21282 Results
Form:
textual records
textual records
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Reference number:
DR2012:0012:087:009
Description:
File containing two printed excerpts from Urban design since 1945, by David Grahame Shane; includes references to the CCA garden.
DR2012:0012:087:009
Description:
File containing two printed excerpts from Urban design since 1945, by David Grahame Shane; includes references to the CCA garden.
People:
Date:
2011
2011
Title:
Excerpts from publications related to Melvin Charney and his projects
Actions:
DR2012:0012:087:009
Description:
File containing two printed excerpts from Urban design since 1945, by David Grahame Shane; includes references to the CCA garden.
Excerpts from publications related to Melvin Charney and his projects
Actions:
DR2012:0012:087:009
Description:
File containing two printed excerpts from Urban design since 1945, by David Grahame Shane; includes references to the CCA garden.
Form:
textual records
textual records
Date:
2011
2011
People:
Form:
photographs
photographs
Actions:
Reference number:
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
People:
Date:
1976
1976
Title:
Views of design development and publication drawings
Actions:
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
Views of design development and publication drawings
Actions:
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
Form:
photographs
photographs
Date:
1976
1976
People:
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1995.013
Description:
This sketchbook contains sketches and notes for the set for ballet of the Calouste Gulbenkian Museum in Lisbon, Portugal, and the urban plan for Lagoinha in Belo Horizonte, Brazil.
AP178.S2.1995.013
Description:
This sketchbook contains sketches and notes for the set for ballet of the Calouste Gulbenkian Museum in Lisbon, Portugal, and the urban plan for Lagoinha in Belo Horizonte, Brazil.
People:
Date:
November 1995
November 1995
Title:
Sketchbook 408: Balet - Famalição - Belo Horizonte (cor)
Actions:
AP178.S2.1995.013
Description:
This sketchbook contains sketches and notes for the set for ballet of the Calouste Gulbenkian Museum in Lisbon, Portugal, and the urban plan for Lagoinha in Belo Horizonte, Brazil.
Sketchbook 408: Balet - Famalição - Belo Horizonte (cor)
Actions:
AP178.S2.1995.013
Description:
This sketchbook contains sketches and notes for the set for ballet of the Calouste Gulbenkian Museum in Lisbon, Portugal, and the urban plan for Lagoinha in Belo Horizonte, Brazil.
Form:
drawings
drawings
Date:
November 1995
November 1995
People:
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1995.014
Description:
This sketchbook contains sketches and notes for the set for ballet of the Calouste Gulbenkian Museum in Lisbon, Portugal, and the urban plan for Lagoinha in Belo Horizonte, Brazil.
AP178.S2.1995.014
Description:
This sketchbook contains sketches and notes for the set for ballet of the Calouste Gulbenkian Museum in Lisbon, Portugal, and the urban plan for Lagoinha in Belo Horizonte, Brazil.
People:
Date:
November 1995
November 1995
Title:
Sketchbook 409: Belo Horizonte - Ballet
Actions:
AP178.S2.1995.014
Description:
This sketchbook contains sketches and notes for the set for ballet of the Calouste Gulbenkian Museum in Lisbon, Portugal, and the urban plan for Lagoinha in Belo Horizonte, Brazil.
Sketchbook 409: Belo Horizonte - Ballet
Actions:
AP178.S2.1995.014
Description:
This sketchbook contains sketches and notes for the set for ballet of the Calouste Gulbenkian Museum in Lisbon, Portugal, and the urban plan for Lagoinha in Belo Horizonte, Brazil.
Form:
drawings
drawings
Date:
November 1995
November 1995
People:
Form:
drawings
drawings
Actions:
Reference number:
AP178.S1.1988.PR03.015.2
Description:
Original file title: Santiago Levantamentos Casco urban This file also includes plans of the Convento de Santo Domingo de Bonaval.
AP178.S1.1988.PR03.015.2
Description:
Original file title: Santiago Levantamentos Casco urban This file also includes plans of the Convento de Santo Domingo de Bonaval.
People:
Date:
1971-1991
1971-1991
Title:
Project site plans and topographic maps, Centro Galego de Arte Contemporânea, Santiago de Compostela (folder 2 of 3)
Actions:
AP178.S1.1988.PR03.015.2
Description:
Original file title: Santiago Levantamentos Casco urban This file also includes plans of the Convento de Santo Domingo de Bonaval.
Project site plans and topographic maps, Centro Galego de Arte Contemporânea, Santiago de Compostela (folder 2 of 3)
Actions:
AP178.S1.1988.PR03.015.2
Description:
Original file title: Santiago Levantamentos Casco urban This file also includes plans of the Convento de Santo Domingo de Bonaval.
Form:
drawings
drawings
Date:
1971-1991
1971-1991
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH288575
Description:
This sketchbook includes sketches and notes for the Urban plan for Boulevard Brune in Paris, France and the reconstruction of Chiado in Lisbon, Portugal. It also contains portraits and design of furniture.
ARCH288575
Description:
This sketchbook includes sketches and notes for the Urban plan for Boulevard Brune in Paris, France and the reconstruction of Chiado in Lisbon, Portugal. It also contains portraits and design of furniture.
People:
Date:
May 1992
May 1992
Title:
Sketchbook 330: Grandela - Boavista 2 - Puxadores
Actions:
ARCH288575
Description:
This sketchbook includes sketches and notes for the Urban plan for Boulevard Brune in Paris, France and the reconstruction of Chiado in Lisbon, Portugal. It also contains portraits and design of furniture.
Sketchbook 330: Grandela - Boavista 2 - Puxadores
Actions:
ARCH288575
Description:
This sketchbook includes sketches and notes for the Urban plan for Boulevard Brune in Paris, France and the reconstruction of Chiado in Lisbon, Portugal. It also contains portraits and design of furniture.
Form:
drawings
drawings
Date:
May 1992
May 1992
People:
Form:
textual records
textual records
Title:
Manuscrit traitant du nouveau capitole, de l'architecture et de l'urbanisme à Chandigarh, Inde
Manuscrit traitant du nouveau capitole, de l'architecture et de l'urbanisme à Chandigarh, Inde
Actions:
Reference number:
ARCH264558
Description:
Le manuscrit serait probablement composé de notes prises lors d'une réunion à propos du programme pour le nouveau capitole. Il traite aussi de l'urbanisme à Chandigarh et d’un rapport soumis au cabinet. Albert Mayer, le premier urbaniste de Chandigarh, Thapar et Pierre Jeanneret sont mentionnés dans le manuscrit. On présume que "Thapar" est Prem Nath Thapar. Une analyse plus approfondie est nécessaire.
ARCH264558
Description:
Le manuscrit serait probablement composé de notes prises lors d'une réunion à propos du programme pour le nouveau capitole. Il traite aussi de l'urbanisme à Chandigarh et d’un rapport soumis au cabinet. Albert Mayer, le premier urbaniste de Chandigarh, Thapar et Pierre Jeanneret sont mentionnés dans le manuscrit. On présume que "Thapar" est Prem Nath Thapar. Une analyse plus approfondie est nécessaire.
People:
Date:
s.d.
s.d.
Title:
Manuscrit traitant du nouveau capitole, de l'architecture et de l'urbanisme à Chandigarh, Inde
Actions:
ARCH264558
Description:
Le manuscrit serait probablement composé de notes prises lors d'une réunion à propos du programme pour le nouveau capitole. Il traite aussi de l'urbanisme à Chandigarh et d’un rapport soumis au cabinet. Albert Mayer, le premier urbaniste de Chandigarh, Thapar et Pierre Jeanneret sont mentionnés dans le manuscrit. On présume que "Thapar" est Prem Nath Thapar. Une analyse plus approfondie est nécessaire.
Manuscrit traitant du nouveau capitole, de l'architecture et de l'urbanisme à Chandigarh, Inde
Actions:
ARCH264558
Description:
Le manuscrit serait probablement composé de notes prises lors d'une réunion à propos du programme pour le nouveau capitole. Il traite aussi de l'urbanisme à Chandigarh et d’un rapport soumis au cabinet. Albert Mayer, le premier urbaniste de Chandigarh, Thapar et Pierre Jeanneret sont mentionnés dans le manuscrit. On présume que "Thapar" est Prem Nath Thapar. Une analyse plus approfondie est nécessaire.
Form:
textual records
textual records
Date:
s.d.
s.d.
People:
Form:
articles
articles
Actions:
Hilary Sample interviewed by Jack Self on how architects can respond to the changing urban dynamics of retail
Published:
9 January 2023
9 January 2023
Title:
Without even trying, retail is civic and political
Hilary Sample interviewed by Jack Self on how architects can respond to the changing urban dynamics of retail
Actions:
Without even trying, retail is civic and political
Hilary Sample interviewed by Jack Self on how architects can respond to the changing urban dynamics of retail
Actions:
Level of archival description:
Sub-series
Sub-series
Title:
Domestic Commissions
Domestic Commissions
Reference number:
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
People:
Date:
[between 1838 and 1861]
[between 1838 and 1861]
Title:
Domestic Commissions
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Domestic Commissions
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Level of archival description:
File 2
File 2
Date:
[between 1838 and 1861]
[between 1838 and 1861]
People:
Actions:
Reference number:
ARCH252128
Description:
Two lectures delivered by William Turnbull at the IAUS in New York both moderated by Robert A. Stern as part of the "Architecture 5" lectures series under the theme "New Modernism/Post Modernism." The lectures are entitled: "Opportunities for Inhabitation" and "Post Modernism: Towards a Definition."
ARCH252128
Description:
Two lectures delivered by William Turnbull at the IAUS in New York both moderated by Robert A. Stern as part of the "Architecture 5" lectures series under the theme "New Modernism/Post Modernism." The lectures are entitled: "Opportunities for Inhabitation" and "Post Modernism: Towards a Definition."
People:
Date:
1976-10-19, 1976-11-16
1976-10-19, 1976-11-16
Title:
Audio recording of two lectures by William Turnbull for the series Architecture 5 New Modernism/Post Modernism entitled: "Opportunities for Inhabitation" and "Post Modernism: Towards a Definition"
Actions:
ARCH252128
Description:
Two lectures delivered by William Turnbull at the IAUS in New York both moderated by Robert A. Stern as part of the "Architecture 5" lectures series under the theme "New Modernism/Post Modernism." The lectures are entitled: "Opportunities for Inhabitation" and "Post Modernism: Towards a Definition."
Audio recording of two lectures by William Turnbull for the series Architecture 5 New Modernism/Post Modernism entitled: "Opportunities for Inhabitation" and "Post Modernism: Towards a Definition"
Actions:
ARCH252128
Description:
Two lectures delivered by William Turnbull at the IAUS in New York both moderated by Robert A. Stern as part of the "Architecture 5" lectures series under the theme "New Modernism/Post Modernism." The lectures are entitled: "Opportunities for Inhabitation" and "Post Modernism: Towards a Definition."
Date:
1976-10-19, 1976-11-16
1976-10-19, 1976-11-16
People:
