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Antenna Eats Itself.
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1 online resource.
[Place of publication not identified] : Lateral Addition, 2025.
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[Place of publication not identified] : Lateral Addition, 2025.
books
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xi, 335 pages : illustrations ; 23 cm
Minneapolis, MN : University of Minnesota Press, [2014]
City choreographer : Lawrence Halprin in urban renewal America / Alison Bick Hirsch.
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Description:
xi, 335 pages : illustrations ; 23 cm
books
Minneapolis, MN : University of Minnesota Press, [2014]
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In 1997 the United Kingdom returned control of Hong Kong to China, ending the city’s status as one of the last remnants of the British Empire and initiating a new phase for it as both a modern city and a hub for global migrations. Hong Kong is a tour of the city’s postcolonial urban landscape, innovatively told through fieldwork and photography. Caroline(...)
Hong Kong; migrant lives, landscapes, and journeys
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In 1997 the United Kingdom returned control of Hong Kong to China, ending the city’s status as one of the last remnants of the British Empire and initiating a new phase for it as both a modern city and a hub for global migrations. Hong Kong is a tour of the city’s postcolonial urban landscape, innovatively told through fieldwork and photography. Caroline Knowles and Douglas Harper’s point of entry into Hong Kong is the unusual position of the British expatriates who chose to remain in the city after the transition. Now a relatively insignificant presence, British migrants in Hong Kong have become intimately connected with another small minority group there: immigrants from Southeast Asia. The lives, journeys, and stories of these two groups bring to life a place where the past continues to resonate for all its residents, even as the city hurtles forward into a future marked by transience and transition.
Contemporary Asian Architecture
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The tracking of our personal information, activities, and medical data through our digital devices is an increasingly recognizable field in which the lines between caretaking and control have blurred. In this age of surveillance, mothers' behaviors and bodies are observed, made public, exposed, scrutinized, and policed like never before. This volume gathers together the(...)
Supervision: On motherhood and surveillance
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The tracking of our personal information, activities, and medical data through our digital devices is an increasingly recognizable field in which the lines between caretaking and control have blurred. In this age of surveillance, mothers' behaviors and bodies are observed, made public, exposed, scrutinized, and policed like never before. This volume gathers together the work of fifty contributors from diverse disciplines that include the visual arts, legal scholarship, ethnic studies, sociology, gender studies, poetry, and activism to ask what the relationship is between how we watch and how we are watched, and how the attention that mothers pay to their children might foster a kind of counterattention to the many ways in which mothers are scrutinized. A groundbreaking collection, thisis a project about vision (and supervision), and all the ways in which vision intersects with surveillance and politics, through motherhood and personal history as well as through the histories and relations of the societies in which we live.
Art Theory
The other side of empathy
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In The Other Side of Empathy, Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy. Drawing on digital archives of photographs,(...)
The other side of empathy
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$31.95
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In The Other Side of Empathy, Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy. Drawing on digital archives of photographs, memoirs, newspapers, interviews, and advertisements regarding nineteenth-century ethnographic museums and human zoos, Davis shows how empathetic responses erase culpabilities from those institutions that commodify difference. She also contends that empathy’s mediation through digital technology cannot lead to more ethical actions, as technology only connects representations of people rather than the people themselves. In empathy’s place, Davis proposes mutual recognition as a way to see and experience others beyond colonial modes of empathy. Davis illustrates that moving beyond empathy allows for a more nuanced understanding of the colonial past and its ongoing impact while providing for a more meaningful affective engagement with the world.
Critical Theory
Verb - matters
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The second issue of Verb asks: What can we really build? Verb Matters explores the formal and material possibilities for construction in our present information era, with its extensive data processing, global networking, and increasingly blurred distinctions between natural matter and artificial technology. This critical itinerary begins with reflections on the results of(...)
Magazines
May 2002, Barcelona
Verb - matters
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The second issue of Verb asks: What can we really build? Verb Matters explores the formal and material possibilities for construction in our present information era, with its extensive data processing, global networking, and increasingly blurred distinctions between natural matter and artificial technology. This critical itinerary begins with reflections on the results of sophisticated ideas applied to the shaping of buildings including Toyo Ito's ephemeral work, recent attention to inflatable architecture and building with air, and the low tech approach of practitioners like LOT/EK. Consideration of the growing potential of current technology is also examined in a piece equating recent sneaker design technology to that of car manufacturing, as well as the use of artificial intelligence in home control networks at MIT's "Media House" project. Colorful, tactile, dense, and packaged in its own very contemporary design, Verb Matters remains devoted to cutting-edge issues in architecture and design. includes contributions from Toyo Ito, Greg Lynn, LOT/EK, Klein & Dytham, and Sherry Turkle
Magazines
British council Nairobi
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A new council office, designed by Squire and Partners, opened in Nairobi in November 2004. The design utilises the local climate and orientation to passively control the building’s environment and has evolved from Squire and Partners’ ethos of contextual modernism. The practice works hard with site locations, aspect and orientation to develop proposals that are both(...)
British council Nairobi
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A new council office, designed by Squire and Partners, opened in Nairobi in November 2004. The design utilises the local climate and orientation to passively control the building’s environment and has evolved from Squire and Partners’ ethos of contextual modernism. The practice works hard with site locations, aspect and orientation to develop proposals that are both appropriate and culturally of their 'place’. The design responds specifically to both the culture of the British council in East Africa and the site context of central Nairobi to create a dramatic, beautiful space. The British Council’s Visual Arts Department commissioned a site specific work for the new building from artist David Tremlett who was invited to contribute wall drawings to the front and back elevations and to the main corridors leading to the teaching areas within the building. The drawings of rubbed pigment and varnish highlight accentuate the flat planes of the building and the colours harmonise with the vibrant richness of the Kenyan soil, vegetation and sky.
small format
books
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In recent years metal as a construction material has been experiencing a renaissance. Its diverse qualities and versatility mean that it is an ideal material for many different applications. Gone are the days when metal was only used for the roofing and facades of industrial sheds. In the meantime architecture and industry have discovered its aesthetic qualities, using(...)
Materials and Lighting
October 2003, Basel
Metal architecture design and construction
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In recent years metal as a construction material has been experiencing a renaissance. Its diverse qualities and versatility mean that it is an ideal material for many different applications. Gone are the days when metal was only used for the roofing and facades of industrial sheds. In the meantime architecture and industry have discovered its aesthetic qualities, using it to cover theatres, museums, and exhibition buildings with shimmering layers of copper and titanium. It enables extravagant forms to be constructed, and even in low-cost, prefabricated buildings, metal can be used in new and interesting ways. It has become an integral factor in creating intelligent architectural solutions which meet the requirements of clients, investors and architects. ”Metal architecture” documents some 21 international projects which show not only the creative elements but also the economic advantages of metal. Of particular note are the Drive-Inn Restaurant in Slovenia, loft apartments in Los Angeles, and the harbour control tower in Lisbon.
books
October 2003, Basel
Materials and Lighting
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A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge(...)
The senses & society : vol. 01, issue 01, march 2006
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A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge developments in art, design and architecture. Every volume contains something for and about each of the senses, both singly and in all sorts of novel configurations. Shaped by culture, gender and class, the senses mediate between mind and body, idea and object, self and environment. The senses are increasingly extended beyond the body through technology, and catered to by designers and marketers, yet persistently elude all efforts to capture and control them. Artists now experiment with the senses in bold new ways, disrupting conventional canons of aesthetics. Simply put, sensation is fundamental to our experience of the world.
Magazines
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Jerusalem currently stands at the center of a violent controversy that threatens the stability of both the Middle East and the world. This volatility, observes Annabel Jane Wharton, is only the most recent manifestation of a centuries-old obsession with the control of the Holy City—military occupation and pilgrimage being two familiar forms of “ownership.” Wharton makes(...)
Selling Jerusalem : relics, replicas, theme parks
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Jerusalem currently stands at the center of a violent controversy that threatens the stability of both the Middle East and the world. This volatility, observes Annabel Jane Wharton, is only the most recent manifestation of a centuries-old obsession with the control of the Holy City—military occupation and pilgrimage being two familiar forms of “ownership.” Wharton makes the innovative argument here that the West has also sought to possess Jerusalem by acquiring its representations. From relics of the True Cross and Templar replicas of the Holy Sepulchre to Franciscan recreations of the Passion to nineteenth-century mass-produced prints and contemporary theme parks, Wharton describes the evolving forms by which the city has been possessed in the West. She also maps those changing embodiments of the Holy City against shifts in the western market. From the gift-and-barter economy of the early Middle Ages to contemporary globalization, both money and the representations of Jerusalem have become progressively incorporeal, abstract, illusionistic, and virtual.
Arch Middle East