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This second volume of Hatje Cantz’s Josef Paul Kleihues catalogue raisonné encompasses the most active years of this prominent German architect’s career, from 1981 to 1995. Kleihues (1933–2004) was the head of the highly respected Internationale Bauausstellung (International Architectural Show, IBA) in Berlin from 1979 to 1987; following German reunification, he was(...)
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This second volume of Hatje Cantz’s Josef Paul Kleihues catalogue raisonné encompasses the most active years of this prominent German architect’s career, from 1981 to 1995. Kleihues (1933–2004) was the head of the highly respected Internationale Bauausstellung (International Architectural Show, IBA) in Berlin from 1979 to 1987; following German reunification, he was(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
September 2013
September 2013
Title:
Josef Paul Kleihues: works 1981-1995
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This second volume of Hatje Cantz’s Josef Paul Kleihues catalogue raisonné encompasses the most active years of this prominent German architect’s career, from 1981 to 1995. Kleihues (1933–2004) was the head of the highly respected Internationale Bauausstellung (International Architectural Show, IBA) in Berlin from 1979 to 1987; following German reunification, he was arguably the most influential architect in the re-envisioning of the capital, and his concept of “critical reconstruction” influenced an entire generation of architects. Among his many buildings of note are the Regent Hotel (formerly the Four Seasons Hotel) at the Gendarmenmarkt, and his tower, the Kantdreieck, with its famous “shark fin” on the roof. Kleihues has received international recognition for his museum buildings in particular, such as the redesigned Deichtorhalle, the Hamburger Bahnhof and the new building of the Museum of Contemporary Art in Chicago.
Josef Paul Kleihues: works 1981-1995
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This second volume of Hatje Cantz’s Josef Paul Kleihues catalogue raisonné encompasses the most active years of this prominent German architect’s career, from 1981 to 1995. Kleihues (1933–2004) was the head of the highly respected Internationale Bauausstellung (International Architectural Show, IBA) in Berlin from 1979 to 1987; following German reunification, he was arguably the most influential architect in the re-envisioning of the capital, and his concept of “critical reconstruction” influenced an entire generation of architects. Among his many buildings of note are the Regent Hotel (formerly the Four Seasons Hotel) at the Gendarmenmarkt, and his tower, the Kantdreieck, with its famous “shark fin” on the roof. Kleihues has received international recognition for his museum buildings in particular, such as the redesigned Deichtorhalle, the Hamburger Bahnhof and the new building of the Museum of Contemporary Art in Chicago.
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books
books
Publication:
September 2013
September 2013
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Japan-ness in architecture
Japan-ness in architecture
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Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the(...)
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Summary:
Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the(...)
Subject:
History until 1900, Asia
History until 1900, Asia
Publication:
January 1900, Cambridge / London
January 1900, Cambridge / London
Title:
Japan-ness in architecture
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Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization -- what Isozaki calls "Japanesquization" -- lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers. Arata Isosaki is a leading Japanese architect. His works include the Museum of Contemporary Art, Los Angeles, the Olympic Stadium in Barcelona, the Volksbank Center am Postdamer Platz in Berlin, the Team Disney Building in Orlando, and the Tokyo University of Art and Design. Translated by Sabu Kohso. Foreword by Toshiko Mori.
Japan-ness in architecture
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Summary:
Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization -- what Isozaki calls "Japanesquization" -- lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers. Arata Isosaki is a leading Japanese architect. His works include the Museum of Contemporary Art, Los Angeles, the Olympic Stadium in Barcelona, the Volksbank Center am Postdamer Platz in Berlin, the Team Disney Building in Orlando, and the Tokyo University of Art and Design. Translated by Sabu Kohso. Foreword by Toshiko Mori.
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books
books
Publication:
January 1900, Cambridge / London
January 1900, Cambridge / London
Subject:
History until 1900, Asia
History until 1900, Asia
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books
books
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$40.95
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Summary:
Produit de mécanismes économiques et d’un faisceau de décisions locales et individuelles, le logement porte la marque des tensions et contradictions sociales. Quels besoins ? Dans quels territoires ? Comment y répondre ? Que proposent les aménageurs et acteurs de la fabrique urbaine pour produire des logements à l’heure de l’urgence climatique ? Le respect de la(...)
$40.95
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Produit de mécanismes économiques et d’un faisceau de décisions locales et individuelles, le logement porte la marque des tensions et contradictions sociales. Quels besoins ? Dans quels territoires ? Comment y répondre ? Que proposent les aménageurs et acteurs de la fabrique urbaine pour produire des logements à l’heure de l’urgence climatique ? Le respect de la(...)
Title:
Réparer et construire la ville
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Produit de mécanismes économiques et d’un faisceau de décisions locales et individuelles, le logement porte la marque des tensions et contradictions sociales. Quels besoins ? Dans quels territoires ? Comment y répondre ? Que proposent les aménageurs et acteurs de la fabrique urbaine pour produire des logements à l’heure de l’urgence climatique ? Le respect de la biosphère, l’attention portée aux évolutions sociodémographiques en cours et la considération due à la matrice urbaine historique nous conduisent à réparer plutôt qu’à étendre nos villes. « Réparer et Construire, » parce que le « déjà là » est considérable et constitue un gisement à exploiter pour offrir des logements. Mais il est souvent déprécié et inadapté. Sa transformation doit donc mobiliser toute la chaîne d’actions depuis la requalification du bâti et de son cadre urbain, la transformation et le recyclage de certains bâtiments, la démolition et la reconstruction, jusqu’à la construction neuve dans le respect du ZAN (zéro artificialisation nette).
Réparer et construire la ville
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Produit de mécanismes économiques et d’un faisceau de décisions locales et individuelles, le logement porte la marque des tensions et contradictions sociales. Quels besoins ? Dans quels territoires ? Comment y répondre ? Que proposent les aménageurs et acteurs de la fabrique urbaine pour produire des logements à l’heure de l’urgence climatique ? Le respect de la biosphère, l’attention portée aux évolutions sociodémographiques en cours et la considération due à la matrice urbaine historique nous conduisent à réparer plutôt qu’à étendre nos villes. « Réparer et Construire, » parce que le « déjà là » est considérable et constitue un gisement à exploiter pour offrir des logements. Mais il est souvent déprécié et inadapté. Sa transformation doit donc mobiliser toute la chaîne d’actions depuis la requalification du bâti et de son cadre urbain, la transformation et le recyclage de certains bâtiments, la démolition et la reconstruction, jusqu’à la construction neuve dans le respect du ZAN (zéro artificialisation nette).
Form:
books
books
Publication:
June 2024
June 2024
Subject:
Urban Theory
Urban Theory
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books
books
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$108.95
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Summary:
This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this(...)
$108.95
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Summary:
This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
April 2004, Munich
April 2004, Munich
Title:
Jewish identity in contemporary architecture
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This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this more evident than within the Jewish structures of the late twentieth and early twenty-first centuries, a time of disruption, destruction, immigration, and reconstruction of Jewish society. Accompanying a touring exhibition, this important work demonstrates the fundamental differences among fifteen museums, synagogues, community centers and schools throughout the world. It covers sites in America, where the architecture of Jewish institutions looks back on a legacy of uninterrupted development; in Israel, where the great wave of immigration adopted modernist as well as Mediterranean traditions; and in Europe, where rebuilding and reconciliation attempt to balance a history of pain and tragedy.
Jewish identity in contemporary architecture
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$108.95
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Summary:
This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this more evident than within the Jewish structures of the late twentieth and early twenty-first centuries, a time of disruption, destruction, immigration, and reconstruction of Jewish society. Accompanying a touring exhibition, this important work demonstrates the fundamental differences among fifteen museums, synagogues, community centers and schools throughout the world. It covers sites in America, where the architecture of Jewish institutions looks back on a legacy of uninterrupted development; in Israel, where the great wave of immigration adopted modernist as well as Mediterranean traditions; and in Europe, where rebuilding and reconciliation attempt to balance a history of pain and tragedy.
Form:
books
books
Publication:
April 2004, Munich
April 2004, Munich
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
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$73.50
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Summary:
On February 29, 1960, a catastrophic earthquake devastated the Moroccan coastal city of Agadir, erasing it almost entirely and killing a third of its population. The world was shocked, and very quickly large amounts of international aid arrived. Following an emotional speech by King Mohammed V, the reconstruction of Agadir also turned into an undertaking of national and(...)
$73.50
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Summary:
On February 29, 1960, a catastrophic earthquake devastated the Moroccan coastal city of Agadir, erasing it almost entirely and killing a third of its population. The world was shocked, and very quickly large amounts of international aid arrived. Following an emotional speech by King Mohammed V, the reconstruction of Agadir also turned into an undertaking of national and(...)
Subject:
Architecture since 1900, Africa
Architecture since 1900, Africa
Publication:
October 2022
October 2022
Title:
Agadir: Building the modern Afropolis
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On February 29, 1960, a catastrophic earthquake devastated the Moroccan coastal city of Agadir, erasing it almost entirely and killing a third of its population. The world was shocked, and very quickly large amounts of international aid arrived. Following an emotional speech by King Mohammed V, the reconstruction of Agadir also turned into an undertaking of national and international solidarity. A new and unprecedented process of urban construction was developed that allowed many architects—national and international—to simultaneously design the new city. The result of this joint effort was astounding. In a very short time, the new Agadir rose from the ashes. The best Moroccan and international architects experimented with novel housing typologies, which mediated between ultramodern and vernacular ways of dwelling, complemented by innovative public structures, such as schools, dispensaries, and cinemas. All of these combined into an original urban reality: a modern Afropolis.
Agadir: Building the modern Afropolis
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Summary:
On February 29, 1960, a catastrophic earthquake devastated the Moroccan coastal city of Agadir, erasing it almost entirely and killing a third of its population. The world was shocked, and very quickly large amounts of international aid arrived. Following an emotional speech by King Mohammed V, the reconstruction of Agadir also turned into an undertaking of national and international solidarity. A new and unprecedented process of urban construction was developed that allowed many architects—national and international—to simultaneously design the new city. The result of this joint effort was astounding. In a very short time, the new Agadir rose from the ashes. The best Moroccan and international architects experimented with novel housing typologies, which mediated between ultramodern and vernacular ways of dwelling, complemented by innovative public structures, such as schools, dispensaries, and cinemas. All of these combined into an original urban reality: a modern Afropolis.
Form:
books
books
Publication:
October 2022
October 2022
Subject:
Architecture since 1900, Africa
Architecture since 1900, Africa
Form:
books
books
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$44.95
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Summary:
With the development of the first skyscrapers in the 1880s, urban built environments could expand vertically as well as horizontally. Tall buildings emerged in growing cities to house and manage the large and racially diverse populations of migrants and immigrants flocking to their centers following Reconstruction. Beginning with Chicago's early 10-story towers and(...)
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With the development of the first skyscrapers in the 1880s, urban built environments could expand vertically as well as horizontally. Tall buildings emerged in growing cities to house and manage the large and racially diverse populations of migrants and immigrants flocking to their centers following Reconstruction. Beginning with Chicago's early 10-story towers and(...)
Title:
Black skyscraper: architecture and the perception of race
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With the development of the first skyscrapers in the 1880s, urban built environments could expand vertically as well as horizontally. Tall buildings emerged in growing cities to house and manage the large and racially diverse populations of migrants and immigrants flocking to their centers following Reconstruction. Beginning with Chicago's early 10-story towers and concluding with the 1931 erection of the 102-story Empire State Building, Adrienne Brown's ''The Black Skyscraper'' provides a detailed account of how scale and proximity shape our understanding of race. Over the next half-century, as city skylines grew, American writers imagined the new urban backdrop as an obstacle to racial differentiation. Examining works produced by writers, painters, architects, and laborers who grappled with the early skyscraper's outsized and disorienting dimensions, Brown explores this architecture's effects on how race was seen, read, and sensed at the turn of the twentieth century.
Black skyscraper: architecture and the perception of race
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With the development of the first skyscrapers in the 1880s, urban built environments could expand vertically as well as horizontally. Tall buildings emerged in growing cities to house and manage the large and racially diverse populations of migrants and immigrants flocking to their centers following Reconstruction. Beginning with Chicago's early 10-story towers and concluding with the 1931 erection of the 102-story Empire State Building, Adrienne Brown's ''The Black Skyscraper'' provides a detailed account of how scale and proximity shape our understanding of race. Over the next half-century, as city skylines grew, American writers imagined the new urban backdrop as an obstacle to racial differentiation. Examining works produced by writers, painters, architects, and laborers who grappled with the early skyscraper's outsized and disorienting dimensions, Brown explores this architecture's effects on how race was seen, read, and sensed at the turn of the twentieth century.
Form:
books
books
Publication:
May 2019
May 2019
Subject:
Humans and cities
Humans and cities
Form:
books
books
Title:
What is philosophy?
What is philosophy?
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Summary:
In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the(...)
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Summary:
In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the(...)
Title:
What is philosophy?
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In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the book consists of five essays on five emblematic topics: the Voice, the Sayable, the Demand, the Proem, and the Muse. In keeping with the author's trademark methodology, each essay weaves together archaeological and theoretical investigations: to a patient reconstruction of how the concept of language was invented there corresponds an attempt to restore thought to its place within the voice; to an unusual interpretation of the Platonic Idea corresponds a lucid analysis of the relationship between philosophy and science, and of the crisis that both are undergoing today.
What is philosophy?
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In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the book consists of five essays on five emblematic topics: the Voice, the Sayable, the Demand, the Proem, and the Muse. In keeping with the author's trademark methodology, each essay weaves together archaeological and theoretical investigations: to a patient reconstruction of how the concept of language was invented there corresponds an attempt to restore thought to its place within the voice; to an unusual interpretation of the Platonic Idea corresponds a lucid analysis of the relationship between philosophy and science, and of the crisis that both are undergoing today.
Form:
books
books
Publication:
September 2017
September 2017
Subject:
Critical Theory
Critical Theory
Form:
books
books
Price:
$49.95
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Summary:
This publication takes a question initially posed by heritage debates - what does photography preserve? - and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself. The interplay of archives and activisms structures the book. It is through the reactivation of archival photographs that submerged traces of(...)
$49.95
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This publication takes a question initially posed by heritage debates - what does photography preserve? - and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself. The interplay of archives and activisms structures the book. It is through the reactivation of archival photographs that submerged traces of(...)
Title:
Photogenic Montreal: Activisms and archives in a post-industrial city
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This publication takes a question initially posed by heritage debates - what does photography preserve? - and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself. The interplay of archives and activisms structures the book. It is through the reactivation of archival photographs that submerged traces of urban experience are discovered, and alternate histories of Montreal can be recounted. Multiple forms of activism and artistic expression complement this archival work. Beginning in the 1960s, community-minded and heritage groups responded to the tensions arising from urban reconstruction, gentrification, and the erasure of neighbourhoods; this activism also left its photographic traces. Attentive to the still-changing face of the city’s architecture, neighbourhoods, and street life, the book participates in debates about who the city belongs to, who speaks on its behalf, and how to picture its past and present.
Photogenic Montreal: Activisms and archives in a post-industrial city
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$49.95
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Summary:
This publication takes a question initially posed by heritage debates - what does photography preserve? - and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself. The interplay of archives and activisms structures the book. It is through the reactivation of archival photographs that submerged traces of urban experience are discovered, and alternate histories of Montreal can be recounted. Multiple forms of activism and artistic expression complement this archival work. Beginning in the 1960s, community-minded and heritage groups responded to the tensions arising from urban reconstruction, gentrification, and the erasure of neighbourhoods; this activism also left its photographic traces. Attentive to the still-changing face of the city’s architecture, neighbourhoods, and street life, the book participates in debates about who the city belongs to, who speaks on its behalf, and how to picture its past and present.
Form:
books
books
Publication:
November 2021
November 2021
Subject:
Architecture de Montréal
Architecture de Montréal
Form:
books
books
Title:
This is tomorrow
This is tomorrow
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$27.00
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Summary:
This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo(...)
$27.00
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Summary:
This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo(...)
Title:
This is tomorrow
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$27.00
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Summary:
This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. The Independent Group's room premiered works of Op art alongside film posters, collages, murals, films and a jukebox, and was Britain's introduction to the phenomenon later named Pop. The spiralbound catalogue for This Is Tomorrow was designed by Edward Wright and published by Lund Humphries; out of print since 1957, it has since become a much sought-after rarity and a classic of graphic design and postwar visual culture. This facsimile edition is published for the Whitechapel's 2010-11 reconstruction of the 1956 show.
This is tomorrow
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Summary:
This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. The Independent Group's room premiered works of Op art alongside film posters, collages, murals, films and a jukebox, and was Britain's introduction to the phenomenon later named Pop. The spiralbound catalogue for This Is Tomorrow was designed by Edward Wright and published by Lund Humphries; out of print since 1957, it has since become a much sought-after rarity and a classic of graphic design and postwar visual culture. This facsimile edition is published for the Whitechapel's 2010-11 reconstruction of the 1956 show.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
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$66.95
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Summary:
A collaboration between sculptor Olaf Nicolai and photographer Heidi Specker, this artist book poetically captures Nicolai’s intervention during the reconstruction of the Bauhaus Masters’ Houses—once home to Moholy-Nagy, Kandinsky and Klee, among others—in Dessau. Coating the walls with marble dust with varying degrees of granulation to create geometrical patterns,(...)
$66.95
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Summary:
A collaboration between sculptor Olaf Nicolai and photographer Heidi Specker, this artist book poetically captures Nicolai’s intervention during the reconstruction of the Bauhaus Masters’ Houses—once home to Moholy-Nagy, Kandinsky and Klee, among others—in Dessau. Coating the walls with marble dust with varying degrees of granulation to create geometrical patterns,(...)
Title:
Olaf Nicolai, Heindi Specker : le pigment de la lumière
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$66.95
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A collaboration between sculptor Olaf Nicolai and photographer Heidi Specker, this artist book poetically captures Nicolai’s intervention during the reconstruction of the Bauhaus Masters’ Houses—once home to Moholy-Nagy, Kandinsky and Klee, among others—in Dessau. Coating the walls with marble dust with varying degrees of granulation to create geometrical patterns, Nicolai produced a subtle relief that responds to the homes changing light conditions. Specker in turn gives the camouflaged surfaces a heightened sense of presence through her photographic renderings that direct the viewer’s gaze to the interplay of contour, surface, space and light. In Nicolai and Specker’s joint publication, an aesthetic intervention in a reconstructed space finds another iteration through the medium of photography in book form. The soft cover and Chinese fold give this elegant artist book and abstract journey through an iconic space a supple, organic feel.OLAF NICOLAI & HEIDI SPECKER
Olaf Nicolai, Heindi Specker : le pigment de la lumière
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$66.95
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Summary:
A collaboration between sculptor Olaf Nicolai and photographer Heidi Specker, this artist book poetically captures Nicolai’s intervention during the reconstruction of the Bauhaus Masters’ Houses—once home to Moholy-Nagy, Kandinsky and Klee, among others—in Dessau. Coating the walls with marble dust with varying degrees of granulation to create geometrical patterns, Nicolai produced a subtle relief that responds to the homes changing light conditions. Specker in turn gives the camouflaged surfaces a heightened sense of presence through her photographic renderings that direct the viewer’s gaze to the interplay of contour, surface, space and light. In Nicolai and Specker’s joint publication, an aesthetic intervention in a reconstructed space finds another iteration through the medium of photography in book form. The soft cover and Chinese fold give this elegant artist book and abstract journey through an iconic space a supple, organic feel.OLAF NICOLAI & HEIDI SPECKER
Form:
books
books
Publication:
July 2015
July 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
