29168 Results
Form:
textual records
textual records
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Reference number:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
People:
Date:
2015-2016
2015-2016
Title:
Personal and professional correspondence from 2015-2016
Actions:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
Personal and professional correspondence from 2015-2016
Actions:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
Form:
textual records
textual records
Date:
2015-2016
2015-2016
People:
Form:
events
events
Title:
Visiting Scholar Seminar: Thierry Mandoul
"Auguste Choisy: Dessiner l'histoire de l'architecture"
Visiting Scholar Seminar: Thierry Mandoul
"Auguste Choisy: Dessiner l'histoire de l'architecture"
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Keyword(s):
Visiting Scholar, Thierry Mandoul, Auguste Choisy, drawing, The History of Architecture, Visiting Scholar Seminar, axonometric
Visiting Scholar, Thierry Mandoul, Auguste Choisy, drawing, The History of Architecture, Visiting Scholar Seminar, axonometric
Date:
27 July 2006
27 July 2006
Form:
events
events
Date:
27 July 2006
27 July 2006
Form:
events
events
Actions:
Description:
Visiting Scholar Katie Lloyd Thomas presents her research: In the United Kingdom, the naming and selection of building products—or ‘shopping’ on behalf of the client—only became part of the architect’s role during the vast expansion of mass manufacturing in the 1930s. These radical transformations, largely overlooked today, were enthusiastically embraced and debated by(...)
Visiting Scholar Katie Lloyd Thomas presents her research: In the United Kingdom, the naming and selection of building products—or ‘shopping’ on behalf of the client—only became part of the architect’s role during the vast expansion of mass manufacturing in the 1930s. These radical transformations, largely overlooked today, were enthusiastically embraced and debated by(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
20 July 2017, 6pm
20 July 2017, 6pm
Title:
Visiting Scholar Seminar: Katie Lloyd Thomas
Actions:
Description:
Visiting Scholar Katie Lloyd Thomas presents her research: In the United Kingdom, the naming and selection of building products—or ‘shopping’ on behalf of the client—only became part of the architect’s role during the vast expansion of mass manufacturing in the 1930s. These radical transformations, largely overlooked today, were enthusiastically embraced and debated by(...)
Visiting Scholar Seminar: Katie Lloyd Thomas
Actions:
Description:
Visiting Scholar Katie Lloyd Thomas presents her research: In the United Kingdom, the naming and selection of building products—or ‘shopping’ on behalf of the client—only became part of the architect’s role during the vast expansion of mass manufacturing in the 1930s. These radical transformations, largely overlooked today, were enthusiastically embraced and debated by(...)
Form:
events
events
Date:
20 July 2017
6pm
20 July 2017
6pm
Location:
Shaughnessy House
Shaughnessy House
Form:
events
events
Actions:
Description:
Visiting Scholar Susanne Bauer presents her research: The theoretical debates which took place in American architecture circles—predominantly those on the east coast—as of the early 1960s were often concerned with questions of formal analysis of architectural space and, more broadly, with the present state of architecture and the disciplines future. Some of these debates(...)
Visiting Scholar Susanne Bauer presents her research: The theoretical debates which took place in American architecture circles—predominantly those on the east coast—as of the early 1960s were often concerned with questions of formal analysis of architectural space and, more broadly, with the present state of architecture and the disciplines future. Some of these debates(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
21 July 2016, 6pm
21 July 2016, 6pm
Title:
Visiting Scholar Seminar: Susanne Bauer
Actions:
Description:
Visiting Scholar Susanne Bauer presents her research: The theoretical debates which took place in American architecture circles—predominantly those on the east coast—as of the early 1960s were often concerned with questions of formal analysis of architectural space and, more broadly, with the present state of architecture and the disciplines future. Some of these debates(...)
Visiting Scholar Seminar: Susanne Bauer
Actions:
Description:
Visiting Scholar Susanne Bauer presents her research: The theoretical debates which took place in American architecture circles—predominantly those on the east coast—as of the early 1960s were often concerned with questions of formal analysis of architectural space and, more broadly, with the present state of architecture and the disciplines future. Some of these debates(...)
Form:
events
events
Date:
21 July 2016
6pm
21 July 2016
6pm
Location:
Shaughnessy House
Shaughnessy House
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
People:
Date:
2002-2014
2002-2014
Title:
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Form:
textual records
textual records
Date:
2002-2014
2002-2014
People:
Form:
textual records
textual records
Reference number:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
People:
Date:
1958-1984
1958-1984
Title:
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Form:
textual records
textual records
Date:
1958-1984
1958-1984
People:
Form:
events
events
Title:
Learning from... Cairo
Learning from... Cairo
Actions:
Description:
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
15 September 2011 , 7pm
15 September 2011 , 7pm
Title:
Learning from... Cairo
Actions:
Description:
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Learning from... Cairo
Actions:
Description:
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Form:
events
events
Date:
15 September 2011
7pm
15 September 2011
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
events
events
Title:
Visiting Scholar Seminar: Gregorio Carboni Maestri
Portugal: Architecture, Tendenza, Revolution
Visiting Scholar Seminar: Gregorio Carboni Maestri
Portugal: Architecture, Tendenza, Revolution
Actions:
Description:
Visiting Scholar Gregorio Carboni Maestri presents his research. From the 1930s to the late 1980s, Portuguese architecture was formed through a frustrated relationship with modernity and through a crucial dialogue with Italy. This talk addresses how Portuguese architecture observed and reacted to Italian models such as rationalism in the 1930s, postwar neorealism, and(...)
Visiting Scholar Gregorio Carboni Maestri presents his research. From the 1930s to the late 1980s, Portuguese architecture was formed through a frustrated relationship with modernity and through a crucial dialogue with Italy. This talk addresses how Portuguese architecture observed and reacted to Italian models such as rationalism in the 1930s, postwar neorealism, and(...)
Location:
Shaughnessy House Keyword(s):
Gregorio Carboni Maestri, Visiting Scholar, Portugal, Tendenza
Shaughnessy House Keyword(s):
Gregorio Carboni Maestri, Visiting Scholar, Portugal, Tendenza
Date:
3 August 2017, 6pm
3 August 2017, 6pm
Title:
Visiting Scholar Seminar: Gregorio Carboni Maestri
Actions:
Description:
Visiting Scholar Gregorio Carboni Maestri presents his research. From the 1930s to the late 1980s, Portuguese architecture was formed through a frustrated relationship with modernity and through a crucial dialogue with Italy. This talk addresses how Portuguese architecture observed and reacted to Italian models such as rationalism in the 1930s, postwar neorealism, and(...)
Visiting Scholar Seminar: Gregorio Carboni Maestri
Actions:
Description:
Visiting Scholar Gregorio Carboni Maestri presents his research. From the 1930s to the late 1980s, Portuguese architecture was formed through a frustrated relationship with modernity and through a crucial dialogue with Italy. This talk addresses how Portuguese architecture observed and reacted to Italian models such as rationalism in the 1930s, postwar neorealism, and(...)
Form:
events
events
Date:
3 August 2017
6pm
3 August 2017
6pm
Location:
Shaughnessy House Keyword(s):
Gregorio Carboni Maestri, Visiting Scholar, Portugal, Tendenza
Shaughnessy House Keyword(s):
Gregorio Carboni Maestri, Visiting Scholar, Portugal, Tendenza
Form:
events
events
Actions:
Description:
Architectural historian Barbara Penner traces the evolution of Niagara Falls – from its 19th-century honeymoon tourism to its state of post-industrial kitsch to its recent rebirth as a honeymoon destination. The photographer Alec Soth, whose work is the starting point for this lecture, compellingly portrays a ruined post-industrial landscape of love in his series Niagara(...)
Architectural historian Barbara Penner traces the evolution of Niagara Falls – from its 19th-century honeymoon tourism to its state of post-industrial kitsch to its recent rebirth as a honeymoon destination. The photographer Alec Soth, whose work is the starting point for this lecture, compellingly portrays a ruined post-industrial landscape of love in his series Niagara(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
23 April 2009
23 April 2009
Title:
Learning from... Niagara Falls
Actions:
Description:
Architectural historian Barbara Penner traces the evolution of Niagara Falls – from its 19th-century honeymoon tourism to its state of post-industrial kitsch to its recent rebirth as a honeymoon destination. The photographer Alec Soth, whose work is the starting point for this lecture, compellingly portrays a ruined post-industrial landscape of love in his series Niagara(...)
Learning from... Niagara Falls
Actions:
Description:
Architectural historian Barbara Penner traces the evolution of Niagara Falls – from its 19th-century honeymoon tourism to its state of post-industrial kitsch to its recent rebirth as a honeymoon destination. The photographer Alec Soth, whose work is the starting point for this lecture, compellingly portrays a ruined post-industrial landscape of love in his series Niagara(...)
Form:
events
events
Date:
23 April 2009
23 April 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Actions:
Reference number:
CD042
Synopsis:
The collection documents the research of Susan Wagg, one of the curators of the exhibition “Money Matters: A Critical Look at Bank Architecture”, on bank buildings in the United States and in Canada, from 1795 to 1979. It contains her research files on each of the bank buildings presented in the exhibition and the photograhic commission of the banks by photographers Robert Bourdeau, Edward Burtynsky, David Duchow, David Miller, Marilyn Bridges, James Iska, Len Jenshel, John Pfahl, George Tice, Catherine Wagner and Serge Hambourg.
CD042
Synopsis:
The collection documents the research of Susan Wagg, one of the curators of the exhibition “Money Matters: A Critical Look at Bank Architecture”, on bank buildings in the United States and in Canada, from 1795 to 1979. It contains her research files on each of the bank buildings presented in the exhibition and the photograhic commission of the banks by photographers Robert Bourdeau, Edward Burtynsky, David Duchow, David Miller, Marilyn Bridges, James Iska, Len Jenshel, John Pfahl, George Tice, Catherine Wagner and Serge Hambourg.
People:
Date:
1926-1993
1926-1993
Title:
Money Matters exhibition collection
Actions:
CD042
Synopsis:
The collection documents the research of Susan Wagg, one of the curators of the exhibition “Money Matters: A Critical Look at Bank Architecture”, on bank buildings in the United States and in Canada, from 1795 to 1979. It contains her research files on each of the bank buildings presented in the exhibition and the photograhic commission of the banks by photographers Robert Bourdeau, Edward Burtynsky, David Duchow, David Miller, Marilyn Bridges, James Iska, Len Jenshel, John Pfahl, George Tice, Catherine Wagner and Serge Hambourg.
Money Matters exhibition collection
Actions:
CD042
Synopsis:
The collection documents the research of Susan Wagg, one of the curators of the exhibition “Money Matters: A Critical Look at Bank Architecture”, on bank buildings in the United States and in Canada, from 1795 to 1979. It contains her research files on each of the bank buildings presented in the exhibition and the photograhic commission of the banks by photographers Robert Bourdeau, Edward Burtynsky, David Duchow, David Miller, Marilyn Bridges, James Iska, Len Jenshel, John Pfahl, George Tice, Catherine Wagner and Serge Hambourg.
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1926-1993
1926-1993
People:
