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$46.50
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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of(...)
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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of(...)
Title:
Encounters in the Virtual Feminist Museum : time, space and the archive
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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
Encounters in the Virtual Feminist Museum : time, space and the archive
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$46.50
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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
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books
books
Publication:
January 2008, London, New York
January 2008, London, New York
Subject:
Museology
Museology
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journals and magazines
journals and magazines
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Publication:
Boulder, Colo. : Women Studies Program, University of Colorado, 1975-
Boulder, Colo. : Women Studies Program, University of Colorado, 1975-
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journals and magazines
journals and magazines
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Boulder, Colo. : Women Studies Program, University of Colorado, 1975-
Boulder, Colo. : Women Studies Program, University of Colorado, 1975-
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books
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160 pages : illustraitons ; 18 cm
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160 pages : illustraitons ; 18 cm
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Eindhoven, Netherlands : Onomatopee 2022.
Eindhoven, Netherlands : Onomatopee 2022.
Title:
Liminal places. Seven spatial stories to return home. Chiara Dorbolò.
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160 pages : illustraitons ; 18 cm
Liminal places. Seven spatial stories to return home. Chiara Dorbolò.
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160 pages : illustraitons ; 18 cm
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books
books
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Eindhoven, Netherlands : Onomatopee 2022.
Eindhoven, Netherlands : Onomatopee 2022.
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books
books
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Ingredients for revolution: A history of American feminist restaurants, cafés and coffeehouses
Ingredients for revolution: A history of American feminist restaurants, cafés and coffeehouses
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$34.95
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Coinciding with the fiftieth anniversary of the trailblazing restaurant Mother Courage of New York City, "Ingredients for revolution" is the first history of the more than 230 feminist and lesbian-feminist restaurants, cafes, and coffeehouses that existed in the United States from 1972 to the present. As key sites of cultural and political significance, this volume shows(...)
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Coinciding with the fiftieth anniversary of the trailblazing restaurant Mother Courage of New York City, "Ingredients for revolution" is the first history of the more than 230 feminist and lesbian-feminist restaurants, cafes, and coffeehouses that existed in the United States from 1972 to the present. As key sites of cultural and political significance, this volume shows(...)
Title:
Ingredients for revolution: A history of American feminist restaurants, cafés and coffeehouses
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$34.95
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Coinciding with the fiftieth anniversary of the trailblazing restaurant Mother Courage of New York City, "Ingredients for revolution" is the first history of the more than 230 feminist and lesbian-feminist restaurants, cafes, and coffeehouses that existed in the United States from 1972 to the present. As key sites of cultural and political significance, this volume shows the essential role these institutions served for multiple social justice movements including women’s liberation, LGBTQ equality, and food justice, as well as for training women workers and entrepreneurs. This systematic study outlines the crucial steps it took to establish these businesses during eras when sexism was so institutionalized it was difficult for unmarried women to obtain a bank loan, while also showing the continuities and influences of past businesses on contemporary places. Through an examination of important establishments across America, Alex Ketchum first examines the foundational principles behind these businesses, noting key differences between cooperative, for-profit, and non-profit models. She then looks to issues of financing, labour, pay, food sourcing, and cultural programming to understand how these organizations reconciled feminist beliefs with capitalism and how they strove for more equitable and sustainable business practices. Brimming with illuminating archival research, interviews with influential restaurateurs, and illustrated with photographs, menus, posters, and calendars, "Ingredients for revolution" is a fundamental work of women’s history, food history, and cultural history.
Ingredients for revolution: A history of American feminist restaurants, cafés and coffeehouses
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$34.95
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Coinciding with the fiftieth anniversary of the trailblazing restaurant Mother Courage of New York City, "Ingredients for revolution" is the first history of the more than 230 feminist and lesbian-feminist restaurants, cafes, and coffeehouses that existed in the United States from 1972 to the present. As key sites of cultural and political significance, this volume shows the essential role these institutions served for multiple social justice movements including women’s liberation, LGBTQ equality, and food justice, as well as for training women workers and entrepreneurs. This systematic study outlines the crucial steps it took to establish these businesses during eras when sexism was so institutionalized it was difficult for unmarried women to obtain a bank loan, while also showing the continuities and influences of past businesses on contemporary places. Through an examination of important establishments across America, Alex Ketchum first examines the foundational principles behind these businesses, noting key differences between cooperative, for-profit, and non-profit models. She then looks to issues of financing, labour, pay, food sourcing, and cultural programming to understand how these organizations reconciled feminist beliefs with capitalism and how they strove for more equitable and sustainable business practices. Brimming with illuminating archival research, interviews with influential restaurateurs, and illustrated with photographs, menus, posters, and calendars, "Ingredients for revolution" is a fundamental work of women’s history, food history, and cultural history.
Form:
books
books
Publication:
November 2022
November 2022
Subject:
Social
Social
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books
books
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Description:
xiv, 272 pages : illustrations ; 26 cm
Description:
xiv, 272 pages : illustrations ; 26 cm
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Publication:
New York : Routledge, 2013.
New York : Routledge, 2013.
Title:
Gender studies in architecture : space, power and difference / Dörte Kuhlmann.
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xiv, 272 pages : illustrations ; 26 cm
Gender studies in architecture : space, power and difference / Dörte Kuhlmann.
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xiv, 272 pages : illustrations ; 26 cm
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books
books
Publication:
New York : Routledge, 2013.
New York : Routledge, 2013.
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books
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$67.95
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Quoi de plus iconoclaste qu’un herbier composé entre quatre murs, sans l’étendue de la nature? Comme une contradiction dans les termes. « L’herbier de prison » de Rosa Luxemburg est une archive sans équivalent. Troublante et attachante, sa fragilité et son histoire en font un témoignage de résistance et d’évasion, une fabrique de formes et de joie, un document sur le(...)
$67.95
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Quoi de plus iconoclaste qu’un herbier composé entre quatre murs, sans l’étendue de la nature? Comme une contradiction dans les termes. « L’herbier de prison » de Rosa Luxemburg est une archive sans équivalent. Troublante et attachante, sa fragilité et son histoire en font un témoignage de résistance et d’évasion, une fabrique de formes et de joie, un document sur le(...)
Title:
Herbier de prison : 1915-1918
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Quoi de plus iconoclaste qu’un herbier composé entre quatre murs, sans l’étendue de la nature? Comme une contradiction dans les termes. « L’herbier de prison » de Rosa Luxemburg est une archive sans équivalent. Troublante et attachante, sa fragilité et son histoire en font un témoignage de résistance et d’évasion, une fabrique de formes et de joie, un document sur le sentiment politique de la nature, fondement de toute écologie. Composé de sept cahiers datés d’avril 1915 à octobre 1918, l’herbier a pu être réalisé par la révolutionnaire emprisonnée grâce à l’amitié sans faille de quelques femmes, ses amies intimes dont la féministe Clara Zetkin. Au-delà des quelques fleurs et mauvaises herbes de la cour de la prison que Rosa glane lorsqu’elle sort sous surveillance, ce sont ses proches qui lui envoyèrent par lettres des spécimens séchés ou des bouquets fleurs fraîches qu’elle-même pressait. Aux planches de l’herbier répondent ainsi tout une correspondance où il est question de botanique, de nature, de romantisme allemand, d’amour de toutes créatures, et cela, « en dépit de l’humanité ». Rosa Luxemburg ne cesse d’encourager ses proches à garder leur joie de vivre et leur gaieté alors que les nuages qu’elle entraperçoit par une fenêtre à barreaux se chargent des couleurs de la guerre et de l’acier.
Herbier de prison : 1915-1918
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Quoi de plus iconoclaste qu’un herbier composé entre quatre murs, sans l’étendue de la nature? Comme une contradiction dans les termes. « L’herbier de prison » de Rosa Luxemburg est une archive sans équivalent. Troublante et attachante, sa fragilité et son histoire en font un témoignage de résistance et d’évasion, une fabrique de formes et de joie, un document sur le sentiment politique de la nature, fondement de toute écologie. Composé de sept cahiers datés d’avril 1915 à octobre 1918, l’herbier a pu être réalisé par la révolutionnaire emprisonnée grâce à l’amitié sans faille de quelques femmes, ses amies intimes dont la féministe Clara Zetkin. Au-delà des quelques fleurs et mauvaises herbes de la cour de la prison que Rosa glane lorsqu’elle sort sous surveillance, ce sont ses proches qui lui envoyèrent par lettres des spécimens séchés ou des bouquets fleurs fraîches qu’elle-même pressait. Aux planches de l’herbier répondent ainsi tout une correspondance où il est question de botanique, de nature, de romantisme allemand, d’amour de toutes créatures, et cela, « en dépit de l’humanité ». Rosa Luxemburg ne cesse d’encourager ses proches à garder leur joie de vivre et leur gaieté alors que les nuages qu’elle entraperçoit par une fenêtre à barreaux se chargent des couleurs de la guerre et de l’acier.
Form:
books
books
Publication:
June 2025
June 2025
Subject:
Current Exhibitions
Current Exhibitions
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books
books
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Description:
xxiv, 422 p. : ill. ; 23 cm.
Description:
xxiv, 422 p. : ill. ; 23 cm.
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Subject:
Publication:
Toronto : University of Toronto Press, c2012.
Toronto : University of Toronto Press, c2012.
Title:
The domestic space reader / edited by Chiara Briganti and Kathy Mezei.
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xxiv, 422 p. : ill. ; 23 cm.
The domestic space reader / edited by Chiara Briganti and Kathy Mezei.
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xxiv, 422 p. : ill. ; 23 cm.
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books
books
Publication:
Toronto : University of Toronto Press, c2012.
Toronto : University of Toronto Press, c2012.
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books
books
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$34.00
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This publication invites the reader to learn about and from Maternal Fantasies ´ feminist research and collective artistic practice on motherhood(s), care work and representation in the arts. Composed of seven interdisciplinary artists / mothers and ten children, Maternal Fantasies takes the social invisibility of the maternal experience as a point of departure to produce(...)
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This publication invites the reader to learn about and from Maternal Fantasies ´ feminist research and collective artistic practice on motherhood(s), care work and representation in the arts. Composed of seven interdisciplinary artists / mothers and ten children, Maternal Fantasies takes the social invisibility of the maternal experience as a point of departure to produce(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
November 2021
November 2021
Title:
Re-assembling motherhood(s): On radical care and collective art as feminist practices
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This publication invites the reader to learn about and from Maternal Fantasies ´ feminist research and collective artistic practice on motherhood(s), care work and representation in the arts. Composed of seven interdisciplinary artists / mothers and ten children, Maternal Fantasies takes the social invisibility of the maternal experience as a point of departure to produce films, images, and performances of fantastical visibility. Through personal writing exercises and collective performance scores, they align themselves with ancestral figures of feminist discourses and artmaking, in order to establish new vocabularies and narratives around the maternal for future generations. As both a handbook and an archive of feminist artmaking, this publication (re-)assembles maternal experiences, reflective essays, autobiographical writing, instructional scores, selected artworks, and a manifesto for a caring economy.
Re-assembling motherhood(s): On radical care and collective art as feminist practices
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$34.00
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This publication invites the reader to learn about and from Maternal Fantasies ´ feminist research and collective artistic practice on motherhood(s), care work and representation in the arts. Composed of seven interdisciplinary artists / mothers and ten children, Maternal Fantasies takes the social invisibility of the maternal experience as a point of departure to produce films, images, and performances of fantastical visibility. Through personal writing exercises and collective performance scores, they align themselves with ancestral figures of feminist discourses and artmaking, in order to establish new vocabularies and narratives around the maternal for future generations. As both a handbook and an archive of feminist artmaking, this publication (re-)assembles maternal experiences, reflective essays, autobiographical writing, instructional scores, selected artworks, and a manifesto for a caring economy.
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books
books
Publication:
November 2021
November 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Description:
381 pages : illustrations (some colour) ; 24 cm
Description:
381 pages : illustrations (some colour) ; 24 cm
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Publication:
Berlin ; Boston : De Gruyter, [2023], ©2023
Berlin ; Boston : De Gruyter, [2023], ©2023
Title:
An anarchitectural body of work : Suzanne Harris and the downtown New York artists' community in the 1970s / Friederike Schäfer.
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381 pages : illustrations (some colour) ; 24 cm
An anarchitectural body of work : Suzanne Harris and the downtown New York artists' community in the 1970s / Friederike Schäfer.
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381 pages : illustrations (some colour) ; 24 cm
Form:
books
books
Publication:
Berlin ; Boston : De Gruyter, [2023], ©2023
Berlin ; Boston : De Gruyter, [2023], ©2023
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books
books
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Description:
xiii, 89 pages : illustrations ; 18 cm
Description:
xiii, 89 pages : illustrations ; 18 cm
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Subject:
Publication:
Minneapolis : University of Minnesota Press, 2017.
Minneapolis : University of Minnesota Press, 2017.
Title:
Callous objects : designs against the homeless / Robert Rosenberger.
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xiii, 89 pages : illustrations ; 18 cm
Callous objects : designs against the homeless / Robert Rosenberger.
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xiii, 89 pages : illustrations ; 18 cm
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books
books
Publication:
Minneapolis : University of Minnesota Press, 2017.
Minneapolis : University of Minnesota Press, 2017.
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