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books
books
Title:
Architecture guide Iran
Architecture guide Iran
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Iran has one of the oldest town cultures in the world, going back more than 4000 years. Between the Islamic conquest in the seventh century and Westernisation in the second half of the nineteenth century, the cities and towns in today’s Islamic Republic of Iran underwent repeated changes. Persian building culture influenced architects and artists as far as Central Asia in(...)
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Iran has one of the oldest town cultures in the world, going back more than 4000 years. Between the Islamic conquest in the seventh century and Westernisation in the second half of the nineteenth century, the cities and towns in today’s Islamic Republic of Iran underwent repeated changes. Persian building culture influenced architects and artists as far as Central Asia in(...)
Title:
Architecture guide Iran
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Iran has one of the oldest town cultures in the world, going back more than 4000 years. Between the Islamic conquest in the seventh century and Westernisation in the second half of the nineteenth century, the cities and towns in today’s Islamic Republic of Iran underwent repeated changes. Persian building culture influenced architects and artists as far as Central Asia in the north and India in the east. Unlike any other country in the region, Iran shows a unique urban and architectonic development whose defining characteristics merged with other cultures over time, representing an important contribution to world architecture. In this architectural guide, author and architect Thomas Meyer-Wieser embarks on a journey into history, showcasing nearly 300 buildings and other projects in Tehran, Isfahan and Shiraz. His focus is on the Iranian-Islamic architectural identity, which has held its own since the rise of the Safavids in 1501.
Architecture guide Iran
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Iran has one of the oldest town cultures in the world, going back more than 4000 years. Between the Islamic conquest in the seventh century and Westernisation in the second half of the nineteenth century, the cities and towns in today’s Islamic Republic of Iran underwent repeated changes. Persian building culture influenced architects and artists as far as Central Asia in the north and India in the east. Unlike any other country in the region, Iran shows a unique urban and architectonic development whose defining characteristics merged with other cultures over time, representing an important contribution to world architecture. In this architectural guide, author and architect Thomas Meyer-Wieser embarks on a journey into history, showcasing nearly 300 buildings and other projects in Tehran, Isfahan and Shiraz. His focus is on the Iranian-Islamic architectural identity, which has held its own since the rise of the Safavids in 1501.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
City Guides
City Guides
Form:
books
books
Price:
$42.00
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Summary:
As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the(...)
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the(...)
Title:
NEEN
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the birth of the term "Neen," which he had hired a California branding company to invent. Manetas, whose work includes oil paintings of computer hardware and videos of clips from games, sought to unify the burgeoning number of artists in and around digital media. If they've been understandably skittish about this unification, or if, as The New York Times bluntly observed, "it's unlikely that any sort of new coinage cooked up as a conceptual exercise will take hold," that just makes Manetas a more prominent example of Neen-ness himself.
NEEN
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the birth of the term "Neen," which he had hired a California branding company to invent. Manetas, whose work includes oil paintings of computer hardware and videos of clips from games, sought to unify the burgeoning number of artists in and around digital media. If they've been understandably skittish about this unification, or if, as The New York Times bluntly observed, "it's unlikely that any sort of new coinage cooked up as a conceptual exercise will take hold," that just makes Manetas a more prominent example of Neen-ness himself.
Form:
books
books
Publication:
September 2006, Milan
September 2006, Milan
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
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$61.95
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More high-rise residential buildings have been built in the last two decades than at any other time before. Even in Europe, where historically a typical city’s most prominent vertical accents came from chimneys and church steeples, towering buildings are increasingly shaping the urban landscape. In Vertical Europe, Andrea Glauser looks at new architectural trends in(...)
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More high-rise residential buildings have been built in the last two decades than at any other time before. Even in Europe, where historically a typical city’s most prominent vertical accents came from chimneys and church steeples, towering buildings are increasingly shaping the urban landscape. In Vertical Europe, Andrea Glauser looks at new architectural trends in(...)
Title:
Vertical Europe: the sociology of high-rise construction
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More high-rise residential buildings have been built in the last two decades than at any other time before. Even in Europe, where historically a typical city’s most prominent vertical accents came from chimneys and church steeples, towering buildings are increasingly shaping the urban landscape. In Vertical Europe, Andrea Glauser looks at new architectural trends in London, Paris, and Vienna, as well as the promises, desires, and fears associated with them in the minds of these cities’ residents. Her book is the first full-length sociological examination of the recent skyward growth in urban Europe, bringing together debates on high-rise architecture from fields including urban planning, geography, and art history. She contextualizes this vertical construction as an area wrought with tensions between these European cities’ desire to keep pace with global competition while still retaining the specific architectural qualities that have defined them for centuries.
Vertical Europe: the sociology of high-rise construction
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More high-rise residential buildings have been built in the last two decades than at any other time before. Even in Europe, where historically a typical city’s most prominent vertical accents came from chimneys and church steeples, towering buildings are increasingly shaping the urban landscape. In Vertical Europe, Andrea Glauser looks at new architectural trends in London, Paris, and Vienna, as well as the promises, desires, and fears associated with them in the minds of these cities’ residents. Her book is the first full-length sociological examination of the recent skyward growth in urban Europe, bringing together debates on high-rise architecture from fields including urban planning, geography, and art history. She contextualizes this vertical construction as an area wrought with tensions between these European cities’ desire to keep pace with global competition while still retaining the specific architectural qualities that have defined them for centuries.
Form:
books
books
Publication:
July 2020
July 2020
Subject:
Urban Theory
Urban Theory
Form:
books
books
Title:
Siteless 1001 building forms
Siteless 1001 building forms
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$25.95
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere.(...)
$25.95
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere.(...)
Title:
Siteless 1001 building forms
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$25.95
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen, he asks, if architects liberated their minds from the constraints of site, program, and budget? The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.
Siteless 1001 building forms
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$25.95
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Summary:
Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen, he asks, if architects liberated their minds from the constraints of site, program, and budget? The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.
Form:
books
books
Publication:
March 2008, Cambridge
March 2008, Cambridge
Subject:
Engineering Structures
Engineering Structures
Form:
books
books
Price:
$61.00
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Summary:
In 1989, the Office for Metropolitan Architecture (OMA) developed a daring architectural typology—a ''project without form''. The setting is a laboratory headed by Rem Koolhaas, in which actors from different disciplines work on three competition challenges at the same time. In the process, the mechanisms of project development and knowledge acquisition merge into(...)
$61.00
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Summary:
In 1989, the Office for Metropolitan Architecture (OMA) developed a daring architectural typology—a ''project without form''. The setting is a laboratory headed by Rem Koolhaas, in which actors from different disciplines work on three competition challenges at the same time. In the process, the mechanisms of project development and knowledge acquisition merge into(...)
Title:
Project without form OMA: Rem Koolhaas and the 1989 laboratorium
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In 1989, the Office for Metropolitan Architecture (OMA) developed a daring architectural typology—a ''project without form''. The setting is a laboratory headed by Rem Koolhaas, in which actors from different disciplines work on three competition challenges at the same time. In the process, the mechanisms of project development and knowledge acquisition merge into increasingly abstract systems and representations. The ''project without form'' is not built in any of the three cases. The book not only follows the progress of the laboratory in 1989 but also reflects on its prehistory and aftermath, drawing on interviews with various actors at OMA conducted by Holger Schurk. The publication focuses on the hybrid processes of production and representation in the OMA project Très Grande Bibliothèque (TGB) in Paris: these are visualized by means of numerous hitherto unpublished sketches, drawings, and photographs as well as sequences of video stills.
Project without form OMA: Rem Koolhaas and the 1989 laboratorium
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Summary:
In 1989, the Office for Metropolitan Architecture (OMA) developed a daring architectural typology—a ''project without form''. The setting is a laboratory headed by Rem Koolhaas, in which actors from different disciplines work on three competition challenges at the same time. In the process, the mechanisms of project development and knowledge acquisition merge into increasingly abstract systems and representations. The ''project without form'' is not built in any of the three cases. The book not only follows the progress of the laboratory in 1989 but also reflects on its prehistory and aftermath, drawing on interviews with various actors at OMA conducted by Holger Schurk. The publication focuses on the hybrid processes of production and representation in the OMA project Très Grande Bibliothèque (TGB) in Paris: these are visualized by means of numerous hitherto unpublished sketches, drawings, and photographs as well as sequences of video stills.
Form:
books
books
Publication:
April 2022
April 2022
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$49.95
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Summary:
The project “Half Houses”, started in 2016 from an aesthetic puzzle (does the house lack the second half?). This project was rethought, and gradually shrouded in contexts and new layers. The compositional feeling of scarcity looking at the empty space next to the half-timbered houses of Vilijampole is a suggestive response to the loss experienced by this place, the lost(...)
$49.95
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Summary:
The project “Half Houses”, started in 2016 from an aesthetic puzzle (does the house lack the second half?). This project was rethought, and gradually shrouded in contexts and new layers. The compositional feeling of scarcity looking at the empty space next to the half-timbered houses of Vilijampole is a suggestive response to the loss experienced by this place, the lost(...)
Title:
Inga Navickaité-Drasuté: Pusiniai namai / Half Houses
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The project “Half Houses”, started in 2016 from an aesthetic puzzle (does the house lack the second half?). This project was rethought, and gradually shrouded in contexts and new layers. The compositional feeling of scarcity looking at the empty space next to the half-timbered houses of Vilijampole is a suggestive response to the loss experienced by this place, the lost side of the history of this city. In any case, both the houses and their residents do not forget what has been lost – it can be heard even in a short conversation, during a break between farm work. Already in the early 18th century, most inhabitants of the town of Vilijampole were Jewish. During World War II, the Vilijampole Jewish ghetto was established, which was turned into a concentration camp on 15 September 1943. Out of 37,000 Kaunas Jews, less than 3,000 survived the Holocaust.
Inga Navickaité-Drasuté: Pusiniai namai / Half Houses
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$49.95
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Summary:
The project “Half Houses”, started in 2016 from an aesthetic puzzle (does the house lack the second half?). This project was rethought, and gradually shrouded in contexts and new layers. The compositional feeling of scarcity looking at the empty space next to the half-timbered houses of Vilijampole is a suggestive response to the loss experienced by this place, the lost side of the history of this city. In any case, both the houses and their residents do not forget what has been lost – it can be heard even in a short conversation, during a break between farm work. Already in the early 18th century, most inhabitants of the town of Vilijampole were Jewish. During World War II, the Vilijampole Jewish ghetto was established, which was turned into a concentration camp on 15 September 1943. Out of 37,000 Kaunas Jews, less than 3,000 survived the Holocaust.
Form:
books
books
Publication:
July 2022
July 2022
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Ryoji Ikeda: datamatics
Ryoji Ikeda: datamatics
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$47.50
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One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a(...)
$47.50
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Summary:
One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a(...)
Title:
Ryoji Ikeda: datamatics
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$47.50
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One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a long-term art project that explores our reception of miniscule audio and visual data. Developed between 2006–2012, it consists of an audiovisual concert, installations, publications, a radio program and a CD. This book documents most of the works from the series, emphasizing three major Datamatics exhibitions presented in Yamaguchi (Japan 2008), Bogota (Columbia 2011) and Gijon (Spain 2012). Alongside graphic material relating to the production processes such as data sources, graphic scores and technical diagrams, the book also includes texts by curators Kazunao Abe, Maria Belen Sez de Ibarra and Benjamin Weil.
Ryoji Ikeda: datamatics
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$47.50
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Summary:
One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a long-term art project that explores our reception of miniscule audio and visual data. Developed between 2006–2012, it consists of an audiovisual concert, installations, publications, a radio program and a CD. This book documents most of the works from the series, emphasizing three major Datamatics exhibitions presented in Yamaguchi (Japan 2008), Bogota (Columbia 2011) and Gijon (Spain 2012). Alongside graphic material relating to the production processes such as data sources, graphic scores and technical diagrams, the book also includes texts by curators Kazunao Abe, Maria Belen Sez de Ibarra and Benjamin Weil.
Form:
books
books
Publication:
July 2012
July 2012
Subject:
Acoustics
Acoustics
Form:
books
books
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Price:
$102.00
(available to order)
Summary:
This book presents fragments of nature—some of them mise en scène, others untouched by urban growth—on the periphery of the artificially illuminated infrastructure of large Asian cities. Unlike natural light, the lights of the big city do not follow any direction: the artificial suns comprised of sodium lamps, automobile headlights, and illuminated skyscrapers form a kind(...)
$102.00
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Summary:
This book presents fragments of nature—some of them mise en scène, others untouched by urban growth—on the periphery of the artificially illuminated infrastructure of large Asian cities. Unlike natural light, the lights of the big city do not follow any direction: the artificial suns comprised of sodium lamps, automobile headlights, and illuminated skyscrapers form a kind(...)
Title:
Peter Bialobrzeski: paradise now
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$102.00
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This book presents fragments of nature—some of them mise en scène, others untouched by urban growth—on the periphery of the artificially illuminated infrastructure of large Asian cities. Unlike natural light, the lights of the big city do not follow any direction: the artificial suns comprised of sodium lamps, automobile headlights, and illuminated skyscrapers form a kind of “vernacular light” that makes the urban super-green alternate between the hyper-real and the surreal. The images in this publication celebrate this lush green as a sign of hope, but also pose the question of whether we can continue to take responsibility for this incandescence, considering the predicted climatic catastrophe. Never before have our cities been so bright—they will not be able to glow like this in the future. Taken between October 2007 and March 2008 in Hanoi, Jakarta, Singapore, Bangkok, and Kuala Lumpur,
Peter Bialobrzeski: paradise now
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$102.00
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Summary:
This book presents fragments of nature—some of them mise en scène, others untouched by urban growth—on the periphery of the artificially illuminated infrastructure of large Asian cities. Unlike natural light, the lights of the big city do not follow any direction: the artificial suns comprised of sodium lamps, automobile headlights, and illuminated skyscrapers form a kind of “vernacular light” that makes the urban super-green alternate between the hyper-real and the surreal. The images in this publication celebrate this lush green as a sign of hope, but also pose the question of whether we can continue to take responsibility for this incandescence, considering the predicted climatic catastrophe. Never before have our cities been so bright—they will not be able to glow like this in the future. Taken between October 2007 and March 2008 in Hanoi, Jakarta, Singapore, Bangkok, and Kuala Lumpur,
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$54.00
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Summary:
Russian-German architect Sergei Tchoban (born 1962) is well-known for his virtuoso skills as a draftsman; for over 30 years he has also been a passionate collector of architectural drawings. This publication unites Tchoban's own drawings--which range from perspectival-illusionist representations of his hometown of St. Petersburg to travel impressions, fantasies and(...)
$54.00
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Summary:
Russian-German architect Sergei Tchoban (born 1962) is well-known for his virtuoso skills as a draftsman; for over 30 years he has also been a passionate collector of architectural drawings. This publication unites Tchoban's own drawings--which range from perspectival-illusionist representations of his hometown of St. Petersburg to travel impressions, fantasies and(...)
Title:
Sergei Tchoban: Architectural works
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Russian-German architect Sergei Tchoban (born 1962) is well-known for his virtuoso skills as a draftsman; for over 30 years he has also been a passionate collector of architectural drawings. This publication unites Tchoban's own drawings--which range from perspectival-illusionist representations of his hometown of St. Petersburg to travel impressions, fantasies and visionary architectural studies--with highlights from his collection of works by European architects and painters dating from the seventeenth century, including Ferdinando Galli Bibiena (1656-1743), Filippo Juvara (1678-1736) and Jacques-Louis David (1748-1825). Focusing on motifs of ancient, classicist and Baroque architecture, these works establish a fruitful dialogue with Tchoban's correspondingly broad production. Through these extraordinary examples of paper architecture--a fascinating but somewhat neglected critical genre--this book underscores the endless possibilities for expression in the medium and promises to delight any reader interested in architecture or the graphic arts.
Sergei Tchoban: Architectural works
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Russian-German architect Sergei Tchoban (born 1962) is well-known for his virtuoso skills as a draftsman; for over 30 years he has also been a passionate collector of architectural drawings. This publication unites Tchoban's own drawings--which range from perspectival-illusionist representations of his hometown of St. Petersburg to travel impressions, fantasies and visionary architectural studies--with highlights from his collection of works by European architects and painters dating from the seventeenth century, including Ferdinando Galli Bibiena (1656-1743), Filippo Juvara (1678-1736) and Jacques-Louis David (1748-1825). Focusing on motifs of ancient, classicist and Baroque architecture, these works establish a fruitful dialogue with Tchoban's correspondingly broad production. Through these extraordinary examples of paper architecture--a fascinating but somewhat neglected critical genre--this book underscores the endless possibilities for expression in the medium and promises to delight any reader interested in architecture or the graphic arts.
Form:
books
books
Publication:
November 2010
November 2010
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
In the Holocene
In the Holocene
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$48.95
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Summary:
In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought. Through the work of an intergenerational group of artists, the exhibition and book propose that art acts as an investigative and(...)
$48.95
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Summary:
In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought. Through the work of an intergenerational group of artists, the exhibition and book propose that art acts as an investigative and(...)
Subject:
Art Theory
Art Theory
Publication:
March 2015
March 2015
Title:
In the Holocene
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$48.95
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Summary:
In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought. Through the work of an intergenerational group of artists, the exhibition and book propose that art acts as an investigative and experimental form of inquiry, addressing or amending what is explained through traditional scientific or mathematical means: entropy, matter, time (cosmic, geological), energy, topology, mimicry, perception, consciousness, et cetera. Sometimes employing scientific methodologies or the epistemology of science, other times investigating phenomena not restricted to any scientific discipline, art can be seen as a form of inquiry into the physical and natural world. In this sense, both art and science share an interest in knowledge, realism, and observable phenomena, yet are subject to different logics, principles of reasoning, and conclusions.
In the Holocene
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$48.95
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Summary:
In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought. Through the work of an intergenerational group of artists, the exhibition and book propose that art acts as an investigative and experimental form of inquiry, addressing or amending what is explained through traditional scientific or mathematical means: entropy, matter, time (cosmic, geological), energy, topology, mimicry, perception, consciousness, et cetera. Sometimes employing scientific methodologies or the epistemology of science, other times investigating phenomena not restricted to any scientific discipline, art can be seen as a form of inquiry into the physical and natural world. In this sense, both art and science share an interest in knowledge, realism, and observable phenomena, yet are subject to different logics, principles of reasoning, and conclusions.
Form:
books
books
Publication:
March 2015
March 2015
Subject:
Art Theory
Art Theory
