photographs
ARCH280814
Description:
Group consists of photographs of models for various buildings and installations in Chandigarh, India. There are photographs of a model for a temporary exhibition pavilion, a model of a layout plan of the Museum and Art Gallery, a model for the Museum of Knowledge (unrealized) all designed by Le Corbusier.
1952-c.1970
Photographs of models for miscellaneous buildings and installation in Chandigarh, India
Actions:
ARCH280814
Description:
Group consists of photographs of models for various buildings and installations in Chandigarh, India. There are photographs of a model for a temporary exhibition pavilion, a model of a layout plan of the Museum and Art Gallery, a model for the Museum of Knowledge (unrealized) all designed by Le Corbusier.
photographs
1952-c.1970
journals and magazines
Vogue Italia
PH2008:0037:012
Description:
Article by Mariuccia Casadio titled "Regesto" (pp. 180-185) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, as well as Gordon Matta-Clark projects.
May 2007
Vogue Italia
Actions:
PH2008:0037:012
Description:
Article by Mariuccia Casadio titled "Regesto" (pp. 180-185) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, as well as Gordon Matta-Clark projects.
journals and magazines
May 2007
archives
Level of archival description:
Fonds
R&Sie(n) project records
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
2005-2015
R&Sie(n) project records
Actions:
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
archives
Level of archival description:
Fonds
2005-2015
drawings
Quantity:
13 drawing(s)
Plans Level 22 000 (1:200)
ARCH262393
Description:
Halle Viger (1) print and (1) coloured print and (2) overlays and (7) loose sketches Along north (Viger) and west (Bleury) walls - of striped epoxy terrazzo floors and entrances to exhibition halls (1) overlay on 5 foot long print (1) coloured print
Plans Level 22 000 (1:200)
Actions:
ARCH262393
Description:
Halle Viger (1) print and (1) coloured print and (2) overlays and (7) loose sketches Along north (Viger) and west (Bleury) walls - of striped epoxy terrazzo floors and entrances to exhibition halls (1) overlay on 5 foot long print (1) coloured print
drawings
Quantity:
13 drawing(s)
drawings
AP178.S2.1981.010
Description:
This sketchbook includes notes regarding Berlin projects for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA), and mention Brigitte Fleck. Also included are sketches for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany and sketches for Casa Avelino Duarte in Ovar, Portugal.
October 1981
Sketchbook 94: Teixeira - Berlim - Ovar
Actions:
AP178.S2.1981.010
Description:
This sketchbook includes notes regarding Berlin projects for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA), and mention Brigitte Fleck. Also included are sketches for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany and sketches for Casa Avelino Duarte in Ovar, Portugal.
drawings
October 1981
drawings
Quantity:
34 flat(s)
ARCH195542
Description:
Floor plans, partial floor plans for guest room floors; seating plans for ballrooms and Grand Avenue Bar; floor plans for basement, ground floor, terrace, sub-basement, Galeria and exhibition hall; sections and plans for Biltmore Ballroom addition; perspective view of Biltmore Hotel.
Floor plans, partial floor plans for guest room floors, seating plans
Actions:
ARCH195542
Description:
Floor plans, partial floor plans for guest room floors; seating plans for ballrooms and Grand Avenue Bar; floor plans for basement, ground floor, terrace, sub-basement, Galeria and exhibition hall; sections and plans for Biltmore Ballroom addition; perspective view of Biltmore Hotel.
drawings
Quantity:
34 flat(s)
This exhibition will explore the third-year undergraduate arts course, “A305: History of Architecture and Design, 1890–1939,” offered by the Open University via television and radio broadcasts that aired from 1975 to 1982. Beyond its many innovations in new forms of higher education, the Open University—founded in 1969 with headquarters in Milton Keynes, UK—was a key(...)
15 November 2017 to 1 April 2018
The University Is Now on Air: Broadcasting Modern Architecture
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Description:
This exhibition will explore the third-year undergraduate arts course, “A305: History of Architecture and Design, 1890–1939,” offered by the Open University via television and radio broadcasts that aired from 1975 to 1982. Beyond its many innovations in new forms of higher education, the Open University—founded in 1969 with headquarters in Milton Keynes, UK—was a key(...)
textual records
Groups to Involve/Inform
ARCH252258
Description:
-Lists of groups to involve/groups to inform -Information on and correspondence with groups to involve in planning the IFCCA Prize exhibition and colloquium -Correspondence with groups to inform about the IFCCA Prize and related events -Correspondence with people asking to be involved in IFCCA Prize and related events
1999
Groups to Involve/Inform
Actions:
ARCH252258
Description:
-Lists of groups to involve/groups to inform -Information on and correspondence with groups to involve in planning the IFCCA Prize exhibition and colloquium -Correspondence with groups to inform about the IFCCA Prize and related events -Correspondence with people asking to be involved in IFCCA Prize and related events
textual records
1999
Project
Applausi [Applause] (1968)
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
circa 1968-2015
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Project
circa 1968-2015
drawings, textual records
AP142.S1.D186.P3
Description:
sketches, drawings, a map, photographs, correspondence, architects' statements, proposals, building programmes, specifications, regulations, estimates, calculations, administrative records, a technical report, brochures, leaflets, clippings, labels for drawings, agendas, notes, exhibition layouts, Triennale catalogues, lists of exhibited works, and lists of participants in the Triennale
Sketches, drawings, a map, photographs, correspondence
Actions:
AP142.S1.D186.P3
Description:
sketches, drawings, a map, photographs, correspondence, architects' statements, proposals, building programmes, specifications, regulations, estimates, calculations, administrative records, a technical report, brochures, leaflets, clippings, labels for drawings, agendas, notes, exhibition layouts, Triennale catalogues, lists of exhibited works, and lists of participants in the Triennale
drawings, textual records