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For a small country that generally keeps a low profile on the stage of world events, Denmark has played a disproportionately prominent role in the history of 20th Century architecture and design. Today in the early 21st Century, known for its anything-goes attitude towards design, Denmark also has its share of provocative architects surfing waves of fashionable trends,(...)
En levende tradition / A living tradition
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For a small country that generally keeps a low profile on the stage of world events, Denmark has played a disproportionately prominent role in the history of 20th Century architecture and design. Today in the early 21st Century, known for its anything-goes attitude towards design, Denmark also has its share of provocative architects surfing waves of fashionable trends, yet a few firms maintain a more grounded and centered approach to their work. Prominent among this group is KPF Architects (Kjelgaard, Pedersen & Fællestegnestuen), whose philosophy and work is a prime example of design rooted in a specific regional narrative while globally pursuing new ideas, new concepts and new materials that elevate their projects to the highest levels of architectural discourse, without sacrificing either usefulness or pleasure for the client. Even their most ordinary functional projects like banks, office buildings, and medical facilities embody a sensitivity that is uplifting. Kenneth Frampton states: One cannot help but be reminded of the tradition of Arne Jacobsen when looking at KPF Arkitekters work and thus of the commonsense functional, but ludic, character of the still vital Danish modern movement as it has consistently evolved over the past sixty years
Architecture Monographs
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This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf(...)
The color black: Antinomies of a color in architecture and art
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This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf Loos to Norman Foster, Hans Holbein to Derek Jarman. Alongside these renowned touchpoints, Mostafavi draws on a little-known and highly distinctive text by the Marxist German art historian Max Raphael, based on a collection of historic paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York's Abstract Expressionists, Raphael's essay offers a drastically contrasting approach to the same multivalent subject. The book is completed by Rapahel's luminous essay, published in its entirety for the first time in an English translation by Pamela Johnston, as well as conversations with Swiss architect Peter Märkli, whose work with the colour black is informed by Raphael's writings, and Theaster Gates. By juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black ? and of colour more widely ? in relation to contemporary architectural thinking and practice.
Theory of Photography
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An inquiry into emergent media's rich lineage, "Devices of Wonder" explores the artful machines humans have used to augment visual perception. The encyclopedic cabinet of curiosities serves as a model for this study of the archaic instruments lurking in state-of-the art technology. Featured in "Devices of Wonder" are android automata, lunar landscapes, perspective(...)
Architectural Theory
November 2001, Los Angeles
Devices of wonder from the world in a box to images on a screen
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An inquiry into emergent media's rich lineage, "Devices of Wonder" explores the artful machines humans have used to augment visual perception. The encyclopedic cabinet of curiosities serves as a model for this study of the archaic instruments lurking in state-of-the art technology. Featured in "Devices of Wonder" are android automata, lunar landscapes, perspective theaters, vues d'optique, microscopes, magnetic games, magic lanterns, camera obscuras, boxes by Joseph Cornell, Lucas Samaras's Mirrored Room, Suzanne Anker's Zoosemiotics, Mark Tilden's UniBug 3.1, panoramic works by Jeff Wall and Giovanni Lusieri, paintings by Jean-Baptiste Chardin and Joseph Wright of Derby, projections by Diana Thater and James Turrell, and a pop-up book by Kara Walker. Barbara Stafford's introduction weaves these fascinating artifacts into a provocative narrative analyzing the complex links between old and new media. Her wide-ranging investigation is complemented by thirty-one short essays in which Frances Terpak tracks the often surprising connections among individual items. Like the cabinet of curiosities, "Devices of Wonder" functions as an analogical instrument, reframing the beautiful "eye machines" that continue to mediate our encounters with the world. This book is published in conjunction with an exhibition at the Getty from November 13, 2001, through February 6, 2002.
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November 2001, Los Angeles
Architectural Theory
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The all-out war in Ukraine, started by the Russian Federation in 2022 has disproportionally affected housing and residential infrastructure. The destruction is so targeted, and the damage so significant that it has disfigured entire neighborhoods and erased entire cities. With the scale of damage and loss in mind, and the future wide-ranging reconstruction that will(...)
Mass Housing in Ukraine: Building Typologies and Catalogue of Series
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The all-out war in Ukraine, started by the Russian Federation in 2022 has disproportionally affected housing and residential infrastructure. The destruction is so targeted, and the damage so significant that it has disfigured entire neighborhoods and erased entire cities. With the scale of damage and loss in mind, and the future wide-ranging reconstruction that will inevitably take place after the war, this study examines the history and typologies of mass housing in Ukraine. It does so in order to evaluate what is lost, explain the diversity of modes of urban living that exist in Ukrainian cities, and finally, reconsider the narrative of how Ukrainian housing came about. The study covers the period of the last 100 years: the time of the most dramatic expansion and change in character of Ukrainian cities. It begins with the experimental buildings constructed in the Soviet Central and Eastern Ukraine and Polish Western Ukraine in the 1920s and 1930s, continues by looking at type projects from the Stalin era, as well as the serial apartment blocks built during the reigns of Khrushchev and Brezhnev and in the late USSR. Finally, it showcases individually designed, yet also typical residential buildings from the turbo-capitalist period of the 1990s and 2000s.
Collective Housing
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Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage,(...)
October 2007, New York, London
Preserving New York: winning the right to protect a City's landmark
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Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage, span from 1913 to 1965. Intended for the interested public as well as students of New York City history, architecture, and preservation itself, over 100 illustrations help reveal a history richer and more complex than the accepted myth that the landmarks law sprang from the wreckage of the great Pennsylvania Station. Images include those by noted historic photographers as well as those from newspaper accounts of the time. Forgotten civic leaders such as Albert S. Bard and lost buildings including the Brokaw Mansions, are unveiled in an extensively researched narrative bringing this essential episode in New Yorks history to futuregenerations tasked with protecting the citys landmarks. For the first time, the story of how New York won the right to protect its treasured buildings, neighborhoods and special places is brought together to enjoy, inform, and inspire all who love New York.
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A rich visual history of one of North America's premier engineering firms and the extraordinary buildings this company engineered. Fifty years after it was founded, the Yolles Partnership continues the larger-than-life engineering tradition on which Canada was built. But its legacy-thousands of structures to date-constitutes an important architectural record of the(...)
Architecture in Canada
January 1900, Vancouver / Toronto
Yolles : a Canadian engineering legacy
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A rich visual history of one of North America's premier engineering firms and the extraordinary buildings this company engineered. Fifty years after it was founded, the Yolles Partnership continues the larger-than-life engineering tradition on which Canada was built. But its legacy-thousands of structures to date-constitutes an important architectural record of the styles and the statements that have predominated over the last half century. From modernism through structural expression, Yolles celebrates the vision of Morden Yolles and Roland Bergmann and some of the firm's legendary technical accomplishments. Throughout the years, the Yolles Partnership worked with a who's who of Canada's finest architects, including such notables as Peter Dickinson, Irving Grossman and Ray Moriyama, and international luminaries Cesar Pelli and Norman Foster, among others. They designed the structures of some of the country's most memorable buildings. Among them are First Canadian Place, Champlain College at Trent University, Galleria and Heritage Square at BCE Place. Overseas projects included such structures as New York's Battery Park and the famed Docklands Light Railway roof at Canary Wharf in London, England. Designed by Bruce Mau Design, and using narrative, photographs and drawings relating to many of Canada's best-known structures, Yolles provides a fascinating record of modern building in Canada.
Architecture in Canada
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The fictitious hero of this 1984 installation is a lonely dreamer who develops an impossible project: to fly alone in cosmic space. But this dream is also an individual appropriation of a collective Soviet project and the official Soviet propaganda connected to it. Having built a makeshift slingshot, the hero apparently flies through the ceiling of his shabby room and(...)
Ilka Kabakov: the man who flew into space from his apartment
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The fictitious hero of this 1984 installation is a lonely dreamer who develops an impossible project: to fly alone in cosmic space. But this dream is also an individual appropriation of a collective Soviet project and the official Soviet propaganda connected to it. Having built a makeshift slingshot, the hero apparently flies through the ceiling of his shabby room and vanishes into space. The miserable room and the primitive slingshot suggest the reality behind the Soviet utopia, in which where cosmic vision and the political project of the Communist revolution are seen as indissoluble. The Man who Flew into Space from His Apartment also raises questions of authorship in modernity. All of Kabakov's work is made in the name of other, fictitious artists. This reveals a hidden rule of the modern art system: only an artist who doesn't want to be an artist or who doesn't even know that he is an artist is a real artist—just as only an artwork that does not look like an artwork is a real artwork. The installation is a narrative, the documentation of a fictitious event. Boris Groys is Professor of Philosophy and Art Theory at the Academy for Design in Karlsruhe, Germany, and Global Professor at New York University.
Art Theory
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Mouna Andraos and Melissa Mongiat—together with their team at Daily tous les jours—have been creating celebrated interactive art and narrative experiences for public spaces around the world for over 15 years. Their groundbreaking work is part of an emergent practice that combines technology, storytelling, performance, and placemaking to build a new infrastructure for the(...)
August 2025
Strangers need strange moments together: Designing interaction for public spaces
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Mouna Andraos and Melissa Mongiat—together with their team at Daily tous les jours—have been creating celebrated interactive art and narrative experiences for public spaces around the world for over 15 years. Their groundbreaking work is part of an emergent practice that combines technology, storytelling, performance, and placemaking to build a new infrastructure for the human spirit. In ''Strangers Need Strange Moments Together'', Andraos and Mongiat invite a broad range of readers—fellow practitioners, urbanists, policy makers, educators, and engaged citizens—to take a joyful approach to building resilient urban communities and re-enchanting public space. In times of unprecedented pace of urban growth, with increasing loneliness and division, they shed light on the importance of moving beyond purely data-driven urban planning methodologies—which prioritize productivity, efficiency, and automation—and forging new modes of public interaction. Cities must be spaces for the whimsical, unexpected, and weird, and for the wasted time and strange moments of serendipitous encounter. Andraos and Mongiat use the raw material of the “daily everyday” to propose new models of living together in the 21st century, and to foreground the dimensions of life that characterize what it means to be human in the first place.
World City
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Cities around the world are striving to be global. This book tells the story of one of them, and in so doing raises questions which are essential for all cities. These questions concern identity, place, and political responsibility in the changing geographies of our times. The book also tells the story of the rise of a new class, of deepening inequality, and of the(...)
World City
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Cities around the world are striving to be global. This book tells the story of one of them, and in so doing raises questions which are essential for all cities. These questions concern identity, place, and political responsibility in the changing geographies of our times. The book also tells the story of the rise of a new class, of deepening inequality, and of the geographical imaginations that are mobilised to legitimate the increasing dominance of these powerful metropoles. In so doing, it sets the global city in its wider geographical and political context. World City focuses its account on London, one of the greatest of these global cities. London is a city of delight and of creativity, of the generation of vast wealth and of acute poverty. It also presides over a country increasingly divided between North and South and over a neo-liberal form of globalisation the deregulation, financialisation and commercialisation of all aspects of life that results in an evermore unequal world.World City explores how we can understand this complex narrative and asks a question that should be asked of any city: what does this place stand for? This book will appeal to students of human geography, politics and sociology as well as to the general reader.
Architectural Theory
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The 12 artists in Phantasmagoria: Specters of Absence--Christian Boltanski, Jim Campbell, Michel Delacroix, Laurent Grasso, Jeppe Hein, William Kentridge, Rafael Lozano-Hemmer, Teresa Margolles, Oscar Munoz, Julie Nord, Rosangela Renno and Regina Silveira--draw on forms of representation associated with phantasmagoria and reframe them around contemporary notions of(...)
Phantasmagoria : Specters of absence
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The 12 artists in Phantasmagoria: Specters of Absence--Christian Boltanski, Jim Campbell, Michel Delacroix, Laurent Grasso, Jeppe Hein, William Kentridge, Rafael Lozano-Hemmer, Teresa Margolles, Oscar Munoz, Julie Nord, Rosangela Renno and Regina Silveira--draw on forms of representation associated with phantasmagoria and reframe them around contemporary notions of absence and loss, using spectral effects and immaterial media such as shadows, fog, mist and breath. A "phantasmagoria" was a pre-cinematic theatrical show, devised in France in the late eighteenth century, which gained popularity throughout Europe in the nineteenth century. Long before blockbuster art exhibitions, crowds were wowed by these traveling shows, in which stories were performed with magic lanterns and rear projections that created dancing shadows and frightening melodramatic effects. These lively, interactive events incorporated narrative, mythology and theater in a single art form; they entertained a wide audience and provided a space to consider the otherworldly, mobilizing viewers' anxieties regarding death and the afterlife. This catalogue, produced for the traveling exhibition of the same name, includes a text by curator Jose Roca and his interviews with the 12 artists, as well as a newly commissioned short-fiction piece by Bruce Sterling. The exhibition is co-organized by the Museo de Arte del Banco de la Republica, Bogota, Columbia.
Contemporary Art Monographs