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In 1987, "The Main: Portrait of a Neighborhood" was published and quickly sold out. The critically acclaimed project celebrated the communities around Montreal’s Boulevard Saint Laurent and contributed to the eventual designation of "The Main" as a Canadian heritage landmark. In 2017, to celebrate the city’s 375th anniversary, the author was invited to re-imagine the(...)
Holding the Main / Tendre la Main
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In 1987, "The Main: Portrait of a Neighborhood" was published and quickly sold out. The critically acclaimed project celebrated the communities around Montreal’s Boulevard Saint Laurent and contributed to the eventual designation of "The Main" as a Canadian heritage landmark. In 2017, to celebrate the city’s 375th anniversary, the author was invited to re-imagine the original book. Returning to his former neighborhood, his new book weaves old and new photographs with texts and archives, inviting us on a journey into his creative process to reflect on questions of home, identity, time, memory, and the evolving urban landscape, and asking: in a globalized world where people and cities are in constant movement, what happens to places and memories? Can we go home again?
Architecture de Montréal
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Over the last 50 years, Lebanese American artist Simone Fattal's (born 1942) multifaceted practice has explored the impact of displacement as well as the episteme of archeology and mythology, drawing from a range of sources including war narratives, landscape painting, ancient history and poetry. Inspired by her visit to the archeological sites of Pompeii, Fattal debuts a(...)
Simone Fattal: a breeze over the Mediterranean
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Over the last 50 years, Lebanese American artist Simone Fattal's (born 1942) multifaceted practice has explored the impact of displacement as well as the episteme of archeology and mythology, drawing from a range of sources including war narratives, landscape painting, ancient history and poetry. Inspired by her visit to the archeological sites of Pompeii, Fattal debuts a new body of sculpture and ceramics blending history with memory, grappling with the loss of time while revealing its repetitions. Says Fattal of Pompeii's significance, "the place has not been destroyed by time, but by a moment ... there are fragments of all periods mingled together ... Egypt is present, but also Syria and Asia Minor. But with all this diversity and differences, it seems that all lived together in harmony."
Contemporary Art Monographs
The Darkroom
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"The darkroom" contains the script for Marguerite Duras's 1977 radically experimental film "Le camion" ("The Truck"). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Duras in conversation with Gérard Depardieu, Le camion turns the art of film into a means of enabling the viewer to engage multiple faculties--not only the visual and the aural,(...)
Architecture and Film, Set Design
March 2025
The Darkroom
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"The darkroom" contains the script for Marguerite Duras's 1977 radically experimental film "Le camion" ("The Truck"). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Duras in conversation with Gérard Depardieu, Le camion turns the art of film into a means of enabling the viewer to engage multiple faculties--not only the visual and the aural, but also memory, imagination, and desire. Also included here is a series of short essays in which Duras makes provocative connections between film and textuality, as well as a fascinating dialogue with Michelle Porte. Together amounting to a crucial contribution to the field of film theory, these texts make brilliantly apparent the depth and integrity of Duras's aesthetic, philosophical, and political thinking.
Architecture and Film, Set Design
The documentary impulse
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Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and(...)
The documentary impulse
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Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and science. Looking at photojournalism, war photography and work recording our culture, Franklin identifies some of its driving impulses: curiosity, outrage, reform and ritual; the search for evidence, for beauty, for therapy; and the immortalization of memory. As our understanding of 'documentary' continues to expand, Franklin considers photographic staging - where, perhaps, the future of the genre may lie: in search of truth over fact.
Theory of Photography
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SlaveCity - Interview with Joep van Lieshout Potential Nation States by STAR Global Islands in North Korea by Simone Cartier and Katrin Gimmel Operation Desert by Peter Mörtenböck and Helge Mooshammer Kaliningrad by Ines Lüder, Dominique Hurth and Ciarán Walsh Segregated Istanbul by Pelin Tan Crisscrossing Lives by Horng-Chang Hsieh and Vittaya Ruangrit A(...)
MONU - magazine on urbanism no 8 Border Urbanism
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SlaveCity - Interview with Joep van Lieshout Potential Nation States by STAR Global Islands in North Korea by Simone Cartier and Katrin Gimmel Operation Desert by Peter Mörtenböck and Helge Mooshammer Kaliningrad by Ines Lüder, Dominique Hurth and Ciarán Walsh Segregated Istanbul by Pelin Tan Crisscrossing Lives by Horng-Chang Hsieh and Vittaya Ruangrit A Fictional Dialogue between two Curators by Umi Cross - Border Suburbias by Teddy Cruz Reciprocal Developments by Arjan Harbers and Kristin Jensen Tijuana - Vernacular by Federico Diaz de Leon Orraca Border Models by Annemarie Strihan Bohemian Cheapness - Interview with Jaroslav Kubera Sin City by Daan Roggeveen On a Trip Down Memory Lane by Lukas Feireiss Windsor: The American Sector by Justin A. Langlois Westberlin - My Cold War Heroine by Vesta Nele Zareh
Magazines
Gleis/Track 17
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If you get off the train in Berlin at the Grunewald station, you’ll see a small sign pointing the way to Gleis 17 – Track 17. It’s the platform from which the Nazis deported more than 50,000 Jews between 1941-1945 – now, it has been made into a memorial. The track is planted with trees, and a walkway lists each date of deportation, the number of Jews, and the chilling(...)
Gleis/Track 17
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If you get off the train in Berlin at the Grunewald station, you’ll see a small sign pointing the way to Gleis 17 – Track 17. It’s the platform from which the Nazis deported more than 50,000 Jews between 1941-1945 – now, it has been made into a memorial. The track is planted with trees, and a walkway lists each date of deportation, the number of Jews, and the chilling destination. In this thought provoking book, a group of German artists and thinkers use the Gleis 17 memorial to consider whether it is possible to maintain memory in a monument, with some surprising conclusions. Contributors include NY Columbia University Professor Jorge Otero-Pailos, Diana Schulle, Andrea Wandel, Wolfgang Lorch, Harald Welzer and others.
History since 1900, Reference Books
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Ann Pendleton-Jullian tells the story of the Open City in Ritoque, Chile, a designed city still in formation that has no master plan, no imposed ordering devices, and no hierarchical networks of infrastructure. The strange buildings placed among dunes and grasslands (...)
The road that is not a road and the open city, Ritoque, Chile
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Ann Pendleton-Jullian tells the story of the Open City in Ritoque, Chile, a designed city still in formation that has no master plan, no imposed ordering devices, and no hierarchical networks of infrastructure. The strange buildings placed among dunes and grasslands reflect instead the mind's translation of urban phenomena and natural phenomena relative to the construction of memory, and a process of composition that is not dependent on stylistic precedents, drawing boards, or academic discourse. Teaching takes place on site and employs poetic methods to activate the design process; the endeavor is considered more important than the result. More than 100 photographs are included, capturing the mystical spirit of the place and of its architecture. With a foreword by Joseph Rykwert.
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November 1996, Cambridge, Mass.
Urban Theory
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The study of historic preservation theory in the United States has been limited by the lack of a comprehensive anthology of literature spanning the history of thought in the discipline. While a few key texts such as Viollet-le-Duc's "On Restoration" (1854) and John Ruskin's "Lamp of Memory" (1849) have been reprinted ad infinitum, the enormous body of preservation(...)
December 2022
Historic preservation theory: an anthology. Readings from the 18th to 21st century
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The study of historic preservation theory in the United States has been limited by the lack of a comprehensive anthology of literature spanning the history of thought in the discipline. While a few key texts such as Viollet-le-Duc's "On Restoration" (1854) and John Ruskin's "Lamp of Memory" (1849) have been reprinted ad infinitum, the enormous body of preservation knowledge produced since the Renaissance remains obscure to most American students, who until now have had no easy way to access it. This anthology offers classic texts from the United States, China, France, Germany, the United Kingdom, Russia, Norway, Sweden, Finland, Austria, Czech Republic, Spain, Italy, Greece, Egypt, Mexico, Brazil, Australia, and more, offering a broad introduction to the history of preservation theory.
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This book is about the everyday life of memorials. It explores their relationship to the pulses of daily life, their meaning within a quotidian context, and their place within the development of modern cities. Through Andrew Shanken’s close historical readings of memorials, both well-known and obscure, two distinct strands of scholarship are thus brought together: the(...)
The everyday life of memorials
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This book is about the everyday life of memorials. It explores their relationship to the pulses of daily life, their meaning within a quotidian context, and their place within the development of modern cities. Through Andrew Shanken’s close historical readings of memorials, both well-known and obscure, two distinct strands of scholarship are thus brought together: the study of the everyday and memory studies. This book explores how memorials end up where they are, grow invisible, fight with traffic, get moved, are assembled into memorial zones, and are drawn anew into commemorations and political maelstroms that their original sponsors never could have imagined. Finally, exploring how people behave at memorials and what memorials ask of people reveals just how strange the commemorative infrastructure of modernity is.
Architectural Theory
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276 pages; 21 cm.
New York : Riverhead Books, 2009, ©2008
The lost art of walking : the history, science, philosophy, and literature of pedestrianism / Geoff Nicholson.
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276 pages; 21 cm.
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New York : Riverhead Books, 2009, ©2008