2435 Results
Form:
journals and magazines
journals and magazines
Actions:
Price:
$62.00
(available in store)
Summary:
Issue 440 explores how contemporary architecture and art negotiate memory, scale, and cultural expression. From Prada’s Fifteen-Minute Architecture—featuring OMA/AMO’s stage design and an interview with Giulio Margheri, Herbert Wright, and Nowk Choe—to the storytelling of Awulai Ashia & Nkyinkyim at Gagosian, the issue tracks creative work across disciplines. Features(...)
$62.00
(available in store)
Summary:
Issue 440 explores how contemporary architecture and art negotiate memory, scale, and cultural expression. From Prada’s Fifteen-Minute Architecture—featuring OMA/AMO’s stage design and an interview with Giulio Margheri, Herbert Wright, and Nowk Choe—to the storytelling of Awulai Ashia & Nkyinkyim at Gagosian, the issue tracks creative work across disciplines. Features(...)
Title:
C3 440 : Flipping industrial scale
Actions:
Price:
$62.00
(available in store)
Summary:
Issue 440 explores how contemporary architecture and art negotiate memory, scale, and cultural expression. From Prada’s Fifteen-Minute Architecture—featuring OMA/AMO’s stage design and an interview with Giulio Margheri, Herbert Wright, and Nowk Choe—to the storytelling of Awulai Ashia & Nkyinkyim at Gagosian, the issue tracks creative work across disciplines. Features include the Paul Chiang Art Center by Behet Bondzio Lin Architekten, Grafton Architects’ timber-crafted Anthony Timberlands Center, and OODA’s renovation of the Canning Factory in Matosinhos. Urban heritage shapes Oostenburg by Studioninedots and Urhahn. Essays and interviews extend to Kunsthaus Baselland by Buchner Bründler Architekten and the Zollverein Monument Trail by New Architekten, revealing new cultural possibilities.
C3 440 : Flipping industrial scale
Actions:
Price:
$62.00
(available in store)
Summary:
Issue 440 explores how contemporary architecture and art negotiate memory, scale, and cultural expression. From Prada’s Fifteen-Minute Architecture—featuring OMA/AMO’s stage design and an interview with Giulio Margheri, Herbert Wright, and Nowk Choe—to the storytelling of Awulai Ashia & Nkyinkyim at Gagosian, the issue tracks creative work across disciplines. Features include the Paul Chiang Art Center by Behet Bondzio Lin Architekten, Grafton Architects’ timber-crafted Anthony Timberlands Center, and OODA’s renovation of the Canning Factory in Matosinhos. Urban heritage shapes Oostenburg by Studioninedots and Urhahn. Essays and interviews extend to Kunsthaus Baselland by Buchner Bründler Architekten and the Zollverein Monument Trail by New Architekten, revealing new cultural possibilities.
Form:
journals and magazines
journals and magazines
Publication:
November 2025
November 2025
Subject:
Magazines
Magazines
Form:
books
books
Title:
Paris, capital of modernity
Paris, capital of modernity
Actions:
Price:
$58.95
(available to order)
Summary:
In Paris, capital of modernity, Harvey presents an account of the city in a remarkably turbulent era, framed by two failed revolutions. His key concern is how a new form of finance capitalism combined with a new type of planning vision to produce the prototypical modern city. Also, there are insights throughout about subjects such as the birth of the consumerist(...)
$58.95
(available to order)
Summary:
In Paris, capital of modernity, Harvey presents an account of the city in a remarkably turbulent era, framed by two failed revolutions. His key concern is how a new form of finance capitalism combined with a new type of planning vision to produce the prototypical modern city. Also, there are insights throughout about subjects such as the birth of the consumerist(...)
Title:
Paris, capital of modernity
Actions:
Price:
$58.95
(available to order)
Summary:
In Paris, capital of modernity, Harvey presents an account of the city in a remarkably turbulent era, framed by two failed revolutions. His key concern is how a new form of finance capitalism combined with a new type of planning vision to produce the prototypical modern city. Also, there are insights throughout about subjects such as the birth of the consumerist spectacle on the Parisian boulevards; the creative visions of Balzac, Baudelaire, and Zola; and the reactionary cultural politics of the bombastic Sacré Coeur, the Catholic monument erected to efface all memory of the revolutionary Paris Commune that arose briefly when the empire collapsed.
Paris, capital of modernity
Actions:
Price:
$58.95
(available to order)
Summary:
In Paris, capital of modernity, Harvey presents an account of the city in a remarkably turbulent era, framed by two failed revolutions. His key concern is how a new form of finance capitalism combined with a new type of planning vision to produce the prototypical modern city. Also, there are insights throughout about subjects such as the birth of the consumerist spectacle on the Parisian boulevards; the creative visions of Balzac, Baudelaire, and Zola; and the reactionary cultural politics of the bombastic Sacré Coeur, the Catholic monument erected to efface all memory of the revolutionary Paris Commune that arose briefly when the empire collapsed.
Form:
books
books
Publication:
November 2005, New York
November 2005, New York
Subject:
History until 1900, France
History until 1900, France
Form:
books
books
Actions:
Price:
$38.95
(available to order)
Summary:
As a whole, the works compiled in this volume constitute an unconscious autobiography of Colombia’s current aspirations and fears. They reveal that the nation is at a crossroads in terms of its cultural identity, caught between socio-political commitment and poetic escape, and offer tools to engender both economic and cultural ideas and prejudices. Over 60 artists and(...)
$38.95
(available to order)
Summary:
As a whole, the works compiled in this volume constitute an unconscious autobiography of Colombia’s current aspirations and fears. They reveal that the nation is at a crossroads in terms of its cultural identity, caught between socio-political commitment and poetic escape, and offer tools to engender both economic and cultural ideas and prejudices. Over 60 artists and(...)
Title:
Subjective atlas from Colombia
Actions:
Price:
$38.95
(available to order)
Summary:
As a whole, the works compiled in this volume constitute an unconscious autobiography of Colombia’s current aspirations and fears. They reveal that the nation is at a crossroads in terms of its cultural identity, caught between socio-political commitment and poetic escape, and offer tools to engender both economic and cultural ideas and prejudices. Over 60 artists and designers form a map that traces, challenges, and vindicates what it means to live in Colombia, embodying its contemporary historical memory. The initiative was conceived by Hugo Herrera Tobón, Moniek Dreisse, and Annelys de Vet to further encourage a discussion of the nation’s complex cultural identity.
Subjective atlas from Colombia
Actions:
Price:
$38.95
(available to order)
Summary:
As a whole, the works compiled in this volume constitute an unconscious autobiography of Colombia’s current aspirations and fears. They reveal that the nation is at a crossroads in terms of its cultural identity, caught between socio-political commitment and poetic escape, and offer tools to engender both economic and cultural ideas and prejudices. Over 60 artists and designers form a map that traces, challenges, and vindicates what it means to live in Colombia, embodying its contemporary historical memory. The initiative was conceived by Hugo Herrera Tobón, Moniek Dreisse, and Annelys de Vet to further encourage a discussion of the nation’s complex cultural identity.
Form:
books
books
Publication:
January 2015
January 2015
Subject:
Arch Southwest Asia & North Africa
Arch Southwest Asia & North Africa
Form:
books
books
Actions:
Price:
$34.00
(available to order)
Summary:
'Track Changes' balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and(...)
$34.00
(available to order)
Summary:
'Track Changes' balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and(...)
Title:
Track changes: a literary history of word processing
Actions:
Price:
$34.00
(available to order)
Summary:
'Track Changes' balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and serious literature adopted the technology, trace the spread of new metaphors and ideas from word processing in fiction and poetry, and consider the fate of literary scholarship and memory in an era when the final remnants of authorship may consist of folders on a hard drive or documents in the cloud.
Track changes: a literary history of word processing
Actions:
Price:
$34.00
(available to order)
Summary:
'Track Changes' balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and serious literature adopted the technology, trace the spread of new metaphors and ideas from word processing in fiction and poetry, and consider the fate of literary scholarship and memory in an era when the final remnants of authorship may consist of folders on a hard drive or documents in the cloud.
Form:
books
books
Publication:
May 2016
May 2016
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Actions:
Price:
$68.00
(available to order)
Summary:
Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19(...)
$68.00
(available to order)
Summary:
Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19(...)
Title:
Collier Schorr: freeway balconies
Actions:
Price:
$68.00
(available to order)
Summary:
Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19 emerging and established artists, including Sharon Hayes, Bruce Nauman, Francesca Woodman, Rashawn Griffin and Richard Prince, among others. Her choices, arranged around selections of her own work, reveal her probing interest in slippages of identity and identification, cultural memory and forgetting and the ways in which artistic action and production engage these issues.
Collier Schorr: freeway balconies
Actions:
Price:
$68.00
(available to order)
Summary:
Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19 emerging and established artists, including Sharon Hayes, Bruce Nauman, Francesca Woodman, Rashawn Griffin and Richard Prince, among others. Her choices, arranged around selections of her own work, reveal her probing interest in slippages of identity and identification, cultural memory and forgetting and the ways in which artistic action and production engage these issues.
Form:
books
books
Publication:
September 2008, Berlin
September 2008, Berlin
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$20.00
(available to order)
Summary:
Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on(...)
$20.00
(available to order)
Summary:
Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on(...)
Title:
Why are they so afraid of the lotus?: A series of open questions
Actions:
Price:
$20.00
(available to order)
Summary:
Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on death and myth, post-coloniality and decolonization, and women's work as related to cultural politics. The contributions to ''Why are they so afraid of the lotus?'' embody Trinh's own weariness around categorization and investigate the ways production can come from and be based in positions of unknowing.
Why are they so afraid of the lotus?: A series of open questions
Actions:
Price:
$20.00
(available to order)
Summary:
Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on death and myth, post-coloniality and decolonization, and women's work as related to cultural politics. The contributions to ''Why are they so afraid of the lotus?'' embody Trinh's own weariness around categorization and investigate the ways production can come from and be based in positions of unknowing.
Form:
books
books
Publication:
July 2021
July 2021
Subject:
Social
Social
Form:
books
books
Title:
Vanishing British Columbia
Vanishing British Columbia
Actions:
Price:
$39.95
(available to order)
Summary:
The old buildings and historic places of British Columbia form a kind of “roadside memory,” a tangible link with stories of settlement, change, and abandonment that reflect the great themes of our history. With small towns declining and old rural properties changing, so little of the history of these places has been recorded in museums or archives, and so much of it may(...)
$39.95
(available to order)
Summary:
The old buildings and historic places of British Columbia form a kind of “roadside memory,” a tangible link with stories of settlement, change, and abandonment that reflect the great themes of our history. With small towns declining and old rural properties changing, so little of the history of these places has been recorded in museums or archives, and so much of it may(...)
Subject:
Architecture in Canada
Architecture in Canada
Publication:
October 2005, Vancouver Toronto Seattle
October 2005, Vancouver Toronto Seattle
Title:
Vanishing British Columbia
Actions:
Price:
$39.95
(available to order)
Summary:
The old buildings and historic places of British Columbia form a kind of “roadside memory,” a tangible link with stories of settlement, change, and abandonment that reflect the great themes of our history. With small towns declining and old rural properties changing, so little of the history of these places has been recorded in museums or archives, and so much of it may disappear as families disperse and memories dim. More than a decade ago, Michael Kluckner began painting these dots on his personal map of the province in a watercolour sketchbook. In 1999, after he put a few of the sketches on his website, a network of correspondents emerged that eventually led him to the family letters, photo albums, and memories – all from a disappearing era of the province. Vanishing British Columbia is a record of these places and the stories they tell. It combines engaging and insightful historical commentary with over 160 of the author’s original paintings. It has an exceptional assortment of historic imagery, including old postcards, architectural plans, and photographs. The study of roadside memory demonstrates the visceral connection that people, especially those who are part of the rural-to-urban diaspora of modern times, have for the sites of their family memories. On a grander scale this approach leads to a broader understanding of more abstract historical themes and of the province’s history and culture. It also presents a compelling argument for stewardship of regional history in the face of urbanization and globalization.
Vanishing British Columbia
Actions:
Price:
$39.95
(available to order)
Summary:
The old buildings and historic places of British Columbia form a kind of “roadside memory,” a tangible link with stories of settlement, change, and abandonment that reflect the great themes of our history. With small towns declining and old rural properties changing, so little of the history of these places has been recorded in museums or archives, and so much of it may disappear as families disperse and memories dim. More than a decade ago, Michael Kluckner began painting these dots on his personal map of the province in a watercolour sketchbook. In 1999, after he put a few of the sketches on his website, a network of correspondents emerged that eventually led him to the family letters, photo albums, and memories – all from a disappearing era of the province. Vanishing British Columbia is a record of these places and the stories they tell. It combines engaging and insightful historical commentary with over 160 of the author’s original paintings. It has an exceptional assortment of historic imagery, including old postcards, architectural plans, and photographs. The study of roadside memory demonstrates the visceral connection that people, especially those who are part of the rural-to-urban diaspora of modern times, have for the sites of their family memories. On a grander scale this approach leads to a broader understanding of more abstract historical themes and of the province’s history and culture. It also presents a compelling argument for stewardship of regional history in the face of urbanization and globalization.
Form:
books
books
Publication:
October 2005, Vancouver Toronto Seattle
October 2005, Vancouver Toronto Seattle
Subject:
Architecture in Canada
Architecture in Canada
Form:
books
books
Price:
$23.00
(available to order)
Summary:
On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman’s meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a(...)
$23.00
(available to order)
Summary:
On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman’s meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a(...)
Title:
Bark
Actions:
Price:
$23.00
(available to order)
Summary:
On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman’s meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman’s own history, memory, and knowledge. The text proceeds as a series of reflections, accompanied by Didi-Huberman’s photographs of the visit. The photographs are not meant to be art—Didi-Huberman confesses that he “photographed practically everything without looking”—but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the “reconstructed” execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a “bizarre proliferation of white flowers on the exact spot of the cremation pits.” The dead are not departed.
Bark
Actions:
Price:
$23.00
(available to order)
Summary:
On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman’s meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman’s own history, memory, and knowledge. The text proceeds as a series of reflections, accompanied by Didi-Huberman’s photographs of the visit. The photographs are not meant to be art—Didi-Huberman confesses that he “photographed practically everything without looking”—but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the “reconstructed” execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a “bizarre proliferation of white flowers on the exact spot of the cremation pits.” The dead are not departed.
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Critical Theory
Critical Theory
Form:
books
books
Title:
On European ground
On European ground
Actions:
Price:
$45.00
(available to order)
Summary:
A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can (...)
$45.00
(available to order)
Summary:
A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can (...)
Title:
On European ground
Actions:
Price:
$45.00
(available to order)
Summary:
A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy. Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction. Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
On European ground
Actions:
Price:
$45.00
(available to order)
Summary:
A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy. Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction. Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
Form:
books
books
Publication:
April 2001, Chicago
April 2001, Chicago
Form:
books
books
Price:
$75.00
(available to order)
Summary:
Over the past decade installation art has achieved mainstream status within contemporary visual culture. Its ubiquitous presence has given rise to new terms that redefine the art form and impact not just on art, but also on international fashion shows, movie design, and club culture. This volume surveys how installation has evolved, embracing often unexpected media, and(...)
$75.00
(available to order)
Summary:
Over the past decade installation art has achieved mainstream status within contemporary visual culture. Its ubiquitous presence has given rise to new terms that redefine the art form and impact not just on art, but also on international fashion shows, movie design, and club culture. This volume surveys how installation has evolved, embracing often unexpected media, and(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2003, London
October 2003, London
Title:
Installation art in the new millenium : the empire of the senses
Actions:
Price:
$75.00
(available to order)
Summary:
Over the past decade installation art has achieved mainstream status within contemporary visual culture. Its ubiquitous presence has given rise to new terms that redefine the art form and impact not just on art, but also on international fashion shows, movie design, and club culture. This volume surveys how installation has evolved, embracing often unexpected media, and its far-reaching influence worldwide. The new "immersive" installation reflects a desire for sensual pleasure, as the viewer is totally enveloped in a hermetic and narcissistic artwork, as illustrated by the American artist Doug Aitken and the Japanese artist Kazuo Katase, among others. New dynamics have developed between the artist and institutions, and installation is more than ever an open-ended experiment that transforms the museum into a cultural laboratory, as seen in the work of Hans Haacke. Installation refuses to accept fixed boundaries, and practitioners, such as the Mexican Jose Dávila, are now looking to forge relationships on a global level, collaborating with specialists in other non-art areas. In a rapidly changing world, time and memory become key concerns, and artists such as Christian Boltanksi and Damien Hirst prefer to construct their own spaces of memory. The culmination of these processes has made the audience itself the key site of the installation as witnessed in the works of Vanessa Beecroft, Gary Hill, Mariko Mori, and Bill Viola. This astonishing process returns us to the body, to the spectator, a space that is both sentient and active, the "empire of the senses."
Installation art in the new millenium : the empire of the senses
Actions:
Price:
$75.00
(available to order)
Summary:
Over the past decade installation art has achieved mainstream status within contemporary visual culture. Its ubiquitous presence has given rise to new terms that redefine the art form and impact not just on art, but also on international fashion shows, movie design, and club culture. This volume surveys how installation has evolved, embracing often unexpected media, and its far-reaching influence worldwide. The new "immersive" installation reflects a desire for sensual pleasure, as the viewer is totally enveloped in a hermetic and narcissistic artwork, as illustrated by the American artist Doug Aitken and the Japanese artist Kazuo Katase, among others. New dynamics have developed between the artist and institutions, and installation is more than ever an open-ended experiment that transforms the museum into a cultural laboratory, as seen in the work of Hans Haacke. Installation refuses to accept fixed boundaries, and practitioners, such as the Mexican Jose Dávila, are now looking to forge relationships on a global level, collaborating with specialists in other non-art areas. In a rapidly changing world, time and memory become key concerns, and artists such as Christian Boltanksi and Damien Hirst prefer to construct their own spaces of memory. The culmination of these processes has made the audience itself the key site of the installation as witnessed in the works of Vanessa Beecroft, Gary Hill, Mariko Mori, and Bill Viola. This astonishing process returns us to the body, to the spectator, a space that is both sentient and active, the "empire of the senses."
Form:
books
books
Publication:
October 2003, London
October 2003, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
