Analogous Jerusalem
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Jerusalem is not merely a city; it is an idea. For millennia, it has drawn visitors of all faiths and social classes, each seeking to engage with its sanctity. This enduring allure has sparked repeated cycles of violent struggle for control, often prompting the symbolic relocation of Jerusalem to places far beyond its physical borders. Analogous Jerusalem is the result of(...)
Analogous Jerusalem
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Jerusalem is not merely a city; it is an idea. For millennia, it has drawn visitors of all faiths and social classes, each seeking to engage with its sanctity. This enduring allure has sparked repeated cycles of violent struggle for control, often prompting the symbolic relocation of Jerusalem to places far beyond its physical borders. Analogous Jerusalem is the result of a five-year photographic journey exploring these 'analogous' shrines across diverse landscapes. It traces a continuous topography of pilgrimage, where the sacred and the profane intersect in unexpected ways. A three-part essay accompanies the images, examining the transposition of Jerusalem’s holy sites to Europe, the virtual pilgrimage rituals practised by medieval nuns, and the history of photographic journeys. Together, the photographs and texts form a travelogue through places that may, paradoxically, feel more 'real' than Jerusalem itself.
Photography monographs
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During a three-month residency in Sharjah, United Arab Emirates, Japanese-born, London-based artist and filmmaker Naoko Takahashi confronted the issues of dislocation, mistranslation and gender politics in the Arab world. In this chapbook, written in the style of a factual report, she takes the reader on a breathless journey through the air-conditioned rooms and arid(...)
Not so too much of everything
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During a three-month residency in Sharjah, United Arab Emirates, Japanese-born, London-based artist and filmmaker Naoko Takahashi confronted the issues of dislocation, mistranslation and gender politics in the Arab world. In this chapbook, written in the style of a factual report, she takes the reader on a breathless journey through the air-conditioned rooms and arid streets of the modern Arab metropolis, where she feels that every move she makes is misread and that her identity is repeatedly forced upon her and manipulated in ways she cannot control. Takahashi’s work highlights the ambiguities and confusions of identities as played out through language in a multi-cultural, multi-lingual society. Moving from confusion and isolation to anger in the course of the book, she casts her experiences as a modern allegory of alienation. Part of Book Works Chapbook Series.
Architectural Theory
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Parklife is an independent publication edited by Continente Editions about outdoor space, curated by Paola Ristoldo and Alessandro Furchino Capria. The magazine addresses stories of ordinary and uncommon places by developing visual and literary narratives. Driven by a primordial need to create, occupy and control a territory, human being becomes inhabitant of a place(...)
Parklife, issue 1: a refuge from the urban sprawl
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Parklife is an independent publication edited by Continente Editions about outdoor space, curated by Paola Ristoldo and Alessandro Furchino Capria. The magazine addresses stories of ordinary and uncommon places by developing visual and literary narratives. Driven by a primordial need to create, occupy and control a territory, human being becomes inhabitant of a place defined and circumscribed by and for himself. Why does humanity feel the need to design these spaces? How are they experienced? Through an authorial approach and with unpublished projects, thirteen artists and a confrontation between an architect and a designer explore the concept of the park understood as a place of daily life. All these visions make it possible to conceive green space and its inhabitants as an essential and united part of the city context. Parklife is a refuge from the urban sprawl.
Magazines
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Thios publication explores how Bostonians channeled country lakes through miles of pipeline to provide clean water; dredged the ocean to deepen the harbor; filled tidal flats and covered the peninsula with houses, shops, and factories; and created a metropolitan system of parks and greenways, facilitating the conversion of fields into suburbs. It shows how, in Boston,(...)
Eden on the Charles:The making of Boston
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Thios publication explores how Bostonians channeled country lakes through miles of pipeline to provide clean water; dredged the ocean to deepen the harbor; filled tidal flats and covered the peninsula with houses, shops, and factories; and created a metropolitan system of parks and greenways, facilitating the conversion of fields into suburbs. It shows how, in Boston, different class and ethnic groups brought rival ideas of nature and competing visions of a “city upon a hill” to the process of urbanization—and were forced to conform their goals to the realities of Boston’s distinctive natural setting. The outcomes of their battles for control over the city’s development were ultimately recorded in the very fabric of Boston itself. In Boston’s history, we find the seeds of the environmental relationships that—for better or worse—have defined urban America to this day.
History until 1900, North America
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This publication contests the tendency, still dominant in most social science, to reduce human geography to a reflective mirror, or, as Marx called it, an "unnecessary complication." Beginning with a critique of historicism and its constraining effects on the geographical imagination, Edward Soja builds on the work of Foucault, Berger, Giddens, Berman, Jameson and, above(...)
Postmodern geographies: the reassertion of space in critical social theory
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This publication contests the tendency, still dominant in most social science, to reduce human geography to a reflective mirror, or, as Marx called it, an "unnecessary complication." Beginning with a critique of historicism and its constraining effects on the geographical imagination, Edward Soja builds on the work of Foucault, Berger, Giddens, Berman, Jameson and, above all, Henri Lefebvre, to argue for a historical and geographical materialism, a radical rethinking of the dialectics of space, time and social being. The author charts the respatialization of social theory from the still unfolding encounter between Western Marxism and modern geography, through the current debates on the emergence of a postfordist regime of "flexible accumulation." The postmodern geography of Los Angeles, exposed in a provocative pair of essays, serves as a model in his account of the contemporary struggle for control over the social production of space.
Critical Theory
Nonhuman photography
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Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those(...)
Nonhuman photography
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Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element—that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force.
Theory of Photography
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Byung-Chul Han’s critique of the infosphere highlights the price we are paying for our growing preoccupation with information and communication. Today we search for more information without gaining any real knowledge. We communicate constantly without participating in a community. We save masses of data without keeping track of our memories. We accumulate friends and(...)
Non-things: Upheaval in the lifeworld
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Byung-Chul Han’s critique of the infosphere highlights the price we are paying for our growing preoccupation with information and communication. Today we search for more information without gaining any real knowledge. We communicate constantly without participating in a community. We save masses of data without keeping track of our memories. We accumulate friends and followers without encountering other people. This is how information develops a form of life that has no stability or duration. And as we become increasingly absorbed in the infosphere, we lose touch with the magic of things which provide a stable environment for dwelling and give continuity to human life. The infosphere may seem to grant us new freedoms but it creates new forms of control too, and it cuts us off from the kind of freedom that is tied to acting in the world.
Critical Theory
White Review #20
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"The White Review #20" features interviews with the Canadian poet, artist and bookmaker Anne Carson, the French philosopher Jean-Luc Nancy, and artist Mounira Al Solh. Through the testimony of an ex-inmate, Felix Bazalgette considers state systems of control, dehumanisation, and imprisonment without trial, while J. S. Tennant describes life in Havana as Cuba adjusts to(...)
White Review #20
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"The White Review #20" features interviews with the Canadian poet, artist and bookmaker Anne Carson, the French philosopher Jean-Luc Nancy, and artist Mounira Al Solh. Through the testimony of an ex-inmate, Felix Bazalgette considers state systems of control, dehumanisation, and imprisonment without trial, while J. S. Tennant describes life in Havana as Cuba adjusts to the normalisation of relations with the United States, the death of Fidel Castro and the influx of foreign investment. Tom McCarthy’s essay ‘The Wandering Bourgeois’ drifts through the history of twentieth-century art to consider how vanguard strategies of recording, mapping and marking are now embedded in digital culture. Alongside these essays, we are pleased to present poems by Nisha Ramayya and Heather Phillipson, who also contributes an exclusive new limited edition artwork. We also feature series of artworks by Nicolas Party and John Divola.
Magazines
On freedom
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In this book, New York Times bestselling author Cass Sunstein asks us to rethink freedom. He shows that freedom of choice isn't nearly enough. To be free, we must also be able to navigate life. People often need something like a GPS device to help them get where they want to go- whether the issue involves health, money, jobs, children, or relationships. In both rich and(...)
On freedom
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In this book, New York Times bestselling author Cass Sunstein asks us to rethink freedom. He shows that freedom of choice isn't nearly enough. To be free, we must also be able to navigate life. People often need something like a GPS device to help them get where they want to go- whether the issue involves health, money, jobs, children, or relationships. In both rich and poor countries, citizens often have no idea how to get to their desired destination. That is why they are unfree. People also face serious problems of self-control, as many of them make decisions today that can make their lives worse tomorrow. And in some cases, we would be just as happy with other choices, whether a different partner, career, or place to live- which raises the difficult question of which outcome best promotes our well-being.
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We live an age of nostalgia, incarnated by populist fantasies of "taking back control" and making nations "great again". In the long aftermath of the 2007-08 economic crisis, nostalgia has been established as the cultural zeitgeist of Western society. Populist fantasies of nostalgia represent a cry for help against the demise of the societal model of the postwar era,(...)
Zeitgeist nostalgia: On populism, work and the 'Good Life'
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We live an age of nostalgia, incarnated by populist fantasies of "taking back control" and making nations "great again". In the long aftermath of the 2007-08 economic crisis, nostalgia has been established as the cultural zeitgeist of Western society. Populist fantasies of nostalgia represent a cry for help against the demise of the societal model of the postwar era, based on stable employment and mass consumption. The promise of an impossible return to the "good life" of the 20th century, Gandini contends, particularly appeals to the older generations, who are incapable of making sense of the evolution of Western societies after decades of globalization and neoliberal policies. The younger generations, in the meantime, are instead trying to build a new "good life" based on another form of return, this time to old practices of craft production and consumption.
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