission de toponymie. Dans le dossier de son numéro d’hiver, Continuité se lance à la découverte de ce riche héritage et des enjeux qui le touchent.
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