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books
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Title:
Les nouvelles Athènes
Les nouvelles Athènes
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La culture grecque, éteinte depuis longtemps, même en Grèce, est ressuscitée et revit à Florence», s'exclame Poliziano, une des grandes figures marquantes de la Renaissance italienne. Présentée comme une «nouvelle Athènes», Florence devient à son tour le modèle de quelques-uns des grands centres culturels aux XVIIIe et XIXe siécles au nord des Alpes. Dresde, Weimar,(...)
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La culture grecque, éteinte depuis longtemps, même en Grèce, est ressuscitée et revit à Florence», s'exclame Poliziano, une des grandes figures marquantes de la Renaissance italienne. Présentée comme une «nouvelle Athènes», Florence devient à son tour le modèle de quelques-uns des grands centres culturels aux XVIIIe et XIXe siécles au nord des Alpes. Dresde, Weimar,(...)
Title:
Les nouvelles Athènes
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$41.95
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Summary:
La culture grecque, éteinte depuis longtemps, même en Grèce, est ressuscitée et revit à Florence», s'exclame Poliziano, une des grandes figures marquantes de la Renaissance italienne. Présentée comme une «nouvelle Athènes», Florence devient à son tour le modèle de quelques-uns des grands centres culturels aux XVIIIe et XIXe siécles au nord des Alpes. Dresde, Weimar, Munich ou Edimbourg deviennent, à l'apogée de leur rayonnement, des «nouvelles Athènes» ou des «nouvelles Florence». Le but de l'ouvrage d'André Reszler est d'esquisser l'histoire des grands mythes culturels de l'Europe moderne à travers ses réalisations successives...
Les nouvelles Athènes
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$41.95
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Summary:
La culture grecque, éteinte depuis longtemps, même en Grèce, est ressuscitée et revit à Florence», s'exclame Poliziano, une des grandes figures marquantes de la Renaissance italienne. Présentée comme une «nouvelle Athènes», Florence devient à son tour le modèle de quelques-uns des grands centres culturels aux XVIIIe et XIXe siécles au nord des Alpes. Dresde, Weimar, Munich ou Edimbourg deviennent, à l'apogée de leur rayonnement, des «nouvelles Athènes» ou des «nouvelles Florence». Le but de l'ouvrage d'André Reszler est d'esquisser l'histoire des grands mythes culturels de l'Europe moderne à travers ses réalisations successives...
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books
books
Publication:
November 2004, Gollion
November 2004, Gollion
Subject:
Architectural Theory
Architectural Theory
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books
books
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$76.54
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Summary:
The issues of the organic/inorganic, animate/inanimate and natural/technological are of paramount importance in the field of architecture both in current discussions about digital architecture and in classical debates from Vitruvius onwards. This book investigates the complex relationship of architecture to biological life, providing theoretical and historical(...)
$76.54
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Summary:
The issues of the organic/inorganic, animate/inanimate and natural/technological are of paramount importance in the field of architecture both in current discussions about digital architecture and in classical debates from Vitruvius onwards. This book investigates the complex relationship of architecture to biological life, providing theoretical and historical(...)
Title:
Architecture, animal, human : the asymetrical condition
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$76.54
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The issues of the organic/inorganic, animate/inanimate and natural/technological are of paramount importance in the field of architecture both in current discussions about digital architecture and in classical debates from Vitruvius onwards. This book investigates the complex relationship of architecture to biological life, providing theoretical and historical underpinnings for a variety of contemporary debates in and around architecture. With discussion focussed on the Renaissance, the eighteenth-century and the late twentieth-century, this book will have a broad appeal to those with interest within and beyond architecture.
Architecture, animal, human : the asymetrical condition
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$76.54
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Summary:
The issues of the organic/inorganic, animate/inanimate and natural/technological are of paramount importance in the field of architecture both in current discussions about digital architecture and in classical debates from Vitruvius onwards. This book investigates the complex relationship of architecture to biological life, providing theoretical and historical underpinnings for a variety of contemporary debates in and around architecture. With discussion focussed on the Renaissance, the eighteenth-century and the late twentieth-century, this book will have a broad appeal to those with interest within and beyond architecture.
Form:
books
books
Publication:
October 2005, London
October 2005, London
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
Wunderkammer
Wunderkammer
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$34.95
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Inspired by the idea of the wunderkammer—“wonder-room” or “cabinet of curiosities”—that originated during the Renaissance, world-renowned architects Tod Williams and Billie Tsien invited 42 celebrated architects and designers from around the world to create their own wunderkammers, filling boxes with objects that inspire them. This book gathers together the varied,(...)
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Summary:
Inspired by the idea of the wunderkammer—“wonder-room” or “cabinet of curiosities”—that originated during the Renaissance, world-renowned architects Tod Williams and Billie Tsien invited 42 celebrated architects and designers from around the world to create their own wunderkammers, filling boxes with objects that inspire them. This book gathers together the varied,(...)
Title:
Wunderkammer
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$34.95
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Summary:
Inspired by the idea of the wunderkammer—“wonder-room” or “cabinet of curiosities”—that originated during the Renaissance, world-renowned architects Tod Williams and Billie Tsien invited 42 celebrated architects and designers from around the world to create their own wunderkammers, filling boxes with objects that inspire them. This book gathers together the varied, evocative wunderkammers along with accompanying statements by their architect-creators, including such luminaries as Shigeru Ban, Toyo Ito, Diller Scofidio + Renfro, Peter Eisenman, Steven Holl, Richard Meier, Murray Moss, Diébédo Francis Keré, Juhani Pallasmaa, Elias Torres, and Peter Zumthor.
Wunderkammer
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$34.95
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Summary:
Inspired by the idea of the wunderkammer—“wonder-room” or “cabinet of curiosities”—that originated during the Renaissance, world-renowned architects Tod Williams and Billie Tsien invited 42 celebrated architects and designers from around the world to create their own wunderkammers, filling boxes with objects that inspire them. This book gathers together the varied, evocative wunderkammers along with accompanying statements by their architect-creators, including such luminaries as Shigeru Ban, Toyo Ito, Diller Scofidio + Renfro, Peter Eisenman, Steven Holl, Richard Meier, Murray Moss, Diébédo Francis Keré, Juhani Pallasmaa, Elias Torres, and Peter Zumthor.
Form:
books
books
Publication:
November 2013
November 2013
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Infinity and perspective
Infinity and perspective
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$36.95
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Summary:
Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open(...)
$36.95
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Summary:
Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open(...)
Title:
Infinity and perspective
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$36.95
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Summary:
Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open future. Such conviction has frequently led to a critique of modernity's founding heroes. Challenging that critique, Harries insists that modernity is supported by nothing other than human freedom. But more important to Harries is to show how modernist self-assertion is shadowed by nihilism and what it might mean to step out of that shadow. Looking at a small number of medieval and Renaissance texts, as well as some paintings, he uncovers the threshold that separates the modern from the premodern world. At the same time, he illuminates that other, more questionable threshold, between the modern and the postmodern. Two spirits preside over the book: Alberti, the Renaissance author on art and architecture, whose passionate interest in perspective and point of view offers a key to modernity; and Nicolaus Cusanus, the fifteenth-century cardinal, whose work shows that such interest cannot be divorced from speculations on the infinity of God. The title Infinity and Perspective connects the two to each other and to the shape of modernity.
Infinity and perspective
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$36.95
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Summary:
Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open future. Such conviction has frequently led to a critique of modernity's founding heroes. Challenging that critique, Harries insists that modernity is supported by nothing other than human freedom. But more important to Harries is to show how modernist self-assertion is shadowed by nihilism and what it might mean to step out of that shadow. Looking at a small number of medieval and Renaissance texts, as well as some paintings, he uncovers the threshold that separates the modern from the premodern world. At the same time, he illuminates that other, more questionable threshold, between the modern and the postmodern. Two spirits preside over the book: Alberti, the Renaissance author on art and architecture, whose passionate interest in perspective and point of view offers a key to modernity; and Nicolaus Cusanus, the fifteenth-century cardinal, whose work shows that such interest cannot be divorced from speculations on the infinity of God. The title Infinity and Perspective connects the two to each other and to the shape of modernity.
Form:
books
books
Publication:
October 2002, Cambridge, Mass.
October 2002, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$70.00
(available to order)
Summary:
This book is about a way of building that for centuries dominated the making of monumental architecture – yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role(...)
$70.00
(available to order)
Summary:
This book is about a way of building that for centuries dominated the making of monumental architecture – yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role(...)
Title:
Building in time: From Giotto to Alberti and modern oblivion
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$70.00
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Summary:
This book is about a way of building that for centuries dominated the making of monumental architecture – yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role in architectural theory and practice. Recovering this lost element of the deep architectural past allows us also to see the present in a new way: that temporality is not any neutral or secondary factor in modern architecture culture, but an epistemic condition that silently affects all production and experience of the built environment.
Building in time: From Giotto to Alberti and modern oblivion
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$70.00
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Summary:
This book is about a way of building that for centuries dominated the making of monumental architecture – yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role in architectural theory and practice. Recovering this lost element of the deep architectural past allows us also to see the present in a new way: that temporality is not any neutral or secondary factor in modern architecture culture, but an epistemic condition that silently affects all production and experience of the built environment.
Form:
books
books
Publication:
December 2010
December 2010
Subject:
History until 1900, Classicism
History until 1900, Classicism
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books
books
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$32.95
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Summary:
Robert Venturi est reconnu comme l'un des grands architectes-théoriciens du XXe siècle. Vu depuis le Capitole (qui aurait tout aussi bien pu s'intituler De Michel-Ange à McDonald) rassemble dix-sept articles écrits avec son associée, Denise Scott Brown, entre 1953 et 1982, et publiés à l'origine dans des revues d'architecture. Ils y livrent leurs réflexions sur l'histoire(...)
$32.95
(available in store)
Summary:
Robert Venturi est reconnu comme l'un des grands architectes-théoriciens du XXe siècle. Vu depuis le Capitole (qui aurait tout aussi bien pu s'intituler De Michel-Ange à McDonald) rassemble dix-sept articles écrits avec son associée, Denise Scott Brown, entre 1953 et 1982, et publiés à l'origine dans des revues d'architecture. Ils y livrent leurs réflexions sur l'histoire(...)
Title:
Vu depuis le Capitol, et autres textes
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Robert Venturi est reconnu comme l'un des grands architectes-théoriciens du XXe siècle. Vu depuis le Capitole (qui aurait tout aussi bien pu s'intituler De Michel-Ange à McDonald) rassemble dix-sept articles écrits avec son associée, Denise Scott Brown, entre 1953 et 1982, et publiés à l'origine dans des revues d'architecture. Ils y livrent leurs réflexions sur l'histoire de l'architecture depuis la Renaissance et le baroque et, concernant les XIXe et XXe siècles, évoquent aussi bien l'Ecole des beaux-arts que Frank Furness, Sir Edwin Lutyens, Alvar Aalto ou l'influence de la pop culture américaine sur l'architecture.
Vu depuis le Capitol, et autres textes
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$32.95
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Summary:
Robert Venturi est reconnu comme l'un des grands architectes-théoriciens du XXe siècle. Vu depuis le Capitole (qui aurait tout aussi bien pu s'intituler De Michel-Ange à McDonald) rassemble dix-sept articles écrits avec son associée, Denise Scott Brown, entre 1953 et 1982, et publiés à l'origine dans des revues d'architecture. Ils y livrent leurs réflexions sur l'histoire de l'architecture depuis la Renaissance et le baroque et, concernant les XIXe et XXe siècles, évoquent aussi bien l'Ecole des beaux-arts que Frank Furness, Sir Edwin Lutyens, Alvar Aalto ou l'influence de la pop culture américaine sur l'architecture.
Form:
books
books
Publication:
October 2014
October 2014
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$31.50
(available to order)
Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
$31.50
(available to order)
Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
October 2006, Cambridge (MA), London
October 2006, Cambridge (MA), London
Title:
Architecture in the age of divided representation : the question of creativity in the shadow of production
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$31.50
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Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architecture in the age of divided representation : the question of creativity in the shadow of production
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Price:
$31.50
(available to order)
Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Form:
books
books
Publication:
October 2006, Cambridge (MA), London
October 2006, Cambridge (MA), London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's(...)
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's(...)
Title:
Architecture in the age of divided representation : the question of creativity in the shadow of production
Actions:
Price:
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architecture in the age of divided representation : the question of creativity in the shadow of production
Actions:
Price:
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Form:
books
books
Publication:
June 2004, Cambridge, Mass.
June 2004, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$66.00
(available to order)
Summary:
Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But(...)
$66.00
(available to order)
Summary:
Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But(...)
Title:
Prior art: Patents and the nature of invention in architecture
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$66.00
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Summary:
Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But patent culture was never directly translatable to the field of architecture, which tended to negotiate issues of technological innovation in the context of the more abstract issues of artistic influence and formal expression. In "Prior art," scholar Peter Christensen offers the first full-scale monographic treatment of this complex relationship between art and invention.
Prior art: Patents and the nature of invention in architecture
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$66.00
(available to order)
Summary:
Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But patent culture was never directly translatable to the field of architecture, which tended to negotiate issues of technological innovation in the context of the more abstract issues of artistic influence and formal expression. In "Prior art," scholar Peter Christensen offers the first full-scale monographic treatment of this complex relationship between art and invention.
Form:
books
books
Publication:
May 2024
May 2024
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
The art of memory
The art of memory
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$42.95
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Summary:
The ancient Greeks, to whom a trained memory was of vital importance - as it was to everyone before the invention of printing - created an elaborate memory system, based on a technique of impressing 'places' and 'images' on the mind. Inherited and recorded by the Romans, this art of memory passed into the European tradition, to be revived, in occult form, at the(...)
$42.95
(available to order)
Summary:
The ancient Greeks, to whom a trained memory was of vital importance - as it was to everyone before the invention of printing - created an elaborate memory system, based on a technique of impressing 'places' and 'images' on the mind. Inherited and recorded by the Romans, this art of memory passed into the European tradition, to be revived, in occult form, at the(...)
Title:
The art of memory
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$42.95
(available to order)
Summary:
The ancient Greeks, to whom a trained memory was of vital importance - as it was to everyone before the invention of printing - created an elaborate memory system, based on a technique of impressing 'places' and 'images' on the mind. Inherited and recorded by the Romans, this art of memory passed into the European tradition, to be revived, in occult form, at the Renaissance, and particularly by the strange and remarkable genius, Giordano Bruno. Such is the main theme of Frances Yates's unique book, in the course of which she sheds light on such diverse subjects as Dante's Divine Comedy, the form of the Shakespearian theatre and the history of ancient architecture.
The art of memory
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Price:
$42.95
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Summary:
The ancient Greeks, to whom a trained memory was of vital importance - as it was to everyone before the invention of printing - created an elaborate memory system, based on a technique of impressing 'places' and 'images' on the mind. Inherited and recorded by the Romans, this art of memory passed into the European tradition, to be revived, in occult form, at the Renaissance, and particularly by the strange and remarkable genius, Giordano Bruno. Such is the main theme of Frances Yates's unique book, in the course of which she sheds light on such diverse subjects as Dante's Divine Comedy, the form of the Shakespearian theatre and the history of ancient architecture.
Form:
books
books
Publication:
September 1999
September 1999
Subject:
Architectural Theory
Architectural Theory
