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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City(...)
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City(...)
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Partners in design: Alfred H. Barr Jr. and Philip Johnson
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany—and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments—domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe—this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.
Partners in design: Alfred H. Barr Jr. and Philip Johnson
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Summary:
Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany—and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments—domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe—this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.
Form:
books
books
Publication:
November 2015
November 2015
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$68.00
(available to order)
Summary:
This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel(...)
$68.00
(available to order)
Summary:
This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel(...)
Title:
Modern architecture and climate: Design before air conditioning
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$68.00
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Summary:
This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Modern architecture and climate: Design before air conditioning
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$68.00
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Summary:
This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Form:
books
books
Publication:
April 2023
April 2023
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$62.00
(available to order)
Summary:
"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape(...)
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"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
September 2024
September 2024
Title:
Architecture, film, and the in-between: Spatio-cinematic between
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"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnès Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosophers—such as Juhani Pallasmaa, Beatriz Colomina, and Graham Harman—the book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies.
Architecture, film, and the in-between: Spatio-cinematic between
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$62.00
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Summary:
"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnès Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosophers—such as Juhani Pallasmaa, Beatriz Colomina, and Graham Harman—the book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies.
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Form:
books
books
Price:
$48.00
(available to order)
Summary:
Paffard Keatinge-Clay was born near Stonehenge in England, studied in London and Zurich, worked in both Le Corbusier's studio in Paris and at Frank Lloyd Wright's Taliesin, and then settled in the American West, where he worked for Skidmore, Owings & Merrill before starting out on his own. While he remained in the U.S. until the mid-1970s, and practiced there, his work(...)
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Summary:
Paffard Keatinge-Clay was born near Stonehenge in England, studied in London and Zurich, worked in both Le Corbusier's studio in Paris and at Frank Lloyd Wright's Taliesin, and then settled in the American West, where he worked for Skidmore, Owings & Merrill before starting out on his own. While he remained in the U.S. until the mid-1970s, and practiced there, his work(...)
Title:
Paffard Keatinge-Clay : modern architect(ure) / modern master(s)
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Paffard Keatinge-Clay was born near Stonehenge in England, studied in London and Zurich, worked in both Le Corbusier's studio in Paris and at Frank Lloyd Wright's Taliesin, and then settled in the American West, where he worked for Skidmore, Owings & Merrill before starting out on his own. While he remained in the U.S. until the mid-1970s, and practiced there, his work remains largely unknown even in San Francisco, where he spent more than 20 years. His brand of orthodox Modernism was decidedly out of step with the prevailing Bay Area Modernism exemplified by figures like Moore, Wurster, McCue and Turnbull, who dominated both the academic and professional arenas of the period. Keatinge-Clay had to struggle to execute his own expressive, nonconformist architectural language, and when he did, he garnered minimal recognition. This book brings to light the importance of his work as representative of its time period and clarifies the influences his mentors - including Mies van der Rohe, Richard Neutra and Charles and Ray Eames--had upon it.
Paffard Keatinge-Clay : modern architect(ure) / modern master(s)
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$48.00
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Summary:
Paffard Keatinge-Clay was born near Stonehenge in England, studied in London and Zurich, worked in both Le Corbusier's studio in Paris and at Frank Lloyd Wright's Taliesin, and then settled in the American West, where he worked for Skidmore, Owings & Merrill before starting out on his own. While he remained in the U.S. until the mid-1970s, and practiced there, his work remains largely unknown even in San Francisco, where he spent more than 20 years. His brand of orthodox Modernism was decidedly out of step with the prevailing Bay Area Modernism exemplified by figures like Moore, Wurster, McCue and Turnbull, who dominated both the academic and professional arenas of the period. Keatinge-Clay had to struggle to execute his own expressive, nonconformist architectural language, and when he did, he garnered minimal recognition. This book brings to light the importance of his work as representative of its time period and clarifies the influences his mentors - including Mies van der Rohe, Richard Neutra and Charles and Ray Eames--had upon it.
Form:
books
books
Publication:
April 2006, Los Angeles
April 2006, Los Angeles
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$89.95
(available to order)
Summary:
This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such(...)
$89.95
(available to order)
Summary:
This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such(...)
Title:
Skidmore, Owings & Merrill : SOM since 1936
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This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such mid-century masterworks as Lever House (1952) and Chase Manhattan Plaza (1961). Before the current age of the super skyscraper, SOM designed what was for almost thirty years the world's tallest building, Chicago's Sears Tower (1973), as well as the city's John Hancock Center (1970). With an essay by the American critic Nicholas Adams that contextualizes the importance of SOM's contribution to the globalization of architecture - and its participation in less emphatically vertical structures, such as the Albright-Knox Art Gallery in Buffalo (1962) and the l Hajj Terminal at King Abdul Aziz International Airport in Jeddah, Saudi Arabia (1981) - this title provides the first-ever independently authored overview on a firm that continues to make headlines to this day.
Skidmore, Owings & Merrill : SOM since 1936
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$89.95
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Summary:
This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such mid-century masterworks as Lever House (1952) and Chase Manhattan Plaza (1961). Before the current age of the super skyscraper, SOM designed what was for almost thirty years the world's tallest building, Chicago's Sears Tower (1973), as well as the city's John Hancock Center (1970). With an essay by the American critic Nicholas Adams that contextualizes the importance of SOM's contribution to the globalization of architecture - and its participation in less emphatically vertical structures, such as the Albright-Knox Art Gallery in Buffalo (1962) and the l Hajj Terminal at King Abdul Aziz International Airport in Jeddah, Saudi Arabia (1981) - this title provides the first-ever independently authored overview on a firm that continues to make headlines to this day.
Form:
books
books
Publication:
June 2007, Milan
June 2007, Milan
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$150.00
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Summary:
Large-size working drawings are the foundation of any architectural process and 'key' to practical construction of a building, yet very little has been written and published about the architect's quintessential tool. This new book bridges this gap, as it draws on a vast collection of working drawings from many centuries, held by the Department of Architecture at ETH(...)
$150.00
(available to order)
Summary:
Large-size working drawings are the foundation of any architectural process and 'key' to practical construction of a building, yet very little has been written and published about the architect's quintessential tool. This new book bridges this gap, as it draws on a vast collection of working drawings from many centuries, held by the Department of Architecture at ETH(...)
Title:
The working drawing: the architect's tool
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$150.00
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Large-size working drawings are the foundation of any architectural process and 'key' to practical construction of a building, yet very little has been written and published about the architect's quintessential tool. This new book bridges this gap, as it draws on a vast collection of working drawings from many centuries, held by the Department of Architecture at ETH Zurich. This is a collection of plans for a wide range of architectural projects and features many representational techniques. Providing a comprehensive record, around a hundred of the collection's highlights through five centuries, are arranged by category allowing for direct comparison. All plans are depicted entirely in colour on large-size spreads and fold-outs. Full catalogue details are provided for each drawing. Various topics are covered in essays by expert authors, which compliment the images. Featured architects include respected names such as Francesco Borromini, Gottfried Semper, Ludwig Mies van der Rohe, Le Corbusier, Eero Saarinen, Jorn Utzon, Alvaro Siza, Rafael Moneo, Herzog & de Meuron, Peter Zumthor, Diller Scofidio or Caruso St. John.
The working drawing: the architect's tool
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Price:
$150.00
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Summary:
Large-size working drawings are the foundation of any architectural process and 'key' to practical construction of a building, yet very little has been written and published about the architect's quintessential tool. This new book bridges this gap, as it draws on a vast collection of working drawings from many centuries, held by the Department of Architecture at ETH Zurich. This is a collection of plans for a wide range of architectural projects and features many representational techniques. Providing a comprehensive record, around a hundred of the collection's highlights through five centuries, are arranged by category allowing for direct comparison. All plans are depicted entirely in colour on large-size spreads and fold-outs. Full catalogue details are provided for each drawing. Various topics are covered in essays by expert authors, which compliment the images. Featured architects include respected names such as Francesco Borromini, Gottfried Semper, Ludwig Mies van der Rohe, Le Corbusier, Eero Saarinen, Jorn Utzon, Alvaro Siza, Rafael Moneo, Herzog & de Meuron, Peter Zumthor, Diller Scofidio or Caruso St. John.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Architectural Drawing
Architectural Drawing
Form:
books
books
Title:
Skyroom: the journey of Brian and Marilyn MacKay-Lyons at Shobac, seaside village on the edge
Skyroom: the journey of Brian and Marilyn MacKay-Lyons at Shobac, seaside village on the edge
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In partnership with his wife Marilyn Mackay-Lyons and their family, architect Brian Mackay-Lyons has built a unique community over the granite ruins of a historic settlement on the fogbound coast of Nova Scotia. Among the structures at Shobac are homes, barns, studios, cottages, fishing shacks, a boathouse, even a schoolhouse, all designed in Mackay-Lyons's compelling(...)
$39.95
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Summary:
In partnership with his wife Marilyn Mackay-Lyons and their family, architect Brian Mackay-Lyons has built a unique community over the granite ruins of a historic settlement on the fogbound coast of Nova Scotia. Among the structures at Shobac are homes, barns, studios, cottages, fishing shacks, a boathouse, even a schoolhouse, all designed in Mackay-Lyons's compelling(...)
Title:
Skyroom: the journey of Brian and Marilyn MacKay-Lyons at Shobac, seaside village on the edge
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$39.95
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In partnership with his wife Marilyn Mackay-Lyons and their family, architect Brian Mackay-Lyons has built a unique community over the granite ruins of a historic settlement on the fogbound coast of Nova Scotia. Among the structures at Shobac are homes, barns, studios, cottages, fishing shacks, a boathouse, even a schoolhouse, all designed in Mackay-Lyons's compelling architectural language that fuses contemporary Modernism with Nova Scotia building traditions. SkyRoom is written in a new genre that Gaudet calls magic architectural realism, blending fact with historical fiction in presenting the lives of early inhabitants and visitors to the Shobac area, including Samuel de Champlain, a Mi'kmaq mystic, an Acadian carpenter and other lively characters whose ghostly presence swirl in the untold myths of this coastal Shangri-La. More provocatively, Gaudet orchestrates imaginary conversations between Mackay-Lyons and legendary figures in architecture - Frank Lloyd Wright, Mies Van Der Rohe, Louis Kahn, Charles Moore and others - all towards providing a novel perspective on what goes into building communities and homes worth living in.
Skyroom: the journey of Brian and Marilyn MacKay-Lyons at Shobac, seaside village on the edge
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Price:
$39.95
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Summary:
In partnership with his wife Marilyn Mackay-Lyons and their family, architect Brian Mackay-Lyons has built a unique community over the granite ruins of a historic settlement on the fogbound coast of Nova Scotia. Among the structures at Shobac are homes, barns, studios, cottages, fishing shacks, a boathouse, even a schoolhouse, all designed in Mackay-Lyons's compelling architectural language that fuses contemporary Modernism with Nova Scotia building traditions. SkyRoom is written in a new genre that Gaudet calls magic architectural realism, blending fact with historical fiction in presenting the lives of early inhabitants and visitors to the Shobac area, including Samuel de Champlain, a Mi'kmaq mystic, an Acadian carpenter and other lively characters whose ghostly presence swirl in the untold myths of this coastal Shangri-La. More provocatively, Gaudet orchestrates imaginary conversations between Mackay-Lyons and legendary figures in architecture - Frank Lloyd Wright, Mies Van Der Rohe, Louis Kahn, Charles Moore and others - all towards providing a novel perspective on what goes into building communities and homes worth living in.
Form:
books
books
Publication:
December 2021
December 2021
Subject:
Canadian Architects
Canadian Architects
Form:
books
books
Price:
$77.00
(available to order)
Summary:
explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to(...)
$77.00
(available to order)
Summary:
explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to(...)
Title:
Modern architecture and climate: design before air conditioning
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Price:
$77.00
(available to order)
Summary:
explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Modern architecture and climate: design before air conditioning
Actions:
Price:
$77.00
(available to order)
Summary:
explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Form:
books
books
Publication:
April 2020
April 2020
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
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$42.95
(available to order)
Summary:
Florence Knoll (1917–2019) was a leading force of modern design. She worked from 1945 to 1965 at Knoll Associates, first as business partner with her husband Hans Knoll, later as president after his death, and, finally, as design director. Her commissions became hallmarks of the modern era, including the Barcelona Chair by Mies van der Rohe, the Diamond Chair by Harry(...)
$42.95
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Summary:
Florence Knoll (1917–2019) was a leading force of modern design. She worked from 1945 to 1965 at Knoll Associates, first as business partner with her husband Hans Knoll, later as president after his death, and, finally, as design director. Her commissions became hallmarks of the modern era, including the Barcelona Chair by Mies van der Rohe, the Diamond Chair by Harry(...)
Title:
No compromise: the work of Florence Knoll
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Florence Knoll (1917–2019) was a leading force of modern design. She worked from 1945 to 1965 at Knoll Associates, first as business partner with her husband Hans Knoll, later as president after his death, and, finally, as design director. Her commissions became hallmarks of the modern era, including the Barcelona Chair by Mies van der Rohe, the Diamond Chair by Harry Bertoia, and the Platner Collection by Warren Platner. She created classics like the Parallel Bar Collection, still in production today. Knoll invented the visual language of the modern office through her groundbreaking interiors and the creation of the acclaimed "Knoll look," which remains a standard for interior design today. She reinvigorated the International Style through humanizing textiles, lighting, and accessories. Although Knoll's motto was "no compromise, ever," as a woman in a white, upper-middle-class, male-dominated environment, she often had to make accommodations to gain respect from her colleagues, clients, and collaborators."No compromise" looks at Knoll's extraordinary career in close-up, from her student days to her professional accomplishments.
No compromise: the work of Florence Knoll
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Summary:
Florence Knoll (1917–2019) was a leading force of modern design. She worked from 1945 to 1965 at Knoll Associates, first as business partner with her husband Hans Knoll, later as president after his death, and, finally, as design director. Her commissions became hallmarks of the modern era, including the Barcelona Chair by Mies van der Rohe, the Diamond Chair by Harry Bertoia, and the Platner Collection by Warren Platner. She created classics like the Parallel Bar Collection, still in production today. Knoll invented the visual language of the modern office through her groundbreaking interiors and the creation of the acclaimed "Knoll look," which remains a standard for interior design today. She reinvigorated the International Style through humanizing textiles, lighting, and accessories. Although Knoll's motto was "no compromise, ever," as a woman in a white, upper-middle-class, male-dominated environment, she often had to make accommodations to gain respect from her colleagues, clients, and collaborators."No compromise" looks at Knoll's extraordinary career in close-up, from her student days to her professional accomplishments.
Form:
books
books
Publication:
June 2021
June 2021
Subject:
Design Monographs
Design Monographs
Form:
books
books
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Price:
$118.00
(available to order)
Summary:
La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie(...)
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La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie(...)
Title:
Histoire de la photographie d'architecture
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$118.00
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La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie comme l’outil privilégié des architectes contemporains pour documenter les phases d’un projet ou le résultat final de son exécution. Sur la base d’une interaction forte entre texte et images, l’auteur retrace ici l’évolution de la photographie d’architecture, depuis sa conception au XIXe siècle, entre art et source documentaire, et entre production amateur et proto-professionnelle, jusqu’au rôle essentiel qu’elle joue aujourd’hui. De Daguerre à Baldus, Moholy-Nagy ou Couturier, et de Viollet-le-Duc à Mies van der Rohe, Le Corbusier ou Pagano, cette référence constitue la première synthèse ample et structurée de l’histoire de l’iconographie photographique d’architecture, des origines à nos jours. Cette édition constitue une version révisée et augmentée de l’édition italienne originale.
Histoire de la photographie d'architecture
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$118.00
(available to order)
Summary:
La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie comme l’outil privilégié des architectes contemporains pour documenter les phases d’un projet ou le résultat final de son exécution. Sur la base d’une interaction forte entre texte et images, l’auteur retrace ici l’évolution de la photographie d’architecture, depuis sa conception au XIXe siècle, entre art et source documentaire, et entre production amateur et proto-professionnelle, jusqu’au rôle essentiel qu’elle joue aujourd’hui. De Daguerre à Baldus, Moholy-Nagy ou Couturier, et de Viollet-le-Duc à Mies van der Rohe, Le Corbusier ou Pagano, cette référence constitue la première synthèse ample et structurée de l’histoire de l’iconographie photographique d’architecture, des origines à nos jours. Cette édition constitue une version révisée et augmentée de l’édition italienne originale.
Form:
books
books
Publication:
February 2016
February 2016
Subject:
Theory of Photography
Theory of Photography
