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De quoi dépend l'architecture ? Des gens, de l'époque, de la politique, de l'économie, de l'éthique, du désordre... Bref, du réel dans son imprévisible complexité et son irréductible incertitude. Jeremy Till invite les architectes à prendre davantage en considération ces contingences, qui excèdent leur sphère de contrôle mais finissent toujours par s'imposer à leurs(...)
Ça dépend : essai sur les contigences de l'architecture
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De quoi dépend l'architecture ? Des gens, de l'époque, de la politique, de l'économie, de l'éthique, du désordre... Bref, du réel dans son imprévisible complexité et son irréductible incertitude. Jeremy Till invite les architectes à prendre davantage en considération ces contingences, qui excèdent leur sphère de contrôle mais finissent toujours par s'imposer à leurs oeuvres. Avec rigueur et ironie, l'auteur déconstruit pas à pas l'autonomie que les architectes confèrent à leur discipline et qui les maintient dans une vision pure et idéale des objets qu'ils conçoivent. Les circonstances contrarient pourtant les plans les mieux tracés, à tout moment du processus, de la conception jusqu'à la construction et à l'utilisation d'un bâtiment. Le « Less is more » de Mies fait invariablement place au « Mess is the law » de Till.
Architectural Theory
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Born in 1911, Lautner apprenticed to Frank Lloyd Wright before establishing his own office in Hollywood in 1939. Among his best-known projects are the Malin Residence (Chemosphere), the Reiner Residence (Silvertop), and the Elrod Residence(...)
The architecture of John Lautner
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Born in 1911, Lautner apprenticed to Frank Lloyd Wright before establishing his own office in Hollywood in 1939. Among his best-known projects are the Malin Residence (Chemosphere), the Reiner Residence (Silvertop), and the Elrod Residence in Palm Springs (seen in the James Bond film Diamonds Are Forever). Designed with Lautner before his death in 1994, this oversized monograph includes almost fifty houses, each described in detailed drawings and photographs, as well as an interview in which Lautner discusses the most important influences on his work and his eccentric views on architecture.
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November 1999, New York
Architecture Monographs
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$190.00
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Covered in this generously illustrated vollume are nearly twenty of Taniguchi's buildings and projects, from his earliest, the Shiseido Art Museum, to his most recent, the Museum of Modern Art expansion. Taniguchi has written commentaries on each one, as well as a brief essay discussing his training and development as an architect. A second essay has been provided(...)
The architecture of Yoshio Taniguchi
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Covered in this generously illustrated vollume are nearly twenty of Taniguchi's buildings and projects, from his earliest, the Shiseido Art Museum, to his most recent, the Museum of Modern Art expansion. Taniguchi has written commentaries on each one, as well as a brief essay discussing his training and development as an architect. A second essay has been provided by another of Japan's leading architects, Fumihiko Maki.
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March 1999, New York
Architecture Monographs
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In a series of cogent and balanced arguments, Harries questions the premises on which architects and theorists have long relied--premises which have contributed to architecture's current identity crisis and marginalization. He first criticizes the aesthetic (...)
The ethical function of architecture
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In a series of cogent and balanced arguments, Harries questions the premises on which architects and theorists have long relied--premises which have contributed to architecture's current identity crisis and marginalization. He first criticizes the aesthetic approach, focusing on the problems of decoration and ornament. He then turns to the language of architecture. If the main task of architecture is indeed interpretation, in just what sense can it be said to speak, and what should it be speaking about? Expanding upon suggestions made by Martin Heidegger, Harries also considers the relationship of building to the idea and meaning of dwelling. Architecture, Harries observes, has a responsibility to community; but its ethical function is inevitably also political. He concludes by examining these seemingly paradoxical functions.
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September 1998, Cambridge, Mass.
Architectural Theory
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
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November 1998, Cambridge, Mass.
Architectural Theory
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Peter Collins's classic study surveys two hundred years of architectural theories and ideas. It explains what Revivalism, Rationalism, Eclecticism, and Functionalism meant to those who practised them, examining the influence of the other arts and sciences on architectural theory, and analysing notions that are commonly used in discussions about modern architecture but(...)
Architectural Theory
February 1998, Montréal, Kingston, Ithaca, London
Changing ideals in Modern architecture
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Peter Collins's classic study surveys two hundred years of architectural theories and ideas. It explains what Revivalism, Rationalism, Eclecticism, and Functionalism meant to those who practised them, examining the influence of the other arts and sciences on architectural theory, and analysing notions that are commonly used in discussions about modern architecture but have implications frequently unsuspected or overlooked.
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February 1998, Montréal, Kingston, Ithaca, London
Architectural Theory
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Departing from conventional genres of architectural writing, Roger Connah presents an original and wry reflection on the fickle but exciting role that language, semantics, and philosophy have played this century in relation to architecture. "Welcome to the Hotel (...)
Welcome to the hotel architecture
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Departing from conventional genres of architectural writing, Roger Connah presents an original and wry reflection on the fickle but exciting role that language, semantics, and philosophy have played this century in relation to architecture. "Welcome to the Hotel Architecture" is a five-part "anti-epic" poem on the culture of architecture, its tribes and inventions, the spectacular and vernacular, and the processes through which names and movements are secured, erased, forgotten, and manipulated.
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May 1998
Architectural Theory
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At the center of Mechanics and Meaning in Architecture are case studies of four very different houses: a Finnish log farmhouse from the nineteenth century; Charles Moore's house in Arinda, California; Tadao Anmdo's Wall house in Japan; and Le Corbusier's Villa Savoye near Paris. LaVine highlights how the architects involved have used fundamental architectural(...)
Mechanics and meaning in architecture
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At the center of Mechanics and Meaning in Architecture are case studies of four very different houses: a Finnish log farmhouse from the nineteenth century; Charles Moore's house in Arinda, California; Tadao Anmdo's Wall house in Japan; and Le Corbusier's Villa Savoye near Paris. LaVine highlights how the architects involved have used fundamental architectural technologies-- walls, floors, ceilings, columns, beams, and windows-- in creative ways.
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March 2001, Minneapolis
Architectural Theory
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Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of(...)
Architectural Theory
April 2001, Cambridge, Mass.
The historiography of modern architecture
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Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of buildings to books - has been one of the most important themes in debates about the course of modern architecture. Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our current concerns, so that the "beginning" of the story really functions as a "representation" of its end. In this book the buildings are the quotations, while the texts are the structure. Tournikiotis focuses on a group of books by major historians of the twentieth century: Nikolaus Pevsner, Emil Kaufmann, Sigfried Giedion, Bruno Zevi, Leonardo Benevolo, Henry-Russell Hitchcock, Reyner Banham, Peter Collins, and Manfredo Tafuri. In examining these writers' thoughts, he draws on concepts from critical theory, relating architecture to broader historical models.
Architectural Theory
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Matter and Mind in Architecture was the theme of the 7th Alvar Aalto Symposium and this book brings together essays by the participants. The contributing writers, all important representatives in their respective fields of philosophy, music, literature and architecture (...)
Matter and mind in architecture
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Matter and Mind in Architecture was the theme of the 7th Alvar Aalto Symposium and this book brings together essays by the participants. The contributing writers, all important representatives in their respective fields of philosophy, music, literature and architecture include Kazuyo Sejima, Vittorio Gregotti, Wilfried Wang, Juan Navarro Baldeweg, Karsten Harries, Göran Schildt, Juha Leviskä, and John Patkau.
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January 2001, Helsinki
Architectural Theory