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South Asia holds a unique place among the many regions of the world where modern architecture was understood as both a tool for social progress and a global lingua franca in the second half of the 20th century. Following the end of British rule in 1947-48, architects in the newly formed nations of India, Pakistan, Bangladesh (East Pakistan until 1971) and Ceylon (now Sri(...)
The project of independence: Architectures of decolonization in South Asia, 1947-1985
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South Asia holds a unique place among the many regions of the world where modern architecture was understood as both a tool for social progress and a global lingua franca in the second half of the 20th century. Following the end of British rule in 1947-48, architects in the newly formed nations of India, Pakistan, Bangladesh (East Pakistan until 1971) and Ceylon (now Sri Lanka) proposed a novel understanding of modernity, disrupting the colonial hierarchy of center and periphery by challenging modernism's universalist claims. Architecture offered multiple ways to break with the colonial past. Through the establishment of institutions that embodied the societal aspirations of the period, and the creation of new cities and spaces for political representation, South Asian architects produced a distinct body of work in dialogue with global developments while advancing the theory and practice of low-cost, climatically and socially responsive design.
Modernism
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This volume looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored(...)
Alloys: American sculpture and architecture at midcentury
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This volume looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art’s ability to merge with lived architectural spaces. Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art.
Modernism
Bauhaus: a graphic novel
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The main character of this extraordinary graphic novel is not a person but an idea—the school of Bauhaus, which arose in the wake of World War I, and emerged as the fundamental reference point for virtually every avant-garde artistic movement that followed. Visually arresting illustrations and engaging texts place the novel’s protagonist squarely in the middle of the(...)
Bauhaus: a graphic novel
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The main character of this extraordinary graphic novel is not a person but an idea—the school of Bauhaus, which arose in the wake of World War I, and emerged as the fundamental reference point for virtually every avant-garde artistic movement that followed. Visually arresting illustrations and engaging texts place the novel’s protagonist squarely in the middle of the twentieth-century debate on the relationship between technology and culture.
Modernism
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Le présent ouvrage, qui a pour objet central l’étude du Plan général de reconstruction de Moscou de 1935, propose de nuancer l’histoire urbaine soviétique écrite à travers l’unique prisme de la verticalité du pouvoir. Il met en évidence les nombreuses permanences, matérielles, idéelles et humaines, ainsi que les approches pragmatiques du projet de la part des décideurs,(...)
Le prolétariat ne se promène pas nu
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Le présent ouvrage, qui a pour objet central l’étude du Plan général de reconstruction de Moscou de 1935, propose de nuancer l’histoire urbaine soviétique écrite à travers l’unique prisme de la verticalité du pouvoir. Il met en évidence les nombreuses permanences, matérielles, idéelles et humaines, ainsi que les approches pragmatiques du projet de la part des décideurs, en premier lieu Staline et Kaganovitch. Servie par une riche iconographie, cette analyse, au-delà du cas moscovite, met en lumière comment les architectes et les urbanistes se positionnent, créent et innovent, dans et malgré un contexte de contrôle absolu.
Modernism
Modern architecture in Japan
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Manfredo Tafuri (1935–1994), the celebrated Italian architectural historian, published "L’architettura moderna" in Giappone in 1964. At the time, Tafuri was twenty-nine years old and had not visited Japan. Here, translated into English for the first time, the book presents a rare outsider’s view of the Metabolist movement and figures such as Kenzo Tange by one of the most(...)
Modern architecture in Japan
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Manfredo Tafuri (1935–1994), the celebrated Italian architectural historian, published "L’architettura moderna" in Giappone in 1964. At the time, Tafuri was twenty-nine years old and had not visited Japan. Here, translated into English for the first time, the book presents a rare outsider’s view of the Metabolist movement and figures such as Kenzo Tange by one of the most astute critics of the second part of the twentieth century. Tafuri’s ideas about Japanese architecture were primarily formed through texts, including magazine articles and contemporary photographs. How did Tafuri come to select the achievements of Japanese architects as the focus of his reflections on modern architecture? What happens when a historian of architecture relies purely on photographs for making judgments about a building? Edited and introduced by Mohsen Mostafavi, this volume reflects on these questions, and more, and includes a rich collection of images.
Modernism
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally(...)
Moscow monumental: Soviet skyscrapers and urban life in stalin's capital
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital. It tells a story that is both local and broadly transnational, taking readers from the streets of interwar Moscow and New York to the marble-clad halls of the bombastic postwar structures that continue to define the Russian capital today.
Modernism
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The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the(...)
Twentieth-century architecture and modernity: our past, our present
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The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the destinies of "modernity" to the theories of the Modern Movement, hoping for them to be overcome, the book deals with the theme of a continuity with the present by recovering those "open visions" that characterized "modernity" at the end of the 19th century.
Modernism
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Latin American Modern Architectures has thirteen new essays from a range of distinguished architectural historians to help you understand the region's rich and varied architecture. It will also introduce you to major projects that haven't been written about in English. A foreword by historian Kenneth Frampton sets the stage for essays on well-known architects, such as(...)
Latin American modern architectures: ambiguous territories
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Latin American Modern Architectures has thirteen new essays from a range of distinguished architectural historians to help you understand the region's rich and varied architecture. It will also introduce you to major projects that haven't been written about in English. A foreword by historian Kenneth Frampton sets the stage for essays on well-known architects, such as Luis Barragan and Felix Candela, which will show you unfamiliar aspects of their work, and for essays on the work of little-known architects, such as Lucio Costa and Joaquim Cardozo, which will spark your creativity. This book is a source for historical and critical essays on a sampling of Latin America's diverse architecture, providing much-needed information on key case studies.
Modernism
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Today, more than 85 years after its inception, the Bauhaus style still emanates vitality. The present volume provides insight into the historical, cultural, philosophical, political and pedagogical background of the 1930s, when the Bauhaus was founded. It also portrays the famous Bauhaus directors and teachers and describes their signature pedagogical methods. Finally,(...)
Bauhaus
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Today, more than 85 years after its inception, the Bauhaus style still emanates vitality. The present volume provides insight into the historical, cultural, philosophical, political and pedagogical background of the 1930s, when the Bauhaus was founded. It also portrays the famous Bauhaus directors and teachers and describes their signature pedagogical methods. Finally, the authors take readers inside individual workshops, where they can discover for themselves the unique wealth of forms and ideas that remain the hallmark of Bauhaus products. Through its contributions to current discourse on the Bauhaus as a "fixed star of the avant-garde" its wealth of pictorial material (some of which has never before been published), as well as the rich variety of topics it addresses, this book offers a comprehensive look at one of the most significant institutions in the history of modern art and culture.
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December 2008
Modernism
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Manufacturing a Socialist Modernity is a comprehensive history of architectural practice of the emergence of prefabricated housing in the Eastern Bloc. Through discussions of individual architects and projects, as well as building typologies, professional associations, and institutional organization, it opens a window into the cultural and economic life of Eastern Europe(...)
Manufacturing a socialist modernity: Housing in Czechoslovakia, 1945-1960
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Manufacturing a Socialist Modernity is a comprehensive history of architectural practice of the emergence of prefabricated housing in the Eastern Bloc. Through discussions of individual architects and projects, as well as building typologies, professional associations, and institutional organization, it opens a window into the cultural and economic life of Eastern Europe during the early postwar period.
Modernism