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Many of the texts in this volume are interviews with the speakers from the lecture series. We felt it was necessary to provide each speaker with the opportunity to reflect on how their research has been altered by the events of the past year. While past volumes asked many questions, this collection of interviews and talks puts forward strategies for addressing some of the(...)
Politics of public space, volume 4
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Many of the texts in this volume are interviews with the speakers from the lecture series. We felt it was necessary to provide each speaker with the opportunity to reflect on how their research has been altered by the events of the past year. While past volumes asked many questions, this collection of interviews and talks puts forward strategies for addressing some of the perceived inequities in the public domain. Nigel Bertram and Kim Dovey’s texts explore forms of protest, preservation and civil disobedience within urban spaces. Protest continues to be intrinsic to public discourse and by consequence, how the city is preserved and developed. In contrast, these modes of resistance have their counterpart in discussions about policy-making and planning. For Lynda Roberts this is through revealing the political motivations behind the procurement of cultural artifacts and their deployment throughout the arts precinct. Crystal Legacy outlines ideas of agonism and consensus planning in large scale infrastructure projects. Marcus Westbury reflects on new forms of tenure in creating and running a public cultural institute and Elizabeth Taylor unpacks the political, social and commercial motivations behind car parking.
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Detail 10 2021 : Facades
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The latest issue is now available at the bookstore.
Detail 10 2021 : Facades
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The latest issue is now available at the bookstore.
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Aperture 233: Family
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In relationships and communities, an expanding vision of what families can be. ''Family'' considers how artists and photographers have chronicled their relationships to their families and chosen communities.
Aperture 233: Family
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In relationships and communities, an expanding vision of what families can be. ''Family'' considers how artists and photographers have chronicled their relationships to their families and chosen communities.
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Aperture 238: House & home
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How do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? The Spring 2020 issue of Aperture considers the meanings and forms of a home, and the relationships between architecture, design, and the domestic realm.
Aperture 238: House & home
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How do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? The Spring 2020 issue of Aperture considers the meanings and forms of a home, and the relationships between architecture, design, and the domestic realm.
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Palais 31 : natures mortes
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L'artiste allemande Anne Imhof conçoit le numéro 31 du magazine PALAIS à l'occasion de l'exposition Natures Mortes, sa carte blanche au Palais de Tokyo. Après avoir assiégé le pavillon allemand avec son chef-d'œuvre Faust récompensé par le Lion d'or à la Biennale de Venise en 2017, Anne Imhof prend possession de l'ensemble du Palais de Tokyo, pour composer une œuvre(...)
Palais 31 : natures mortes
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L'artiste allemande Anne Imhof conçoit le numéro 31 du magazine PALAIS à l'occasion de l'exposition Natures Mortes, sa carte blanche au Palais de Tokyo. Après avoir assiégé le pavillon allemand avec son chef-d'œuvre Faust récompensé par le Lion d'or à la Biennale de Venise en 2017, Anne Imhof prend possession de l'ensemble du Palais de Tokyo, pour composer une œuvre totale et polyphonique. Elle y fait fusionner l'espace et les corps, la musique et la peinture, ses œuvres et celles de ses complices, l'artiste Eliza Douglas et la trentaine d'artistes invités. Au sommaire de ce numéro : Interviews d'Anne Imhof et d'Eliza Douglas par Vittoria Matarrese. Textes de Laurence Bertrand Dorléac, Jean René Étienne, Emma Lavigne, Paul B. Preciado, Catherine Wood, Renaud Gadoury et Hugo Vitrani. Deux larges ensembles iconographiques consacrés au travail d'Anne Imhof et à son projet au Palais de Tokyo, comprenant de nombreuses vues de l'exposition, et aux œuvres des artistes d'hier et d'aujourd'hui présentées dans Natures Mortes.
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Reference #1
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Reference #1 is a limited edition print publication centered around an exploration of living design in recent history. The publication aims to highlight a myriad of approaches towards the topic, with subjects including the late Cristiano Toraldo di Francia of Superstudio, Ken Price, Polly Pocket, Stonehenge, Minitel, Japanese Demolition, and the Rosetta Stone, among(...)
Magazines
October 2021
Reference #1
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Reference #1 is a limited edition print publication centered around an exploration of living design in recent history. The publication aims to highlight a myriad of approaches towards the topic, with subjects including the late Cristiano Toraldo di Francia of Superstudio, Ken Price, Polly Pocket, Stonehenge, Minitel, Japanese Demolition, and the Rosetta Stone, among others. Contributors include Joan Didion, Takashi Homma, Superstudio, Charlotte Wales, Eric Wrenn, Blommers & Schumm, Joe Gebbia, Image Group, Alessandro Bava, Calla Henkel and Max Pitegoff, Maciek Pozoga, Octave Perrault, and Nancy Meyers, among others.
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An issue about music and liberation movements on the African Continent, Colombia, India, Palestine, the Levant, France, Chile, Algeria, Australia, the U.S., and Romania.
The Funambulist 38 : music and the revolution
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An issue about music and liberation movements on the African Continent, Colombia, India, Palestine, the Levant, France, Chile, Algeria, Australia, the U.S., and Romania.
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Beside 11 (français)
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« Nous avons souvent l’impression de subir le temps, comme s’il s’agissait d’une force linéaire et implacable. Or, il existe d’autres façons de l’expérimenter — ce dont témoigne justement BESIDE dans ce numéro. Il y a le temps des saisons et des récoltes, des rochers et des arbres, des rituels et des traditions; il y a le temps que nous passons à tisser des liens, celui(...)
Beside 11 (français)
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« Nous avons souvent l’impression de subir le temps, comme s’il s’agissait d’une force linéaire et implacable. Or, il existe d’autres façons de l’expérimenter — ce dont témoigne justement BESIDE dans ce numéro. Il y a le temps des saisons et des récoltes, des rochers et des arbres, des rituels et des traditions; il y a le temps que nous passons à tisser des liens, celui que nous gagnons et celui que nous gaspillons superbement. Et s’il fallait, pour changer le monde, commencer par réenchanter notre rapport au temps ? »
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Ce numéro propose un panorama des dernières initiatives en matière d'habitat vivant, à travers l'évocation de l'architecture bioclimatique, du biomimétisme, des habitats autonomes, de la lutte contre les îlots de chaleur ou encore des constructions frugales.
Graden_Lab n. 12 : l'architecture et jardin
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Ce numéro propose un panorama des dernières initiatives en matière d'habitat vivant, à travers l'évocation de l'architecture bioclimatique, du biomimétisme, des habitats autonomes, de la lutte contre les îlots de chaleur ou encore des constructions frugales.
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Architecture with a social conscience comes in several forms in this issue. Miquel Adrià calls for a “redensification” of social housing. In a section on the ‘Corporate Drive to be in Good Shape’, the Hyundai education and research training facility gives workers breathability between sea and mountain in Gyeongju. An all-timber construction of a Norwegian bank in(...)
C3 412 : Learning within location and place
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Architecture with a social conscience comes in several forms in this issue. Miquel Adrià calls for a “redensification” of social housing. In a section on the ‘Corporate Drive to be in Good Shape’, the Hyundai education and research training facility gives workers breathability between sea and mountain in Gyeongju. An all-timber construction of a Norwegian bank in Stavanger has a positive effect on user experience and well being. In ‘Learning within Location and Place’, the patterns of Sami indigenous people shape a major Swedish school. New projects include a Möbius strip-inspired lakeside cultural complex.
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