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Siri Hustvedt concentrates her narrative gifts on the works of such masters as Francisco de Goya, Jan Vermeer, Jean-Baptiste-Siméon Chardin, Gerhard Richter, and Joan Mitchell. She is concerned with the very act of looking and the limitless rewards to be gleaned from sustained, careful attention. Unlike film and books, which progress over time, "Painting is there all(...)
Mysteries of the rectangle : essays on painting
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Siri Hustvedt concentrates her narrative gifts on the works of such masters as Francisco de Goya, Jan Vermeer, Jean-Baptiste-Siméon Chardin, Gerhard Richter, and Joan Mitchell. She is concerned with the very act of looking and the limitless rewards to be gleaned from sustained, careful attention. Unlike film and books, which progress over time, "Painting is there all at once," she writes, it is only with patience and repeated viewings that elusive meanings present themselves. Through her own personal experiences, Hustvedt is able to reveal things until now hidden in plain sight: an egg-like detail in Vermeer's Woman with a Pearl Necklace and the many hidden self-portraits in Goya's series of drawings, Los Caprichos, as well as in his infamous painting The Third of May. Most importantly, these essays exhibit the passion, thrill, and sheer pleasure of bewilderment a work of art can produce - if you simply take the time to look.
Architectural Theory
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The second installment in the Dongola Architecture Series, dedicated to the great voices of contemporary architecture in the Arab culture, delves into the life and work of the distinguished Syrian architect and architecture historian Nasser Rabbat. This publication underscores the profound connection between Rabbat's upbringing in Syria during a period of significant(...)
Nasser Rabbat: Critical encounters. Dongola Architecture Series DAS 02
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The second installment in the Dongola Architecture Series, dedicated to the great voices of contemporary architecture in the Arab culture, delves into the life and work of the distinguished Syrian architect and architecture historian Nasser Rabbat. This publication underscores the profound connection between Rabbat's upbringing in Syria during a period of significant political transformation and his development as a critical thinker and storyteller. His journey from a reluctant choice to study architecture to becoming a prominent figure as the Director of the Aga Khan Program for Islamic Architecture at MIT illustrates his unceasing commitment to expanding the horizons of historiography, particularly within the realm of non-Western voices. "Nasser Rabbat : Critical encounters" seeks to deepen our understanding of the urgency of history to enable the possibilities of questioning and reimagining dominant powers. Professor Rabbat's work presents a compelling account within the broader context of Arab thinkers actively reshaping their region's narrative and pushing for a more inclusive and diverse historical perspective.
Architecture Monographs
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As a part of his research series on the historical practices of communitarian utopias in different countries, Ou Ning's new book, ''The Agritopianists'', focuses on the labor experiments of intellectual groups in 20th-century Japan’s rural areas. From the collective Atarashiki-mura (New Village) Movement initiated by Mushakoji Saneatsu, through many other individual(...)
The agritopianists: Thinking and Practice in Rural Japan
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As a part of his research series on the historical practices of communitarian utopias in different countries, Ou Ning's new book, ''The Agritopianists'', focuses on the labor experiments of intellectual groups in 20th-century Japan’s rural areas. From the collective Atarashiki-mura (New Village) Movement initiated by Mushakoji Saneatsu, through many other individual semiagricultural life practices of Japanese writers and artists, the book traces the emergence of a shared agricultural fundamentalism that informed and evolved into the active political interventions of later years. Ou Ning combines original field investigation with a close reading of the historical archives to construct a narrative spanning period and geographies that is always attentive to specific detail. ''The Agritopianists'' takes the reader to the historical scene and asks them to consider its relevance to today’s urgent questions of ways of living and planetary thinking. Among the many histories of utopian thought and experiments, this is a unique rethinking of environmental possibilities through geographical and cultural differences.
Rurality
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The art in the Detroit People Mover stations is a world-class collection with a uniquely Detroit sensibility. When the People Mover, Detroit's elevated transit system, was being planned, the stations were designed simply to serve as basic points of entry and departure, but in 1984 Irene Walt and the Downtown Detroit People Mover Art Commission, a volunteer committee also(...)
Art in the stations : the Detroit People Mover
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The art in the Detroit People Mover stations is a world-class collection with a uniquely Detroit sensibility. When the People Mover, Detroit's elevated transit system, was being planned, the stations were designed simply to serve as basic points of entry and departure, but in 1984 Irene Walt and the Downtown Detroit People Mover Art Commission, a volunteer committee also known as Art in the Stations, undertook the task of incorporating major works by contemporary American artists into the thirteen People Mover stations. As a result Detroit now has one of the most impressive collections of public art in the country. With lush photographs by Balthazar Korab and accompanying narrative, Art in the Stations examines each of the gorgeous works that grace the People Mover stations. A stunning guide through the city's People Mover art installations, Art in the Stations documents Detroit's rich culture and testifies to the perseverance and hard work that made the display of this art possible.
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August 2004, Detroit
Contemporary Art Monographs
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Woodcutter, painter, cosmopolitan and anti-militarist, Belgium-born Masereel (1889-1972) was an extremely popular artist in 1920s Germany. A contemporary of Kathe Kollwitz and George Grosz, his "novels-without-words"--completely composed of woodcuts--have been neglected in the States. Here, 165 striking woodcuts generate the visual narrative of a young man's initiation(...)
Passionate journey: A vision in woodcut
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Woodcutter, painter, cosmopolitan and anti-militarist, Belgium-born Masereel (1889-1972) was an extremely popular artist in 1920s Germany. A contemporary of Kathe Kollwitz and George Grosz, his "novels-without-words"--completely composed of woodcuts--have been neglected in the States. Here, 165 striking woodcuts generate the visual narrative of a young man's initiation into the urban milieu. The raw power and diversity of the city's day to day events continually expand his understanding of life's possibilities. The hero's fascination with the city's abundance of art and culture, political debate and industrial glory combine with observations on an equal profusion of poignant social trauma. The protagonist travels to distant lands; this journey of vibrant percipience propels him toward an enlarged comprehension of his role in a world of good and evil, love and tenderness and clashing social interests. Mann's effusive introduction discusses Masereel's life and influences and details the ideas that motivated and enliven this vivid work.
Illustration
Work: the last 1000 years
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Say the word "work," and most people think of some form of gainful employment. Yet this limited definition has never corresponded to the historical experience of most people—whether in colonies, developing countries, or the industrialized world. That gap between common assumptions and reality grows even more pronounced in the case of women and other groups excluded from(...)
Work: the last 1000 years
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Say the word "work," and most people think of some form of gainful employment. Yet this limited definition has never corresponded to the historical experience of most people—whether in colonies, developing countries, or the industrialized world. That gap between common assumptions and reality grows even more pronounced in the case of women and other groups excluded from the labour market. In this important intervention, Andrea Komlosy demonstrates that popular understandings of work have varied radically in different ages and countries. Looking at labour history around the globe from the 13th to the 21st centuries, Komlosy sheds light on both discursive concepts as well as the concrete coexistence of multiple forms of labour—paid and unpaid, free and unfree. Komlosy’s narrative adopts a distinctly global and feminist approach, revealing the hidden forms of unpaid and hyper-exploited labour which often go ignored, yet are key to the functioning of the capitalist world-system.
Critical Theory
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"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies(...)
Chandigarh rethink: transforming ruralities & edeg(ness) in global urbanities
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"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies via provocative design studio design work. These introspections are framed within themed contributions from a globally recognized group of scholars who represent the diverse disciplines of architecture, planning, urban design, landscape ecologies and the humanities. As a topical publication on global urbanities transforming a 'signature' urban project, "Chandigarh rethink" anticipates the Buildings-Landscapes-Cultures (blc) program and SARUP's efforts to uniquely aligning urban research, pedagogy and critical design practice towards examining global urbanities that continue to defy normative urban analysis. Beyond serving as an exemplar for globally aware architectural schools nationwide and beyond, it is also directed to serve as an instructive primer for design students and instructors examining global urban sites.
Arch Middle East
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"Food and architecture! is the first book to explore the relationship between these two fields of study and practice. Bringing together leading voices from both food studies and architecture, it provides a ground-breaking, cross-disciplinary analysis of two disciplines which both rely on a combination of creativity, intuition, taste, and science but have rarely been(...)
Food and architecture: at the table
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"Food and architecture! is the first book to explore the relationship between these two fields of study and practice. Bringing together leading voices from both food studies and architecture, it provides a ground-breaking, cross-disciplinary analysis of two disciplines which both rely on a combination of creativity, intuition, taste, and science but have rarely been engaged in direct dialogue. Each of the four sections – Regionalism, Sustainability, Craft, and Authenticity – focuses on a core area of overlap between food and architecture. Structured around a series of 'conversations' between chefs, culinary historians and architects, each theme is explored through a variety of case studies, ranging from pig slaughtering and farmhouses in Greece to authenticity and heritage in American cuisine. Drawing on a range of approaches from both disciplines, methodologies include practice-based research, literary analysis, memoir, and narrative. The end of each section features a commentary by Samantha Martin-McAuliffe which emphasizes key themes and connections.
Food
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"In From Yard to Garden, Christopher Grampp has produced a work of major importance and significant originality. This book will change the way Americans see and understand their homes, yards, and gardens. Grampp provides the first full-length and thoroughly documented history of the American back yard. He takes courageous, new positions that are sure to prompt thinking(...)
From yard to garden: the domestication of America's home grounds (Center for American Places - Center Books on American Places)
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"In From Yard to Garden, Christopher Grampp has produced a work of major importance and significant originality. This book will change the way Americans see and understand their homes, yards, and gardens. Grampp provides the first full-length and thoroughly documented history of the American back yard. He takes courageous, new positions that are sure to prompt thinking for all his readers and to suggest further research by his academic readers. The illustrations and captions are absolutely excellent. "Grampp's writing style is direct, clear, personal, and always approachable. He provides enough detail-and so much original new information-that the specialist, academic reader will be intrigued and satisfied; yet the narrative moves forward quickly enough to engage even the general reader who may be entirely new to the subject. Grampp's writing also sparkles with real humor."-Paul Groth, University of California at Berkeley, and author of Living Downtown: The History of Residential Hotels in the United States (Paul Groth 20070901)
Landscape Theory
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in(...)
Our happy life: architecture and well-being in the age of emotional capitalism
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in these surveys- including perceptions on questions such as loneliness, friendship and intimate fears- feed an expanding political agenda of happiness and a new form of market whose most decisive asset is "affect." 'Our Happy Life' investigates the architectural implications of this trend by dissecting and questioning the political, economic, and emotional conditions that generate space today. Organized as a visual narrative with critical readings by Will Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson, and Mirko Zardini, this book reveals architecture, city, and landscape as contested surfaces, caught between the intagible guidelines of happiness indexes, the new marketplace of emotions, and the relentless ideology of positivity.
CCA Publications