43406 Results
Form:
photographs
Quantity:
60 slide(s)
photographs
Quantity:
60 slide(s)
Actions:
Reference number:
ARCH197165
Description:
Reproductions of works by artists including Andrew Wyeth, Leon Golub, Willem de Kooning, Constantin Brancusi and many others.
ARCH197165
Description:
Reproductions of works by artists including Andrew Wyeth, Leon Golub, Willem de Kooning, Constantin Brancusi and many others.
People:
Title:
Reproductions of works by artists including Andrew Wyeth
Actions:
ARCH197165
Description:
Reproductions of works by artists including Andrew Wyeth, Leon Golub, Willem de Kooning, Constantin Brancusi and many others.
Reproductions of works by artists including Andrew Wyeth
Actions:
ARCH197165
Description:
Reproductions of works by artists including Andrew Wyeth, Leon Golub, Willem de Kooning, Constantin Brancusi and many others.
Form:
photographs
Quantity:
60 slide(s)
photographs
Quantity:
60 slide(s)
People:
Form:
drawings, textual records
drawings, textual records
Reference number:
AP148.S1.1971.PR01.002
Description:
Some of the works in this file are signed Alessandro Poli-Superstudio. Also includes original competition poster.
AP148.S1.1971.PR01.002
Description:
Some of the works in this file are signed Alessandro Poli-Superstudio. Also includes original competition poster.
People:
Date:
ca. 1971
ca. 1971
Title:
Presentation drawings, panel collages, and competition poster, Competition Modena cemetery
Actions:
AP148.S1.1971.PR01.002
Description:
Some of the works in this file are signed Alessandro Poli-Superstudio. Also includes original competition poster.
Presentation drawings, panel collages, and competition poster, Competition Modena cemetery
Actions:
AP148.S1.1971.PR01.002
Description:
Some of the works in this file are signed Alessandro Poli-Superstudio. Also includes original competition poster.
Form:
drawings, textual records
drawings, textual records
Date:
ca. 1971
ca. 1971
People:
Form:
photographs
Quantity:
31 slide(s)
photographs
Quantity:
31 slide(s)
Actions:
Reference number:
ARCH276974
Description:
Group consists of photographs of Chandigarh, India, including of the Capitol Complex, various buildings and workers on sites.
ARCH276974
Description:
Group consists of photographs of Chandigarh, India, including of the Capitol Complex, various buildings and workers on sites.
People:
Date:
1950s-1970
1950s-1970
Title:
Photographs of Chandigarh, India, including of the Capitol Complex
Actions:
ARCH276974
Description:
Group consists of photographs of Chandigarh, India, including of the Capitol Complex, various buildings and workers on sites.
Photographs of Chandigarh, India, including of the Capitol Complex
Actions:
ARCH276974
Description:
Group consists of photographs of Chandigarh, India, including of the Capitol Complex, various buildings and workers on sites.
Form:
photographs
Quantity:
31 slide(s)
photographs
Quantity:
31 slide(s)
Date:
1950s-1970
1950s-1970
People:
Level of archival description:
Sub-series
Sub-series
Title:
Domestic Commissions
Domestic Commissions
Reference number:
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
People:
Date:
[between 1838 and 1861]
[between 1838 and 1861]
Title:
Domestic Commissions
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Domestic Commissions
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Level of archival description:
File 2
File 2
Date:
[between 1838 and 1861]
[between 1838 and 1861]
People:
Form:
events
events
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
22 September 2016, 6pm
22 September 2016, 6pm
Title:
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Form:
events
events
Date:
22 September 2016
6pm
22 September 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
events
events
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
14 May 2015 , 6pm
14 May 2015 , 6pm
Title:
Architecture or Revolution? A Conversation with Nuno Portas and Nuno Grande
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Architecture or Revolution? A Conversation with Nuno Portas and Nuno Grande
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Form:
events
events
Date:
14 May 2015
6pm
14 May 2015
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
textual records
textual records
Actions:
Reference number:
ARCH258673
Description:
Correspondance avec Fred Béique et le fournisseur Montreal Architectural Iron Works, incluant des notes d'entrevue avec une liste de travaux (balustrade, grille porte, imposte, balcon).
ARCH258673
Description:
Correspondance avec Fred Béique et le fournisseur Montreal Architectural Iron Works, incluant des notes d'entrevue avec une liste de travaux (balustrade, grille porte, imposte, balcon).
People:
Date:
1927-1928
1927-1928
Title:
Correspondance avec fournisseurs
Actions:
ARCH258673
Description:
Correspondance avec Fred Béique et le fournisseur Montreal Architectural Iron Works, incluant des notes d'entrevue avec une liste de travaux (balustrade, grille porte, imposte, balcon).
Correspondance avec fournisseurs
Actions:
ARCH258673
Description:
Correspondance avec Fred Béique et le fournisseur Montreal Architectural Iron Works, incluant des notes d'entrevue avec une liste de travaux (balustrade, grille porte, imposte, balcon).
Form:
textual records
textual records
Date:
1927-1928
1927-1928
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH280849
Description:
Épreuves commandées par Jacqueline Jeanneret. Prints commissioned by Jacqueline Jeanneret.
ARCH280849
Description:
Épreuves commandées par Jacqueline Jeanneret. Prints commissioned by Jacqueline Jeanneret.
People:
Date:
between 1950 and 1966
between 1950 and 1966
Title:
Photographs of everyday life in Chandigarh, India
Actions:
ARCH280849
Description:
Épreuves commandées par Jacqueline Jeanneret. Prints commissioned by Jacqueline Jeanneret.
Photographs of everyday life in Chandigarh, India
Actions:
ARCH280849
Description:
Épreuves commandées par Jacqueline Jeanneret. Prints commissioned by Jacqueline Jeanneret.
Form:
photographs
photographs
Date:
between 1950 and 1966
between 1950 and 1966
People:
Form:
drawings
drawings
Actions:
Reference number:
AP046.S1.1983.PR02.013
Description:
This file includes topographic maps of the Old Port by Public Works Canada and J.P. Arsenault, land surveyor.
AP046.S1.1983.PR02.013
Description:
This file includes topographic maps of the Old Port by Public Works Canada and J.P. Arsenault, land surveyor.
People:
Date:
1981-1984
1981-1984
Title:
Topographic maps, Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02.013
Description:
This file includes topographic maps of the Old Port by Public Works Canada and J.P. Arsenault, land surveyor.
Topographic maps, Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02.013
Description:
This file includes topographic maps of the Old Port by Public Works Canada and J.P. Arsenault, land surveyor.
Form:
drawings
drawings
Date:
1981-1984
1981-1984
People:
Form:
textual records
textual records
Actions:
Reference number:
AP149.S3.SS1.077
Description:
Contains documents related to a competition on low energy design and retrofit projects by Public Works Minister of Canada.
AP149.S3.SS1.077
Description:
Contains documents related to a competition on low energy design and retrofit projects by Public Works Minister of Canada.
People:
Date:
1980-1981
1980-1981
Title:
Application for a competition on low energy design and retrofit projects
Actions:
AP149.S3.SS1.077
Description:
Contains documents related to a competition on low energy design and retrofit projects by Public Works Minister of Canada.
Application for a competition on low energy design and retrofit projects
Actions:
AP149.S3.SS1.077
Description:
Contains documents related to a competition on low energy design and retrofit projects by Public Works Minister of Canada.
Form:
textual records
textual records
Date:
1980-1981
1980-1981
People:
