254 Results
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journals and magazines
journals and magazines
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This special issue empowers and encourages the reader to choose paths, as if walking through the city, an intellectual dérive. Rather than presenting a book of pictures, its strategy provides a basic, research-driven bibliography to assist the further exploration of ideas. Opening with an introduction by Darko Radovic, it goes on to closely examine the multifaceted Tokyo(...)
$56.95
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Summary:
This special issue empowers and encourages the reader to choose paths, as if walking through the city, an intellectual dérive. Rather than presenting a book of pictures, its strategy provides a basic, research-driven bibliography to assist the further exploration of ideas. Opening with an introduction by Darko Radovic, it goes on to closely examine the multifaceted Tokyo(...)
Title:
A+U Special edition: Infraordinary Tokyo: The Right To The City
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This special issue empowers and encourages the reader to choose paths, as if walking through the city, an intellectual dérive. Rather than presenting a book of pictures, its strategy provides a basic, research-driven bibliography to assist the further exploration of ideas. Opening with an introduction by Darko Radovic, it goes on to closely examine the multifaceted Tokyo metropolis from an array of perspectives and themes. These include shared housing, public bathhouses, pseudo-public space, urban spectacle, infills and alleyways, graffiti and street art, stacking historical times, hidden poverty, and more. Radovic, Kengo Kuma, and Hidenobu Jinnai discuss the city’s urban DNA.
A+U Special edition: Infraordinary Tokyo: The Right To The City
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$56.95
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Summary:
This special issue empowers and encourages the reader to choose paths, as if walking through the city, an intellectual dérive. Rather than presenting a book of pictures, its strategy provides a basic, research-driven bibliography to assist the further exploration of ideas. Opening with an introduction by Darko Radovic, it goes on to closely examine the multifaceted Tokyo metropolis from an array of perspectives and themes. These include shared housing, public bathhouses, pseudo-public space, urban spectacle, infills and alleyways, graffiti and street art, stacking historical times, hidden poverty, and more. Radovic, Kengo Kuma, and Hidenobu Jinnai discuss the city’s urban DNA.
Form:
journals and magazines
journals and magazines
Publication:
November 2021
November 2021
Subject:
Magazines
Magazines
Form:
books
books
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Ari Marcopoulos is an Amsterdam-born photographer and filmmaker who often situates himself in the lives of people living on the edge. He shot this series during one February afternoon in Exarcheia, a neighbourhood in central Athens which is famously known as home to Greek anarchists. Through 352 colourful pictures of graffiti and crumbling concrete walls, a coherent urban(...)
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Summary:
Ari Marcopoulos is an Amsterdam-born photographer and filmmaker who often situates himself in the lives of people living on the edge. He shot this series during one February afternoon in Exarcheia, a neighbourhood in central Athens which is famously known as home to Greek anarchists. Through 352 colourful pictures of graffiti and crumbling concrete walls, a coherent urban(...)
Title:
Exarcheia Athens Sunday Feb. 5 2017 13:07-16:51
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Ari Marcopoulos is an Amsterdam-born photographer and filmmaker who often situates himself in the lives of people living on the edge. He shot this series during one February afternoon in Exarcheia, a neighbourhood in central Athens which is famously known as home to Greek anarchists. Through 352 colourful pictures of graffiti and crumbling concrete walls, a coherent urban portrait comes to light, as if Marcopoulos was scanning the area through his camera lens. The entire series remains unedited in the layout of the book, presenting an accurate reflection of a district that still preserves the memory of decades of resistance to state repression.
Exarcheia Athens Sunday Feb. 5 2017 13:07-16:51
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Summary:
Ari Marcopoulos is an Amsterdam-born photographer and filmmaker who often situates himself in the lives of people living on the edge. He shot this series during one February afternoon in Exarcheia, a neighbourhood in central Athens which is famously known as home to Greek anarchists. Through 352 colourful pictures of graffiti and crumbling concrete walls, a coherent urban portrait comes to light, as if Marcopoulos was scanning the area through his camera lens. The entire series remains unedited in the layout of the book, presenting an accurate reflection of a district that still preserves the memory of decades of resistance to state repression.
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$25.00
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Summary:
Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the(...)
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Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the(...)
Title:
The walls have the floor: mural journal, May '68
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Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the Sorbonne was followed by wildcat strikes across France, uniting students and workers and bringing the country's economy to a halt. There have been many accounts of these events. This book tells the story in a different way, through the graffiti inscribed by protestors as they protested.
The walls have the floor: mural journal, May '68
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$25.00
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Summary:
Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the Sorbonne was followed by wildcat strikes across France, uniting students and workers and bringing the country's economy to a halt. There have been many accounts of these events. This book tells the story in a different way, through the graffiti inscribed by protestors as they protested.
Form:
books
books
Publication:
April 2018
April 2018
Subject:
Printed Matter
Printed Matter
Form:
books
books
Title:
Barry Mcgee
Barry Mcgee
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$60.00
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A part of the early 1990s art and graffiti boom associated with San Francisco's Mission School ) and with the Beautiful Loser generation, McGee synthesizes a wide range of resources, including the Mexican muralists, anonymous street art and San Francisco Beat poetry, all of which are notably characterized by a sense of public address that McGee never neglects to convey in(...)
$60.00
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A part of the early 1990s art and graffiti boom associated with San Francisco's Mission School ) and with the Beautiful Loser generation, McGee synthesizes a wide range of resources, including the Mexican muralists, anonymous street art and San Francisco Beat poetry, all of which are notably characterized by a sense of public address that McGee never neglects to convey in(...)
Title:
Barry Mcgee
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$60.00
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A part of the early 1990s art and graffiti boom associated with San Francisco's Mission School ) and with the Beautiful Loser generation, McGee synthesizes a wide range of resources, including the Mexican muralists, anonymous street art and San Francisco Beat poetry, all of which are notably characterized by a sense of public address that McGee never neglects to convey in his own work. His paintings, drawings and installations spill over with graphic energy and political anger, and direct exhortations to his audience to respond to the life around them. This hardcover artist's book takes the form of a visual collage, incorporating photographs, drawings, paintings and documentation of past and present installations.
Barry Mcgee
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$60.00
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Summary:
A part of the early 1990s art and graffiti boom associated with San Francisco's Mission School ) and with the Beautiful Loser generation, McGee synthesizes a wide range of resources, including the Mexican muralists, anonymous street art and San Francisco Beat poetry, all of which are notably characterized by a sense of public address that McGee never neglects to convey in his own work. His paintings, drawings and installations spill over with graphic energy and political anger, and direct exhortations to his audience to respond to the life around them. This hardcover artist's book takes the form of a visual collage, incorporating photographs, drawings, paintings and documentation of past and present installations.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Learning from Hangzhou
Learning from Hangzhou
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$54.00
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Over the last ten years, the ancient city of Hangzhou, China, has tripled in size and added over a million people to its population. Learning from Hangzhou is an extended photoessay that situates Hangzhou within the physically and culturally transformative pressures of China's unbridled economic expansion. Between 2003 and 2008, more than 3,000 images of Hangzhou were(...)
$54.00
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Summary:
Over the last ten years, the ancient city of Hangzhou, China, has tripled in size and added over a million people to its population. Learning from Hangzhou is an extended photoessay that situates Hangzhou within the physically and culturally transformative pressures of China's unbridled economic expansion. Between 2003 and 2008, more than 3,000 images of Hangzhou were(...)
Title:
Learning from Hangzhou
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$54.00
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Summary:
Over the last ten years, the ancient city of Hangzhou, China, has tripled in size and added over a million people to its population. Learning from Hangzhou is an extended photoessay that situates Hangzhou within the physically and culturally transformative pressures of China's unbridled economic expansion. Between 2003 and 2008, more than 3,000 images of Hangzhou were taken, and then sorted for recurrent subject matter. This resulting condensed portrait catalogues such themes as the ubiquity of demolition and construction in Hangzhou, its architectural eclecticism, graffiti, advertising and the tenuous relationship between architecture and signage. This photo essay is accompanied by texts that explicate Hangzhou's emblematic role in China's larger transformations.
Learning from Hangzhou
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$54.00
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Summary:
Over the last ten years, the ancient city of Hangzhou, China, has tripled in size and added over a million people to its population. Learning from Hangzhou is an extended photoessay that situates Hangzhou within the physically and culturally transformative pressures of China's unbridled economic expansion. Between 2003 and 2008, more than 3,000 images of Hangzhou were taken, and then sorted for recurrent subject matter. This resulting condensed portrait catalogues such themes as the ubiquity of demolition and construction in Hangzhou, its architectural eclecticism, graffiti, advertising and the tenuous relationship between architecture and signage. This photo essay is accompanied by texts that explicate Hangzhou's emblematic role in China's larger transformations.
Form:
books
books
Publication:
August 2009
August 2009
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
Form:
books
books
Title:
John Divola: Vandalism
John Divola: Vandalism
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$58.00
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Summary:
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In(...)
$58.00
(available in store)
Summary:
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In(...)
Title:
John Divola: Vandalism
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$58.00
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Summary:
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art.
John Divola: Vandalism
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$58.00
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Summary:
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Photography monographs
Photography monographs
Form:
books
books
Actions:
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$57.50
(available to order)
Summary:
Photographer and master printer Brian Young first arrived in New York City in 1984. He witnessed all the well-known ills of ‘70s and early ‘80s New York, finding the city slowly, haltingly recovering from an economic depression. Industry and manufacturing jobs had left the city, and the population continued to drain out to the suburbs. The “crack epidemic” was on the(...)
$57.50
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Summary:
Photographer and master printer Brian Young first arrived in New York City in 1984. He witnessed all the well-known ills of ‘70s and early ‘80s New York, finding the city slowly, haltingly recovering from an economic depression. Industry and manufacturing jobs had left the city, and the population continued to drain out to the suburbs. The “crack epidemic” was on the(...)
Title:
Brian Young: the train NYC 1984
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Photographer and master printer Brian Young first arrived in New York City in 1984. He witnessed all the well-known ills of ‘70s and early ‘80s New York, finding the city slowly, haltingly recovering from an economic depression. Industry and manufacturing jobs had left the city, and the population continued to drain out to the suburbs. The “crack epidemic” was on the front pages and on the streets. Abandoned shells of burnt-out cars littered the roads and muggings were simply a fact of daily life. Young found his camera increasingly drawn to the subway system--one of the great social levelers of life in New York City and, increasingly, the canvas for an explosive profusion of graffiti.
Brian Young: the train NYC 1984
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$57.50
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Summary:
Photographer and master printer Brian Young first arrived in New York City in 1984. He witnessed all the well-known ills of ‘70s and early ‘80s New York, finding the city slowly, haltingly recovering from an economic depression. Industry and manufacturing jobs had left the city, and the population continued to drain out to the suburbs. The “crack epidemic” was on the front pages and on the streets. Abandoned shells of burnt-out cars littered the roads and muggings were simply a fact of daily life. Young found his camera increasingly drawn to the subway system--one of the great social levelers of life in New York City and, increasingly, the canvas for an explosive profusion of graffiti.
Form:
books
books
Publication:
August 2016
August 2016
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Lee Friedlander: Signs
Lee Friedlander: Signs
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$105.00
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Summary:
For more than five decades, Lee Friedlander has repeatedly been drawn to the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Incorporating these markings with precision and sly humor, Friedlander’s photographs record a kind of found poetry of desire and commerce. Focusing on one of the artist’s key motifs,(...)
$105.00
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Summary:
For more than five decades, Lee Friedlander has repeatedly been drawn to the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Incorporating these markings with precision and sly humor, Friedlander’s photographs record a kind of found poetry of desire and commerce. Focusing on one of the artist’s key motifs,(...)
Title:
Lee Friedlander: Signs
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For more than five decades, Lee Friedlander has repeatedly been drawn to the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Incorporating these markings with precision and sly humor, Friedlander’s photographs record a kind of found poetry of desire and commerce. Focusing on one of the artist’s key motifs, "Lee Friedlander: Signs" presents a cacophony of wheat-paste posters, Coca-Cola ads, prices for milk, road signs, stop signs, neon lights, movie marquees and graffiti. The book collects 144 photographs made in New York and other places across the US, and features self-portraits, street photographs and work from series including "The American Monument and America by Car", among others.
Lee Friedlander: Signs
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$105.00
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Summary:
For more than five decades, Lee Friedlander has repeatedly been drawn to the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Incorporating these markings with precision and sly humor, Friedlander’s photographs record a kind of found poetry of desire and commerce. Focusing on one of the artist’s key motifs, "Lee Friedlander: Signs" presents a cacophony of wheat-paste posters, Coca-Cola ads, prices for milk, road signs, stop signs, neon lights, movie marquees and graffiti. The book collects 144 photographs made in New York and other places across the US, and features self-portraits, street photographs and work from series including "The American Monument and America by Car", among others.
Form:
books
books
Publication:
May 2019
May 2019
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Chris Johanson: Ants
Chris Johanson: Ants
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Chris Johanson (né en 1968 à San Jose, vit et travaille entre Los Angeles et Portland) est une figure centrale de la Mission School de San Francisco, le mouvement post-punk qui a intégré des aspects du graffiti et de l'art populaire. Sa pratique multidimensionnelle englobe la peinture, le dessin, la sculpture, le design et la musique. Incorporant des influences disparates(...)
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Chris Johanson (né en 1968 à San Jose, vit et travaille entre Los Angeles et Portland) est une figure centrale de la Mission School de San Francisco, le mouvement post-punk qui a intégré des aspects du graffiti et de l'art populaire. Sa pratique multidimensionnelle englobe la peinture, le dessin, la sculpture, le design et la musique. Incorporant des influences disparates(...)
Title:
Chris Johanson: Ants
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Chris Johanson (né en 1968 à San Jose, vit et travaille entre Los Angeles et Portland) est une figure centrale de la Mission School de San Francisco, le mouvement post-punk qui a intégré des aspects du graffiti et de l'art populaire. Sa pratique multidimensionnelle englobe la peinture, le dessin, la sculpture, le design et la musique. Incorporant des influences disparates qui reflètent la complexité de la vie, son travail est centré sur des thèmes tels que la spiritualité, la sociologie et l'observation de l'environnement. Johanson a commencé à travailler sur des dessins figuratifs et à peindre sur des planches de skate dès son plus jeune âge. Ses compositions se veulent ouvertes à l'interprétation et invitent à la réflexion sur la vie quotidienne et la condition humaine.
Chris Johanson: Ants
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Chris Johanson (né en 1968 à San Jose, vit et travaille entre Los Angeles et Portland) est une figure centrale de la Mission School de San Francisco, le mouvement post-punk qui a intégré des aspects du graffiti et de l'art populaire. Sa pratique multidimensionnelle englobe la peinture, le dessin, la sculpture, le design et la musique. Incorporant des influences disparates qui reflètent la complexité de la vie, son travail est centré sur des thèmes tels que la spiritualité, la sociologie et l'observation de l'environnement. Johanson a commencé à travailler sur des dessins figuratifs et à peindre sur des planches de skate dès son plus jeune âge. Ses compositions se veulent ouvertes à l'interprétation et invitent à la réflexion sur la vie quotidienne et la condition humaine.
Form:
books
books
Publication:
February 2025
February 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Perou / Hyde: Tunnel vision
Perou / Hyde: Tunnel vision
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$67.95
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Summary:
You can almost hear the ominous hum of the broken strip lighting, the knot of fear in the gut. These unloved spaces are notoriously menacing, graffiti-ridden, inconvenient. Yet through the lens of celebrated British portrait photographer Perou and the accompanying essay by Karl Hyde (of dance music duo Underworld), their architecture is also elevated to something(...)
$67.95
(available to order)
Summary:
You can almost hear the ominous hum of the broken strip lighting, the knot of fear in the gut. These unloved spaces are notoriously menacing, graffiti-ridden, inconvenient. Yet through the lens of celebrated British portrait photographer Perou and the accompanying essay by Karl Hyde (of dance music duo Underworld), their architecture is also elevated to something(...)
Title:
Perou / Hyde: Tunnel vision
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$67.95
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Summary:
You can almost hear the ominous hum of the broken strip lighting, the knot of fear in the gut. These unloved spaces are notoriously menacing, graffiti-ridden, inconvenient. Yet through the lens of celebrated British portrait photographer Perou and the accompanying essay by Karl Hyde (of dance music duo Underworld), their architecture is also elevated to something magnificent, at times even ethereal. Shot at night, Perou’s images also express the original utopian vision of the New Town planners of the 1960s and ’70s. The idea for Tunnel Vision was sparked between friends Perou and Hyde when Perou shot the album cover for Hyde’s debut solo album, Edgeland, featuring an underpass at night. Perou has now shot over 200 underpasses across England.
Perou / Hyde: Tunnel vision
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$67.95
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Summary:
You can almost hear the ominous hum of the broken strip lighting, the knot of fear in the gut. These unloved spaces are notoriously menacing, graffiti-ridden, inconvenient. Yet through the lens of celebrated British portrait photographer Perou and the accompanying essay by Karl Hyde (of dance music duo Underworld), their architecture is also elevated to something magnificent, at times even ethereal. Shot at night, Perou’s images also express the original utopian vision of the New Town planners of the 1960s and ’70s. The idea for Tunnel Vision was sparked between friends Perou and Hyde when Perou shot the album cover for Hyde’s debut solo album, Edgeland, featuring an underpass at night. Perou has now shot over 200 underpasses across England.
Form:
books
books
Publication:
November 2021
November 2021
Subject:
Photography monographs
Photography monographs
