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Sound is integral to how we experience the world, in the form of noise as well as music. But what is sound? What is the physical basis of pitch and harmony? And how are sound waves exploited in musical instruments? In this Very Short Introduction, Mike Goldsmith looks at the science of sound and explores sound in different contexts, covering the audible and inaudible,(...)
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Sound is integral to how we experience the world, in the form of noise as well as music. But what is sound? What is the physical basis of pitch and harmony? And how are sound waves exploited in musical instruments? In this Very Short Introduction, Mike Goldsmith looks at the science of sound and explores sound in different contexts, covering the audible and inaudible,(...)
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Sound: a very short introduction
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Sound is integral to how we experience the world, in the form of noise as well as music. But what is sound? What is the physical basis of pitch and harmony? And how are sound waves exploited in musical instruments? In this Very Short Introduction, Mike Goldsmith looks at the science of sound and explores sound in different contexts, covering the audible and inaudible, sound underground and underwater, accoustic and electric, and hearing in humans and animals. He also considers the problem of sound out of place - noise and its reduction.
Sound: a very short introduction
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Sound is integral to how we experience the world, in the form of noise as well as music. But what is sound? What is the physical basis of pitch and harmony? And how are sound waves exploited in musical instruments? In this Very Short Introduction, Mike Goldsmith looks at the science of sound and explores sound in different contexts, covering the audible and inaudible, sound underground and underwater, accoustic and electric, and hearing in humans and animals. He also considers the problem of sound out of place - noise and its reduction.
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books
books
Publication:
March 2016
March 2016
Subject:
Acoustics
Acoustics
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books
books
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Compositeur, architecte, mais aussi ingénieur civil et mathématicien, Iannis Xenakis (1922-2001), s'est sans répit investi dans la création, produisant une œuvre protéiforme marquée d'un engagement personnel indémenti. Né en Roumanie, il achève ses études en Grèce tout en s'engageant dans la Résistance durant la Seconde Guerre mondiale. Il est gravement blessé puis(...)
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Compositeur, architecte, mais aussi ingénieur civil et mathématicien, Iannis Xenakis (1922-2001), s'est sans répit investi dans la création, produisant une œuvre protéiforme marquée d'un engagement personnel indémenti. Né en Roumanie, il achève ses études en Grèce tout en s'engageant dans la Résistance durant la Seconde Guerre mondiale. Il est gravement blessé puis(...)
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Iannis Xenakis : musique de l'architecture
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Compositeur, architecte, mais aussi ingénieur civil et mathématicien, Iannis Xenakis (1922-2001), s'est sans répit investi dans la création, produisant une œuvre protéiforme marquée d'un engagement personnel indémenti. Né en Roumanie, il achève ses études en Grèce tout en s'engageant dans la Résistance durant la Seconde Guerre mondiale. Il est gravement blessé puis condamné à mort dans son pays ; il est réfugié politique en France à partir de 1947, et débute sa carrière d'architecte chez Le Corbusier. Cet ouvrage rassemble pour la première fois l'ensemble des écrits de Iannis Xenakis consacrés à l'architecture et aux relations entre musique et architecture - à commencer par le texte fondateur «Musique, Architecture» (1971). Le dépouillement des archives personnelles de Xenakis a notamment révélé la richesse du matériel traitant d'architecture - articles, correspondances, conférences, écrits théoriques, réflexions programmatiques - complétant les esquisses et les projets architecturaux eux-mêmes. Complété d'un index critique illustré de l'ensemble des projets et réalisations (Sven Sterken), d'une large bibliographie (Makis Solomos) et d'un tableau chronologique biographique, le présent volume reprend le matériel originel de Xenakis (présenté et commenté par Sharon Kanach), structuré en quatre parties : «Les années Le Corbusier», «La ville cosmique et autres écrits», «Xenakis, architecte indépendant», «Les Polytopes».
Iannis Xenakis : musique de l'architecture
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Compositeur, architecte, mais aussi ingénieur civil et mathématicien, Iannis Xenakis (1922-2001), s'est sans répit investi dans la création, produisant une œuvre protéiforme marquée d'un engagement personnel indémenti. Né en Roumanie, il achève ses études en Grèce tout en s'engageant dans la Résistance durant la Seconde Guerre mondiale. Il est gravement blessé puis condamné à mort dans son pays ; il est réfugié politique en France à partir de 1947, et débute sa carrière d'architecte chez Le Corbusier. Cet ouvrage rassemble pour la première fois l'ensemble des écrits de Iannis Xenakis consacrés à l'architecture et aux relations entre musique et architecture - à commencer par le texte fondateur «Musique, Architecture» (1971). Le dépouillement des archives personnelles de Xenakis a notamment révélé la richesse du matériel traitant d'architecture - articles, correspondances, conférences, écrits théoriques, réflexions programmatiques - complétant les esquisses et les projets architecturaux eux-mêmes. Complété d'un index critique illustré de l'ensemble des projets et réalisations (Sven Sterken), d'une large bibliographie (Makis Solomos) et d'un tableau chronologique biographique, le présent volume reprend le matériel originel de Xenakis (présenté et commenté par Sharon Kanach), structuré en quatre parties : «Les années Le Corbusier», «La ville cosmique et autres écrits», «Xenakis, architecte indépendant», «Les Polytopes».
Form:
books
books
Publication:
October 2006, Marseilles
October 2006, Marseilles
Subject:
Acoustics
Acoustics
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books
books
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$37.95
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Ce répertoire regroupe des descriptions et des analyses de plus de quatre-vingt effets sonores et précise leurs corrélations : une contribution à l'élaboration d'un "instrumentarium" adapté à l'écoute de l'environnement.
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Ce répertoire regroupe des descriptions et des analyses de plus de quatre-vingt effets sonores et précise leurs corrélations : une contribution à l'élaboration d'un "instrumentarium" adapté à l'écoute de l'environnement.
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À l'écoute de l'environnement : répertoire des effets sonores
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Ce répertoire regroupe des descriptions et des analyses de plus de quatre-vingt effets sonores et précise leurs corrélations : une contribution à l'élaboration d'un "instrumentarium" adapté à l'écoute de l'environnement.
À l'écoute de l'environnement : répertoire des effets sonores
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$37.95
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Ce répertoire regroupe des descriptions et des analyses de plus de quatre-vingt effets sonores et précise leurs corrélations : une contribution à l'élaboration d'un "instrumentarium" adapté à l'écoute de l'environnement.
Form:
books
books
Publication:
August 1995, Marseille
August 1995, Marseille
Subject:
Acoustics
Acoustics
Form:
books
books
Title:
Radio territories
Radio territories
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$30.00
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The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital(...)
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Summary:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital(...)
Subject:
Acoustics
Acoustics
Publication:
November 2006, Los Angeles, Copenhagen, New York
November 2006, Los Angeles, Copenhagen, New York
Title:
Radio territories
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The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital technology - from digital streaming to web radio and podcasting - paying special attention to the "transmission arts" in culture and politics. It includes creative and critical essays by historians, media theorists, radio producers and activists, coupled with artistic and audio projects by current avant-gardists Kabir Carter, Brandon LaBelle, James Sey and others. While "Modern" radio stitched together an electronic network by expanding outward, today's radio may fulfill Marshall McLuhan's idea of the global "extended nervous system" by networking individual lives on more of a cellular level. According to the authors, radio is no longer out there, in the ether, but inside us, transmitting intense stratifications of culture. Comes with audio CD
Radio territories
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$30.00
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Summary:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital technology - from digital streaming to web radio and podcasting - paying special attention to the "transmission arts" in culture and politics. It includes creative and critical essays by historians, media theorists, radio producers and activists, coupled with artistic and audio projects by current avant-gardists Kabir Carter, Brandon LaBelle, James Sey and others. While "Modern" radio stitched together an electronic network by expanding outward, today's radio may fulfill Marshall McLuhan's idea of the global "extended nervous system" by networking individual lives on more of a cellular level. According to the authors, radio is no longer out there, in the ether, but inside us, transmitting intense stratifications of culture. Comes with audio CD
Form:
books
books
Publication:
November 2006, Los Angeles, Copenhagen, New York
November 2006, Los Angeles, Copenhagen, New York
Subject:
Acoustics
Acoustics
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books
books
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$45.95
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews(...)
$45.95
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Summary:
During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews(...)
Title:
Bone music: Soviet X-Ray audio
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews and oral testimonies gathered over five years, this volume presents the stories of the original bone bootleggers, their customers, musicians, record collectors, and commentators, evoking a spirited resistance to a repressive culture of prohibition and punishment. Richly illustrated with dozens of new images of Soviet x-ray discs and sound letters, the book details how the bootleggers worked, outlining the technical precedents of their techniques, situating their discs in a revised history of recorded media, and bringing a wealth of compelling new detail.
Bone music: Soviet X-Ray audio
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Summary:
During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews and oral testimonies gathered over five years, this volume presents the stories of the original bone bootleggers, their customers, musicians, record collectors, and commentators, evoking a spirited resistance to a repressive culture of prohibition and punishment. Richly illustrated with dozens of new images of Soviet x-ray discs and sound letters, the book details how the bootleggers worked, outlining the technical precedents of their techniques, situating their discs in a revised history of recorded media, and bringing a wealth of compelling new detail.
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books
books
Publication:
February 2022
February 2022
Subject:
Acoustics
Acoustics
Form:
books
books
Title:
The nomadic listener
The nomadic listener
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where(...)
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where(...)
Title:
The nomadic listener
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What surfaces is a collection of meditations on the occurrences of life movingly interwoven with memories, associations, desires and reflections. As readers we are brought into a tender map of contemporary urban experience, and the often lonely, surprising and random interactions found in traveling.''The nomadic listener'' includes parallel drawings based on the original audio recordings, and appear as ghostly renderings of the corresponding experiences. The recordings are published by the German label Gruenrekorder and accessed through a QR code included in the book.
The nomadic listener
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$25.00
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What surfaces is a collection of meditations on the occurrences of life movingly interwoven with memories, associations, desires and reflections. As readers we are brought into a tender map of contemporary urban experience, and the often lonely, surprising and random interactions found in traveling.''The nomadic listener'' includes parallel drawings based on the original audio recordings, and appear as ghostly renderings of the corresponding experiences. The recordings are published by the German label Gruenrekorder and accessed through a QR code included in the book.
Form:
books
books
Publication:
September 2020
September 2020
Subject:
Acoustics
Acoustics
Form:
books
books
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$54.00
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A rare document of the 1960s Black Arts Movement, “The Cricket” fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka’s New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran(...)
$54.00
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A rare document of the 1960s Black Arts Movement, “The Cricket” fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka’s New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran(...)
Title:
The Cricket: Black music in evolution, 1968-69
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A rare document of the 1960s Black Arts Movement, “The Cricket” fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka’s New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran poetry, position papers, and gossip alongside concert and record reviews and essays on music and politics. Over four mimeographed issues, “The Cricket” laid out an anticommercial ideology and took aim at the conservative jazz press, providing a space for critics, poets, and journalists, and a range of musicians to devise new styles of music writing. This publication gathers all issues of the magazine.
The Cricket: Black music in evolution, 1968-69
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A rare document of the 1960s Black Arts Movement, “The Cricket” fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka’s New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran poetry, position papers, and gossip alongside concert and record reviews and essays on music and politics. Over four mimeographed issues, “The Cricket” laid out an anticommercial ideology and took aim at the conservative jazz press, providing a space for critics, poets, and journalists, and a range of musicians to devise new styles of music writing. This publication gathers all issues of the magazine.
Form:
books
books
Publication:
January 2022
January 2022
Subject:
Acoustics
Acoustics
Form:
books
books
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$35.95
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In this publication, Marcus Boon explores music as a material practice of vibration. Focusing on the work of three contemporary musicians—Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop musician DJ Screw—Boon outlines how music constructs a vibrational space of individual and(...)
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In this publication, Marcus Boon explores music as a material practice of vibration. Focusing on the work of three contemporary musicians—Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop musician DJ Screw—Boon outlines how music constructs a vibrational space of individual and(...)
Title:
The politics of vibration: Music as cosmopolitical practice
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In this publication, Marcus Boon explores music as a material practice of vibration. Focusing on the work of three contemporary musicians—Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop musician DJ Screw—Boon outlines how music constructs a vibrational space of individual and collective transformation. Contributing to a new interdisciplinary field of vibration studies, he understands vibration as a mathematical and a physical concept, as a religious or ontological force, and as a psychological determinant of subjectivity. Boon contends that music, as a shaping of vibration, needs to be recognized as a cosmopolitical practice—in the sense introduced by Isabelle Stengers—in which what music is within a society depends on what kinds of access to vibration are permitted, and to whom. This politics of vibration constitutes the hidden ontology of contemporary music because the organization of vibration shapes individual music scenes as well as the ethical choices that participants in these scenes make about how they want to live in the world.
The politics of vibration: Music as cosmopolitical practice
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In this publication, Marcus Boon explores music as a material practice of vibration. Focusing on the work of three contemporary musicians—Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop musician DJ Screw—Boon outlines how music constructs a vibrational space of individual and collective transformation. Contributing to a new interdisciplinary field of vibration studies, he understands vibration as a mathematical and a physical concept, as a religious or ontological force, and as a psychological determinant of subjectivity. Boon contends that music, as a shaping of vibration, needs to be recognized as a cosmopolitical practice—in the sense introduced by Isabelle Stengers—in which what music is within a society depends on what kinds of access to vibration are permitted, and to whom. This politics of vibration constitutes the hidden ontology of contemporary music because the organization of vibration shapes individual music scenes as well as the ethical choices that participants in these scenes make about how they want to live in the world.
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books
books
Publication:
August 2022
August 2022
Subject:
Acoustics
Acoustics
Form:
books
books
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$18.95
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Dire le 'sonore' a été une des gageures de l’écriture esthétique et, au XXe siècle, on aura plus largement insisté sur la structure et la forme, au détriment de la sensation, en affirmant la toute-puissance du discours. Mais il suffit de porter l’oreille à une conque marine pour que le son de la mer qu’on y entend, ébranle les édifices, mette à bas les échafaudages(...)
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Dire le 'sonore' a été une des gageures de l’écriture esthétique et, au XXe siècle, on aura plus largement insisté sur la structure et la forme, au détriment de la sensation, en affirmant la toute-puissance du discours. Mais il suffit de porter l’oreille à une conque marine pour que le son de la mer qu’on y entend, ébranle les édifices, mette à bas les échafaudages(...)
Title:
Les mots et les sons : Un archipel sonore
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Dire le 'sonore' a été une des gageures de l’écriture esthétique et, au XXe siècle, on aura plus largement insisté sur la structure et la forme, au détriment de la sensation, en affirmant la toute-puissance du discours. Mais il suffit de porter l’oreille à une conque marine pour que le son de la mer qu’on y entend, ébranle les édifices, mette à bas les échafaudages rhétoriques de « ce qu’entendre veut dire ». Dans ce livre, François J. Bonnet explore les voix fantômes, l’inframince du son, le sampling, la phonographie et les résonances dont notre univers est peuplé et qui échappent aujourd’hui à la forme traditionnelle de l’écoute. Il ouvre sur des archipels sonores inouïs, éphémères et précaires comme les TAZs (Zones autonomes temporaires), mais riches de nouvelles expériences d’écoute, propres à éduquer nos oreilles à mieux entendre l’imperceptible.
Les mots et les sons : Un archipel sonore
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Dire le 'sonore' a été une des gageures de l’écriture esthétique et, au XXe siècle, on aura plus largement insisté sur la structure et la forme, au détriment de la sensation, en affirmant la toute-puissance du discours. Mais il suffit de porter l’oreille à une conque marine pour que le son de la mer qu’on y entend, ébranle les édifices, mette à bas les échafaudages rhétoriques de « ce qu’entendre veut dire ». Dans ce livre, François J. Bonnet explore les voix fantômes, l’inframince du son, le sampling, la phonographie et les résonances dont notre univers est peuplé et qui échappent aujourd’hui à la forme traditionnelle de l’écoute. Il ouvre sur des archipels sonores inouïs, éphémères et précaires comme les TAZs (Zones autonomes temporaires), mais riches de nouvelles expériences d’écoute, propres à éduquer nos oreilles à mieux entendre l’imperceptible.
Form:
books
books
Publication:
July 2022
July 2022
Subject:
Acoustics
Acoustics
Form:
books
books
Title:
The Sound Studies Reader
The Sound Studies Reader
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$49.50
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Summary:
The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give(...)
$49.50
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Summary:
The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give(...)
Title:
The Sound Studies Reader
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$49.50
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Summary:
The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field.
The Sound Studies Reader
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$49.50
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Summary:
The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field.
Form:
books
books
Publication:
August 2012
August 2012
Subject:
Acoustics
Acoustics
