6897 Results
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Reference number:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
People:
Date:
1911-1977
1911-1977
Title:
Die gläserne Kette collection
Actions:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Die gläserne Kette collection
Actions:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Form:
archives
Level of archival description:
Collection AP162
archives
Level of archival description:
Collection AP162
Date:
1911-1977
1911-1977
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1984:0713:001-034
Description:
Volume consists of 34 black-and-white mounted photographic prints of views of the architecture and landscape of Cologne before the Second World War. 2 cover pages containing text in Germany prelude the photographs. Pages are unbound.
PH1984:0713:001-034
Description:
Volume consists of 34 black-and-white mounted photographic prints of views of the architecture and landscape of Cologne before the Second World War. 2 cover pages containing text in Germany prelude the photographs. Pages are unbound.
People:
Date:
1920-1939
1920-1939
Title:
Views of Cologne before World War II, Cologne, Germany
Actions:
PH1984:0713:001-034
Description:
Volume consists of 34 black-and-white mounted photographic prints of views of the architecture and landscape of Cologne before the Second World War. 2 cover pages containing text in Germany prelude the photographs. Pages are unbound.
Views of Cologne before World War II, Cologne, Germany
Actions:
PH1984:0713:001-034
Description:
Volume consists of 34 black-and-white mounted photographic prints of views of the architecture and landscape of Cologne before the Second World War. 2 cover pages containing text in Germany prelude the photographs. Pages are unbound.
Form:
photographs
photographs
Date:
1920-1939
1920-1939
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0015:024:002
Description:
File containing documents in English (predominant) and French, including reference materials, and photographs. Possibly related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology". Original folder inscribed in graphite: IMAGES – ANTHOLOGY LM
DR2012:0015:024:002
Description:
File containing documents in English (predominant) and French, including reference materials, and photographs. Possibly related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology". Original folder inscribed in graphite: IMAGES – ANTHOLOGY LM
People:
Date:
1972-1976
1972-1976
Title:
Press clippings and reference material possible related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology".
Actions:
DR2012:0015:024:002
Description:
File containing documents in English (predominant) and French, including reference materials, and photographs. Possibly related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology". Original folder inscribed in graphite: IMAGES – ANTHOLOGY LM
Press clippings and reference material possible related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology".
Actions:
DR2012:0015:024:002
Description:
File containing documents in English (predominant) and French, including reference materials, and photographs. Possibly related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology". Original folder inscribed in graphite: IMAGES – ANTHOLOGY LM
Form:
textual records
textual records
Date:
1972-1976
1972-1976
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP066.S2.D26
Description:
Le dossier documente la rénovation du Bar l'oeuf- Brasserie Holder situé au 3816 boulevard Saint-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 350 000$ et la superficie est de 660 m2. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture 1992, catégorie "bâtiment commercial". Le dossier contient des dessins et des documents photographiques. Description du projet par l'architecte: "Transformation d'une quincaillerie en un bar-causerie "à l'européenne" qui, après quelques mois d'exploitation, sera modifié en restaurant. Le bâtiment voit son volume et sa superficie presque doublés. Cette dernière passant de quelque 340 m2 à 660 m2." ARQ: Architecture-Québec, nº 70, janvier 1993, p. 24.
AP066.S2.D26
Description:
Le dossier documente la rénovation du Bar l'oeuf- Brasserie Holder situé au 3816 boulevard Saint-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 350 000$ et la superficie est de 660 m2. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture 1992, catégorie "bâtiment commercial". Le dossier contient des dessins et des documents photographiques. Description du projet par l'architecte: "Transformation d'une quincaillerie en un bar-causerie "à l'européenne" qui, après quelques mois d'exploitation, sera modifié en restaurant. Le bâtiment voit son volume et sa superficie presque doublés. Cette dernière passant de quelque 340 m2 à 660 m2." ARQ: Architecture-Québec, nº 70, janvier 1993, p. 24.
People:
Date:
1990-1991
1990-1991
Title:
Bar L'oeuf - Brasserie Holder
Actions:
AP066.S2.D26
Description:
Le dossier documente la rénovation du Bar l'oeuf- Brasserie Holder situé au 3816 boulevard Saint-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 350 000$ et la superficie est de 660 m2. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture 1992, catégorie "bâtiment commercial". Le dossier contient des dessins et des documents photographiques. Description du projet par l'architecte: "Transformation d'une quincaillerie en un bar-causerie "à l'européenne" qui, après quelques mois d'exploitation, sera modifié en restaurant. Le bâtiment voit son volume et sa superficie presque doublés. Cette dernière passant de quelque 340 m2 à 660 m2." ARQ: Architecture-Québec, nº 70, janvier 1993, p. 24.
Bar L'oeuf - Brasserie Holder
Actions:
AP066.S2.D26
Description:
Le dossier documente la rénovation du Bar l'oeuf- Brasserie Holder situé au 3816 boulevard Saint-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 350 000$ et la superficie est de 660 m2. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture 1992, catégorie "bâtiment commercial". Le dossier contient des dessins et des documents photographiques. Description du projet par l'architecte: "Transformation d'une quincaillerie en un bar-causerie "à l'européenne" qui, après quelques mois d'exploitation, sera modifié en restaurant. Le bâtiment voit son volume et sa superficie presque doublés. Cette dernière passant de quelque 340 m2 à 660 m2." ARQ: Architecture-Québec, nº 70, janvier 1993, p. 24.
Level of archival description:
Projet
Projet
Date:
1990-1991
1990-1991
People:
Form:
exhibitions
exhibitions
Title:
Mies in America
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Location:
Main galleries
Main galleries
Date:
17 October 2001 to 20 January 2002
17 October 2001 to 20 January 2002
Title:
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Form:
exhibitions
exhibitions
Date:
17 October 2001 to
20 January 2002
17 October 2001 to
20 January 2002
Location:
Main galleries
Main galleries
Form:
events
events
Actions:
Description:
Architectural historian Barbara Penner traces the evolution of Niagara Falls – from its 19th-century honeymoon tourism to its state of post-industrial kitsch to its recent rebirth as a honeymoon destination. The photographer Alec Soth, whose work is the starting point for this lecture, compellingly portrays a ruined post-industrial landscape of love in his series Niagara(...)
Architectural historian Barbara Penner traces the evolution of Niagara Falls – from its 19th-century honeymoon tourism to its state of post-industrial kitsch to its recent rebirth as a honeymoon destination. The photographer Alec Soth, whose work is the starting point for this lecture, compellingly portrays a ruined post-industrial landscape of love in his series Niagara(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
23 April 2009
23 April 2009
Title:
Learning from... Niagara Falls
Actions:
Description:
Architectural historian Barbara Penner traces the evolution of Niagara Falls – from its 19th-century honeymoon tourism to its state of post-industrial kitsch to its recent rebirth as a honeymoon destination. The photographer Alec Soth, whose work is the starting point for this lecture, compellingly portrays a ruined post-industrial landscape of love in his series Niagara(...)
Learning from... Niagara Falls
Actions:
Description:
Architectural historian Barbara Penner traces the evolution of Niagara Falls – from its 19th-century honeymoon tourism to its state of post-industrial kitsch to its recent rebirth as a honeymoon destination. The photographer Alec Soth, whose work is the starting point for this lecture, compellingly portrays a ruined post-industrial landscape of love in his series Niagara(...)
Form:
events
events
Date:
23 April 2009
23 April 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
People:
Date:
2013-2015
2013-2015
Title:
Architecture Ondoyante (2014)
Actions:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Architecture Ondoyante (2014)
Actions:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
2013-2015
2013-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP108.S1.D6
Description:
This project series documents renovations to Saint Gabriel’s Church in Montréal, Québec. The project, which was nominated for a Massey medal for architecture in 1961, was carried out between 1959 – 1960. The project records consist of panels, drawings, photographs, and textual records.
AP108.S1.D6
Description:
This project series documents renovations to Saint Gabriel’s Church in Montréal, Québec. The project, which was nominated for a Massey medal for architecture in 1961, was carried out between 1959 – 1960. The project records consist of panels, drawings, photographs, and textual records.
People:
Date:
1959 - 1960
1959 - 1960
Title:
Saint Gabriel's Church - Renovation
Actions:
AP108.S1.D6
Description:
This project series documents renovations to Saint Gabriel’s Church in Montréal, Québec. The project, which was nominated for a Massey medal for architecture in 1961, was carried out between 1959 – 1960. The project records consist of panels, drawings, photographs, and textual records.
Saint Gabriel's Church - Renovation
Actions:
AP108.S1.D6
Description:
This project series documents renovations to Saint Gabriel’s Church in Montréal, Québec. The project, which was nominated for a Massey medal for architecture in 1961, was carried out between 1959 – 1960. The project records consist of panels, drawings, photographs, and textual records.
Level of archival description:
File 6
File 6
Date:
1959 - 1960
1959 - 1960
People:
Form:
photographs
photographs
Title:
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
Reference number:
PH1989:0095
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
PH1989:0095
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
People:
Subject:
architecture
architecture
Date:
1989
1989
Title:
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
PH1989:0095
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
PH1989:0095
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
Form:
photographs
photographs
Date:
1989
1989
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Title:
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
Reference number:
PH1989:0103
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
PH1989:0103
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
People:
Subject:
architecture
architecture
Date:
1989
1989
Title:
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
PH1989:0103
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
PH1989:0103
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
Form:
photographs
photographs
Date:
1989
1989
People:
Subject:
architecture
architecture
