5436 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
People:
Date:
circa 2003-2004
circa 2003-2004
Title:
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Level of archival description:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
People:
Date:
1991-1997
1991-1997
Title:
Royal Conservatory of Music, Master Plan, Toronto (1991)
Actions:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Royal Conservatory of Music, Master Plan, Toronto (1991)
Actions:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Level of archival description:
Project
Project
Date:
1991-1997
1991-1997
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
People:
Date:
1987-1996
1987-1996
Title:
King James Place, Toronto, Ontario (1987-1991)
Actions:
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
King James Place, Toronto, Ontario (1987-1991)
Actions:
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
Level of archival description:
Project
Project
Date:
1987-1996
1987-1996
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Zéphirin Perrault fonds
Zéphirin Perrault fonds
Actions:
Reference number:
AP107
Synopsis:
The Zéphirin Perrault fonds, 1866-1885, documents architect Zéphirin Perrault’s design of approximately ten churches in rural Québec and the St. Michael Cathedral in Toronto, Ontario. A drawing by Victor Bourgneau (1809-1888) is also included in this fonds. Materials consist of approximately 42 drawings and 5 textual documents.
AP107
Synopsis:
The Zéphirin Perrault fonds, 1866-1885, documents architect Zéphirin Perrault’s design of approximately ten churches in rural Québec and the St. Michael Cathedral in Toronto, Ontario. A drawing by Victor Bourgneau (1809-1888) is also included in this fonds. Materials consist of approximately 42 drawings and 5 textual documents.
People:
Date:
1866-1885
1866-1885
Title:
Zéphirin Perrault fonds
Actions:
AP107
Synopsis:
The Zéphirin Perrault fonds, 1866-1885, documents architect Zéphirin Perrault’s design of approximately ten churches in rural Québec and the St. Michael Cathedral in Toronto, Ontario. A drawing by Victor Bourgneau (1809-1888) is also included in this fonds. Materials consist of approximately 42 drawings and 5 textual documents.
Zéphirin Perrault fonds
Actions:
AP107
Synopsis:
The Zéphirin Perrault fonds, 1866-1885, documents architect Zéphirin Perrault’s design of approximately ten churches in rural Québec and the St. Michael Cathedral in Toronto, Ontario. A drawing by Victor Bourgneau (1809-1888) is also included in this fonds. Materials consist of approximately 42 drawings and 5 textual documents.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1866-1885
1866-1885
People:
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Actions:
Reference number:
ARCH186567
Description:
1977-1995 - subjects concerning Desbarats, including clippings of American Embassy competition, restoration of the Queen Elizabeth Centre, article on federal civil service; b&w photocopy prints of McGill University Student Centre, colour photocopy prints of Governor General's residence in Quebec City, photocopy of map concerning the site of the National Aviation Museum
ARCH186567
Description:
1977-1995 - subjects concerning Desbarats, including clippings of American Embassy competition, restoration of the Queen Elizabeth Centre, article on federal civil service; b&w photocopy prints of McGill University Student Centre, colour photocopy prints of Governor General's residence in Quebec City, photocopy of map concerning the site of the National Aviation Museum
People:
Date:
1977 - 1995
1977 - 1995
Title:
Subjects concerning Desbarats
Actions:
ARCH186567
Description:
1977-1995 - subjects concerning Desbarats, including clippings of American Embassy competition, restoration of the Queen Elizabeth Centre, article on federal civil service; b&w photocopy prints of McGill University Student Centre, colour photocopy prints of Governor General's residence in Quebec City, photocopy of map concerning the site of the National Aviation Museum
Subjects concerning Desbarats
Actions:
ARCH186567
Description:
1977-1995 - subjects concerning Desbarats, including clippings of American Embassy competition, restoration of the Queen Elizabeth Centre, article on federal civil service; b&w photocopy prints of McGill University Student Centre, colour photocopy prints of Governor General's residence in Quebec City, photocopy of map concerning the site of the National Aviation Museum
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Date:
1977 - 1995
1977 - 1995
People:
Level of archival description:
Sub-series
Sub-series
Title:
Architectural projects
Architectural projects
Reference number:
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
People:
Date:
1957 - 1985
1957 - 1985
Title:
Architectural projects
Actions:
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
Architectural projects
Actions:
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
Level of archival description:
Sub-series 1
Sub-series 1
Date:
1957 - 1985
1957 - 1985
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP178.S1.1988.PR07.SS3
Description:
This project subseries documents the restoration of the Câmara Chaves building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 7. The office assigned the date 1991-1996 for this project. The Câmara Chaves building was part of Bloco A and identified as building 7 in Siza's reconstruction plan. Documenting this project subseries are sketches, studies, plans, elevations, working drawings and details. There are photographs, negatives, and slides that show the construction site and the building before, during and after construction. Textual materials include project documentation and details of the mechanical work. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces work (AP178.S1.1988.PR07.SS1).
AP178.S1.1988.PR07.SS3
Description:
This project subseries documents the restoration of the Câmara Chaves building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 7. The office assigned the date 1991-1996 for this project. The Câmara Chaves building was part of Bloco A and identified as building 7 in Siza's reconstruction plan. Documenting this project subseries are sketches, studies, plans, elevations, working drawings and details. There are photographs, negatives, and slides that show the construction site and the building before, during and after construction. Textual materials include project documentation and details of the mechanical work. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces work (AP178.S1.1988.PR07.SS1).
People:
Date:
1988-2003
1988-2003
Title:
Câmara Chaves, Bloco A, Reconstrução do Chiado, Lisbon (1988-1998)
Actions:
AP178.S1.1988.PR07.SS3
Description:
This project subseries documents the restoration of the Câmara Chaves building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 7. The office assigned the date 1991-1996 for this project. The Câmara Chaves building was part of Bloco A and identified as building 7 in Siza's reconstruction plan. Documenting this project subseries are sketches, studies, plans, elevations, working drawings and details. There are photographs, negatives, and slides that show the construction site and the building before, during and after construction. Textual materials include project documentation and details of the mechanical work. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces work (AP178.S1.1988.PR07.SS1).
Câmara Chaves, Bloco A, Reconstrução do Chiado, Lisbon (1988-1998)
Actions:
AP178.S1.1988.PR07.SS3
Description:
This project subseries documents the restoration of the Câmara Chaves building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 7. The office assigned the date 1991-1996 for this project. The Câmara Chaves building was part of Bloco A and identified as building 7 in Siza's reconstruction plan. Documenting this project subseries are sketches, studies, plans, elevations, working drawings and details. There are photographs, negatives, and slides that show the construction site and the building before, during and after construction. Textual materials include project documentation and details of the mechanical work. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces work (AP178.S1.1988.PR07.SS1).
Level of archival description:
Project
Project
Date:
1988-2003
1988-2003
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
People:
Date:
1967-1968
1967-1968
Title:
Competition Fortezza da Basso, National Centre for Arts and Crafts, Florence, Italy (1967)
Actions:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
Competition Fortezza da Basso, National Centre for Arts and Crafts, Florence, Italy (1967)
Actions:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
Level of archival description:
Project
Project
Date:
1967-1968
1967-1968
People:
Form:
exhibitions
exhibitions
Description:
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Location:
Hall cases
Hall cases
Date:
25 January 1995 to 4 June 1995
25 January 1995 to 4 June 1995
Title:
Photography and French Architectural Practice, 1839-1870
Actions:
Description:
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Photography and French Architectural Practice, 1839-1870
Actions:
Description:
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Form:
exhibitions
exhibitions
Date:
25 January 1995 to
4 June 1995
25 January 1995 to
4 June 1995
Location:
Hall cases
Hall cases
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
People:
Date:
October 1996
October 1996
Title:
Sketchbook 424: Moveis Expo - Serralves - Casas Evora - Casa Viseu - Salonica
Actions:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
Sketchbook 424: Moveis Expo - Serralves - Casas Evora - Casa Viseu - Salonica
Actions:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
Form:
drawings
drawings
Date:
October 1996
October 1996
People:
