220 Results
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books
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Title:
Histaormina
Histaormina
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HISTAORMINA presents new concepts of architectural education and urban design through the lens of an intensive two-week workshop held in September of 2001. With the unique coastal hilltown of Taormina, Sicily as both subject and setting, the authors led a team of European and American students in an exploration that combined visual and conceptual design, historical(...)
$28.00
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Summary:
HISTAORMINA presents new concepts of architectural education and urban design through the lens of an intensive two-week workshop held in September of 2001. With the unique coastal hilltown of Taormina, Sicily as both subject and setting, the authors led a team of European and American students in an exploration that combined visual and conceptual design, historical(...)
Title:
Histaormina
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$28.00
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Summary:
HISTAORMINA presents new concepts of architectural education and urban design through the lens of an intensive two-week workshop held in September of 2001. With the unique coastal hilltown of Taormina, Sicily as both subject and setting, the authors led a team of European and American students in an exploration that combined visual and conceptual design, historical references, critical discourse, and both local and global issues with innovative new methods of individual creativity and collaboration. The results are documented in an extensive series of photographs of experimental models and constructions and the working processes that produced them. These are accompanied by comments from the students and a text by the authors explaining the concepts behind this new approach and describing its implications for the future.
Histaormina
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$28.00
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Summary:
HISTAORMINA presents new concepts of architectural education and urban design through the lens of an intensive two-week workshop held in September of 2001. With the unique coastal hilltown of Taormina, Sicily as both subject and setting, the authors led a team of European and American students in an exploration that combined visual and conceptual design, historical references, critical discourse, and both local and global issues with innovative new methods of individual creativity and collaboration. The results are documented in an extensive series of photographs of experimental models and constructions and the working processes that produced them. These are accompanied by comments from the students and a text by the authors explaining the concepts behind this new approach and describing its implications for the future.
Form:
books
books
Publication:
September 2002, Vienna
September 2002, Vienna
Subject:
small format
small format
Form:
books
books
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$22.50
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Summary:
An increasing group in contemporary society is rejecting agricultural production, as it exists today. Particularly prevalent, is the heated debate about conditions under which livestock is kept and slaughtered. Economic and ecological issues, animal and environmental protection, ethics and a (more) conscious meat consumption play an important role. The conflicts between(...)
$22.50
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Summary:
An increasing group in contemporary society is rejecting agricultural production, as it exists today. Particularly prevalent, is the heated debate about conditions under which livestock is kept and slaughtered. Economic and ecological issues, animal and environmental protection, ethics and a (more) conscious meat consumption play an important role. The conflicts between(...)
Title:
Architecture for pigs / architektur fur schweine
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$22.50
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An increasing group in contemporary society is rejecting agricultural production, as it exists today. Particularly prevalent, is the heated debate about conditions under which livestock is kept and slaughtered. Economic and ecological issues, animal and environmental protection, ethics and a (more) conscious meat consumption play an important role. The conflicts between these aspects must be negotiated in the public discourse, raising the question of which role architecture can play to improve this condition. The exhibition "Architecture for pigs" presents solutions for a modern agricultural pork production that meet the new demands of today’s critical consumer. In 2016, the organisers of an architectural student competition (KTBL and Stiftung LV Münster) began their research for new perspectives on agricultural architecture, livestock and societal engagement with agriculture. With this exhibition, Aedes Architecture Forum kicks off its 40th anniversary program. It is a continuation of the exhibition series on the role of architecture in the development of rural regions.
Architecture for pigs / architektur fur schweine
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$22.50
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Summary:
An increasing group in contemporary society is rejecting agricultural production, as it exists today. Particularly prevalent, is the heated debate about conditions under which livestock is kept and slaughtered. Economic and ecological issues, animal and environmental protection, ethics and a (more) conscious meat consumption play an important role. The conflicts between these aspects must be negotiated in the public discourse, raising the question of which role architecture can play to improve this condition. The exhibition "Architecture for pigs" presents solutions for a modern agricultural pork production that meet the new demands of today’s critical consumer. In 2016, the organisers of an architectural student competition (KTBL and Stiftung LV Münster) began their research for new perspectives on agricultural architecture, livestock and societal engagement with agriculture. With this exhibition, Aedes Architecture Forum kicks off its 40th anniversary program. It is a continuation of the exhibition series on the role of architecture in the development of rural regions.
Form:
books
books
Publication:
January 2020
January 2020
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
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books
books
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$44.50
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Summary:
"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies(...)
$44.50
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Summary:
"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies(...)
Title:
Chandigarh rethink: transforming ruralities & edeg(ness) in global urbanities
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$44.50
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"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies via provocative design studio design work. These introspections are framed within themed contributions from a globally recognized group of scholars who represent the diverse disciplines of architecture, planning, urban design, landscape ecologies and the humanities. As a topical publication on global urbanities transforming a 'signature' urban project, "Chandigarh rethink" anticipates the Buildings-Landscapes-Cultures (blc) program and SARUP's efforts to uniquely aligning urban research, pedagogy and critical design practice towards examining global urbanities that continue to defy normative urban analysis. Beyond serving as an exemplar for globally aware architectural schools nationwide and beyond, it is also directed to serve as an instructive primer for design students and instructors examining global urban sites.
Chandigarh rethink: transforming ruralities & edeg(ness) in global urbanities
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$44.50
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Summary:
"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies via provocative design studio design work. These introspections are framed within themed contributions from a globally recognized group of scholars who represent the diverse disciplines of architecture, planning, urban design, landscape ecologies and the humanities. As a topical publication on global urbanities transforming a 'signature' urban project, "Chandigarh rethink" anticipates the Buildings-Landscapes-Cultures (blc) program and SARUP's efforts to uniquely aligning urban research, pedagogy and critical design practice towards examining global urbanities that continue to defy normative urban analysis. Beyond serving as an exemplar for globally aware architectural schools nationwide and beyond, it is also directed to serve as an instructive primer for design students and instructors examining global urban sites.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Arch Middle East
Arch Middle East
Form:
books
books
Title:
Modern architecture in St. Louis : Washington University and postwar american architecture 1948-1973
Modern architecture in St. Louis : Washington University and postwar american architecture 1948-1973
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$55.95
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The Gateway Arch casts its shadow across the Mississippi River and the city skyline of St. Louis, yet the history of architecture in that city stretches far beyond the towering "gateway to the West." Modern Architecture in St. Louis offers the first in-depth survey of the exciting evolution of modern architecture in the heart of the Midwest, an evolution that began during(...)
$55.95
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Summary:
The Gateway Arch casts its shadow across the Mississippi River and the city skyline of St. Louis, yet the history of architecture in that city stretches far beyond the towering "gateway to the West." Modern Architecture in St. Louis offers the first in-depth survey of the exciting evolution of modern architecture in the heart of the Midwest, an evolution that began during(...)
Title:
Modern architecture in St. Louis : Washington University and postwar american architecture 1948-1973
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$55.95
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The Gateway Arch casts its shadow across the Mississippi River and the city skyline of St. Louis, yet the history of architecture in that city stretches far beyond the towering "gateway to the West." Modern Architecture in St. Louis offers the first in-depth survey of the exciting evolution of modern architecture in the heart of the Midwest, an evolution that began during the flowering of mid-century American modernism. Established architectural scholars here explore the nationally and internationally significant aspects of modern architecture in St. Louis during the postwar period, with essays on subjects ranging from the creation of the Arch to the role played by the Washington University School of Architecture. Archival photographs and drawings augment the scholars' historical analyses, and statements by alumni and faculty of the School of Architecture, including Gyo Obata and Fumihiko Maki, are also featured. Modern Architecture in St. Louis is a valuable work of architectural history that unearths the critical contribution of St. Louis to American design and modernism. Eric Mumford is associate professor at the Washington University School of Architecture and author of The CIAM Discourse on Urbanism, 1928-1960.
Modern architecture in St. Louis : Washington University and postwar american architecture 1948-1973
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Price:
$55.95
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Summary:
The Gateway Arch casts its shadow across the Mississippi River and the city skyline of St. Louis, yet the history of architecture in that city stretches far beyond the towering "gateway to the West." Modern Architecture in St. Louis offers the first in-depth survey of the exciting evolution of modern architecture in the heart of the Midwest, an evolution that began during the flowering of mid-century American modernism. Established architectural scholars here explore the nationally and internationally significant aspects of modern architecture in St. Louis during the postwar period, with essays on subjects ranging from the creation of the Arch to the role played by the Washington University School of Architecture. Archival photographs and drawings augment the scholars' historical analyses, and statements by alumni and faculty of the School of Architecture, including Gyo Obata and Fumihiko Maki, are also featured. Modern Architecture in St. Louis is a valuable work of architectural history that unearths the critical contribution of St. Louis to American design and modernism. Eric Mumford is associate professor at the Washington University School of Architecture and author of The CIAM Discourse on Urbanism, 1928-1960.
Form:
books
books
Publication:
April 2004, St. Louis
April 2004, St. Louis
Subject:
History until 1900
History until 1900
Form:
books
books
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$39.95
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Summary:
In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an(...)
$39.95
(available to order)
Summary:
In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an(...)
Publication:
February 2007, Cambridge (MA)
February 2007, Cambridge (MA)
Title:
The beautiful language of my century : reinventing the language of contestation in postwar France, 1945-1968
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$39.95
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Summary:
In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged Mémoires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The beautiful language of my century" describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of détournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France déchirée"), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the fête as a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968 - when the struggle over language and culture merged with a broader resistance to capitalist modernization.
The beautiful language of my century : reinventing the language of contestation in postwar France, 1945-1968
Actions:
Price:
$39.95
(available to order)
Summary:
In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged Mémoires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The beautiful language of my century" describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of détournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France déchirée"), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the fête as a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968 - when the struggle over language and culture merged with a broader resistance to capitalist modernization.
Form:
books
books
Publication:
February 2007, Cambridge (MA)
February 2007, Cambridge (MA)
Form:
books
books
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$94.95
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Summary:
Paradigms in Computing: Making, Machines, and Models for Design Agency in Architecture brings together critical, theoretical, and practical research and design that illustrates the plurality of computing approaches within the broad spectrum of design and mediated practices. It is an interrogation of our primary field of architecture through the lens of computing, and yet(...)
$94.95
(available to order)
Summary:
Paradigms in Computing: Making, Machines, and Models for Design Agency in Architecture brings together critical, theoretical, and practical research and design that illustrates the plurality of computing approaches within the broad spectrum of design and mediated practices. It is an interrogation of our primary field of architecture through the lens of computing, and yet(...)
Subject:
Contemporary Architecture
Contemporary Architecture
Publication:
December 2015
December 2015
Title:
Paradigms in computing: making, machines and models for design agency in architecture
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$94.95
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Summary:
Paradigms in Computing: Making, Machines, and Models for Design Agency in Architecture brings together critical, theoretical, and practical research and design that illustrates the plurality of computing approaches within the broad spectrum of design and mediated practices. It is an interrogation of our primary field of architecture through the lens of computing, and yet one that realizes a productive expanding of our métier’s definition and boundaries. It is a compilation that purposefully promotes architecture’s disciplinary reach and incorporations beyond the design and construction of buildings and cities. The book offers a glimpse into the wide range of positions and experiences that are shaping practice and discourse today. The work included in Paradigms in Computing is evidence that models for enquiry are many and proliferating. As digitalization and computation continue to infuse our processes with new tools and new design environments, some of the trends collected in this book will continue to be central to the production and speculation of architecture, and others will, in retrospect, be recognized as the seeds of new, or perhaps multiple, paradigms.
Paradigms in computing: making, machines and models for design agency in architecture
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$94.95
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Summary:
Paradigms in Computing: Making, Machines, and Models for Design Agency in Architecture brings together critical, theoretical, and practical research and design that illustrates the plurality of computing approaches within the broad spectrum of design and mediated practices. It is an interrogation of our primary field of architecture through the lens of computing, and yet one that realizes a productive expanding of our métier’s definition and boundaries. It is a compilation that purposefully promotes architecture’s disciplinary reach and incorporations beyond the design and construction of buildings and cities. The book offers a glimpse into the wide range of positions and experiences that are shaping practice and discourse today. The work included in Paradigms in Computing is evidence that models for enquiry are many and proliferating. As digitalization and computation continue to infuse our processes with new tools and new design environments, some of the trends collected in this book will continue to be central to the production and speculation of architecture, and others will, in retrospect, be recognized as the seeds of new, or perhaps multiple, paradigms.
Form:
books
books
Publication:
December 2015
December 2015
Subject:
Contemporary Architecture
Contemporary Architecture
Form:
books
books
Price:
$58.50
(available in store)
Summary:
This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon(...)
$58.50
(available in store)
Summary:
This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon(...)
Publication:
April 2005, London
April 2005, London
Title:
Indigenous modernities : negotiating architecture and urbanism
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$58.50
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This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon conventional understandings of it. Conventional discourse in the West defines modern as the antithesis of that which is 'not-modern' or is 'traditional.' Many scholars have debated the significance of the words and most agree that the very word 'tradition' was a modernist creation that variously implied backwardness, threatened by change, resistance to innovation. The first part of this book reflects on the transformations and discontinuities in built form and spatial culture and calls into question accepted notions of the static nature of what is normally referred to as 'traditional' and 'non-Western' architecture. The second part is a critical discussion of Delhi in the nineteenth and early twentieth centuries. It expands upon conventional understandings of modernity in a way that wrenches free the city's architecture and the society from the objectified realm of the exotic while also acknowledging cultural conditions of modernity and modern architecture outside the West. Stepping outside Western canons, this project looks at late nineteenth and early twentieth century architecture to include them in a conversation on architecture that has typically focused on Western Europe and North America. Finally, the author seeks out the 'indigenous modernities': the irregular, the uneven, and the unexpected in what uncritical observers might label a perfectly coherent 'traditional' built environment; or in the influence of local society and institutions on forms that appear modern by conventional standards in the West.
Indigenous modernities : negotiating architecture and urbanism
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$58.50
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Summary:
This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon conventional understandings of it. Conventional discourse in the West defines modern as the antithesis of that which is 'not-modern' or is 'traditional.' Many scholars have debated the significance of the words and most agree that the very word 'tradition' was a modernist creation that variously implied backwardness, threatened by change, resistance to innovation. The first part of this book reflects on the transformations and discontinuities in built form and spatial culture and calls into question accepted notions of the static nature of what is normally referred to as 'traditional' and 'non-Western' architecture. The second part is a critical discussion of Delhi in the nineteenth and early twentieth centuries. It expands upon conventional understandings of modernity in a way that wrenches free the city's architecture and the society from the objectified realm of the exotic while also acknowledging cultural conditions of modernity and modern architecture outside the West. Stepping outside Western canons, this project looks at late nineteenth and early twentieth century architecture to include them in a conversation on architecture that has typically focused on Western Europe and North America. Finally, the author seeks out the 'indigenous modernities': the irregular, the uneven, and the unexpected in what uncritical observers might label a perfectly coherent 'traditional' built environment; or in the influence of local society and institutions on forms that appear modern by conventional standards in the West.
Form:
books
books
Publication:
April 2005, London
April 2005, London
Form:
books
books
Price:
$35.95
(available to order)
Summary:
The "ruins" of the modern era are the landmarks of recent art’s turn toward site and situation, history and memory. The abiding interest of artists in ruination and decay has led in particular to the concept of the modern ruin - an ambiguous site of artistic and architectural modernism, personal and collective memories, and the cultural afterlife of eras such as those of(...)
$35.95
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Summary:
The "ruins" of the modern era are the landmarks of recent art’s turn toward site and situation, history and memory. The abiding interest of artists in ruination and decay has led in particular to the concept of the modern ruin - an ambiguous site of artistic and architectural modernism, personal and collective memories, and the cultural afterlife of eras such as those of(...)
Title:
Ruins
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$35.95
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The "ruins" of the modern era are the landmarks of recent art’s turn toward site and situation, history and memory. The abiding interest of artists in ruination and decay has led in particular to the concept of the modern ruin - an ambiguous site of artistic and architectural modernism, personal and collective memories, and the cultural afterlife of eras such as those of state communism and colonialism. Contemporary art’s explorations of the ruin can evoke on the one hand diverse experiences of nostalgia and on the other a ceaselessly renewed encounter with catastrophes of the recent past and apprehensions of the future. For every relic of a harmonious era or utopian dream stands another recalling industrial decline, environmental disaster, and the depredations of war. This anthology provides a comprehensive survey of the contemporary ruin in cultural discourse, aesthetics, and artistic practice. It examines the development of ruin aesthetics from the early modern era to the present; the ruin as a privileged emblem of modernity’s decline; the relic as a portal onto the political history of the recent past; the destruction and decline of cities and landscapes, with the emergence of "non-places" and “drosscape”; the symbolism of the entropic and decayed in critical environmentalism; and the confusing temporalities of the ruin in recent art - its involution of timescales and perspectives as it addresses not just the past but the future.
Ruins
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$35.95
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Summary:
The "ruins" of the modern era are the landmarks of recent art’s turn toward site and situation, history and memory. The abiding interest of artists in ruination and decay has led in particular to the concept of the modern ruin - an ambiguous site of artistic and architectural modernism, personal and collective memories, and the cultural afterlife of eras such as those of state communism and colonialism. Contemporary art’s explorations of the ruin can evoke on the one hand diverse experiences of nostalgia and on the other a ceaselessly renewed encounter with catastrophes of the recent past and apprehensions of the future. For every relic of a harmonious era or utopian dream stands another recalling industrial decline, environmental disaster, and the depredations of war. This anthology provides a comprehensive survey of the contemporary ruin in cultural discourse, aesthetics, and artistic practice. It examines the development of ruin aesthetics from the early modern era to the present; the ruin as a privileged emblem of modernity’s decline; the relic as a portal onto the political history of the recent past; the destruction and decline of cities and landscapes, with the emergence of "non-places" and “drosscape”; the symbolism of the entropic and decayed in critical environmentalism; and the confusing temporalities of the ruin in recent art - its involution of timescales and perspectives as it addresses not just the past but the future.
Form:
books
books
Publication:
September 2011
September 2011
Subject:
Art Theory
Art Theory
Form:
books
books
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$90.00
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Summary:
Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in(...)
$90.00
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Summary:
Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
May 2001, Cambridge, Mass.
May 2001, Cambridge, Mass.
Title:
Le Corbusier in America : travels in the land of the timid
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$90.00
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Summary:
Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in meetings with industrialists, housing reformers, New Deal technocrats, and editors. His lectures were watershed events that advanced the cause of European modernism. Yet he returned to France empty-handed and published a bittersweet account, "Quand les cathédrales étaient blanches: voyage au pays des timides" ("When the Cathedrals Were White: Journey to the Country of Timid People"), which faulted America for lacking the courage to adopt his ideas. In this first major study of Le Corbusier's American tour, Mardges Bacon reconstructs his encounter with America in all its fascinating detail. Through extensive archival research and interviews, she presents a critical history of the tour as well as a nuanced and intimate portrait of the architect. Drawing on the methods of microhistory, she also considers how small ordinary events affect larger biographical, architectural, and cultural developments. Bacon notes that Le Corbusier's dialogue with America was drafted within a spirited European discourse on américanisme. She contends that the trip validated his concept of a "second machine age" that would unite standardized industrial methods with a new humanism. Le Corbusier's subsequent work, she suggests, reflected an "Americanization," evidenced by the introduction of tension structures and the textured skyscraper conceived as an integrated system with functions articulated. She also defines Le Corbusier's role in the debate over New York City high-rise public housing. Appearing here in print for the first time are color reproductions of the pastel drawings that illustrated Le Corbusier's American lectures.
Le Corbusier in America : travels in the land of the timid
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$90.00
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Summary:
Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in meetings with industrialists, housing reformers, New Deal technocrats, and editors. His lectures were watershed events that advanced the cause of European modernism. Yet he returned to France empty-handed and published a bittersweet account, "Quand les cathédrales étaient blanches: voyage au pays des timides" ("When the Cathedrals Were White: Journey to the Country of Timid People"), which faulted America for lacking the courage to adopt his ideas. In this first major study of Le Corbusier's American tour, Mardges Bacon reconstructs his encounter with America in all its fascinating detail. Through extensive archival research and interviews, she presents a critical history of the tour as well as a nuanced and intimate portrait of the architect. Drawing on the methods of microhistory, she also considers how small ordinary events affect larger biographical, architectural, and cultural developments. Bacon notes that Le Corbusier's dialogue with America was drafted within a spirited European discourse on américanisme. She contends that the trip validated his concept of a "second machine age" that would unite standardized industrial methods with a new humanism. Le Corbusier's subsequent work, she suggests, reflected an "Americanization," evidenced by the introduction of tension structures and the textured skyscraper conceived as an integrated system with functions articulated. She also defines Le Corbusier's role in the debate over New York City high-rise public housing. Appearing here in print for the first time are color reproductions of the pastel drawings that illustrated Le Corbusier's American lectures.
Form:
books
books
Publication:
May 2001, Cambridge, Mass.
May 2001, Cambridge, Mass.
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Actions:
Price:
$20.95
(available in store)
Summary:
In December 2006, close to Zurich airport, Opfikerpark was completed after a construction period of 79 weeks. Central element of the park is a concrete sculpture, over 500m-long, accommodating a lake surrounded by sandy beaches and a reed belt. The idea for the design of the park was the result of an international competition initiated in 2001 and won by Berlin practice(...)
$20.95
(available in store)
Summary:
In December 2006, close to Zurich airport, Opfikerpark was completed after a construction period of 79 weeks. Central element of the park is a concrete sculpture, over 500m-long, accommodating a lake surrounded by sandy beaches and a reed belt. The idea for the design of the park was the result of an international competition initiated in 2001 and won by Berlin practice(...)
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Publication:
July 2007, Berlin
July 2007, Berlin
Title:
79 KW Zurich : building Opfikerpark
Actions:
Price:
$20.95
(available in store)
Summary:
In December 2006, close to Zurich airport, Opfikerpark was completed after a construction period of 79 weeks. Central element of the park is a concrete sculpture, over 500m-long, accommodating a lake surrounded by sandy beaches and a reed belt. The idea for the design of the park was the result of an international competition initiated in 2001 and won by Berlin practice Kiefer. As the second exhibition at gallery AedesLand, this project will be introduced in June 2007. Contrary to the usual approach, the exhibition does not aim to present an already completed construction but rather make transparent the process of creation and realization of the building project ‘opfikerpark’. The efforts and challenges to create a complex and outstanding structure, which were faced by client, planners, engineers as well as executing contractors, shall be recorded in a commented illustration of the construction work. Building sites are temporary production sites involving a multitude of disciplines and trades which need to be coordinated. The exhibition reflects the progressing technological, organizational and design process as well as the objective and subjective influences in effect and thus aims to convey a realistic image of the building activities. Photographer Hanns Joosten has documented the construction progress at regular intervals. His high-quality, large-scale images communicate the special aesthetics of a building site in all its diversity and affect the atmosphere of the exhibition. The whole exhibition space will be part of the exhibition, even floors and ceilings. In addition, a media installation explains the progress of constructing Opfikerpark where viewpoints of diverse disciplines and participants meet. The players get a chance to speak and express their personal perspective on the building process with spoken commentaries. How is a large park constructed? How does a building site work? What do you need so many planners for? And how do they work together? Based on these questions, spontaneous contributions shall throw a critical and ironic light on the expert discourse.
79 KW Zurich : building Opfikerpark
Actions:
Price:
$20.95
(available in store)
Summary:
In December 2006, close to Zurich airport, Opfikerpark was completed after a construction period of 79 weeks. Central element of the park is a concrete sculpture, over 500m-long, accommodating a lake surrounded by sandy beaches and a reed belt. The idea for the design of the park was the result of an international competition initiated in 2001 and won by Berlin practice Kiefer. As the second exhibition at gallery AedesLand, this project will be introduced in June 2007. Contrary to the usual approach, the exhibition does not aim to present an already completed construction but rather make transparent the process of creation and realization of the building project ‘opfikerpark’. The efforts and challenges to create a complex and outstanding structure, which were faced by client, planners, engineers as well as executing contractors, shall be recorded in a commented illustration of the construction work. Building sites are temporary production sites involving a multitude of disciplines and trades which need to be coordinated. The exhibition reflects the progressing technological, organizational and design process as well as the objective and subjective influences in effect and thus aims to convey a realistic image of the building activities. Photographer Hanns Joosten has documented the construction progress at regular intervals. His high-quality, large-scale images communicate the special aesthetics of a building site in all its diversity and affect the atmosphere of the exhibition. The whole exhibition space will be part of the exhibition, even floors and ceilings. In addition, a media installation explains the progress of constructing Opfikerpark where viewpoints of diverse disciplines and participants meet. The players get a chance to speak and express their personal perspective on the building process with spoken commentaries. How is a large park constructed? How does a building site work? What do you need so many planners for? And how do they work together? Based on these questions, spontaneous contributions shall throw a critical and ironic light on the expert discourse.
Form:
books
books
Publication:
July 2007, Berlin
July 2007, Berlin
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
