textual records
DR1999:0115
Description:
Binders and files of Design Development Resources and Eisenman/Robertson Architects' records of professional correspondence dating between January 1981 and January 1985 for the following 42 projects: 141 5TH AVENUE (E/R #25039, September 1983); 214 EAST 70TH STREET (September 1984); 380 PARK AVENUE (DDR #10235, July 1982); 400 PARK AVENUE (E/R #25035, July 1983 - November 1984); 410 MADISON AVENUE (DDR #10228, June 1982); 575 FIFTH AVENUE (DDR #10266, May 1983); 585 PARK AVENUE (DDR #10229; September 8th, 1982); 599 LEXINGTON (#10267; June - September 1983); 600 LEXINGTON (DDR #10247, October 1982); 650 MADISON (#10260, August 17th, 1983); 880 BROADWAY (E/R #25018, May - June 1982); 885 THIRD (DDR #10220, March, September 1982); AVATAR CYPRESS BLVD (January 1981 - March 1982); AYMONINO (April 13th, 1983); C6-2A STUDY (DDR #10239, September - November 1982); CADILLAC FAIRVIEW (#10208, June 1981 - May 1982); CARNEGIE HALL (DDR #10245, November 12th, 1982); COMMERCIAL BLOCK (# 25019, July 18th, 1984); CUMMINS LOBBY - HOLSET (E/R #25050, June 1984 - January 1985); EQUITABLE TOWERS (#10265, May, June 1983); FAIRFAX METRO (BD #10127, April 26th, 1983); HERALD CENTER (DDR #10257, June 1982, February 1983 - August 1983); HOUSE IV (E/R #10014, March 1983 - April 1984); INTERNATIONAL LAKES (DDR #10201, May 1982 - April 1983, May 1984); LINCOLN TRIANGLE (#10233, July 1982); LINCOLN TRIANGLE (E/R #25037, July 1983); LINCOLN WEST (#10261, August 1983 - September 1984); LUFKIN II (E/R#25051, August 1984); MORRISON STREET (DDR #10101, August 11th, 1982); OLYMPIC PLACE (E/R # 25000, February 1981 - September 1983); POINCIANA CYPRESS (DDR #10202, June 1982); R. L. CLARK CORPPORATION (E/R #25020, March - May 1982); RICHMOND (DDR #10231, May - July 1982); ROCKROSE REZONE (DDR #10224; June 21st 1982); STATLER HILTON (#10264, April 20th, 1983); SUNDANCE (#10275; December 1983 - June 1984); TAUBMAN RESIDENCE (E/R #25040; June 1983 - October 1984); TUFO RESIDENCE (E/R #25001; January 1981 - February 1983); TUFO RESIDENCE (E/R 25046; September 1983 - January 1984); WEST 68TH STREET (DDR #10234; May 1982 - January 1983); WESTCHESTER BUILDING (DDR #10216, January - July 1982); WOODLAND HILLS (DDR #10206; April - December 1982)
Design Development Resources and records of professional correspondence
Actions:
DR1999:0115
Description:
Binders and files of Design Development Resources and Eisenman/Robertson Architects' records of professional correspondence dating between January 1981 and January 1985 for the following 42 projects: 141 5TH AVENUE (E/R #25039, September 1983); 214 EAST 70TH STREET (September 1984); 380 PARK AVENUE (DDR #10235, July 1982); 400 PARK AVENUE (E/R #25035, July 1983 - November 1984); 410 MADISON AVENUE (DDR #10228, June 1982); 575 FIFTH AVENUE (DDR #10266, May 1983); 585 PARK AVENUE (DDR #10229; September 8th, 1982); 599 LEXINGTON (#10267; June - September 1983); 600 LEXINGTON (DDR #10247, October 1982); 650 MADISON (#10260, August 17th, 1983); 880 BROADWAY (E/R #25018, May - June 1982); 885 THIRD (DDR #10220, March, September 1982); AVATAR CYPRESS BLVD (January 1981 - March 1982); AYMONINO (April 13th, 1983); C6-2A STUDY (DDR #10239, September - November 1982); CADILLAC FAIRVIEW (#10208, June 1981 - May 1982); CARNEGIE HALL (DDR #10245, November 12th, 1982); COMMERCIAL BLOCK (# 25019, July 18th, 1984); CUMMINS LOBBY - HOLSET (E/R #25050, June 1984 - January 1985); EQUITABLE TOWERS (#10265, May, June 1983); FAIRFAX METRO (BD #10127, April 26th, 1983); HERALD CENTER (DDR #10257, June 1982, February 1983 - August 1983); HOUSE IV (E/R #10014, March 1983 - April 1984); INTERNATIONAL LAKES (DDR #10201, May 1982 - April 1983, May 1984); LINCOLN TRIANGLE (#10233, July 1982); LINCOLN TRIANGLE (E/R #25037, July 1983); LINCOLN WEST (#10261, August 1983 - September 1984); LUFKIN II (E/R#25051, August 1984); MORRISON STREET (DDR #10101, August 11th, 1982); OLYMPIC PLACE (E/R # 25000, February 1981 - September 1983); POINCIANA CYPRESS (DDR #10202, June 1982); R. L. CLARK CORPPORATION (E/R #25020, March - May 1982); RICHMOND (DDR #10231, May - July 1982); ROCKROSE REZONE (DDR #10224; June 21st 1982); STATLER HILTON (#10264, April 20th, 1983); SUNDANCE (#10275; December 1983 - June 1984); TAUBMAN RESIDENCE (E/R #25040; June 1983 - October 1984); TUFO RESIDENCE (E/R #25001; January 1981 - February 1983); TUFO RESIDENCE (E/R 25046; September 1983 - January 1984); WEST 68TH STREET (DDR #10234; May 1982 - January 1983); WESTCHESTER BUILDING (DDR #10216, January - July 1982); WOODLAND HILLS (DDR #10206; April - December 1982)
textual records
photographs
Quantity:
73 photograph(s)
PH1989:0012:001-073
Description:
- This group of photographs shows 38 views of buildings, 31 photographs of drawings and two photographs of models for buildings in the Soviet Union by Konstantin Melnikov, Ivan Leonidov, the Vesnin family and 25 other architects (PH1989:0012:001-073). Also included are a booklet for an exhibition of works by Melnikov (PH1989:0012:024) and a photograph of an exhibition poster for the 1925 Paris Exhibition of the Decorative Arts (PH1989:0012:023). The buildings represented include government buildings, clubs, residential buildings, and various other types of buildings including an exhibition pavilion, a bus garage, mechanized canteens, a school, and a stadium. There are also photographs of three drawings related to town planning. Four of the government buildings by Leonidov are documented by photographs of competition drawings. - The work of Konstantin Melnikov is represented by seven projects which were all constructed. Photographs of three clubs in Moscow include three photographs and one photograph of a drawing for the Rusakov Club, two photographs of the Burevestnik Factory Club, and a photograph of the Kauchuk Club (club for rubber industry workers). There are eight photographs of the Melnikov residence in Moscow, two of which show the house under construction. Documents related to exhibitions include three photographs, two photographs of drawings and a photograph of a poster for the Soviet Pavilion at the 1925 Paris Exhibition of the Decorative Arts, and a booklet for Melnikov's 1965 exhibition of architectural works, drawings and paintings in Moscow. There are two photographs of the Bakhmet'evski Bus Garage in Moscow. - The work of Ivan Leonidov is represented by one project for stairs for a government building (executed) and photographs of drawings for four architectural competitions for government buildings (all unexecuted), and one unexecuted project for housing. Documents for the five projects for government buildings include four photographs of the stairs to the Ordzhonikidze Sanatorium for the People's Commissariat for Heavy Industry (Narkomtyazhprom) in Kislovodsk; three photographs of drawings for a government office building competition in Alma-Ata; three photographs of drawings for the Film Studio competition (Moscow); three photographs of drawings for the Tsentrosoyuz (Centrosoiuz) Building competition (Moscow); and a photograph of a drawing for the Narkomtiazhprom Building (Building of Heavy Industry) competition (Moscow). There is also a photograph of a drawing for Kliuchiki Housing in Nizhnii Tagil (unexecuted). - The work of Aleksandr, Viktor, and Leonid Vesnin is represented by three unexecuted projects for government buildings in Moscow and one project for a club in Moscow (executed). Documents for the three projects for government buildings in Moscow include: three photographs of drawings for the Central Telegraph Office; a photograph of a drawing for the Palace of Labor; and a photograph of a drawing for the Leningrad Pravda Building. There are five photographs of the ZIL Palace of Culture (club for the Likhachev Automobile Plant workers) in Moscow. - The work of the 25 other architects includes government buildings, clubs, residential buildings, mechanized canteens, an experimental design for a school, a stadium, and photographs of drawings for town planning. Documents for the two government buildings (executed) include: five photographs of the Department of Industry and Planning (Gosprom) buildings in Kharkov, Soviet Union (now Ukraine), and a photograph of a drawing for the First Building of Lensovet (Leningrad Union) in Leningrad (now Saint Petersburg). The two clubs in Moscow are documented by one photograph of the Kozhevnikov (Tanner's) Union Club (unexecuted) and one of the Zuev Club (executed). The two residential buildings are documented by one photograph of the Narkomfin (People's Commissariat for Finance) Apartment Building in Moscow (executed) and one photograph of a drawing for the Airman's Planit (unexecuted). Documents for various other projects include: five photographs of drawings for three mechanized canteens in Leningrad (now Saint Petersburg), including the Vasileostrovskaya Mechanized canteen, Vyborgskaya Mechanized Canteen, and Volodarskaya Mechanized Canteen (all executed); three photographs of drawings for an experimental design for a single-storey school (unexecuted); one photograph of a Dinamo Stadium [?] in Moscow; two photographs of models, one for an "architecton" (Moscow) and one for a housing project with integral collective services in Moscow (both unexecuted). There are also two photographs of site plans for industrial housing and related services for the coal mining town of Bogoslovsk (executed ?) and one for the same subject in Mashinostroiteli [?] (executed ?).
architecture, portrait
1920-1965 or later
Photographs of drawings, models and buildings designed by Melnikov, Leonidov, the Vesnin family and other architects, Paris, France and the Soviet Union (now in Kazakhstan, Russia, and Ukraine)
Actions:
PH1989:0012:001-073
Description:
- This group of photographs shows 38 views of buildings, 31 photographs of drawings and two photographs of models for buildings in the Soviet Union by Konstantin Melnikov, Ivan Leonidov, the Vesnin family and 25 other architects (PH1989:0012:001-073). Also included are a booklet for an exhibition of works by Melnikov (PH1989:0012:024) and a photograph of an exhibition poster for the 1925 Paris Exhibition of the Decorative Arts (PH1989:0012:023). The buildings represented include government buildings, clubs, residential buildings, and various other types of buildings including an exhibition pavilion, a bus garage, mechanized canteens, a school, and a stadium. There are also photographs of three drawings related to town planning. Four of the government buildings by Leonidov are documented by photographs of competition drawings. - The work of Konstantin Melnikov is represented by seven projects which were all constructed. Photographs of three clubs in Moscow include three photographs and one photograph of a drawing for the Rusakov Club, two photographs of the Burevestnik Factory Club, and a photograph of the Kauchuk Club (club for rubber industry workers). There are eight photographs of the Melnikov residence in Moscow, two of which show the house under construction. Documents related to exhibitions include three photographs, two photographs of drawings and a photograph of a poster for the Soviet Pavilion at the 1925 Paris Exhibition of the Decorative Arts, and a booklet for Melnikov's 1965 exhibition of architectural works, drawings and paintings in Moscow. There are two photographs of the Bakhmet'evski Bus Garage in Moscow. - The work of Ivan Leonidov is represented by one project for stairs for a government building (executed) and photographs of drawings for four architectural competitions for government buildings (all unexecuted), and one unexecuted project for housing. Documents for the five projects for government buildings include four photographs of the stairs to the Ordzhonikidze Sanatorium for the People's Commissariat for Heavy Industry (Narkomtyazhprom) in Kislovodsk; three photographs of drawings for a government office building competition in Alma-Ata; three photographs of drawings for the Film Studio competition (Moscow); three photographs of drawings for the Tsentrosoyuz (Centrosoiuz) Building competition (Moscow); and a photograph of a drawing for the Narkomtiazhprom Building (Building of Heavy Industry) competition (Moscow). There is also a photograph of a drawing for Kliuchiki Housing in Nizhnii Tagil (unexecuted). - The work of Aleksandr, Viktor, and Leonid Vesnin is represented by three unexecuted projects for government buildings in Moscow and one project for a club in Moscow (executed). Documents for the three projects for government buildings in Moscow include: three photographs of drawings for the Central Telegraph Office; a photograph of a drawing for the Palace of Labor; and a photograph of a drawing for the Leningrad Pravda Building. There are five photographs of the ZIL Palace of Culture (club for the Likhachev Automobile Plant workers) in Moscow. - The work of the 25 other architects includes government buildings, clubs, residential buildings, mechanized canteens, an experimental design for a school, a stadium, and photographs of drawings for town planning. Documents for the two government buildings (executed) include: five photographs of the Department of Industry and Planning (Gosprom) buildings in Kharkov, Soviet Union (now Ukraine), and a photograph of a drawing for the First Building of Lensovet (Leningrad Union) in Leningrad (now Saint Petersburg). The two clubs in Moscow are documented by one photograph of the Kozhevnikov (Tanner's) Union Club (unexecuted) and one of the Zuev Club (executed). The two residential buildings are documented by one photograph of the Narkomfin (People's Commissariat for Finance) Apartment Building in Moscow (executed) and one photograph of a drawing for the Airman's Planit (unexecuted). Documents for various other projects include: five photographs of drawings for three mechanized canteens in Leningrad (now Saint Petersburg), including the Vasileostrovskaya Mechanized canteen, Vyborgskaya Mechanized Canteen, and Volodarskaya Mechanized Canteen (all executed); three photographs of drawings for an experimental design for a single-storey school (unexecuted); one photograph of a Dinamo Stadium [?] in Moscow; two photographs of models, one for an "architecton" (Moscow) and one for a housing project with integral collective services in Moscow (both unexecuted). There are also two photographs of site plans for industrial housing and related services for the coal mining town of Bogoslovsk (executed ?) and one for the same subject in Mashinostroiteli [?] (executed ?).
photographs
Quantity:
73 photograph(s)
1920-1965 or later
architecture, portrait
archives
Level of archival description:
Fonds
Saucier + Perrotte fonds
AP130
Synopsis:
Le Fonds Saucier + Perrotte comprend une sélection de cinq projets d'architecture développés ou réalisés par l'agence en Ontario et au Québec entre 1989 et 2000. Il contient des cahiers d'esquisses, des dessins, des maquettes, des photographies, ainsi que des documents textuels. Ces documents nous renseignent sur la proposition présentée au concours du Kitchener City Hall (Ontario, 1989), et sur la conception de quatre autres projets, ceux-là réalisés, soit le Théâtre du Rideau Vert (reconstruction; Montréal, 1989-1991), le Centre du Théâtre d'Aujourd'hui (Montréal, 1990-1991), la Faculté d'aménagement de l'Université de Montréal (Montréal, 1995-1998) et le Collège Gérald-Godin (Sainte-Geneviève-de-Pierrefonds, 1997-2000).
1989-2000
Saucier + Perrotte fonds
Actions:
AP130
Synopsis:
Le Fonds Saucier + Perrotte comprend une sélection de cinq projets d'architecture développés ou réalisés par l'agence en Ontario et au Québec entre 1989 et 2000. Il contient des cahiers d'esquisses, des dessins, des maquettes, des photographies, ainsi que des documents textuels. Ces documents nous renseignent sur la proposition présentée au concours du Kitchener City Hall (Ontario, 1989), et sur la conception de quatre autres projets, ceux-là réalisés, soit le Théâtre du Rideau Vert (reconstruction; Montréal, 1989-1991), le Centre du Théâtre d'Aujourd'hui (Montréal, 1990-1991), la Faculté d'aménagement de l'Université de Montréal (Montréal, 1995-1998) et le Collège Gérald-Godin (Sainte-Geneviève-de-Pierrefonds, 1997-2000).
archives
Level of archival description:
Fonds
1989-2000
Sub-series
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
[1800-1868]
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
File 4
[1800-1868]
archives
Level of archival description:
Fonds
Ray Affleck fonds
AP088
Synopsis:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
1952-1989
Ray Affleck fonds
Actions:
AP088
Synopsis:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
archives
Level of archival description:
Fonds
1952-1989
archives
Level of archival description:
Fonds
Günter Günschel fonds
AP187
Synopsis:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
1943-2006
Günter Günschel fonds
Actions:
AP187
Synopsis:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
archives
Level of archival description:
Fonds
1943-2006
archives
Level of archival description:
Fonds
AP096
Synopsis:
The Charles B.K. Van Norman fonds consists of photographs, drawings, albums, a presentation panel, and textual records. The material ranges in date from ca. 1942 to 1967, and shows the variety of building types that Van Norman designed, primarily for corporate and government clients, through the busiest period of his career.
[ca. 1942-1967]
Charles B.K. Van Norman fonds
Actions:
AP096
Synopsis:
The Charles B.K. Van Norman fonds consists of photographs, drawings, albums, a presentation panel, and textual records. The material ranges in date from ca. 1942 to 1967, and shows the variety of building types that Van Norman designed, primarily for corporate and government clients, through the busiest period of his career.
archives
Level of archival description:
Fonds
[ca. 1942-1967]
archives
Level of archival description:
Collection
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
1946-1996
Rhodri Windsor-Liscombe collection
Actions:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
archives
Level of archival description:
Collection 71
1946-1996
archives
Level of archival description:
Fonds
Myron Goldsmith fonds
AP032
Synopsis:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
1933-1996
Myron Goldsmith fonds
Actions:
AP032
Synopsis:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
archives
Level of archival description:
Fonds
1933-1996
archives
Level of archival description:
Fonds
Paul-Philippe Cret fonds
AP031
Synopsis:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
circa 1907-1950
Paul-Philippe Cret fonds
Actions:
AP031
Synopsis:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
archives
Level of archival description:
Fonds
circa 1907-1950