Although it has hosted concerts in the past, the Paul-Desmarais Theatre is better known for holding conferences and film screenings. Concerts traditionally held in the historic Chapelle historique du Bon-Pasteur will temporarily take place at the CCA and music will be reintroduced in the theatre, initiating new perceptions of sound, and of this space. Mindful of the(...)
Paul-Desmarais Theatre Keyword(s):
CCA, Chapelle historique du Bon-Pasteur, concerts, chamber music, classical music, up-and-coming musicians.
31 January 2024 to 17 May 2024
Chapelle historique du Bon-Pasteur Concerts
Actions:
Description:
Although it has hosted concerts in the past, the Paul-Desmarais Theatre is better known for holding conferences and film screenings. Concerts traditionally held in the historic Chapelle historique du Bon-Pasteur will temporarily take place at the CCA and music will be reintroduced in the theatre, initiating new perceptions of sound, and of this space. Mindful of the(...)
Paul-Desmarais Theatre Keyword(s):
CCA, Chapelle historique du Bon-Pasteur, concerts, chamber music, classical music, up-and-coming musicians.
Ephemeral landscapes and pop-up settlements are continually increasing in scale and challenging the concept of the city as a stable and permanent entity. For this lecture Rahul Mehrotra, principal of architecture firm RMA Architects and Chair of Urban Planning and Design at the Harvard Graduate School of Design, presents his research on a pop-up settlement called the(...)
Shaughnessy House
13 February 2013 to 12 February 2013
Rahul Mehrota: The Case of the Kumbh Mela in India
Actions:
Description:
Ephemeral landscapes and pop-up settlements are continually increasing in scale and challenging the concept of the city as a stable and permanent entity. For this lecture Rahul Mehrotra, principal of architecture firm RMA Architects and Chair of Urban Planning and Design at the Harvard Graduate School of Design, presents his research on a pop-up settlement called the(...)
Shaughnessy House
Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Shaughnessy House
19 February 2015 , 6pm
Windows and Screens: Georges Teyssot
Actions:
Description:
Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Shaughnessy House
drawings
ARCH273695
Description:
Détails des lampes, des fauteuils des juges, des bancs des messagers, des bancs du public ainsi que ceux du bureau de l'officier de l'état civil.
circa 1937
Détails des lampes, des fauteuils des juges, des bancs des messagers
Actions:
ARCH273695
Description:
Détails des lampes, des fauteuils des juges, des bancs des messagers, des bancs du public ainsi que ceux du bureau de l'officier de l'état civil.
drawings
circa 1937
textual records
ARCH258819
Description:
Offres de services, incluant des rapports, et une transcription du Comité de Comptes Publics concernant un désaccord sur le coût total du projet et les soumissions.
1949-1958
Offres de service, rapports, et soumissions
Actions:
ARCH258819
Description:
Offres de services, incluant des rapports, et une transcription du Comité de Comptes Publics concernant un désaccord sur le coût total du projet et les soumissions.
textual records
1949-1958
ARCH285412
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
Audio recordings of in ANY event: public fear
Actions:
ARCH285412
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
ARCH286040
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
Copy of audio recording of in ANY event: public fear tape 2, disc 1 of 2
Actions:
ARCH286040
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
ARCH286041
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
Copy of audio recording of in ANY event: public fear tape 2, disc 2 of 2
Actions:
ARCH286041
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York.
1997-01-25
drawings
AP046.S1.1983.PR01.509
Description:
This file contains a hand coloured drawing for the public spaces of the CCA.
1983-1989
Plan for the public spaces, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.509
Description:
This file contains a hand coloured drawing for the public spaces of the CCA.
drawings
1983-1989
Project
Generator
AP144.S2.D100
Description:
File documents Generator, an unexecuted project for the Gilman Paper Company, at the White Oak Plantation, in Yulee, Florida. After an initial investigation Cedric Price proposed a complex that could accommodate company activities, cultural events, and artist residencies and would provide "a menu of items for individual and group demands of space, control, containment and delight. A place to work, create, think, and stare." ('Architectural Review', Jan. 1980, 16). The design called for timber-framed structures with variable infill panels and cladding, along with screens, to be placed on a grid of concrete pads by cranes with the help of computers in response to users' needs. Conceptual, schematic and design development drawings show grid placement, site layout, landscaping, designs for cubes and components, proposed activities, axonometric views, and design notes with sketches. Development sketches, site plans, and charts include site analysis examining future growth, activity charts, shadow study plans, and axonometric details. Drawings of the structures include: plans, elevations, details, and perspective views for cubes, screens, and cladding; shadow studies for cube variations; and axonometric views of cube arrangements. Other drawings include: site plans and sections; landscaping and parking layouts; plans for circulation patterns; drawings for boardwalks; and electrical and drainage plans. Charts study design validity, activities, networks, project feasibility, component life-cycle, and cube and component placement/construction sequencing. Computer generated printouts by John Frazer, et al show perspective views of cubes from various viewpoints. Two sets of annotated reprographic copies show details for a typical cube and the foundation. Presentation and publication materials include: photographs and reprographic copies of design models; coloured reprographic copies of computer parts and facilities; a coloured air-brushed rendering of cubes and screens by "Jeremie '77"; two perspective renderings; and reprographic copies made from published material. Some material in this file was published in 'Building Design', 23 February 1979; 'Building Design', 9 November 1979; 'Architectural Review' (January 1980), 16-17; 'L'Architecture d'Aujourd'hui', December 1980; 'Techniques et Architecture', December 1980; 'Design', January 1981; 'New Scientist', 19 March 1981; 'Schemes: Cedric Price' (ex. cat.; London: Waddington Galleries, 1981); 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 92-97. Material in this file was produced between 1959 and 1995, but predominantly between 1976 and 1980. Main consultants for Generator in the United Kingdom include Felix J. Samuely & Partners, consulting engineers; Baker, Wilkins and Smith, quantity surveyors; John Frazer, computer modelling and systems; Sandy Brown Associates, acoustic consultants. Main consultants in the United States include Marvin Boutwell; Law Engineering Testing Company as consulting engineers; and WTCA; Robertson Ward Jr., as architects. Computer printouts in group DR1995:0280:538-552 in Generator (AP144.S2.D100) are attributed to John and Julia Frazer, Art and Design Research, Ulster Polytechnic and the Department of Architecture, Liverpool Polytechnic. Some material in group DR1995:0280:567-576 is attributed to Felix J. Samuely & Partners. File contains conceptual drawings, design, development drawings, presentation drawings, photographic materials, boxes, an artefact, models, and textual records.
1959-1995, predominant 1976-1980
Generator
Actions:
AP144.S2.D100
Description:
File documents Generator, an unexecuted project for the Gilman Paper Company, at the White Oak Plantation, in Yulee, Florida. After an initial investigation Cedric Price proposed a complex that could accommodate company activities, cultural events, and artist residencies and would provide "a menu of items for individual and group demands of space, control, containment and delight. A place to work, create, think, and stare." ('Architectural Review', Jan. 1980, 16). The design called for timber-framed structures with variable infill panels and cladding, along with screens, to be placed on a grid of concrete pads by cranes with the help of computers in response to users' needs. Conceptual, schematic and design development drawings show grid placement, site layout, landscaping, designs for cubes and components, proposed activities, axonometric views, and design notes with sketches. Development sketches, site plans, and charts include site analysis examining future growth, activity charts, shadow study plans, and axonometric details. Drawings of the structures include: plans, elevations, details, and perspective views for cubes, screens, and cladding; shadow studies for cube variations; and axonometric views of cube arrangements. Other drawings include: site plans and sections; landscaping and parking layouts; plans for circulation patterns; drawings for boardwalks; and electrical and drainage plans. Charts study design validity, activities, networks, project feasibility, component life-cycle, and cube and component placement/construction sequencing. Computer generated printouts by John Frazer, et al show perspective views of cubes from various viewpoints. Two sets of annotated reprographic copies show details for a typical cube and the foundation. Presentation and publication materials include: photographs and reprographic copies of design models; coloured reprographic copies of computer parts and facilities; a coloured air-brushed rendering of cubes and screens by "Jeremie '77"; two perspective renderings; and reprographic copies made from published material. Some material in this file was published in 'Building Design', 23 February 1979; 'Building Design', 9 November 1979; 'Architectural Review' (January 1980), 16-17; 'L'Architecture d'Aujourd'hui', December 1980; 'Techniques et Architecture', December 1980; 'Design', January 1981; 'New Scientist', 19 March 1981; 'Schemes: Cedric Price' (ex. cat.; London: Waddington Galleries, 1981); 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 92-97. Material in this file was produced between 1959 and 1995, but predominantly between 1976 and 1980. Main consultants for Generator in the United Kingdom include Felix J. Samuely & Partners, consulting engineers; Baker, Wilkins and Smith, quantity surveyors; John Frazer, computer modelling and systems; Sandy Brown Associates, acoustic consultants. Main consultants in the United States include Marvin Boutwell; Law Engineering Testing Company as consulting engineers; and WTCA; Robertson Ward Jr., as architects. Computer printouts in group DR1995:0280:538-552 in Generator (AP144.S2.D100) are attributed to John and Julia Frazer, Art and Design Research, Ulster Polytechnic and the Department of Architecture, Liverpool Polytechnic. Some material in group DR1995:0280:567-576 is attributed to Felix J. Samuely & Partners. File contains conceptual drawings, design, development drawings, presentation drawings, photographic materials, boxes, an artefact, models, and textual records.
File 100
1959-1995, predominant 1976-1980