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In galleries and museums, one’s perception of art, space, and atmosphere is largely determined by lighting. But which light settings should art and museum experts and exhibition designers choose, and on what basis are those choices made? Pioneering LED technologies make customized lighting scenarios possible, turning artificial light into an interactive material in museum(...)
Light up: The potential of light in museum architecture
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In galleries and museums, one’s perception of art, space, and atmosphere is largely determined by lighting. But which light settings should art and museum experts and exhibition designers choose, and on what basis are those choices made? Pioneering LED technologies make customized lighting scenarios possible, turning artificial light into an interactive material in museum architecture – not only in terms of design practice, but also in terms of real-time spatial experiences. Computer-controlled lighting technologies are breaking boundaries, allowing the individual to take full control of lighting design. ''Light Up'' explores the potential of dynamic artificial lighting technologies in museum architecture, offering new insights into the use of light in exhibition spaces.
Materials and Lighting
The new normal
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We live in a time of condessions, both voluntary and forced - a time when more and more of our personal information and behavior is recorded, archived, and shared. This is not only due to government surveillance, but increasingly because our ways of communicating (via camera phones, e-mail, etc.) make it difficult for us to control who has access to information about us.(...)
The new normal
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We live in a time of condessions, both voluntary and forced - a time when more and more of our personal information and behavior is recorded, archived, and shared. This is not only due to government surveillance, but increasingly because our ways of communicating (via camera phones, e-mail, etc.) make it difficult for us to control who has access to information about us. The New Normal features works made between 2001 and 2008 that draw on private information - ranging from home videos to financial data - for their raw material and subject matter. These works, and the catalogue essays, shed light on the new circumstances created by our highly technological society, in which private information has never been less private.
Art Theory
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"Archiving machines" advances our understanding of memory, information, and data by charting the struggle between the computing technologies that archive data and the cultures of information that have led to platforms that assert control over its use. Amelia Acker examines the origins of data archives and the computing processes of storage, exchange, and transmission.(...)
Archiving machines: From punch cards to platforms
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"Archiving machines" advances our understanding of memory, information, and data by charting the struggle between the computing technologies that archive data and the cultures of information that have led to platforms that assert control over its use. Amelia Acker examines the origins of data archives and the computing processes of storage, exchange, and transmission. Each chapter introduces data archiving processes that relate to the evolution of data sovereignty we experience today: from magnetic tape and timesharing computer models from the 1950s, to the establishment of data banks and the rise of database processing and managed data silos in the 1970s, to file structures and virtual containers in cloud-based information services over the past 40 years.
Archive, library and the digital
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"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it,(...)
Carly Steinbrunn: A matter of chance
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"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it, ultimately transforming it into a marketable product. The book is modelled according to the logic of an atlas and combines different photographic registers, including views of buildings in Silicon Valley’s technology hubs and data centres, images of scientific experiments taken in laboratories or studios, alongside a body of scientific archival materials sourced online from governmental institutions, research agencies and educational establishments.
Photography monographs
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Video is everywhere. Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences—spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world. Featuring works from the collection of the(...)
Signals: How video transformed the world
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Video is everywhere. Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences—spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world. Featuring works from the collection of the Museum of Modern Art, New York, this illuminating exhibition catalog—MoMA’s first major publication on video art in nearly 30 years—explores the ways in which artists have both championed and questioned video’s promise, some hoping to create new networks of communication, democratic engagement and public participation, others protesting commercial and state control over information, vision and truth itself.
Art Theory
Construction manual
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People involved in architecture need to be familiar with construction methods in order to be in control of their designs. New technical requirements impact on our buildings and call for up-to-date specialist knowledge, which leads to new forms of architecture. This handbook uses clearly comprehensible 3D isometric diagrams to introduce the world of contemporary(...)
April 2021
Construction manual
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People involved in architecture need to be familiar with construction methods in order to be in control of their designs. New technical requirements impact on our buildings and call for up-to-date specialist knowledge, which leads to new forms of architecture. This handbook uses clearly comprehensible 3D isometric diagrams to introduce the world of contemporary construction, from concept through to the detail; photographs are used to illustrate the content. The three main chapters deal with the structure, the building envelope, and the fit-out, starting with a clear introduction to the construction principles of modern building methods. Using drawings of selected built examples at scales of 1:10 and 1:20, a deeper examination of details is possible.
$11.95
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Russia's sheer size has made it difficult to mobilize resources and to govern effectively, especially given its harsh climate, vast and vulnerable borders, and the diversity of its people. In this '"Very Short Introduction," Geoffrey Hosking discusses all aspects of Russian history, from the struggle by the state to control society to the transformation of the nation into(...)
Russian History: a very short introduction
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Russia's sheer size has made it difficult to mobilize resources and to govern effectively, especially given its harsh climate, vast and vulnerable borders, and the diversity of its people. In this '"Very Short Introduction," Geoffrey Hosking discusses all aspects of Russian history, from the struggle by the state to control society to the transformation of the nation into a multi-ethnic empire, Russia's relations with the West, and the post-Soviet era. Hosking, a leading international authority, examines Russian history in an impartial way, arguing that "Good Russia" and "Bad Russia" are one and the same. He also evaluates important individuals in Russian history, from Peter the Great and Catherine II to Lenin and Stalin.
History until 1900, Russia
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Having set global warming in irreversible motion, we are facing the possibility of ecological catastrophe. But the environmental emergency is also a crisis for our philosophical habits of thought, confronting us with a problem that seems to defy not only our control but also our understanding. Global warming is perhaps the most dramatic example of what Timothy Morton(...)
Hyperobjects: philosophy and ecology after the end of the world
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Having set global warming in irreversible motion, we are facing the possibility of ecological catastrophe. But the environmental emergency is also a crisis for our philosophical habits of thought, confronting us with a problem that seems to defy not only our control but also our understanding. Global warming is perhaps the most dramatic example of what Timothy Morton calls hyperobjects entities of such vast temporal and spatial dimensions that they defeat traditional ideas about what a thing is in the first place. In this book, Morton explains what hyperobjects are and their impact on how we think, how we coexist with one another and with nonhumans, and how we experience our politics, ethics, and art.
Critical Theory
Agnes Martin: night sea
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Agnes Martin’s Night Sea (1963) is a large canvas of hand-drawn rectangular grids painted in luminous blue and gold. In this illustrated study, Suzanne Hudson presents the painting as the work of an artist, thinker, poet and writer, for whom self-presentation was a necessary part of making works public. With Night Sea, Hudson argues, Martin was moving from visible labour(...)
Agnes Martin: night sea
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Agnes Martin’s Night Sea (1963) is a large canvas of hand-drawn rectangular grids painted in luminous blue and gold. In this illustrated study, Suzanne Hudson presents the painting as the work of an artist, thinker, poet and writer, for whom self-presentation was a necessary part of making works public. With Night Sea, Hudson argues, Martin was moving from visible labour to lightness unburdened by evidence of process. She created a shimmering realisation of control and loss that stands alone within her suite of classic grid paintings as an exceptional achievement. This title is part of the One Work book series, which focuses on the artworks that have significantly shaped the way we understand art and its history.
Art Theory
books
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Parcours Muséologique Revisité is Robert Polidori’s attempt to visually portray aspects of historical revisionism as seen through various stages of the restoration of the Palace of Versailles. What does it really mean to restore a room? Is it about the precise duplication of something which is now showing the wear and tear of its age, to renew it and make it again as it(...)
Robert Polidori: parcours muséologique revisité
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Parcours Muséologique Revisité is Robert Polidori’s attempt to visually portray aspects of historical revisionism as seen through various stages of the restoration of the Palace of Versailles. What does it really mean to restore a room? Is it about the precise duplication of something which is now showing the wear and tear of its age, to renew it and make it again as it once was? Or does it involve entirely redefining the room’s epidermis to a completely different state, a state that it may once have had in an earlier epoch? The curatorial decisions that control this process reflect a political will and esthetic tastes which have altered over the period of the restoration.
books
November 2008
Photography monographs