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The photographs by Richard Misrach assembled in this volume are a stark, affecting reminders of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach-who has photographed the region regularly since the 1970s, most notably for his(...)
September 2010
Richard Misrach: Destroy this memory
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The photographs by Richard Misrach assembled in this volume are a stark, affecting reminders of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach-who has photographed the region regularly since the 1970s, most notably for his ongoing "Cancer Alley" project-found himself drawn to the hurricane-inspired graffiti. "Destroy This Memory" presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the raw experiences of those left to fend for themselves in the aftermath of Katrina. With no essay, titles or even page numbers in the way, the words on these homes, cars and trees offer a searing testament that continues to speak volumes.
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Bruce Davidson describes the genesis of this project thus: "Esquire's editors sent me to Los Angeles, and when I landed at LA International Airport I noticed giant palm trees growing in the parking lot. I ordered a hamburger through a microphone speaker in a drive-in called Tiny Naylor's. The freeways were blank and brilliant, chromium-plated bumpers reflected the Pacific(...)
Bruce Davidson: Los Angeles 1964
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Bruce Davidson describes the genesis of this project thus: "Esquire's editors sent me to Los Angeles, and when I landed at LA International Airport I noticed giant palm trees growing in the parking lot. I ordered a hamburger through a microphone speaker in a drive-in called Tiny Naylor's. The freeways were blank and brilliant, chromium-plated bumpers reflected the Pacific Ocean, but the air quality was said to be bad. People looking like mannequins seemed at peace on the Sunset Strip while others were euphoric as they watered the desert. I stood there ready with my Leica, aware of my shadow on the pavement. I walked up to strangers, framed, focused and in a split second of alienations and cynicism, pressed the shutter button. Suddenly I had an awakening that led me to another level of visual understanding. But in the end, for some unknown reasons, the editors rejected the pictures, and I had to return home with a big box of prints, put them in a drawer, and forgot all about the trip."
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March 2015
Photography monographs
audio
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1 online resource.
[Place of publication not identified] : Lateral Addition, 2016.
A Partial Exegesis of Cricket, its Laws and Rituals.
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audio
[Place of publication not identified] : Lateral Addition, 2016.
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This new edition of Mike Davis’s work gives an update on Los Angeles as the city hits the 21st century. No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this wide-ranging work of social history, Los(...)
City of quartz : excavating the future in Los Angeles, new edition
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This new edition of Mike Davis’s work gives an update on Los Angeles as the city hits the 21st century. No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this wide-ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias. In "City of quartz", Davis reconstructs LA’s shadow history and dissects its ethereal economy. He tells us who has the power and how they hold on to it. He gives us a city of Dickensian extremes, Pynchonesque conspiracies, and a desperation straight out of Nathaniel West—a city in which we may glimpse our own future mirrored with terrifying clarity. In this new edition, Davis provides an update on the city’s current status.
Urban Theory
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It's impossible not to think, even upon close inspection, that Olivo Barbieri's photographs aren't images of obsessively detailed architectural maquettes. The trees seem plastic, the cars resemble toys and the buildings look as though they would fall over if you so much as breathed on them. The Waterfall Project brings this unreal quality to landscape, specifically to(...)
Olivo Barbieri: the waterfall project
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It's impossible not to think, even upon close inspection, that Olivo Barbieri's photographs aren't images of obsessively detailed architectural maquettes. The trees seem plastic, the cars resemble toys and the buildings look as though they would fall over if you so much as breathed on them. The Waterfall Project brings this unreal quality to landscape, specifically to such touristy waterfalls as Victoria (Zambia/ Zimbabwe), Iguazu (Argentina, Brazil), Khone Papeng (Laos/Cambodia) and Niagara (USA/Canada). In these disorienting images, the spectators on the crowded viewing platforms look like M & M's in a candy bowl, a cluster of toytown Pointillistic color against a backdrop of watery froth. The results are vertiginous and wonderfully bizarre. Critic Walter Guadagnini writes in the introduction: There is an evident technical expedient in this, and it is the choice to photograph from above, to place oneself in a privileged and anomalous condition. In the past, this expedient already gave rise to numerous readings, which range from acknowledging the historical roots of this perspective (going back all the way to Nadar's photographs from a hot-air balloon) up to the socio-political implications deriving from 9/11."
Photography monographs
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The Salton Sea is a man-made catastrophe, redolent with the smell of algae and decomposing fish. Nevertheless, the lake's vast, placid expanses continue to attract birdwatchers, tourists and artists. In Greetings from the Salton Sea, photographer Kim Stringfellow explores the history of California's largest lake from its disastrous beginnings—the "sea" was formed when(...)
Greetings from the Salton Sea: folly and intervention in the southern California landscape, 1905-2005
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The Salton Sea is a man-made catastrophe, redolent with the smell of algae and decomposing fish. Nevertheless, the lake's vast, placid expanses continue to attract birdwatchers, tourists and artists. In Greetings from the Salton Sea, photographer Kim Stringfellow explores the history of California's largest lake from its disastrous beginnings—the "sea" was formed when Colorado River levees broke and spilled into a depression 280 feet below sea level—to its heyday as a desert paradise in the 1950s and its current state as an environmental battleground. Like the 400-plus species of birds that use the lake as a halfway point in their annual migration, developers flocked to the water too: they planted palm trees, built golf courses, and hired showstoppers such as the Beach Boys to perform at area resorts. These days, politicians seek to redirect the lake's only source of replenishment—agricultural runoff from surrounding farms—to water golf courses and green lawns elsewhere. Greetings from the Salton Sea's photographs capture the war among policymakers, environmentalists, developers, and the individuals still living along the lake's shores. As Stringfellow aptly documents, it is a war for water and, ultimately, for existence.
Urban Theory
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David Chieppo, born in New Haven, Connecticut in 1973 and based in Zurich since 1998, is an artist whose drawings are fundamental to his work, for they have an openness and compositional spontaneity that relates closely to the way the world is seen. In capturing a moment, the drawings are not determined primarily by stylistic concerns, but by the potent energy of the(...)
Contemporary Art Monographs
January 2008, Zürich
David Chieppo : an old dirt trail, a dead oak tree, a big rock on a hill
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David Chieppo, born in New Haven, Connecticut in 1973 and based in Zurich since 1998, is an artist whose drawings are fundamental to his work, for they have an openness and compositional spontaneity that relates closely to the way the world is seen. In capturing a moment, the drawings are not determined primarily by stylistic concerns, but by the potent energy of the person or the situation Chieppo seeks to convey - irrespective of whether these phenomena are experienced at first hand or through a medium such as photography, film or television.
Contemporary Art Monographs
Alex Katz: Gathering
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Across decades of intense creative production, Alex Katz has sought to capture a state of ''absolute awareness'' in paint. Whether evoking a glancing exchange between friends or a shaft of light filtered through trees, he has aimed to create a record of ''quick things passing,'' compressing the flux of everyday life into a condensed burst of optical perception. Published(...)
Contemporary Art Monographs
December 2022
Alex Katz: Gathering
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Across decades of intense creative production, Alex Katz has sought to capture a state of ''absolute awareness'' in paint. Whether evoking a glancing exchange between friends or a shaft of light filtered through trees, he has aimed to create a record of ''quick things passing,'' compressing the flux of everyday life into a condensed burst of optical perception. Published on the occasion of the artist’s first US career retrospective in more than 30 years, ''Alex Katz: Gathering'' offers a definitive account of Katz’s artistic project, demonstrating both its marked coherence and restless evolution. Generously illustrated, the book features the full breadth of the artist’s work across mediums and formats, from intimate sketches of riders on the New York City subway in the late 1940s to the rapturous, monumentally scaled landscapes that have dominated his recent production. Essays by artists, writers and art historians offer fresh, authoritative overviews of the artist’s practice alongside more focused considerations of specific facets of his art, including his flower paintings, collages, prints, freestanding ''cutouts'' and set design collaborations with the Paul Taylor Dance Company. A sourcebook of historical reviews, essays and poems rounds out the volume, which offers an overdue reassessment of the artist’s oeuvre.
Contemporary Art Monographs
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Cities are at once among humanity’s crowning achievements and core drivers of the climate crisis. Their dependence on the outside world for vital resources is causing global temperatures to rise and wildlife habitats to shrink. But we have the opportunity to make cities more sustainable by transforming the built environment. Dickson D. Despommier proposes a plan for(...)
The new city: How to build our sustainable urban future
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Cities are at once among humanity’s crowning achievements and core drivers of the climate crisis. Their dependence on the outside world for vital resources is causing global temperatures to rise and wildlife habitats to shrink. But we have the opportunity to make cities more sustainable by transforming the built environment. Dickson D. Despommier proposes a plan for creating a new, self-sustaining urban landscape. He argues that we can find solutions through the concept of biomimicry: emulating successful strategies found in nature. A better city is possible if we heed the lessons that forests and trees teach about how to store carbon, grow food, collect rainwater, and convert sunlight into energy. Touring established and leading-edge technologies, ''The new city'' provides a blueprint for tomorrow’s urban environment. Cities built from wood will be more resilient and less destructive than concrete and steel construction; they will also encourage reforestation, boosting carbon sequestration. Vertical farms inside city limits will supply residents with a reliable, healthy food supply. Buildings will harvest moisture from the rain and air to secure a clean water supply. Renewable energy, including not only wind, solar, and geothermal but also clear photovoltaic window glass and nonpolluting hydrogen fuel cells, will power a cleaner city.
Urban Theory
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The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around(...)
A book of noises: Notes on the auraculous
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The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around the natural and human world, the forty-eight essays that make up A Book of Noises are a celebration of all things ''auraculous.'' Henderson calls on his characteristic curiosity to explore sounds related to humans (anthropophony), other life (biophony), the planet (geophony), and space (cosmophony). Henderson finds the beauty in everyday sounds, like the ringing of a bell, the buzz of a bee, or the ''earworm'' songs that get stuck in our heads.''A book of noises'' also explores the marvelous, miraculous sounds we may never get the chance to hear, like the deep boom of a volcano or the quiet, rustling sound of the Northern Lights. ''A book of noises'' will teach readers to really listen to the sounds of the world around them, to broaden and deepen their appreciation of the humans, animals, rocks, and trees simultaneously broadcasting across the whole spectrum of sentience.
Acoustics