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Natural, renewable, reusable, and aesthetically pleasing, wood is the consummate building material. Thanks to incredible advances in both application and sustainability, it is being used across the world to create new and surprising styles. This global survey features exquisite photography that captures a wide range of twenty-first century construction in residential,(...)
Building with wood: the new timber architecture
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Natural, renewable, reusable, and aesthetically pleasing, wood is the consummate building material. Thanks to incredible advances in both application and sustainability, it is being used across the world to create new and surprising styles. This global survey features exquisite photography that captures a wide range of twenty-first century construction in residential, public, cultural, educational, commercial, and entertainment-related spaces. From the Mount Fuji World Heritage Center in Shizuoka, Japan and the Eystur Town Hall in the Faroe Islands to the College of Forestry at Oregon State University, each building is featured in double-page spreads with colour photographs that allow readers to appreciate timber’s intrinsic qualities against a variety of backgrounds, scales, and typologies. Plans and building specifications are accompanied by the latest developments in research and design. Eco-friendly and robust, timber’s applications are almost unlimited, extending to the tallest skyscrapers, and to every livable corner of our planet. This volume offers encouraging proof that architects around the world are responding to the climate crisis in ways that not only preserve the earth, but also provide pleasing environments in which to live, work, and play.
Timber Construction
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L'Atlas Phaidon de l architecture contemporaine mondiale, publié en 2004, fut un fantastique succès. Cinq ans après sa publication, cette toute nouvelle édition, l'Atlas Phaidon de l'architecture mondiale du XXIe siècle, réunit dans un seul et même volume 1037 ouvrages architecturaux remarquables construits depuis 2000 à travers 89 pays dans le monde par 653 architectes(...)
Atlas Phaidon de l'architecture mondiale du du XXIe siècle
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L'Atlas Phaidon de l architecture contemporaine mondiale, publié en 2004, fut un fantastique succès. Cinq ans après sa publication, cette toute nouvelle édition, l'Atlas Phaidon de l'architecture mondiale du XXIe siècle, réunit dans un seul et même volume 1037 ouvrages architecturaux remarquables construits depuis 2000 à travers 89 pays dans le monde par 653 architectes et agences d architecture. L'ouvrage présente tous les types de bâtiments possibles, depuis les plus petites maisons individuelles ou l abribus, jusqu aux projets de construction à grande échelle tels que musées, usines ou aéroports, dans le monde entier. Pour chaque projet, l'Atlas présente les données clés : maître d ouvrage, superficie, coût de la construction et, nouveauté par rapport au précédent atlas, les coordonnées précises permettant de localiser le bâtiment via Google Earth ®. Illustré par de nombreux plans, coupés et élévations ainsi que des photographies intérieures et extérieures, chacun des bâtiments est décrit et analysé dans un texte court et clair qui souligne à la fois les singularités du projet et les contraintes auxquelles les plus grands architectes actuels comme ceux de la jeune génération ont trouvé des solutions pertinentes et innovantes.
History since 1900, Reference Books
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Landscapes are all around us, but most of us know very little about how they have developed, what goes on in them, and how they react to changing climates, tectonics, and human activities. Examining what landscape is, and how we use a range of ideas and techniques to study it, Andrew Goudie and Heather Viles demonstrate how scientists have built on classic(...)
Landscape and geomorphology: A very short Introduction
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Landscapes are all around us, but most of us know very little about how they have developed, what goes on in them, and how they react to changing climates, tectonics, and human activities. Examining what landscape is, and how we use a range of ideas and techniques to study it, Andrew Goudie and Heather Viles demonstrate how scientists have built on classic methods--pioneered by the great researchers of the nineteenth century--to shed new light on our planet. Using examples from around the world, including New Zealand, the Tibetan Plateau, and the deserts of the Middle East, they examine some of the key controls on landscape today such as tectonics and climate, as well as humans and the living world. They also discuss some major "landscape detectives" from the past, including Charles Darwin, who did some important, but often overlooked, research on landscape. Concluding with the cultural importance of landscape, and exploring how this has led to the conservation of much "earth heritage," they delve into the future and look at how we can predict the response of landscapes to the projected climate change.
Landscape Theory
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A stone falls to the Earth. It picks up speed, rolling down the steep side of a mountain until it comes to rest in an empty plain. But the plain won’t remain empty for long: out of the shadows emerge two figures, who immediately start to grapple, using that very stone as a weapon to kill. But those same hands, our human hands, holding the same weight of stone, also shape(...)
Hard as rock, old as stone: Of humans and war
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A stone falls to the Earth. It picks up speed, rolling down the steep side of a mountain until it comes to rest in an empty plain. But the plain won’t remain empty for long: out of the shadows emerge two figures, who immediately start to grapple, using that very stone as a weapon to kill. But those same hands, our human hands, holding the same weight of stone, also shape and forge, chisel and build, creating as they destroy, rendering beauty and violence alike. What is the relationship of those twin impulses? In these pages, artist Alessandaro Sanna uses the shaping force of his hands to explore the seemingly endless, perversely steadfast human capacity for destruction. Unflinchingly tracing humanity’s long history of war, from the havoc of armies on horseback, to the violence of the conquistadores, to the carnage of the First World War, to the ghastly terror of the atomic bomb, and the cruel, shockingly intentional attack on the Twin Towers, Sanna records our compulsion to destroy. The hands mold clay, streak color across a sky, define a world, give beauty to the eye; and yet fires burn, an acrid smell arises, smoke blots out the sun. For what and why?
Illustration
Imagine 02 Deflateables
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Pneumatic structures have been thoroughly investigated and developed during the 1960s. However, the energy crisis and aesthetic developments stopped the process of employing these structures as a mainstream construction method. Deflateables concentrates on the very limited knowledge of vacuum constructions and develops a range of aesthetic, technical and functional design(...)
Engineering Structures
October 2007, Rotterdam
Imagine 02 Deflateables
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Pneumatic structures have been thoroughly investigated and developed during the 1960s. However, the energy crisis and aesthetic developments stopped the process of employing these structures as a mainstream construction method. Deflateables concentrates on the very limited knowledge of vacuum constructions and develops a range of aesthetic, technical and functional design possibilities. Until today, there has been a very limited number of designs developed and realized using pressurized constructions – despite the fact that this technology could lead to positive aspects: the air pressure of the earth can be used as a stabilizing and form-giving parameter, creating a specific and inspiring shape. In addition, the very nature of this technology offers varying degrees of thermal and acoustic insulation. Exploiting the possibilities of extremely light and, at the same time, energetically active constructions, deflateables are one of the promising fields of architectural and design developments. The chance to create structures that can move and react to requests such as user and climate requirements as well as formative demands, lifts this topic onto the level of a realistic and usable technology for as yet unknown design possibilities. Two volumes of the Imagine series are planned annually. Façades and Deflateables will appear in May 2008. Performance Driven Envelopes and Rapids will appear at the beginning of 2009.
Engineering Structures
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Though people generally do not think of them in such terms, crows are remarkably graceful: from the tip of a crow’s beak to the end of its tail is a single curve, which changes rhythmically as the crow turns its head or bends toward the ground. Foraging on their long, powerful legs, crows appear to glide over the earth; they take flight almost without effort, flapping(...)
Crow
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Though people generally do not think of them in such terms, crows are remarkably graceful: from the tip of a crow’s beak to the end of its tail is a single curve, which changes rhythmically as the crow turns its head or bends toward the ground. Foraging on their long, powerful legs, crows appear to glide over the earth; they take flight almost without effort, flapping their wings easily, ascending into the air like spirits. Nevertheless, the whiskers around their beaks and an apparent smile make crows, in a scruffy sort of way, endearingly ‘human’. In a vast range of cultures from the Chinese to the Hopi Indians, crows are bearers of prophecy. Because of their courtship dances and monogamous unions, the Greeks invoked crows at weddings as symbols of conjugal love. Crows are among the most ubiquitous of birds, yet, without being in the least exotic, they remain mysterious. This book is a survey of crows, ravens, magpies and their relatives in myth, literature and life. It ranges from the raven sent out by Noah to the corvid deities of the Eskimo, to Taoist legends, Victorian novels and contemporary films. It will be of interest to all people who have ever been intrigued, puzzled, annoyed or charmed by these wonderfully intelligent birds.
Fauna and flora
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Andy Goldsworthy's Passage focuses on the journeys that people, rivers, landscapes, and even stones take through space and time. A cairn made by the renowned sculptor in the Scottish village where he lives reveals the influence that his work close to home has on projects he creates elsewhere. A series involving elm trees, from glowing yellow leaves to dead branches,(...)
Passage
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Andy Goldsworthy's Passage focuses on the journeys that people, rivers, landscapes, and even stones take through space and time. A cairn made by the renowned sculptor in the Scottish village where he lives reveals the influence that his work close to home has on projects he creates elsewhere. A series involving elm trees, from glowing yellow leaves to dead branches, exemplifies his work's vigorous beauty as well as its association with death and decay. Creations on the beach and in rivers explore the passage of time, while a white chalk path investigates the passing from day into night. Passage also includes the Garden of Stones, a Holocaust memorial at the Museum of Jewish Heritage in New York, where the artist planted 18 oak trees through holes in hollowed-out, earth-filled boulders. Documenting these and other recent works, this beautiful book is an eloquent testament to Goldsworthy's determination to deepen his understanding of the world around him, and his relationship with it, through his art. Andy Goldsworthy's work is regularly exhibited in Britain, France, the United States, Japan, and elsewhere. Although commissions take him all over the world, the landscape around his home in Dumfriesshire, Scotland, remains at the heart of his work.
Land Art
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We barely talk about them and seldom know their names. Philosophy has always overlooked them; even biology considers them as mere decoration on the tree of life. And yet plants give life to the Earth: they produce the atmosphere that surrounds us, they are the origin of the oxygen that animates us. Plants embody the most direct, elementary connection that life can(...)
The life of plants: A metaphysics of mixture
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We barely talk about them and seldom know their names. Philosophy has always overlooked them; even biology considers them as mere decoration on the tree of life. And yet plants give life to the Earth: they produce the atmosphere that surrounds us, they are the origin of the oxygen that animates us. Plants embody the most direct, elementary connection that life can establish with the world. In this highly original book, Emanuele Coccia argues that, as the very creator of atmosphere, plants occupy the fundamental position from which we should analyze all elements of life. From this standpoint, we can no longer perceive the world as a simple collection of objects or as a universal space containing all things, but as the site of a veritable metaphysical mixture. Since our atmosphere is rendered possible through plants alone, life only perpetuates itself through the very circle of consumption undertaken by plants. In other words, life exists only insofar as it consumes other life, removing any moral or ethical considerations from the equation. In contrast to trends of thought that discuss nature and the cosmos in general terms, Coccia’s account brings the infinitely small together with the infinitely big, offering a radical redefinition of the place of humanity within the realm of life.
Environment and environmental theory
Inverted world
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The city is winched along tracks through a devastated land full of hostile tribes. Rails must be freshly laid ahead of the city and carefully removed in its wake. Rivers and mountains present nearly insurmountable challenges to the ingenuity of the city’s engineers. But if the city does not move, it will fall farther and farther behind the “optimum” into the crushing(...)
Inverted world
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The city is winched along tracks through a devastated land full of hostile tribes. Rails must be freshly laid ahead of the city and carefully removed in its wake. Rivers and mountains present nearly insurmountable challenges to the ingenuity of the city’s engineers. But if the city does not move, it will fall farther and farther behind the “optimum” into the crushing gravitational field that has transformed life on Earth. The only alternative to progress is death. The secret directorate that governs the city makes sure that its inhabitants know nothing of this. Raised in common in crèches, nurtured on synthetic food, prevented above all from venturing outside the closed circuit of the city, they are carefully sheltered from the dire necessities that have come to define human existence. And yet the city is in crisis. The people are growing restive, the population is dwindling, and the rulers know that, for all their efforts, slowly but surely the city is slipping ever farther behind the optimum. Helward Mann is a member of the city’s elite. Better than anyone, he knows how tenuous is the city’s continued existence. But the world—he is about to discover—is infinitely stranger than the strange world he believes he knows so well.
Architectural Theory
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With "Atacama", Jamey Stillings again shares his distinctive aerial perspective to examine dramatic large-scale renewable energy projects, the visual dynamic of enormous mining operations and the stark beauty of the Atacama Desert, so often scarred by human activity. Chile produces a third of the world’s copper and has the largest known lithium reserves, and we utilize(...)
Jamey Stillings: Atacama, renewable energy and mining in the high desert of Chile
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With "Atacama", Jamey Stillings again shares his distinctive aerial perspective to examine dramatic large-scale renewable energy projects, the visual dynamic of enormous mining operations and the stark beauty of the Atacama Desert, so often scarred by human activity. Chile produces a third of the world’s copper and has the largest known lithium reserves, and we utilize these resources daily in our cars, computers and smartphones. The country’s mining industry has traditionally been dependent on imported coal, diesel and natural gas for its energy. Yet the Atacama Desert has excellent solar and wind potential: new renewable energy projects there now supply significant electricity to the northern grid, transmit power to population centers in the south, and are reducing mining’s dependence on fossil fuel. Stillings’ aesthetic interest in the human-altered landscape and concerns for environmental sustainability are principal pillars of his work. His photography elicits a critical dialogue about meeting our needs and desires while seeking equilibrium between nature and human activity. "Atacama," the latest chapter in his ongoing project "Changing perspectives," shows how photography can concurrently be a source of inspiration, motivation and information, and reminds us that a carbon-constrained future is crucial to a responsible approach to life on earth.
Photography monographs