Dayanita Singh: file room
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Dayanita Singh's photos of archives and their custodians across India examine how memory is made and how history is narrated. These images bring to light the paradox of archives: they are impersonal in their classifications, yet each is the careful handiwork of an individual archivist, an unsung keeper of history whose decisions generate the sources of much of our(...)
Dayanita Singh: file room
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$54.95
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Dayanita Singh's photos of archives and their custodians across India examine how memory is made and how history is narrated. These images bring to light the paradox of archives: they are impersonal in their classifications, yet each is the careful handiwork of an individual archivist, an unsung keeper of history whose decisions generate the sources of much of our knowledge. Archives are vessels of orthodox fact but can also be the home of neglected details and forgotten documents than can unfix the status quo. As the pace of change in contemporary India accelerates and Indians turn from the past and fix their gaze on the future, what will become of the archive?
Photography monographs
The faraway nearby
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In this book, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che(...)
The faraway nearby
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In this book, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley’s Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self. Woven together, these stories create a map which charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story.
Architectural Theory
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In The Photography Workshop Series, Aperture Foundation works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography— offering the workshop experience in a book. In this book, Todd Hido explores the genres of landscape, interior, and nude photography, with an emphasis on creating images from a personal perspective(...)
Todd Hido on landscapes, interiors and the nude: the photography workshop series
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In The Photography Workshop Series, Aperture Foundation works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography— offering the workshop experience in a book. In this book, Todd Hido explores the genres of landscape, interior, and nude photography, with an emphasis on creating images from a personal perspective and with a sense of intimacy. Through words and photographs, he reveals insight into his own practice and discusses a wide range of creative issues, including mining one’s own memory and experience as inspiration; using light, texture, and detail for greater impact; exploring the narrative potential activated when sequencing images; and creating powerful stories with emotional weight and beauty.
Photography monographs
The faraway nearby
$23.00
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Summary:
In this book, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che(...)
The faraway nearby
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$23.00
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In this book, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley’s Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self. Woven together, these stories create a map which charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story.
Architectural Theory
Inside Carol Rama
$80.00
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A photographic book on the museum house of one of the most eccentric female artists of the 20th century. With over a hundred photographs, this volume explores the rooms, objects, and light of the apartment in which Carol Rama has been living and working for over seventy years, retracing the personal life and artistic career of the painter. The book is intended to disclose(...)
Inside Carol Rama
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A photographic book on the museum house of one of the most eccentric female artists of the 20th century. With over a hundred photographs, this volume explores the rooms, objects, and light of the apartment in which Carol Rama has been living and working for over seventy years, retracing the personal life and artistic career of the painter. The book is intended to disclose a secret place, in which the artist has gathered countless mementos over the years: ones from her family, donated by friends such as Man Ray, Carlo Mollino, and Andy Warhol, or collected in memory of special situations or people. While apparently scattered, these objects have actually been arranged with great care.
Contemporary Art Monographs
books
Description:
319 pages : illustrations (some color) ; 29 cm
New York : Rizzoli, 2018., ©2018
Architectural digest : autobiography of a magazine 1920-2010 / Paige Rense ; foreword by Mario Buatta.
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319 pages : illustrations (some color) ; 29 cm
books
New York : Rizzoli, 2018., ©2018
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"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of(...)
Light in the dark room : photography and loss
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"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of figures as different as Roland Barthes and Claude Lévi-Strauss, Gordon Parks and Elizabeth Bishop, "Light in the Dark Room" offers a vision of photography as realization of loss - and a revelation of how photographs can shed light on the dark rooms of our lives. Beginning with an analysis of Roland Barthes’s "Camera Lucida", Prosser explores the relationship of autobiography and photography and then considers Lévi-Strauss’s last published book, his photographic memoir; he uncovers the collection of photography painstakingly assembled by poet Elizabeth Bishop but never published; and he recounts the story of a forgotten Brazilian boy from the 1960s who lost his home as a result of photographs. The losses this book recalls are poignant yet universal - a son loses his mother; an anthropologist, his culture; a photographer, his youth; a poet, her lover. Among these personal and moving losses and the remarkable photographs that accompany them, Prosser weaves his own meditations on photography, on the interdependence of loss and enlightenment, on the emergence of our technologized society - and the world we have lost in the process.
Theory of Photography
audio
Description:
1 online resource.
[Place of publication not identified] : Lateral Addition, 2019.
audio
[Place of publication not identified] : Lateral Addition, 2019.
books
$47.50
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The notion of impermanence underlies, to a significant extent, the urban design language of Hong Kong. The city intensely urban environment has long reflected embedded patterns of change and temporality in both its physical and cultural dimensions, a forever reconstructed city of dislocation, adaptation and imagination. These characteristics are intrinsically interwoven(...)
The urban design of impermanence
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The notion of impermanence underlies, to a significant extent, the urban design language of Hong Kong. The city intensely urban environment has long reflected embedded patterns of change and temporality in both its physical and cultural dimensions, a forever reconstructed city of dislocation, adaptation and imagination. These characteristics are intrinsically interwoven within Hong Kong s street and spatial patterns, producing a special sense of immediacy and transience insinuated with the fabric and memory of the city. This may stem on one hand from a philosophy of change inherent in cultural traditions, but on the other it reflects more tangible aspects of the streetscape accumulated from historical imprints, regimes of temporarily, and the constant renewal and transformation of the urban environment.
books
December 2006
Contemporary Asian Architecture
The Darkroom
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"The darkroom" contains the script for Marguerite Duras's 1977 radically experimental film "Le camion" ("The Truck"). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Duras in conversation with Gérard Depardieu, Le camion turns the art of film into a means of enabling the viewer to engage multiple faculties--not only the visual and the aural,(...)
Architecture and Film, Set Design
March 2025
The Darkroom
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"The darkroom" contains the script for Marguerite Duras's 1977 radically experimental film "Le camion" ("The Truck"). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Duras in conversation with Gérard Depardieu, Le camion turns the art of film into a means of enabling the viewer to engage multiple faculties--not only the visual and the aural, but also memory, imagination, and desire. Also included here is a series of short essays in which Duras makes provocative connections between film and textuality, as well as a fascinating dialogue with Michelle Porte. Together amounting to a crucial contribution to the field of film theory, these texts make brilliantly apparent the depth and integrity of Duras's aesthetic, philosophical, and political thinking.
Architecture and Film, Set Design