43402 Results
Level of archival description:
Project
Project
Title:
Edificio de servicios generales para la Universidad de Extremadura, Mérida, Spain (1999-2001)
Edificio de servicios generales para la Universidad de Extremadura, Mérida, Spain (1999-2001)
Actions:
Reference number:
AP164.S1.1999.D4
Description:
The project series documents the design and construction of the general services building for the Universidad de Extremadura. In 1999, Abalos & Herreros in collaboration with Fomento won first prize at a competition held for enterprises. The firm identified this project as number 117. “Giving the hard climatic conditions, the building is wrapped in an artificial and natural dual filter of adjustable lattices surrounded by a ring a trees (Ginkos Bilobas) […] On the roof, two turrets house relaxation rooms for the teaching staff, rooms that open onto a garden surrounded by a training track, thus creating an open-air area with views over the lowlands of the [River] Guadiana and the city” (ARCH270971). In the documentation, the project is often referred to as “Edificio administrativo y de nuevas titulaciones de la Universidad de Extremadura” or “Administration building and new graduate facilities for the University of Extremadura”. The firm worked with Ángel Jaramillo, Uriel Fogué, Renata Sentkiewicz, Jacob Hense and Obiol y Moya for the account of the Consejería de Educación, Ciencia y Tecnología, Junta de Extremadura. Documenting the project are presentation and working drawings, and photographic materials.
AP164.S1.1999.D4
Description:
The project series documents the design and construction of the general services building for the Universidad de Extremadura. In 1999, Abalos & Herreros in collaboration with Fomento won first prize at a competition held for enterprises. The firm identified this project as number 117. “Giving the hard climatic conditions, the building is wrapped in an artificial and natural dual filter of adjustable lattices surrounded by a ring a trees (Ginkos Bilobas) […] On the roof, two turrets house relaxation rooms for the teaching staff, rooms that open onto a garden surrounded by a training track, thus creating an open-air area with views over the lowlands of the [River] Guadiana and the city” (ARCH270971). In the documentation, the project is often referred to as “Edificio administrativo y de nuevas titulaciones de la Universidad de Extremadura” or “Administration building and new graduate facilities for the University of Extremadura”. The firm worked with Ángel Jaramillo, Uriel Fogué, Renata Sentkiewicz, Jacob Hense and Obiol y Moya for the account of the Consejería de Educación, Ciencia y Tecnología, Junta de Extremadura. Documenting the project are presentation and working drawings, and photographic materials.
People:
Date:
1999, 2001
1999, 2001
Title:
Edificio de servicios generales para la Universidad de Extremadura, Mérida, Spain (1999-2001)
Actions:
AP164.S1.1999.D4
Description:
The project series documents the design and construction of the general services building for the Universidad de Extremadura. In 1999, Abalos & Herreros in collaboration with Fomento won first prize at a competition held for enterprises. The firm identified this project as number 117. “Giving the hard climatic conditions, the building is wrapped in an artificial and natural dual filter of adjustable lattices surrounded by a ring a trees (Ginkos Bilobas) […] On the roof, two turrets house relaxation rooms for the teaching staff, rooms that open onto a garden surrounded by a training track, thus creating an open-air area with views over the lowlands of the [River] Guadiana and the city” (ARCH270971). In the documentation, the project is often referred to as “Edificio administrativo y de nuevas titulaciones de la Universidad de Extremadura” or “Administration building and new graduate facilities for the University of Extremadura”. The firm worked with Ángel Jaramillo, Uriel Fogué, Renata Sentkiewicz, Jacob Hense and Obiol y Moya for the account of the Consejería de Educación, Ciencia y Tecnología, Junta de Extremadura. Documenting the project are presentation and working drawings, and photographic materials.
Edificio de servicios generales para la Universidad de Extremadura, Mérida, Spain (1999-2001)
Actions:
AP164.S1.1999.D4
Description:
The project series documents the design and construction of the general services building for the Universidad de Extremadura. In 1999, Abalos & Herreros in collaboration with Fomento won first prize at a competition held for enterprises. The firm identified this project as number 117. “Giving the hard climatic conditions, the building is wrapped in an artificial and natural dual filter of adjustable lattices surrounded by a ring a trees (Ginkos Bilobas) […] On the roof, two turrets house relaxation rooms for the teaching staff, rooms that open onto a garden surrounded by a training track, thus creating an open-air area with views over the lowlands of the [River] Guadiana and the city” (ARCH270971). In the documentation, the project is often referred to as “Edificio administrativo y de nuevas titulaciones de la Universidad de Extremadura” or “Administration building and new graduate facilities for the University of Extremadura”. The firm worked with Ángel Jaramillo, Uriel Fogué, Renata Sentkiewicz, Jacob Hense and Obiol y Moya for the account of the Consejería de Educación, Ciencia y Tecnología, Junta de Extremadura. Documenting the project are presentation and working drawings, and photographic materials.
Level of archival description:
Project
Project
Date:
1999, 2001
1999, 2001
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2004.D9
Description:
The project series documents the entry for a competition organised by the École Polytechnique Fédérale de Lausanne. The firm identified this project as number 187. “The Learning Center occupies the closest point to the two existing pedestrian accesses and distributes its programme in two large pieces: the green platform which puts in relation the different levels of mobility and houses the active program and the helix which defines the library as a huge ascending space which winds around itself at the interior as well as exterior culminating in an observatory which contains a restaurant. An isolated pavilion emerges over the green platform as a scenic counterpoint. […] Three materials: water, lawn and show form the base of the choice of materials and chromatic proposal supported by a regular structure of white concrete.” (ARCH270975) Abalos & Herreros and Renata Sentkiewicz worked with Olivia de Oliveira, Blaise Sahy, Verónica Meléndez, Juanju González Castellón, Rubén Briongos and Teresa Galí. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, correspondence, and presentation documents.
AP164.S1.2004.D9
Description:
The project series documents the entry for a competition organised by the École Polytechnique Fédérale de Lausanne. The firm identified this project as number 187. “The Learning Center occupies the closest point to the two existing pedestrian accesses and distributes its programme in two large pieces: the green platform which puts in relation the different levels of mobility and houses the active program and the helix which defines the library as a huge ascending space which winds around itself at the interior as well as exterior culminating in an observatory which contains a restaurant. An isolated pavilion emerges over the green platform as a scenic counterpoint. […] Three materials: water, lawn and show form the base of the choice of materials and chromatic proposal supported by a regular structure of white concrete.” (ARCH270975) Abalos & Herreros and Renata Sentkiewicz worked with Olivia de Oliveira, Blaise Sahy, Verónica Meléndez, Juanju González Castellón, Rubén Briongos and Teresa Galí. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, correspondence, and presentation documents.
People:
Date:
1986, 2003-2004, predominant 2004
1986, 2003-2004, predominant 2004
Title:
EPFL learning center, Lausanne, Switzerland (2004)
Actions:
AP164.S1.2004.D9
Description:
The project series documents the entry for a competition organised by the École Polytechnique Fédérale de Lausanne. The firm identified this project as number 187. “The Learning Center occupies the closest point to the two existing pedestrian accesses and distributes its programme in two large pieces: the green platform which puts in relation the different levels of mobility and houses the active program and the helix which defines the library as a huge ascending space which winds around itself at the interior as well as exterior culminating in an observatory which contains a restaurant. An isolated pavilion emerges over the green platform as a scenic counterpoint. […] Three materials: water, lawn and show form the base of the choice of materials and chromatic proposal supported by a regular structure of white concrete.” (ARCH270975) Abalos & Herreros and Renata Sentkiewicz worked with Olivia de Oliveira, Blaise Sahy, Verónica Meléndez, Juanju González Castellón, Rubén Briongos and Teresa Galí. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, correspondence, and presentation documents.
EPFL learning center, Lausanne, Switzerland (2004)
Actions:
AP164.S1.2004.D9
Description:
The project series documents the entry for a competition organised by the École Polytechnique Fédérale de Lausanne. The firm identified this project as number 187. “The Learning Center occupies the closest point to the two existing pedestrian accesses and distributes its programme in two large pieces: the green platform which puts in relation the different levels of mobility and houses the active program and the helix which defines the library as a huge ascending space which winds around itself at the interior as well as exterior culminating in an observatory which contains a restaurant. An isolated pavilion emerges over the green platform as a scenic counterpoint. […] Three materials: water, lawn and show form the base of the choice of materials and chromatic proposal supported by a regular structure of white concrete.” (ARCH270975) Abalos & Herreros and Renata Sentkiewicz worked with Olivia de Oliveira, Blaise Sahy, Verónica Meléndez, Juanju González Castellón, Rubén Briongos and Teresa Galí. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, correspondence, and presentation documents.
Level of archival description:
Project
Project
Date:
1986, 2003-2004, predominant 2004
1986, 2003-2004, predominant 2004
People:
Level of archival description:
Series
Series
Title:
Paul Goesch
Paul Goesch
Reference number:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
People:
Date:
1890-1911
1890-1911
Title:
Paul Goesch
Actions:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
Paul Goesch
Actions:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
Level of archival description:
series
series
Date:
1890-1911
1890-1911
People:
Level of archival description:
Project
Project
Title:
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
Reference number:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
People:
Date:
1918-1921
1918-1921
Title:
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
Level of archival description:
project
project
Date:
1918-1921
1918-1921
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1974.PR24
Description:
This project series documents the design of interiors for the Eaton's of Canada Limited executive offices at 1 Dundas Street West in Toronto from 1974-1976. The office identified the project number as 7431. This project consisted of the office interiors for the 17th and 18th floors of a high-rise building located directly above the Eaton's flagship store, which was attached to the Eaton's Centre mall. The high-rise, its interiors, the Eaton's store and the mall were all constructed simultaneously, with Parkin Architects Planners working on the Eaton's store and office interiors, while architecture firm Craig Zeidler Strong worked on the Eaton's Centre mall and high-rise office building. The project is recorded through drawings, most of which are reprographic copies, photographs and textual records dating from 1975-1976. Arranged within the drawings are some drawings produced for the high-rise building by Craig Zeidler Strong. The textual records contain meeting minutes, specifications, construction documentation and project notebooks. The photographs show the office interiors of various Eaton's executives.
AP018.S1.1974.PR24
Description:
This project series documents the design of interiors for the Eaton's of Canada Limited executive offices at 1 Dundas Street West in Toronto from 1974-1976. The office identified the project number as 7431. This project consisted of the office interiors for the 17th and 18th floors of a high-rise building located directly above the Eaton's flagship store, which was attached to the Eaton's Centre mall. The high-rise, its interiors, the Eaton's store and the mall were all constructed simultaneously, with Parkin Architects Planners working on the Eaton's store and office interiors, while architecture firm Craig Zeidler Strong worked on the Eaton's Centre mall and high-rise office building. The project is recorded through drawings, most of which are reprographic copies, photographs and textual records dating from 1975-1976. Arranged within the drawings are some drawings produced for the high-rise building by Craig Zeidler Strong. The textual records contain meeting minutes, specifications, construction documentation and project notebooks. The photographs show the office interiors of various Eaton's executives.
People:
Date:
1975-1976
1975-1976
Title:
Eaton's of Canada Limited Executive Offices, One Dundas Street West, Toronto (1974-1976)
Actions:
AP018.S1.1974.PR24
Description:
This project series documents the design of interiors for the Eaton's of Canada Limited executive offices at 1 Dundas Street West in Toronto from 1974-1976. The office identified the project number as 7431. This project consisted of the office interiors for the 17th and 18th floors of a high-rise building located directly above the Eaton's flagship store, which was attached to the Eaton's Centre mall. The high-rise, its interiors, the Eaton's store and the mall were all constructed simultaneously, with Parkin Architects Planners working on the Eaton's store and office interiors, while architecture firm Craig Zeidler Strong worked on the Eaton's Centre mall and high-rise office building. The project is recorded through drawings, most of which are reprographic copies, photographs and textual records dating from 1975-1976. Arranged within the drawings are some drawings produced for the high-rise building by Craig Zeidler Strong. The textual records contain meeting minutes, specifications, construction documentation and project notebooks. The photographs show the office interiors of various Eaton's executives.
Eaton's of Canada Limited Executive Offices, One Dundas Street West, Toronto (1974-1976)
Actions:
AP018.S1.1974.PR24
Description:
This project series documents the design of interiors for the Eaton's of Canada Limited executive offices at 1 Dundas Street West in Toronto from 1974-1976. The office identified the project number as 7431. This project consisted of the office interiors for the 17th and 18th floors of a high-rise building located directly above the Eaton's flagship store, which was attached to the Eaton's Centre mall. The high-rise, its interiors, the Eaton's store and the mall were all constructed simultaneously, with Parkin Architects Planners working on the Eaton's store and office interiors, while architecture firm Craig Zeidler Strong worked on the Eaton's Centre mall and high-rise office building. The project is recorded through drawings, most of which are reprographic copies, photographs and textual records dating from 1975-1976. Arranged within the drawings are some drawings produced for the high-rise building by Craig Zeidler Strong. The textual records contain meeting minutes, specifications, construction documentation and project notebooks. The photographs show the office interiors of various Eaton's executives.
Level of archival description:
Project
Project
Date:
1975-1976
1975-1976
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1988.PR04
Description:
Project series documents Cornelie Hahn Oberlander's landscape project for the Jarvis Residence on Hudson Street in Vancouver, British Columbia. Oberlander worked on the initial landscape project from 1964-1966, and later on renovations of the garden in 1988-1989. The residence was designed by architect Ron Thom, from Thompson Berwick & Pratt Architects and was completed in 1964. The project consisted in creating well sunlit circular wooden deck where the family could gather, especially for breakfast in the morning, with sun-loving vegetation. The garden also integrated elements from Japanese traditional gardens, brought back by the owners of the house after a trip in Japan, including stepping-stones that were arranged to create a path from the house and the beginning of a woodland walk. Project series contains design development drawings, including landscape plans, planting plans and layout plans, and also working drawing, including irragation plans. The project series also comprises photographs of the residence and the garden, and textual records, such as specifications, correspondence with architects and clients, Oberlander's concept notes, and plant lists.
AP075.S1.1988.PR04
Description:
Project series documents Cornelie Hahn Oberlander's landscape project for the Jarvis Residence on Hudson Street in Vancouver, British Columbia. Oberlander worked on the initial landscape project from 1964-1966, and later on renovations of the garden in 1988-1989. The residence was designed by architect Ron Thom, from Thompson Berwick & Pratt Architects and was completed in 1964. The project consisted in creating well sunlit circular wooden deck where the family could gather, especially for breakfast in the morning, with sun-loving vegetation. The garden also integrated elements from Japanese traditional gardens, brought back by the owners of the house after a trip in Japan, including stepping-stones that were arranged to create a path from the house and the beginning of a woodland walk. Project series contains design development drawings, including landscape plans, planting plans and layout plans, and also working drawing, including irragation plans. The project series also comprises photographs of the residence and the garden, and textual records, such as specifications, correspondence with architects and clients, Oberlander's concept notes, and plant lists.
People:
Date:
1966-2004
1966-2004
Title:
Jarvis Residence, Vancouver, British Columbia (1988-1992)
Actions:
AP075.S1.1988.PR04
Description:
Project series documents Cornelie Hahn Oberlander's landscape project for the Jarvis Residence on Hudson Street in Vancouver, British Columbia. Oberlander worked on the initial landscape project from 1964-1966, and later on renovations of the garden in 1988-1989. The residence was designed by architect Ron Thom, from Thompson Berwick & Pratt Architects and was completed in 1964. The project consisted in creating well sunlit circular wooden deck where the family could gather, especially for breakfast in the morning, with sun-loving vegetation. The garden also integrated elements from Japanese traditional gardens, brought back by the owners of the house after a trip in Japan, including stepping-stones that were arranged to create a path from the house and the beginning of a woodland walk. Project series contains design development drawings, including landscape plans, planting plans and layout plans, and also working drawing, including irragation plans. The project series also comprises photographs of the residence and the garden, and textual records, such as specifications, correspondence with architects and clients, Oberlander's concept notes, and plant lists.
Jarvis Residence, Vancouver, British Columbia (1988-1992)
Actions:
AP075.S1.1988.PR04
Description:
Project series documents Cornelie Hahn Oberlander's landscape project for the Jarvis Residence on Hudson Street in Vancouver, British Columbia. Oberlander worked on the initial landscape project from 1964-1966, and later on renovations of the garden in 1988-1989. The residence was designed by architect Ron Thom, from Thompson Berwick & Pratt Architects and was completed in 1964. The project consisted in creating well sunlit circular wooden deck where the family could gather, especially for breakfast in the morning, with sun-loving vegetation. The garden also integrated elements from Japanese traditional gardens, brought back by the owners of the house after a trip in Japan, including stepping-stones that were arranged to create a path from the house and the beginning of a woodland walk. Project series contains design development drawings, including landscape plans, planting plans and layout plans, and also working drawing, including irragation plans. The project series also comprises photographs of the residence and the garden, and textual records, such as specifications, correspondence with architects and clients, Oberlander's concept notes, and plant lists.
Level of archival description:
Project
Project
Date:
1966-2004
1966-2004
People:
Form:
journals and magazines
journals and magazines
Actions:
Reference number:
ARCH268183
Description:
Architecture-bâtiment-construction, no. 93 (Januray 1954) supplement about a planning project by Vincent Rother Architects on which Victor Prus worked as architect for the firm.
ARCH268183
Description:
Architecture-bâtiment-construction, no. 93 (Januray 1954) supplement about a planning project by Vincent Rother Architects on which Victor Prus worked as architect for the firm.
People:
Title:
Architecture-bâtiment-construction
Actions:
ARCH268183
Description:
Architecture-bâtiment-construction, no. 93 (Januray 1954) supplement about a planning project by Vincent Rother Architects on which Victor Prus worked as architect for the firm.
Architecture-bâtiment-construction
Actions:
ARCH268183
Description:
Architecture-bâtiment-construction, no. 93 (Januray 1954) supplement about a planning project by Vincent Rother Architects on which Victor Prus worked as architect for the firm.
Form:
journals and magazines
journals and magazines
People:
Form:
textual records
textual records
Reference number:
ARCH277001
Description:
Group contains the Budget Pricing Updates and the Shoring Excavation Tender for 1151 West Georgia Street, Vancouver, on which Arthur Erickson worked as a design consultant.
ARCH277001
Description:
Group contains the Budget Pricing Updates and the Shoring Excavation Tender for 1151 West Georgia Street, Vancouver, on which Arthur Erickson worked as a design consultant.
People:
Date:
2007-2008
2007-2008
Title:
Budgets, and tender related to various projects
Actions:
ARCH277001
Description:
Group contains the Budget Pricing Updates and the Shoring Excavation Tender for 1151 West Georgia Street, Vancouver, on which Arthur Erickson worked as a design consultant.
Budgets, and tender related to various projects
Actions:
ARCH277001
Description:
Group contains the Budget Pricing Updates and the Shoring Excavation Tender for 1151 West Georgia Street, Vancouver, on which Arthur Erickson worked as a design consultant.
Form:
textual records
textual records
Date:
2007-2008
2007-2008
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1974:0002:016:001-070
Description:
- This album contains mostly highly finished drawings - plans, elevations, and sections - for three gendarmerie barracks in Paris by Hubert Rohault de Fleury: rue du Faubourg-Saint-Martin (1829-1830 ?), rue des Minimes (1823-1825 ?), and rue Mouffetard (1821-1824). Rohault de Fleury's alterations to the Faubourg-Saint-Martin barracks were probably limited to the "2e" and "3e étages" and the sewer system (DR1974:0002:016:001 - DR1974:0002:016:006). It has not been determined whether these alterations were for the initial conversion of the Hôtel des arts into barracks, or for subsequent alterations to the barracks. The drawings for the Minimes barracks are more comprehensive and relate to work on the disposition of the interiors, the enclosing wall, and the entrance gateway (DR1974:0002:016:007 - DR1974:0002:016:022 and DR1974:0002:016:024 - DR1974:0002:016:027). The Mouffetard barracks is the largest and best known of the projects in the album (DR1974:0002:016:023, DR1974:0002:016:028 - DR1974:0002:016:070). It is comprehensively documented and includes: a bidding document for the barracks, plans of the existing Couvent des Augustines de Notre-Dame-de-la-Miséricorde situated on the site, early projects for the barracks of 1821, and the 1824 project which apparently conforms to the barracks as executed. The façades of the Caserne de la Gendarmerie royale, rue Mouffetard, are in the pared-down classical style typical of Hubert's utilitarian structures.
DR1974:0002:016:001-070
Description:
- This album contains mostly highly finished drawings - plans, elevations, and sections - for three gendarmerie barracks in Paris by Hubert Rohault de Fleury: rue du Faubourg-Saint-Martin (1829-1830 ?), rue des Minimes (1823-1825 ?), and rue Mouffetard (1821-1824). Rohault de Fleury's alterations to the Faubourg-Saint-Martin barracks were probably limited to the "2e" and "3e étages" and the sewer system (DR1974:0002:016:001 - DR1974:0002:016:006). It has not been determined whether these alterations were for the initial conversion of the Hôtel des arts into barracks, or for subsequent alterations to the barracks. The drawings for the Minimes barracks are more comprehensive and relate to work on the disposition of the interiors, the enclosing wall, and the entrance gateway (DR1974:0002:016:007 - DR1974:0002:016:022 and DR1974:0002:016:024 - DR1974:0002:016:027). The Mouffetard barracks is the largest and best known of the projects in the album (DR1974:0002:016:023, DR1974:0002:016:028 - DR1974:0002:016:070). It is comprehensively documented and includes: a bidding document for the barracks, plans of the existing Couvent des Augustines de Notre-Dame-de-la-Miséricorde situated on the site, early projects for the barracks of 1821, and the 1824 project which apparently conforms to the barracks as executed. The façades of the Caserne de la Gendarmerie royale, rue Mouffetard, are in the pared-down classical style typical of Hubert's utilitarian structures.
People:
Subject:
architecture
architecture
Date:
drawings executed 1817-1830, manuscript written 1817-1821
drawings executed 1817-1830, manuscript written 1817-1821
Title:
Album of drawings for three gendarmerie barracks: rue du Faubourg-Saint-Martin, rue des Minimes, and rue Mouffetard, Paris
Actions:
DR1974:0002:016:001-070
Description:
- This album contains mostly highly finished drawings - plans, elevations, and sections - for three gendarmerie barracks in Paris by Hubert Rohault de Fleury: rue du Faubourg-Saint-Martin (1829-1830 ?), rue des Minimes (1823-1825 ?), and rue Mouffetard (1821-1824). Rohault de Fleury's alterations to the Faubourg-Saint-Martin barracks were probably limited to the "2e" and "3e étages" and the sewer system (DR1974:0002:016:001 - DR1974:0002:016:006). It has not been determined whether these alterations were for the initial conversion of the Hôtel des arts into barracks, or for subsequent alterations to the barracks. The drawings for the Minimes barracks are more comprehensive and relate to work on the disposition of the interiors, the enclosing wall, and the entrance gateway (DR1974:0002:016:007 - DR1974:0002:016:022 and DR1974:0002:016:024 - DR1974:0002:016:027). The Mouffetard barracks is the largest and best known of the projects in the album (DR1974:0002:016:023, DR1974:0002:016:028 - DR1974:0002:016:070). It is comprehensively documented and includes: a bidding document for the barracks, plans of the existing Couvent des Augustines de Notre-Dame-de-la-Miséricorde situated on the site, early projects for the barracks of 1821, and the 1824 project which apparently conforms to the barracks as executed. The façades of the Caserne de la Gendarmerie royale, rue Mouffetard, are in the pared-down classical style typical of Hubert's utilitarian structures.
Album of drawings for three gendarmerie barracks: rue du Faubourg-Saint-Martin, rue des Minimes, and rue Mouffetard, Paris
Actions:
DR1974:0002:016:001-070
Description:
- This album contains mostly highly finished drawings - plans, elevations, and sections - for three gendarmerie barracks in Paris by Hubert Rohault de Fleury: rue du Faubourg-Saint-Martin (1829-1830 ?), rue des Minimes (1823-1825 ?), and rue Mouffetard (1821-1824). Rohault de Fleury's alterations to the Faubourg-Saint-Martin barracks were probably limited to the "2e" and "3e étages" and the sewer system (DR1974:0002:016:001 - DR1974:0002:016:006). It has not been determined whether these alterations were for the initial conversion of the Hôtel des arts into barracks, or for subsequent alterations to the barracks. The drawings for the Minimes barracks are more comprehensive and relate to work on the disposition of the interiors, the enclosing wall, and the entrance gateway (DR1974:0002:016:007 - DR1974:0002:016:022 and DR1974:0002:016:024 - DR1974:0002:016:027). The Mouffetard barracks is the largest and best known of the projects in the album (DR1974:0002:016:023, DR1974:0002:016:028 - DR1974:0002:016:070). It is comprehensively documented and includes: a bidding document for the barracks, plans of the existing Couvent des Augustines de Notre-Dame-de-la-Miséricorde situated on the site, early projects for the barracks of 1821, and the 1824 project which apparently conforms to the barracks as executed. The façades of the Caserne de la Gendarmerie royale, rue Mouffetard, are in the pared-down classical style typical of Hubert's utilitarian structures.
Form:
drawings
drawings
Date:
drawings executed 1817-1830, manuscript written 1817-1821
drawings executed 1817-1830, manuscript written 1817-1821
People:
Subject:
architecture
architecture
Form:
exhibitions
exhibitions
Actions:
Description:
The decay and neglect of polluted industrial sites on the edges of cities became a worldwide phenomenon by the end of the twentieth century. The industrial site of Marghera lies on the waterfront overlooking the historical city of Venice, confronting La Serenissima as its titanic alter ego. This exhibition presents the complex and changing reality of Marghera through the(...)
The decay and neglect of polluted industrial sites on the edges of cities became a worldwide phenomenon by the end of the twentieth century. The industrial site of Marghera lies on the waterfront overlooking the historical city of Venice, confronting La Serenissima as its titanic alter ego. This exhibition presents the complex and changing reality of Marghera through the(...)
Location:
Main galleries
Main galleries
Date:
9 December 1998 to 25 April 1999
9 December 1998 to 25 April 1999
Title:
Photography and Transformations of the Contemporary City: Venezia – Marghera
Actions:
Description:
The decay and neglect of polluted industrial sites on the edges of cities became a worldwide phenomenon by the end of the twentieth century. The industrial site of Marghera lies on the waterfront overlooking the historical city of Venice, confronting La Serenissima as its titanic alter ego. This exhibition presents the complex and changing reality of Marghera through the(...)
Photography and Transformations of the Contemporary City: Venezia – Marghera
Actions:
Description:
The decay and neglect of polluted industrial sites on the edges of cities became a worldwide phenomenon by the end of the twentieth century. The industrial site of Marghera lies on the waterfront overlooking the historical city of Venice, confronting La Serenissima as its titanic alter ego. This exhibition presents the complex and changing reality of Marghera through the(...)
Form:
exhibitions
exhibitions
Date:
9 December 1998 to
25 April 1999
9 December 1998 to
25 April 1999
Location:
Main galleries
Main galleries
