4262 Results
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events
events
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Description:
Following an intense period of work in the mid-1970s with Portugal’s post-revolutionary housing initiatives, in the early 1980s Álvaro Siza contributed projects to two of the most important urban renewal programs in Europe: Berlin’s IBA and The Hague’s Stadsvernieuwing als Kulturel Aktiviteit (Urban Renewal as a Cultural Activity). This lecture will examine the(...)
Following an intense period of work in the mid-1970s with Portugal’s post-revolutionary housing initiatives, in the early 1980s Álvaro Siza contributed projects to two of the most important urban renewal programs in Europe: Berlin’s IBA and The Hague’s Stadsvernieuwing als Kulturel Aktiviteit (Urban Renewal as a Cultural Activity). This lecture will examine the(...)
Date:
26 November 2015
26 November 2015
Title:
Álvaro Siza’s Archaeology of the Ordinary
Actions:
Description:
Following an intense period of work in the mid-1970s with Portugal’s post-revolutionary housing initiatives, in the early 1980s Álvaro Siza contributed projects to two of the most important urban renewal programs in Europe: Berlin’s IBA and The Hague’s Stadsvernieuwing als Kulturel Aktiviteit (Urban Renewal as a Cultural Activity). This lecture will examine the(...)
Álvaro Siza’s Archaeology of the Ordinary
Actions:
Description:
Following an intense period of work in the mid-1970s with Portugal’s post-revolutionary housing initiatives, in the early 1980s Álvaro Siza contributed projects to two of the most important urban renewal programs in Europe: Berlin’s IBA and The Hague’s Stadsvernieuwing als Kulturel Aktiviteit (Urban Renewal as a Cultural Activity). This lecture will examine the(...)
Form:
events
events
Date:
26 November 2015
26 November 2015
Level of archival description:
Sub-series
Sub-series
Reference number:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
People:
Date:
1945-1975
1945-1975
Title:
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Level of archival description:
Sous-série 3
Sous-série 3
Date:
1945-1975
1945-1975
People:
Level of archival description:
Project
Project
Title:
Steel House
Steel House
Reference number:
AP144.S2.D60
Description:
File documents an unsuccessful competition entry, in collaboration with Miles Park, Douglas Smith and Frank Newby, for a mass-produced housing system using steel, for a competition sponsored by the European Coal and Steel Community. Requirements called for rapid assembly/disassembly, and flexible unit plans that could be altered by home owners and appeal to a wide range of owners and their preferences. Schematic sketches include exterior elevations, floor plans, preliminary details, and charts for building components. Conceptual sketches show alternate unit and floor plan arrangements, and include network analysis plans, site maximization plans based on transportability, family breakdown diagrams, alternate internal unit layout plans based on age and other factors, functional area plans indicating separation possibilities, and charts which cross-reference factors such as transportability, construction, and assembly requirements. Design development drawings show typical plans, site plans, sections, elevations, details, axonometric drawings of structure and cladding, internal units, and components. Some material in this file was published in Price, Cedric, "Steel Housing", 'Architectural Design', vol. 37, (May 1967) 244, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984) 36, 49-50, 113. Material in this file was produced between 1965 and 1969. 'High Authority of the European Coal and Steel Community' is the full name of the client as found in the textual records. The title of the competition is 'International Competition for the Design of Industrially Fabricated Dwellings'. File contains conceptual drawings, design development drawings, photographic material, presentation panels, textual records, and model.
AP144.S2.D60
Description:
File documents an unsuccessful competition entry, in collaboration with Miles Park, Douglas Smith and Frank Newby, for a mass-produced housing system using steel, for a competition sponsored by the European Coal and Steel Community. Requirements called for rapid assembly/disassembly, and flexible unit plans that could be altered by home owners and appeal to a wide range of owners and their preferences. Schematic sketches include exterior elevations, floor plans, preliminary details, and charts for building components. Conceptual sketches show alternate unit and floor plan arrangements, and include network analysis plans, site maximization plans based on transportability, family breakdown diagrams, alternate internal unit layout plans based on age and other factors, functional area plans indicating separation possibilities, and charts which cross-reference factors such as transportability, construction, and assembly requirements. Design development drawings show typical plans, site plans, sections, elevations, details, axonometric drawings of structure and cladding, internal units, and components. Some material in this file was published in Price, Cedric, "Steel Housing", 'Architectural Design', vol. 37, (May 1967) 244, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984) 36, 49-50, 113. Material in this file was produced between 1965 and 1969. 'High Authority of the European Coal and Steel Community' is the full name of the client as found in the textual records. The title of the competition is 'International Competition for the Design of Industrially Fabricated Dwellings'. File contains conceptual drawings, design development drawings, photographic material, presentation panels, textual records, and model.
People:
Date:
1965-1969
1965-1969
Title:
Steel House
Actions:
AP144.S2.D60
Description:
File documents an unsuccessful competition entry, in collaboration with Miles Park, Douglas Smith and Frank Newby, for a mass-produced housing system using steel, for a competition sponsored by the European Coal and Steel Community. Requirements called for rapid assembly/disassembly, and flexible unit plans that could be altered by home owners and appeal to a wide range of owners and their preferences. Schematic sketches include exterior elevations, floor plans, preliminary details, and charts for building components. Conceptual sketches show alternate unit and floor plan arrangements, and include network analysis plans, site maximization plans based on transportability, family breakdown diagrams, alternate internal unit layout plans based on age and other factors, functional area plans indicating separation possibilities, and charts which cross-reference factors such as transportability, construction, and assembly requirements. Design development drawings show typical plans, site plans, sections, elevations, details, axonometric drawings of structure and cladding, internal units, and components. Some material in this file was published in Price, Cedric, "Steel Housing", 'Architectural Design', vol. 37, (May 1967) 244, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984) 36, 49-50, 113. Material in this file was produced between 1965 and 1969. 'High Authority of the European Coal and Steel Community' is the full name of the client as found in the textual records. The title of the competition is 'International Competition for the Design of Industrially Fabricated Dwellings'. File contains conceptual drawings, design development drawings, photographic material, presentation panels, textual records, and model.
Steel House
Actions:
AP144.S2.D60
Description:
File documents an unsuccessful competition entry, in collaboration with Miles Park, Douglas Smith and Frank Newby, for a mass-produced housing system using steel, for a competition sponsored by the European Coal and Steel Community. Requirements called for rapid assembly/disassembly, and flexible unit plans that could be altered by home owners and appeal to a wide range of owners and their preferences. Schematic sketches include exterior elevations, floor plans, preliminary details, and charts for building components. Conceptual sketches show alternate unit and floor plan arrangements, and include network analysis plans, site maximization plans based on transportability, family breakdown diagrams, alternate internal unit layout plans based on age and other factors, functional area plans indicating separation possibilities, and charts which cross-reference factors such as transportability, construction, and assembly requirements. Design development drawings show typical plans, site plans, sections, elevations, details, axonometric drawings of structure and cladding, internal units, and components. Some material in this file was published in Price, Cedric, "Steel Housing", 'Architectural Design', vol. 37, (May 1967) 244, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984) 36, 49-50, 113. Material in this file was produced between 1965 and 1969. 'High Authority of the European Coal and Steel Community' is the full name of the client as found in the textual records. The title of the competition is 'International Competition for the Design of Industrially Fabricated Dwellings'. File contains conceptual drawings, design development drawings, photographic material, presentation panels, textual records, and model.
Level of archival description:
File 60
File 60
Date:
1965-1969
1965-1969
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Location:
Main galleries
Main galleries
Date:
4 July 2007 to 30 September 2007
4 July 2007 to 30 September 2007
Title:
Lessons from Bernard Rudofsky
Actions:
Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Lessons from Bernard Rudofsky
Actions:
Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Form:
exhibitions
exhibitions
Date:
4 July 2007 to
30 September 2007
4 July 2007 to
30 September 2007
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Title:
Miragaia, Porto
Miragaia, Porto
Actions:
Reference number:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
People:
Date:
1975-1977
1975-1977
Title:
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
1975-1977
1975-1977
People:
Form:
events
events
Description:
In the Yesterday Today lecture series, American architect Michael Reynolds discusses Earthship houses, which use recycled materials and sustainable energy technologies to create autonomous dwellings. The structure and systems of Earthships are integrated so that all materials have a secondary use, from the greywater system in bathrooms and kitchens to planter boxes in(...)
In the Yesterday Today lecture series, American architect Michael Reynolds discusses Earthship houses, which use recycled materials and sustainable energy technologies to create autonomous dwellings. The structure and systems of Earthships are integrated so that all materials have a secondary use, from the greywater system in bathrooms and kitchens to planter boxes in(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
15 November 2007
15 November 2007
Title:
Michael Reynolds: The Earthship Sustainable Housing Concept
Actions:
Description:
In the Yesterday Today lecture series, American architect Michael Reynolds discusses Earthship houses, which use recycled materials and sustainable energy technologies to create autonomous dwellings. The structure and systems of Earthships are integrated so that all materials have a secondary use, from the greywater system in bathrooms and kitchens to planter boxes in(...)
Michael Reynolds: The Earthship Sustainable Housing Concept
Actions:
Description:
In the Yesterday Today lecture series, American architect Michael Reynolds discusses Earthship houses, which use recycled materials and sustainable energy technologies to create autonomous dwellings. The structure and systems of Earthships are integrated so that all materials have a secondary use, from the greywater system in bathrooms and kitchens to planter boxes in(...)
Form:
events
events
Date:
15 November 2007
15 November 2007
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:111:012
Description:
File containing materials in English and French, including newspaper clippings, project proposals, and reports related to the following municipal development projects: - Habitations Jeanne-Mance; - redevelopment of Saint Catherine St.; - Project to renovate a defective residential zone and to build low-rental dwellings (1954). Also includes one copy of Le monument national, published by Sauvons Montreal. Items originally housed in a box labelled: VILLE DE MONTREAL / SHDU Faubourg St-Laurent 1990 (Box #2)
DR2012:0012:111:012
Description:
File containing materials in English and French, including newspaper clippings, project proposals, and reports related to the following municipal development projects: - Habitations Jeanne-Mance; - redevelopment of Saint Catherine St.; - Project to renovate a defective residential zone and to build low-rental dwellings (1954). Also includes one copy of Le monument national, published by Sauvons Montreal. Items originally housed in a box labelled: VILLE DE MONTREAL / SHDU Faubourg St-Laurent 1990 (Box #2)
People:
Date:
1954, 1975-1976, 1988-1990
1954, 1975-1976, 1988-1990
Title:
Reference materials related to municipal development projects
Actions:
DR2012:0012:111:012
Description:
File containing materials in English and French, including newspaper clippings, project proposals, and reports related to the following municipal development projects: - Habitations Jeanne-Mance; - redevelopment of Saint Catherine St.; - Project to renovate a defective residential zone and to build low-rental dwellings (1954). Also includes one copy of Le monument national, published by Sauvons Montreal. Items originally housed in a box labelled: VILLE DE MONTREAL / SHDU Faubourg St-Laurent 1990 (Box #2)
Reference materials related to municipal development projects
Actions:
DR2012:0012:111:012
Description:
File containing materials in English and French, including newspaper clippings, project proposals, and reports related to the following municipal development projects: - Habitations Jeanne-Mance; - redevelopment of Saint Catherine St.; - Project to renovate a defective residential zone and to build low-rental dwellings (1954). Also includes one copy of Le monument national, published by Sauvons Montreal. Items originally housed in a box labelled: VILLE DE MONTREAL / SHDU Faubourg St-Laurent 1990 (Box #2)
Form:
textual records
textual records
Date:
1954, 1975-1976, 1988-1990
1954, 1975-1976, 1988-1990
People:
Level of archival description:
Project
Project
Title:
Quinta da Bela Flor, Lisboa
Quinta da Bela Flor, Lisboa
Actions:
Reference number:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
People:
Date:
circa 1976
circa 1976
Title:
Quinta da Bela Flor, Lisboa
Actions:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Quinta da Bela Flor, Lisboa
Actions:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
circa 1976
circa 1976
People:
Level of archival description:
Project
Project
Reference number:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
People:
Date:
circa 1974
circa 1974
Title:
Bairro Quinta do Bacalhau–Monte Coxo, Lisbon
Actions:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Bairro Quinta do Bacalhau–Monte Coxo, Lisbon
Actions:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
circa 1974
circa 1974
People:
Form:
photographs
photographs
Actions:
Reference number:
AP140.S2.SS1.D33.P6
Description:
views of schematic, design development, presentation, and publication drawings; many of the views of schematic, design development, and presentation drawings show drawings that are not otherwise present in the project documents; the views of schematic, design development, and presentation drawings show different schemes for site layouts, and for types and juxtaposition of dwellings; some of these drawings were possibly redrawn for presentation or publication purposes; there are views of drawings for a reurbanisation project for the Southgate Housing by Rodrigo Perez de Arce, which was exhibited and published in the early 1980s; some of these views were also used to illustrate Stirling's published Southgate project
AP140.S2.SS1.D33.P6
Description:
views of schematic, design development, presentation, and publication drawings; many of the views of schematic, design development, and presentation drawings show drawings that are not otherwise present in the project documents; the views of schematic, design development, and presentation drawings show different schemes for site layouts, and for types and juxtaposition of dwellings; some of these drawings were possibly redrawn for presentation or publication purposes; there are views of drawings for a reurbanisation project for the Southgate Housing by Rodrigo Perez de Arce, which was exhibited and published in the early 1980s; some of these views were also used to illustrate Stirling's published Southgate project
People:
Date:
1976
1976
Title:
Views of schematic, design development, presentation
Actions:
AP140.S2.SS1.D33.P6
Description:
views of schematic, design development, presentation, and publication drawings; many of the views of schematic, design development, and presentation drawings show drawings that are not otherwise present in the project documents; the views of schematic, design development, and presentation drawings show different schemes for site layouts, and for types and juxtaposition of dwellings; some of these drawings were possibly redrawn for presentation or publication purposes; there are views of drawings for a reurbanisation project for the Southgate Housing by Rodrigo Perez de Arce, which was exhibited and published in the early 1980s; some of these views were also used to illustrate Stirling's published Southgate project
Views of schematic, design development, presentation
Actions:
AP140.S2.SS1.D33.P6
Description:
views of schematic, design development, presentation, and publication drawings; many of the views of schematic, design development, and presentation drawings show drawings that are not otherwise present in the project documents; the views of schematic, design development, and presentation drawings show different schemes for site layouts, and for types and juxtaposition of dwellings; some of these drawings were possibly redrawn for presentation or publication purposes; there are views of drawings for a reurbanisation project for the Southgate Housing by Rodrigo Perez de Arce, which was exhibited and published in the early 1980s; some of these views were also used to illustrate Stirling's published Southgate project
Form:
photographs
photographs
Date:
1976
1976
People:
