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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
September 2006, Ostfildern
Victor Burgin : voyage to Italy
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Summary:
Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has(...)
Czech cubism : Architecture, furniture, and decorative arts, 1910-1925
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has rarely been seen outside of Eastern Europe. ''Czech cubism'' presents a collection of architecture, furniture, and decorative arts through more than 500 photographs and drawings. Essays by nine noted scholars provide historical and critical background for the work.