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Where is the space for dreaming in the twenty-first century? Lofty thoughts, like dreams, are born and live overhead, just as they have been represented in Renaissance paintings and modern cartoons. Ceilings are often repositories of stories, events and otherwise invisible oneiric narratives. Yet environments that inspire innovative thinking are dwindling as our world(...)
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Where is the space for dreaming in the twenty-first century? Lofty thoughts, like dreams, are born and live overhead, just as they have been represented in Renaissance paintings and modern cartoons. Ceilings are often repositories of stories, events and otherwise invisible oneiric narratives. Yet environments that inspire innovative thinking are dwindling as our world(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
August 2019
August 2019
Title:
Ceilings and dreams: the architecture of levity
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Where is the space for dreaming in the twenty-first century? Lofty thoughts, like dreams, are born and live overhead, just as they have been represented in Renaissance paintings and modern cartoons. Ceilings are often repositories of stories, events and otherwise invisible oneiric narratives. Yet environments that inspire innovative thinking are dwindling as our world confronts enormous challenges, and almost all of our thinking, debating and decision-making takes place under endless ceiling grids. Quantitative research establishes that spaces with taller ceilings elicit broader, more creative thoughts. Today, ceilings are usually squat conduits of technology: they have become the blind spot of modern architecture. The twenty essays in this book look across cultures, places and ceilings over time to discover their potential to uplift the human spirit. Not just one building element among many, the ceiling is a key to unlock the architectural imagination.
Ceilings and dreams: the architecture of levity
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Where is the space for dreaming in the twenty-first century? Lofty thoughts, like dreams, are born and live overhead, just as they have been represented in Renaissance paintings and modern cartoons. Ceilings are often repositories of stories, events and otherwise invisible oneiric narratives. Yet environments that inspire innovative thinking are dwindling as our world confronts enormous challenges, and almost all of our thinking, debating and decision-making takes place under endless ceiling grids. Quantitative research establishes that spaces with taller ceilings elicit broader, more creative thoughts. Today, ceilings are usually squat conduits of technology: they have become the blind spot of modern architecture. The twenty essays in this book look across cultures, places and ceilings over time to discover their potential to uplift the human spirit. Not just one building element among many, the ceiling is a key to unlock the architectural imagination.
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books
books
Publication:
August 2019
August 2019
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
Le livre et l'architecte
Le livre et l'architecte
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$65.00
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Dédié aux liens complexes depuis la Renaissance entre l'architecture et le livre, cet ouvrage propose une réflexion sur la médiatisation de l'architecture. En rassemblant une quarantaine d'essais rédigés par des spécialistes de différents domaines, ce livre présente le rapport entre l'architecture et les ouvrages, tantôt pratiques, tantôt artistiques, qu'il produit et qu'il utilise.
$65.00
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Dédié aux liens complexes depuis la Renaissance entre l'architecture et le livre, cet ouvrage propose une réflexion sur la médiatisation de l'architecture. En rassemblant une quarantaine d'essais rédigés par des spécialistes de différents domaines, ce livre présente le rapport entre l'architecture et les ouvrages, tantôt pratiques, tantôt artistiques, qu'il produit et qu'il utilise.
Subject:
Architectural Theory
Architectural Theory
Publication:
July 2011
July 2011
Title:
Le livre et l'architecte
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$65.00
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Dédié aux liens complexes depuis la Renaissance entre l'architecture et le livre, cet ouvrage propose une réflexion sur la médiatisation de l'architecture. En rassemblant une quarantaine d'essais rédigés par des spécialistes de différents domaines, ce livre présente le rapport entre l'architecture et les ouvrages, tantôt pratiques, tantôt artistiques, qu'il produit et qu'il utilise.
Le livre et l'architecte
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$65.00
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Summary:
Dédié aux liens complexes depuis la Renaissance entre l'architecture et le livre, cet ouvrage propose une réflexion sur la médiatisation de l'architecture. En rassemblant une quarantaine d'essais rédigés par des spécialistes de différents domaines, ce livre présente le rapport entre l'architecture et les ouvrages, tantôt pratiques, tantôt artistiques, qu'il produit et qu'il utilise.
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books
books
Publication:
July 2011
July 2011
Subject:
Architectural Theory
Architectural Theory
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books
books
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$60.00
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Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic(...)
$60.00
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Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic(...)
Title:
Picturing spaces, displacing bodies : anamorphosis in early Modern theories of perspective
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In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these "failures" were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, "Picturing Space, Displacing Bodies" asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.
Picturing spaces, displacing bodies : anamorphosis in early Modern theories of perspective
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Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these "failures" were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, "Picturing Space, Displacing Bodies" asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.
Form:
books
books
Publication:
October 2007, University Park
October 2007, University Park
Subject:
Architectural Theory
Architectural Theory
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books
books
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$23.95
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Summary:
Enoncées il y a vingt siècles puis réactualisées à la Renaissance, les catégories de Vitruve, reformulées par Alberti, se présentent comme des cadres mentaux propres à l'architecture occidentale, suffisamment souples pour intégrer les expériences accumulées dans son histoire, et ouvertes aux évolutions de chaque époque comme aux apports des architectes qui ont marqué leur(...)
$23.95
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Summary:
Enoncées il y a vingt siècles puis réactualisées à la Renaissance, les catégories de Vitruve, reformulées par Alberti, se présentent comme des cadres mentaux propres à l'architecture occidentale, suffisamment souples pour intégrer les expériences accumulées dans son histoire, et ouvertes aux évolutions de chaque époque comme aux apports des architectes qui ont marqué leur(...)
Title:
Architecture, t.07 : mettre en forme et composer (planches)
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Enoncées il y a vingt siècles puis réactualisées à la Renaissance, les catégories de Vitruve, reformulées par Alberti, se présentent comme des cadres mentaux propres à l'architecture occidentale, suffisamment souples pour intégrer les expériences accumulées dans son histoire, et ouvertes aux évolutions de chaque époque comme aux apports des architectes qui ont marqué leur temps de façon significative.
Architecture, t.07 : mettre en forme et composer (planches)
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Enoncées il y a vingt siècles puis réactualisées à la Renaissance, les catégories de Vitruve, reformulées par Alberti, se présentent comme des cadres mentaux propres à l'architecture occidentale, suffisamment souples pour intégrer les expériences accumulées dans son histoire, et ouvertes aux évolutions de chaque époque comme aux apports des architectes qui ont marqué leur temps de façon significative.
Form:
books
books
Publication:
January 2019
January 2019
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$32.95
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Summary:
Contributors to this volume strive to uncover architectural alternatives to simplistic models based on concepts of aesthetics, technology, or sociology. Seventeen essays explore historical topics ranging from antiquity, with a study of the Roman Colosseum; through early Renaissance subjects, such as the treatises of Luca Pacioli on architecture; through to the modern era(...)
$32.95
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Summary:
Contributors to this volume strive to uncover architectural alternatives to simplistic models based on concepts of aesthetics, technology, or sociology. Seventeen essays explore historical topics ranging from antiquity, with a study of the Roman Colosseum; through early Renaissance subjects, such as the treatises of Luca Pacioli on architecture; through to the modern era(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
May 2003, Montreal
May 2003, Montreal
Title:
Chora 4 : intervals in the philosophy of architecture
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Summary:
Contributors to this volume strive to uncover architectural alternatives to simplistic models based on concepts of aesthetics, technology, or sociology. Seventeen essays explore historical topics ranging from antiquity, with a study of the Roman Colosseum; through early Renaissance subjects, such as the treatises of Luca Pacioli on architecture; through to the modern era and explorations on topics ranging from seventeenth-century Amsterdam to architectural insights that can be found in the works of the poet and mathematician Lewis Carroll. Authors examining contemporary issues seek to explicate the spatial poetics of architecture by invoking other artistic disciplines. Essays in this group include a discussion of the accomplishments of Gordon Matta-Clark, a reading of Alfred Hitchcock's Rear Window, and an analysis of the implications of ethical/formal questions in the work of Ludwig Wittgenstein for architecture. Contributors include Caroline Dionne (Université de Québec à Montréal), Mark Dorrian (University of Edinburgh), Michael Emerson (University of New South Wales), Marc Glaudemans (University of Technology), George Hersey (emeritus, Yale University), Robert Kirkbride (design director, Studiolo), Joanna Merwood (doctoral dissertation, Princeton University), Michel Moussette (Ph.D. at the Université de Montréal), Juhani Pallasmaa (architect, Finland, emeritus Washington University in St. Louis), Alberto Pérez-Gómez (McGill University), David Theodore (McGill University), and Dorian Yurchuk (architect, New York City).
Chora 4 : intervals in the philosophy of architecture
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$32.95
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Summary:
Contributors to this volume strive to uncover architectural alternatives to simplistic models based on concepts of aesthetics, technology, or sociology. Seventeen essays explore historical topics ranging from antiquity, with a study of the Roman Colosseum; through early Renaissance subjects, such as the treatises of Luca Pacioli on architecture; through to the modern era and explorations on topics ranging from seventeenth-century Amsterdam to architectural insights that can be found in the works of the poet and mathematician Lewis Carroll. Authors examining contemporary issues seek to explicate the spatial poetics of architecture by invoking other artistic disciplines. Essays in this group include a discussion of the accomplishments of Gordon Matta-Clark, a reading of Alfred Hitchcock's Rear Window, and an analysis of the implications of ethical/formal questions in the work of Ludwig Wittgenstein for architecture. Contributors include Caroline Dionne (Université de Québec à Montréal), Mark Dorrian (University of Edinburgh), Michael Emerson (University of New South Wales), Marc Glaudemans (University of Technology), George Hersey (emeritus, Yale University), Robert Kirkbride (design director, Studiolo), Joanna Merwood (doctoral dissertation, Princeton University), Michel Moussette (Ph.D. at the Université de Montréal), Juhani Pallasmaa (architect, Finland, emeritus Washington University in St. Louis), Alberto Pérez-Gómez (McGill University), David Theodore (McGill University), and Dorian Yurchuk (architect, New York City).
Form:
books
books
Publication:
May 2003, Montreal
May 2003, Montreal
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$50.95
(available to order)
Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic(...)
$50.95
(available to order)
Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic(...)
Title:
Picturing space, displacing bodies: anamorphosis in early modern theories of perspective
Actions:
Price:
$50.95
(available to order)
Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these “failures” were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective.
Picturing space, displacing bodies: anamorphosis in early modern theories of perspective
Actions:
Price:
$50.95
(available to order)
Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these “failures” were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective.
Form:
books
books
Publication:
January 2016
January 2016
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$58.95
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Summary:
Afin de faire face à l'évolution du métier et de ses enjeux, l'architecte et théoricien prône une relecture des textes fondateurs de la discipline au premier rang desquels De re aedificatoria d'Alberti, traité majeur pour l'architecture de la Renaissance. Sont examinées trois notions interdépendantes et clés d'Alberti, la région, l'aire et la partition, et leurs usages à(...)
$58.95
(available in store)
Summary:
Afin de faire face à l'évolution du métier et de ses enjeux, l'architecte et théoricien prône une relecture des textes fondateurs de la discipline au premier rang desquels De re aedificatoria d'Alberti, traité majeur pour l'architecture de la Renaissance. Sont examinées trois notions interdépendantes et clés d'Alberti, la région, l'aire et la partition, et leurs usages à(...)
Title:
Avec Alberti : Considérations intempestives sur l'architecture
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Afin de faire face à l'évolution du métier et de ses enjeux, l'architecte et théoricien prône une relecture des textes fondateurs de la discipline au premier rang desquels De re aedificatoria d'Alberti, traité majeur pour l'architecture de la Renaissance. Sont examinées trois notions interdépendantes et clés d'Alberti, la région, l'aire et la partition, et leurs usages à travers les siècles.
Avec Alberti : Considérations intempestives sur l'architecture
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$58.95
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Afin de faire face à l'évolution du métier et de ses enjeux, l'architecte et théoricien prône une relecture des textes fondateurs de la discipline au premier rang desquels De re aedificatoria d'Alberti, traité majeur pour l'architecture de la Renaissance. Sont examinées trois notions interdépendantes et clés d'Alberti, la région, l'aire et la partition, et leurs usages à travers les siècles.
Form:
books
books
Publication:
February 2024
February 2024
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$24.95
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Summary:
Dust is a poetic meditation on how dust has been experienced and the small has been imagined across the ages. Examining a thousand years of Western civilization—from the naturalism of medieval philosophy, to the artistry of the Renaissance, to the scientific and industrial revolutions, to the modern worlds of nanotechnology and viral diseases— Dust offers a story of the(...)
$24.95
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Dust is a poetic meditation on how dust has been experienced and the small has been imagined across the ages. Examining a thousand years of Western civilization—from the naturalism of medieval philosophy, to the artistry of the Renaissance, to the scientific and industrial revolutions, to the modern worlds of nanotechnology and viral diseases— Dust offers a story of the(...)
Title:
Dust: a history of the small & the invisible
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Dust is a poetic meditation on how dust has been experienced and the small has been imagined across the ages. Examining a thousand years of Western civilization—from the naturalism of medieval philosophy, to the artistry of the Renaissance, to the scientific and industrial revolutions, to the modern worlds of nanotechnology and viral diseases— Dust offers a story of the genesis of the microcosm.
Dust: a history of the small & the invisible
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Dust is a poetic meditation on how dust has been experienced and the small has been imagined across the ages. Examining a thousand years of Western civilization—from the naturalism of medieval philosophy, to the artistry of the Renaissance, to the scientific and industrial revolutions, to the modern worlds of nanotechnology and viral diseases— Dust offers a story of the genesis of the microcosm.
Form:
books
books
Publication:
October 2001
October 2001
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$22.50
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Summary:
Throughout history, our sensory transformation has been predicated on newly invented machinery and instruments, from the camera obscura to the stereoscope to the multimedia apparatuses of today. In the perspective paintings of the Renaissance, the "train sickness" works of the 19th century, and the helicopter view of modern times, artists reveal their role as mediums of(...)
$22.50
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Summary:
Throughout history, our sensory transformation has been predicated on newly invented machinery and instruments, from the camera obscura to the stereoscope to the multimedia apparatuses of today. In the perspective paintings of the Renaissance, the "train sickness" works of the 19th century, and the helicopter view of modern times, artists reveal their role as mediums of(...)
Title:
Technology: art, fairground and theatre
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$22.50
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Summary:
Throughout history, our sensory transformation has been predicated on newly invented machinery and instruments, from the camera obscura to the stereoscope to the multimedia apparatuses of today. In the perspective paintings of the Renaissance, the "train sickness" works of the 19th century, and the helicopter view of modern times, artists reveal their role as mediums of the new, pioneers who, through their incorporation and absorption of new technologies, subtly introduce them into the general consciousness.
Technology: art, fairground and theatre
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$22.50
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Summary:
Throughout history, our sensory transformation has been predicated on newly invented machinery and instruments, from the camera obscura to the stereoscope to the multimedia apparatuses of today. In the perspective paintings of the Renaissance, the "train sickness" works of the 19th century, and the helicopter view of modern times, artists reveal their role as mediums of the new, pioneers who, through their incorporation and absorption of new technologies, subtly introduce them into the general consciousness.
Form:
books
books
Publication:
March 2002, Rotterdam
March 2002, Rotterdam
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
On Bramante
On Bramante
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$53.95
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Summary:
In ''On Bramante,'' architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between(...)
$53.95
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Summary:
In ''On Bramante,'' architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between(...)
Title:
On Bramante
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$53.95
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Summary:
In ''On Bramante,'' architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between architecture and politics, and to look back—with neither nostalgia nor contempt—at the tradition of Western classicism. Starting from a discussion of the difference in the work of Bramante in Milan (1481–1499) and Rome (1499–1514), Tamburelli highlights the peculiarities of Bramante’s architecture, especially in comparison to that of his predecessor Leon Battista Alberti and successor Andrea Palladio. This in turn opens up new possibilities for appreciating his spatial experiments, and to derive from Bramante’s abstraction and disassociation of form from function a revised theory of space for contemporary architecture. Such a theory might even advance a newfound political understanding of classicism, and a model—perhaps more valid now than ever before—for a public architecture.
On Bramante
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$53.95
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Summary:
In ''On Bramante,'' architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between architecture and politics, and to look back—with neither nostalgia nor contempt—at the tradition of Western classicism. Starting from a discussion of the difference in the work of Bramante in Milan (1481–1499) and Rome (1499–1514), Tamburelli highlights the peculiarities of Bramante’s architecture, especially in comparison to that of his predecessor Leon Battista Alberti and successor Andrea Palladio. This in turn opens up new possibilities for appreciating his spatial experiments, and to derive from Bramante’s abstraction and disassociation of form from function a revised theory of space for contemporary architecture. Such a theory might even advance a newfound political understanding of classicism, and a model—perhaps more valid now than ever before—for a public architecture.
Form:
books
books
Publication:
May 2022
May 2022
Subject:
Architecture Monographs
Architecture Monographs
