textual records
ARCH257787
Description:
12 files from AEA Los Angeles office - The Sierra Foundation, General Motors Company Advanced Concepts Plant, California Plaza Phase 2A, California General Mail Facility and Vehicule Maintenance Facility, The World Bank Main Complex Buildings, Caltrans Laboratory Equipement Shop-Sacramento, Wittington Place, Environmental and Molecular Science Lab, Multimodal Transportation Terminal - San Jose, Sacramento Office Tower, Central Library City of Phoenix
Files from AEA Los Angeles office
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ARCH257787
Description:
12 files from AEA Los Angeles office - The Sierra Foundation, General Motors Company Advanced Concepts Plant, California Plaza Phase 2A, California General Mail Facility and Vehicule Maintenance Facility, The World Bank Main Complex Buildings, Caltrans Laboratory Equipement Shop-Sacramento, Wittington Place, Environmental and Molecular Science Lab, Multimodal Transportation Terminal - San Jose, Sacramento Office Tower, Central Library City of Phoenix
textual records
archives
Level of archival description:
Collection
Georg Lippsmeier Collection
CD037
Synopsis:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
1960s-2010
Georg Lippsmeier Collection
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CD037
Synopsis:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
archives
Level of archival description:
Collection
1960s-2010
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
circa 1999-2000
Drawings for two installations for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
textual records
AP206.S2.045
Description:
File was originally housed in a binder along with content arranged in AP206.S2.046 and AP206.S2.047. This file includes the following papers: "Purpose of Architecture," 1977 Poem in Urdu "Is Architecture Responsible?" 1981 Speech given at inauguration of an exhibition of art, 1980 Untitled papers, 1979-1980 "To be Protected," 1979 "Destiny and Discretion," 1979 "Leadership" "Your Circle," 1979 "Deliverance" "Urbanisation and Environmental Problems: Hill Ecosystem"
1977-1998
Published and unpublished papers (folder 1 of 3)
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AP206.S2.045
Description:
File was originally housed in a binder along with content arranged in AP206.S2.046 and AP206.S2.047. This file includes the following papers: "Purpose of Architecture," 1977 Poem in Urdu "Is Architecture Responsible?" 1981 Speech given at inauguration of an exhibition of art, 1980 Untitled papers, 1979-1980 "To be Protected," 1979 "Destiny and Discretion," 1979 "Leadership" "Your Circle," 1979 "Deliverance" "Urbanisation and Environmental Problems: Hill Ecosystem"
textual records
1977-1998
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
circa 1999-2000
Drawing for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
textual records
DR2012:0015:022:013
Description:
File containing documents in English and French, including press clippings and printouts related to the following projects and/or events: - Une célébration... de l'eau à la lumière; - Photocopy of editorial about Melvin Charney in Protée, vol. 23, no (1995); - Publication list for spring 1979 issue of Formalism, realism, contextualism, featuring Melvin Charney's article, Experimental strategies: notes for environmental design. Original folder inscribed in graphite: DOSSIER PRESSE
1977-1978, 1995, 2004
Press clippings related to Melvin Charney's projects
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DR2012:0015:022:013
Description:
File containing documents in English and French, including press clippings and printouts related to the following projects and/or events: - Une célébration... de l'eau à la lumière; - Photocopy of editorial about Melvin Charney in Protée, vol. 23, no (1995); - Publication list for spring 1979 issue of Formalism, realism, contextualism, featuring Melvin Charney's article, Experimental strategies: notes for environmental design. Original folder inscribed in graphite: DOSSIER PRESSE
textual records
1977-1978, 1995, 2004
Oscillating Spaces
Oscillating Spaces, curated by Anneke Abhelakh, explores the Rhône Glacier—undergoing fast melting and transformation processes—as a case study to reflect on environmental challenges in a constantly oscillating site. Juxtaposing glacier cartography, photography, film, ecclesiastical documents, tourist souvenirs, and architectural archives, the exhibition questions the(...)
Octagonal gallery
25 April 2025 to 1 February 2026
Oscillating Spaces
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Description:
Oscillating Spaces, curated by Anneke Abhelakh, explores the Rhône Glacier—undergoing fast melting and transformation processes—as a case study to reflect on environmental challenges in a constantly oscillating site. Juxtaposing glacier cartography, photography, film, ecclesiastical documents, tourist souvenirs, and architectural archives, the exhibition questions the(...)
Octagonal gallery
textual records
DR2004:1451
Description:
Binder 'X15' (1988-91), Box file X 15 No 5, (Loose) 'The Cedric Price Aviary - A Unique Project' (clippings, press review 1984), Mag box 'CP Press/18.2 '78/check for references' (inc. BDs duplicatas on Generator), Mag box 'D.H.-E. Folder' 'David Hugh-Evans' /'Institution of Environmental Sciences', File (red plastic) Clippings on CP, File 'CP Things /Glasgow/ 131 Rotten Row' (clippings on CP exh. etc.)
1980-1981
'The Cedric Price Aviary - A Unique Project'
Actions:
DR2004:1451
Description:
Binder 'X15' (1988-91), Box file X 15 No 5, (Loose) 'The Cedric Price Aviary - A Unique Project' (clippings, press review 1984), Mag box 'CP Press/18.2 '78/check for references' (inc. BDs duplicatas on Generator), Mag box 'D.H.-E. Folder' 'David Hugh-Evans' /'Institution of Environmental Sciences', File (red plastic) Clippings on CP, File 'CP Things /Glasgow/ 131 Rotten Row' (clippings on CP exh. etc.)
textual records
1980-1981
Project
BTDB Computer
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
1966-1984, predominant 1968-1973
BTDB Computer
Actions:
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
File 70
1966-1984, predominant 1968-1973
Project
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
2001-2018
Archipensierio [Architoughts] 2001
Actions:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Project
2001-2018