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events
events
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Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
14 May 2015 , 6pm
14 May 2015 , 6pm
Title:
Architecture or Revolution? A Conversation with Nuno Portas and Nuno Grande
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Architecture or Revolution? A Conversation with Nuno Portas and Nuno Grande
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Form:
events
events
Date:
14 May 2015
6pm
14 May 2015
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Level of archival description:
Series
Series
Actions:
Reference number:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
People:
Date:
1983-2006
1983-2006
Title:
Vecsei Architects (1984-2005)
Actions:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Vecsei Architects (1984-2005)
Actions:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Level of archival description:
Series
Series
Date:
1983-2006
1983-2006
People:
Level of archival description:
Series
Series
Title:
Personal Papers
Personal Papers
Reference number:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
People:
Date:
1931-1995
1931-1995
Title:
Personal Papers
Actions:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
Personal Papers
Actions:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
Level of archival description:
Series 1
Series 1
Date:
1931-1995
1931-1995
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Lars Spuybroek fonds
Lars Spuybroek fonds
Reference number:
AP173
Synopsis:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
AP173
Synopsis:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
People:
Date:
1980s-2010
1980s-2010
Title:
Lars Spuybroek fonds
Actions:
AP173
Synopsis:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
Lars Spuybroek fonds
Actions:
AP173
Synopsis:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1980s-2010
1980s-2010
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Location:
Main galleries
Main galleries
Date:
25 January 1995 to 23 April 1995
25 January 1995 to 23 April 1995
Title:
The Photographs of Édouard Baldus: Landscapes and Monuments of France
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
The Photographs of Édouard Baldus: Landscapes and Monuments of France
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Form:
exhibitions
exhibitions
Date:
25 January 1995 to
23 April 1995
25 January 1995 to
23 April 1995
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Location:
Main galleries
Main galleries
Date:
18 August 1993 to 2 January 1994
18 August 1993 to 2 January 1994
Title:
Exploring Rome: Piranesi and His Contemporaries
Actions:
Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Exploring Rome: Piranesi and His Contemporaries
Actions:
Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Form:
exhibitions
exhibitions
Date:
18 August 1993 to
2 January 1994
18 August 1993 to
2 January 1994
Location:
Main galleries
Main galleries
Level of archival description:
Sub-series
Sub-series
Title:
Il Ritorno Dei Re (1980)
Il Ritorno Dei Re (1980)
Actions:
Reference number:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
People:
Date:
circa 1980
circa 1980
Title:
Il Ritorno Dei Re (1980)
Actions:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Il Ritorno Dei Re (1980)
Actions:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Level of archival description:
Subseries
Subseries
Date:
circa 1980
circa 1980
People:
Form:
articles
articles
Title:
Photographic Pilgrimage
Photographic Pilgrimage
Actions:
Guido Guidi in conversation with Stefano Graziani and Bas Princen
Keyword(s):
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Guido Guidi, conversation, oral history
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Guido Guidi, conversation, oral history
Published:
27 June 2023
27 June 2023
Title:
Photographic Pilgrimage
Guido Guidi in conversation with Stefano Graziani and Bas Princen
Actions:
Photographic Pilgrimage
Guido Guidi in conversation with Stefano Graziani and Bas Princen
Actions:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
J.J.P. Oud Collection
J.J.P. Oud Collection
Reference number:
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
People:
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
Title:
J.J.P. Oud Collection
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
J.J.P. Oud Collection
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
Form:
archives
Level of archival description:
Collection institutionnelle
archives
Level of archival description:
Collection institutionnelle
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
People:
Form:
exhibitions
exhibitions
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Location:
Main galleries
Main galleries
Date:
12 February 1992 to 19 April 1992
12 February 1992 to 19 April 1992
Title:
An English Arcadia, 1600-1990: Designs for Gardens and Garden Buildings in the Care of the National Trust with Selected Objects from the CCA Collections
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
An English Arcadia, 1600-1990: Designs for Gardens and Garden Buildings in the Care of the National Trust with Selected Objects from the CCA Collections
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Form:
exhibitions
exhibitions
Date:
12 February 1992 to
19 April 1992
12 February 1992 to
19 April 1992
Location:
Main galleries
Main galleries
