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Plus qu’une histoire du rap à proprement parler, Can’t Stop Won’t Stop (d’après la devise du fameux gang des Crips) est avant tout celle d’une génération et de ses combats pour être reconnue dans un contexte politico-social qui aurait voulu la réduire au silence et à l’invisibilité. Jeff Chang examine à la loupe, fort de centaines d’entretiens et de recherches(...)
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Plus qu’une histoire du rap à proprement parler, Can’t Stop Won’t Stop (d’après la devise du fameux gang des Crips) est avant tout celle d’une génération et de ses combats pour être reconnue dans un contexte politico-social qui aurait voulu la réduire au silence et à l’invisibilité. Jeff Chang examine à la loupe, fort de centaines d’entretiens et de recherches(...)
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Can't stop won't stop: une histoire de la génération hip-hop
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Plus qu’une histoire du rap à proprement parler, Can’t Stop Won’t Stop (d’après la devise du fameux gang des Crips) est avant tout celle d’une génération et de ses combats pour être reconnue dans un contexte politico-social qui aurait voulu la réduire au silence et à l’invisibilité. Jeff Chang examine à la loupe, fort de centaines d’entretiens et de recherches minutieuses, les quatre phénomènes principaux qui fondent son expression : les MC’s (Masters of Ceremony), les DJ’s, la breakdance et l’art du graffiti. Traduit de l'anglais par Héloïse Esquié.
Can't stop won't stop: une histoire de la génération hip-hop
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Plus qu’une histoire du rap à proprement parler, Can’t Stop Won’t Stop (d’après la devise du fameux gang des Crips) est avant tout celle d’une génération et de ses combats pour être reconnue dans un contexte politico-social qui aurait voulu la réduire au silence et à l’invisibilité. Jeff Chang examine à la loupe, fort de centaines d’entretiens et de recherches minutieuses, les quatre phénomènes principaux qui fondent son expression : les MC’s (Masters of Ceremony), les DJ’s, la breakdance et l’art du graffiti. Traduit de l'anglais par Héloïse Esquié.
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books
books
Publication:
June 2013
June 2013
Subject:
Acoustics
Acoustics
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books
books
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$68.00
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Photographer Gerry Badger only brought out his camera on overcast days in Berlin between 2007 and 2011. His portrait of the citys back streets and dilapidated spaces is rough, full of refuse and graffiti, and almost completely devoid of human presence. This series of images depicts the forgotten corners of a living city, full of history; a fact that has seemingly been(...)
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Photographer Gerry Badger only brought out his camera on overcast days in Berlin between 2007 and 2011. His portrait of the citys back streets and dilapidated spaces is rough, full of refuse and graffiti, and almost completely devoid of human presence. This series of images depicts the forgotten corners of a living city, full of history; a fact that has seemingly been(...)
Title:
Gerry Badger: it was a grey day
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Photographer Gerry Badger only brought out his camera on overcast days in Berlin between 2007 and 2011. His portrait of the citys back streets and dilapidated spaces is rough, full of refuse and graffiti, and almost completely devoid of human presence. This series of images depicts the forgotten corners of a living city, full of history; a fact that has seemingly been banished outside the fringes of the frame. What is left is emptiness, broken architecture, neglected parks, vacant lots, discarded things all fading under a metallic, unfeeling sky.
Gerry Badger: it was a grey day
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Photographer Gerry Badger only brought out his camera on overcast days in Berlin between 2007 and 2011. His portrait of the citys back streets and dilapidated spaces is rough, full of refuse and graffiti, and almost completely devoid of human presence. This series of images depicts the forgotten corners of a living city, full of history; a fact that has seemingly been banished outside the fringes of the frame. What is left is emptiness, broken architecture, neglected parks, vacant lots, discarded things all fading under a metallic, unfeeling sky.
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books
books
Publication:
October 2015
October 2015
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Tal R: le chines
Tal R: le chines
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Danish artist Tal R creates thickly layered paintings in which solid forms and bright colours evoke associations with the world of child's play. Tal R has been described as a "painter's painter" due to the ease and exuberance of his approach to the medium. In his work the artist establishes vivid, expressive settings within a pictorial framework. The format refers to the(...)
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Danish artist Tal R creates thickly layered paintings in which solid forms and bright colours evoke associations with the world of child's play. Tal R has been described as a "painter's painter" due to the ease and exuberance of his approach to the medium. In his work the artist establishes vivid, expressive settings within a pictorial framework. The format refers to the(...)
Title:
Tal R: le chines
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Danish artist Tal R creates thickly layered paintings in which solid forms and bright colours evoke associations with the world of child's play. Tal R has been described as a "painter's painter" due to the ease and exuberance of his approach to the medium. In his work the artist establishes vivid, expressive settings within a pictorial framework. The format refers to the layout of the screen of early 80s video games. Tal R's paintings suggest a cross between comic books, graffiti and wild children's doodles. His images subtly transform a picture book naiveté into a menacingly archaic and seemingly violent world.
Tal R: le chines
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Danish artist Tal R creates thickly layered paintings in which solid forms and bright colours evoke associations with the world of child's play. Tal R has been described as a "painter's painter" due to the ease and exuberance of his approach to the medium. In his work the artist establishes vivid, expressive settings within a pictorial framework. The format refers to the layout of the screen of early 80s video games. Tal R's paintings suggest a cross between comic books, graffiti and wild children's doodles. His images subtly transform a picture book naiveté into a menacingly archaic and seemingly violent world.
Form:
books
books
Publication:
September 2008, Amsterdam
September 2008, Amsterdam
Subject:
Graphic Design and Typography
Graphic Design and Typography
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journals and magazines
journals and magazines
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$56.95
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This special issue empowers and encourages the reader to choose paths, as if walking through the city, an intellectual dérive. Rather than presenting a book of pictures, its strategy provides a basic, research-driven bibliography to assist the further exploration of ideas. Opening with an introduction by Darko Radovic, it goes on to closely examine the multifaceted Tokyo(...)
$56.95
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Summary:
This special issue empowers and encourages the reader to choose paths, as if walking through the city, an intellectual dérive. Rather than presenting a book of pictures, its strategy provides a basic, research-driven bibliography to assist the further exploration of ideas. Opening with an introduction by Darko Radovic, it goes on to closely examine the multifaceted Tokyo(...)
Title:
A+U Special edition: Infraordinary Tokyo: The Right To The City
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This special issue empowers and encourages the reader to choose paths, as if walking through the city, an intellectual dérive. Rather than presenting a book of pictures, its strategy provides a basic, research-driven bibliography to assist the further exploration of ideas. Opening with an introduction by Darko Radovic, it goes on to closely examine the multifaceted Tokyo metropolis from an array of perspectives and themes. These include shared housing, public bathhouses, pseudo-public space, urban spectacle, infills and alleyways, graffiti and street art, stacking historical times, hidden poverty, and more. Radovic, Kengo Kuma, and Hidenobu Jinnai discuss the city’s urban DNA.
A+U Special edition: Infraordinary Tokyo: The Right To The City
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$56.95
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Summary:
This special issue empowers and encourages the reader to choose paths, as if walking through the city, an intellectual dérive. Rather than presenting a book of pictures, its strategy provides a basic, research-driven bibliography to assist the further exploration of ideas. Opening with an introduction by Darko Radovic, it goes on to closely examine the multifaceted Tokyo metropolis from an array of perspectives and themes. These include shared housing, public bathhouses, pseudo-public space, urban spectacle, infills and alleyways, graffiti and street art, stacking historical times, hidden poverty, and more. Radovic, Kengo Kuma, and Hidenobu Jinnai discuss the city’s urban DNA.
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journals and magazines
journals and magazines
Publication:
November 2021
November 2021
Subject:
Magazines
Magazines
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books
books
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$40.00
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Ari Marcopoulos is an Amsterdam-born photographer and filmmaker who often situates himself in the lives of people living on the edge. He shot this series during one February afternoon in Exarcheia, a neighbourhood in central Athens which is famously known as home to Greek anarchists. Through 352 colourful pictures of graffiti and crumbling concrete walls, a coherent urban(...)
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Summary:
Ari Marcopoulos is an Amsterdam-born photographer and filmmaker who often situates himself in the lives of people living on the edge. He shot this series during one February afternoon in Exarcheia, a neighbourhood in central Athens which is famously known as home to Greek anarchists. Through 352 colourful pictures of graffiti and crumbling concrete walls, a coherent urban(...)
Title:
Exarcheia Athens Sunday Feb. 5 2017 13:07-16:51
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Ari Marcopoulos is an Amsterdam-born photographer and filmmaker who often situates himself in the lives of people living on the edge. He shot this series during one February afternoon in Exarcheia, a neighbourhood in central Athens which is famously known as home to Greek anarchists. Through 352 colourful pictures of graffiti and crumbling concrete walls, a coherent urban portrait comes to light, as if Marcopoulos was scanning the area through his camera lens. The entire series remains unedited in the layout of the book, presenting an accurate reflection of a district that still preserves the memory of decades of resistance to state repression.
Exarcheia Athens Sunday Feb. 5 2017 13:07-16:51
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Summary:
Ari Marcopoulos is an Amsterdam-born photographer and filmmaker who often situates himself in the lives of people living on the edge. He shot this series during one February afternoon in Exarcheia, a neighbourhood in central Athens which is famously known as home to Greek anarchists. Through 352 colourful pictures of graffiti and crumbling concrete walls, a coherent urban portrait comes to light, as if Marcopoulos was scanning the area through his camera lens. The entire series remains unedited in the layout of the book, presenting an accurate reflection of a district that still preserves the memory of decades of resistance to state repression.
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$25.00
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Summary:
Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the(...)
$25.00
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Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the(...)
Title:
The walls have the floor: mural journal, May '68
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Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the Sorbonne was followed by wildcat strikes across France, uniting students and workers and bringing the country's economy to a halt. There have been many accounts of these events. This book tells the story in a different way, through the graffiti inscribed by protestors as they protested.
The walls have the floor: mural journal, May '68
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$25.00
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Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the Sorbonne was followed by wildcat strikes across France, uniting students and workers and bringing the country's economy to a halt. There have been many accounts of these events. This book tells the story in a different way, through the graffiti inscribed by protestors as they protested.
Form:
books
books
Publication:
April 2018
April 2018
Subject:
Printed Matter
Printed Matter
Form:
books
books
Title:
Learning from Hangzhou
Learning from Hangzhou
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$54.00
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Over the last ten years, the ancient city of Hangzhou, China, has tripled in size and added over a million people to its population. Learning from Hangzhou is an extended photoessay that situates Hangzhou within the physically and culturally transformative pressures of China's unbridled economic expansion. Between 2003 and 2008, more than 3,000 images of Hangzhou were(...)
$54.00
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Summary:
Over the last ten years, the ancient city of Hangzhou, China, has tripled in size and added over a million people to its population. Learning from Hangzhou is an extended photoessay that situates Hangzhou within the physically and culturally transformative pressures of China's unbridled economic expansion. Between 2003 and 2008, more than 3,000 images of Hangzhou were(...)
Title:
Learning from Hangzhou
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$54.00
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Over the last ten years, the ancient city of Hangzhou, China, has tripled in size and added over a million people to its population. Learning from Hangzhou is an extended photoessay that situates Hangzhou within the physically and culturally transformative pressures of China's unbridled economic expansion. Between 2003 and 2008, more than 3,000 images of Hangzhou were taken, and then sorted for recurrent subject matter. This resulting condensed portrait catalogues such themes as the ubiquity of demolition and construction in Hangzhou, its architectural eclecticism, graffiti, advertising and the tenuous relationship between architecture and signage. This photo essay is accompanied by texts that explicate Hangzhou's emblematic role in China's larger transformations.
Learning from Hangzhou
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$54.00
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Summary:
Over the last ten years, the ancient city of Hangzhou, China, has tripled in size and added over a million people to its population. Learning from Hangzhou is an extended photoessay that situates Hangzhou within the physically and culturally transformative pressures of China's unbridled economic expansion. Between 2003 and 2008, more than 3,000 images of Hangzhou were taken, and then sorted for recurrent subject matter. This resulting condensed portrait catalogues such themes as the ubiquity of demolition and construction in Hangzhou, its architectural eclecticism, graffiti, advertising and the tenuous relationship between architecture and signage. This photo essay is accompanied by texts that explicate Hangzhou's emblematic role in China's larger transformations.
Form:
books
books
Publication:
August 2009
August 2009
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
Form:
books
books
Title:
Barry Mcgee
Barry Mcgee
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$60.00
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A part of the early 1990s art and graffiti boom associated with San Francisco's Mission School ) and with the Beautiful Loser generation, McGee synthesizes a wide range of resources, including the Mexican muralists, anonymous street art and San Francisco Beat poetry, all of which are notably characterized by a sense of public address that McGee never neglects to convey in(...)
$60.00
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A part of the early 1990s art and graffiti boom associated with San Francisco's Mission School ) and with the Beautiful Loser generation, McGee synthesizes a wide range of resources, including the Mexican muralists, anonymous street art and San Francisco Beat poetry, all of which are notably characterized by a sense of public address that McGee never neglects to convey in(...)
Title:
Barry Mcgee
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$60.00
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A part of the early 1990s art and graffiti boom associated with San Francisco's Mission School ) and with the Beautiful Loser generation, McGee synthesizes a wide range of resources, including the Mexican muralists, anonymous street art and San Francisco Beat poetry, all of which are notably characterized by a sense of public address that McGee never neglects to convey in his own work. His paintings, drawings and installations spill over with graphic energy and political anger, and direct exhortations to his audience to respond to the life around them. This hardcover artist's book takes the form of a visual collage, incorporating photographs, drawings, paintings and documentation of past and present installations.
Barry Mcgee
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$60.00
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Summary:
A part of the early 1990s art and graffiti boom associated with San Francisco's Mission School ) and with the Beautiful Loser generation, McGee synthesizes a wide range of resources, including the Mexican muralists, anonymous street art and San Francisco Beat poetry, all of which are notably characterized by a sense of public address that McGee never neglects to convey in his own work. His paintings, drawings and installations spill over with graphic energy and political anger, and direct exhortations to his audience to respond to the life around them. This hardcover artist's book takes the form of a visual collage, incorporating photographs, drawings, paintings and documentation of past and present installations.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
John Divola: Vandalism
John Divola: Vandalism
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$58.00
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Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In(...)
$58.00
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Summary:
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In(...)
Title:
John Divola: Vandalism
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$58.00
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Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art.
John Divola: Vandalism
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$58.00
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Summary:
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$57.50
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Photographer and master printer Brian Young first arrived in New York City in 1984. He witnessed all the well-known ills of ‘70s and early ‘80s New York, finding the city slowly, haltingly recovering from an economic depression. Industry and manufacturing jobs had left the city, and the population continued to drain out to the suburbs. The “crack epidemic” was on the(...)
$57.50
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Summary:
Photographer and master printer Brian Young first arrived in New York City in 1984. He witnessed all the well-known ills of ‘70s and early ‘80s New York, finding the city slowly, haltingly recovering from an economic depression. Industry and manufacturing jobs had left the city, and the population continued to drain out to the suburbs. The “crack epidemic” was on the(...)
Title:
Brian Young: the train NYC 1984
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Photographer and master printer Brian Young first arrived in New York City in 1984. He witnessed all the well-known ills of ‘70s and early ‘80s New York, finding the city slowly, haltingly recovering from an economic depression. Industry and manufacturing jobs had left the city, and the population continued to drain out to the suburbs. The “crack epidemic” was on the front pages and on the streets. Abandoned shells of burnt-out cars littered the roads and muggings were simply a fact of daily life. Young found his camera increasingly drawn to the subway system--one of the great social levelers of life in New York City and, increasingly, the canvas for an explosive profusion of graffiti.
Brian Young: the train NYC 1984
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Photographer and master printer Brian Young first arrived in New York City in 1984. He witnessed all the well-known ills of ‘70s and early ‘80s New York, finding the city slowly, haltingly recovering from an economic depression. Industry and manufacturing jobs had left the city, and the population continued to drain out to the suburbs. The “crack epidemic” was on the front pages and on the streets. Abandoned shells of burnt-out cars littered the roads and muggings were simply a fact of daily life. Young found his camera increasingly drawn to the subway system--one of the great social levelers of life in New York City and, increasingly, the canvas for an explosive profusion of graffiti.
Form:
books
books
Publication:
August 2016
August 2016
Subject:
Photography monographs
Photography monographs
