5344 Results
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Futurecasting collection
Futurecasting collection
Actions:
Reference number:
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
People:
Date:
2008-2023
2008-2023
Title:
Futurecasting collection
Actions:
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Futurecasting collection
Actions:
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
2008-2023
2008-2023
People:
Form:
exhibitions
exhibitions
Title:
Starting From... The Suburbs
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Location:
Hall cases
Hall cases
Date:
16 February 2012 to 10 June 2012
16 February 2012 to 10 June 2012
Title:
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Form:
exhibitions
exhibitions
Date:
16 February 2012 to
10 June 2012
16 February 2012 to
10 June 2012
Location:
Hall cases
Hall cases
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
People:
Date:
1995-1997
1995-1997
Title:
Personal and professional correspondence from 1995-1997
Actions:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
Personal and professional correspondence from 1995-1997
Actions:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
Form:
textual records
textual records
Date:
1995-1997
1995-1997
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
People:
Date:
1991-1994
1991-1994
Title:
Personal and professional correspondence for names U-Z from 1991-1994
Actions:
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
Personal and professional correspondence for names U-Z from 1991-1994
Actions:
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
Form:
textual records
textual records
Date:
1991-1994
1991-1994
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
People:
Date:
1999-2001
1999-2001
Title:
Estación maritima de Salerno, Italy (1999)
Actions:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
Estación maritima de Salerno, Italy (1999)
Actions:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
Level of archival description:
Project
Project
Date:
1999-2001
1999-2001
People:
Level of archival description:
Project
Project
Reference number:
AP066.S2.D13
Description:
Le dossier documente l'extension au musée et la production d'un mémoire (conception, en collaboration avec "le consortium des architectes du Musée des Beaux-Arts de Montréal", dirigé par Moshe Safdie, architecte) présenté au Comité Consultatif sur le Projet d'Agrandissement du Musée des Beaux-Arts de Montréal, situé sur la rue Sherbrooke, à Montréal, Québec. Le dossier contient des dessins, des documents textuels, des reprographies et des panneaux. Description du projet par l'architecte: "Essentiellement, l'exercice déplace et reproportionne l'immeuble New Sherbrooke au croisement des rues Sherbrooke et Crescent, lui assurant une pérennité à sa mesure, le valorisant en tant qu'usage plus qu'en tant qu'image, vu l'entité spatiale qui lui serait assurée dans ce cas, à la fois sur le plan intérieur et sur le plan de la position urbaine préviligiée qu'il acquiert sur cette intersection." Jacques Rousseau, ARQ: Architecture-Québec, nº 38, août 1987, p. 22-23.
AP066.S2.D13
Description:
Le dossier documente l'extension au musée et la production d'un mémoire (conception, en collaboration avec "le consortium des architectes du Musée des Beaux-Arts de Montréal", dirigé par Moshe Safdie, architecte) présenté au Comité Consultatif sur le Projet d'Agrandissement du Musée des Beaux-Arts de Montréal, situé sur la rue Sherbrooke, à Montréal, Québec. Le dossier contient des dessins, des documents textuels, des reprographies et des panneaux. Description du projet par l'architecte: "Essentiellement, l'exercice déplace et reproportionne l'immeuble New Sherbrooke au croisement des rues Sherbrooke et Crescent, lui assurant une pérennité à sa mesure, le valorisant en tant qu'usage plus qu'en tant qu'image, vu l'entité spatiale qui lui serait assurée dans ce cas, à la fois sur le plan intérieur et sur le plan de la position urbaine préviligiée qu'il acquiert sur cette intersection." Jacques Rousseau, ARQ: Architecture-Québec, nº 38, août 1987, p. 22-23.
People:
Date:
1985
1985
Title:
Projet pour le Musée des Beaux-Arts de Montréal
Actions:
AP066.S2.D13
Description:
Le dossier documente l'extension au musée et la production d'un mémoire (conception, en collaboration avec "le consortium des architectes du Musée des Beaux-Arts de Montréal", dirigé par Moshe Safdie, architecte) présenté au Comité Consultatif sur le Projet d'Agrandissement du Musée des Beaux-Arts de Montréal, situé sur la rue Sherbrooke, à Montréal, Québec. Le dossier contient des dessins, des documents textuels, des reprographies et des panneaux. Description du projet par l'architecte: "Essentiellement, l'exercice déplace et reproportionne l'immeuble New Sherbrooke au croisement des rues Sherbrooke et Crescent, lui assurant une pérennité à sa mesure, le valorisant en tant qu'usage plus qu'en tant qu'image, vu l'entité spatiale qui lui serait assurée dans ce cas, à la fois sur le plan intérieur et sur le plan de la position urbaine préviligiée qu'il acquiert sur cette intersection." Jacques Rousseau, ARQ: Architecture-Québec, nº 38, août 1987, p. 22-23.
Projet pour le Musée des Beaux-Arts de Montréal
Actions:
AP066.S2.D13
Description:
Le dossier documente l'extension au musée et la production d'un mémoire (conception, en collaboration avec "le consortium des architectes du Musée des Beaux-Arts de Montréal", dirigé par Moshe Safdie, architecte) présenté au Comité Consultatif sur le Projet d'Agrandissement du Musée des Beaux-Arts de Montréal, situé sur la rue Sherbrooke, à Montréal, Québec. Le dossier contient des dessins, des documents textuels, des reprographies et des panneaux. Description du projet par l'architecte: "Essentiellement, l'exercice déplace et reproportionne l'immeuble New Sherbrooke au croisement des rues Sherbrooke et Crescent, lui assurant une pérennité à sa mesure, le valorisant en tant qu'usage plus qu'en tant qu'image, vu l'entité spatiale qui lui serait assurée dans ce cas, à la fois sur le plan intérieur et sur le plan de la position urbaine préviligiée qu'il acquiert sur cette intersection." Jacques Rousseau, ARQ: Architecture-Québec, nº 38, août 1987, p. 22-23.
Level of archival description:
Projet
Projet
Date:
1985
1985
People:
Level of archival description:
Project
Project
Reference number:
AP140.S2.SS1.D56
Description:
File documents a successful competition entry and an executed project for a renovation and addition to the Rice School of Architecture, located in Anderson Hall, on the campus of Rice University in Houston, Texas, United States. Material in this file was produced between 1979 and 1982. File contains reference material and conceptual drawings, a large number of design development drawings for alternative schemes and several presentation drawings, including many produced for publication purposes. File also contains photographic materials, including views of building by photographers Paul Hester, Henry Bowles and F.W. Seiders, as well as textual records.
AP140.S2.SS1.D56
Description:
File documents a successful competition entry and an executed project for a renovation and addition to the Rice School of Architecture, located in Anderson Hall, on the campus of Rice University in Houston, Texas, United States. Material in this file was produced between 1979 and 1982. File contains reference material and conceptual drawings, a large number of design development drawings for alternative schemes and several presentation drawings, including many produced for publication purposes. File also contains photographic materials, including views of building by photographers Paul Hester, Henry Bowles and F.W. Seiders, as well as textual records.
People:
Date:
1979-1982
1979-1982
Title:
School of Architecture Addition, Rice University, Competition and Construction, Houston, Texas, United States
Actions:
AP140.S2.SS1.D56
Description:
File documents a successful competition entry and an executed project for a renovation and addition to the Rice School of Architecture, located in Anderson Hall, on the campus of Rice University in Houston, Texas, United States. Material in this file was produced between 1979 and 1982. File contains reference material and conceptual drawings, a large number of design development drawings for alternative schemes and several presentation drawings, including many produced for publication purposes. File also contains photographic materials, including views of building by photographers Paul Hester, Henry Bowles and F.W. Seiders, as well as textual records.
School of Architecture Addition, Rice University, Competition and Construction, Houston, Texas, United States
Actions:
AP140.S2.SS1.D56
Description:
File documents a successful competition entry and an executed project for a renovation and addition to the Rice School of Architecture, located in Anderson Hall, on the campus of Rice University in Houston, Texas, United States. Material in this file was produced between 1979 and 1982. File contains reference material and conceptual drawings, a large number of design development drawings for alternative schemes and several presentation drawings, including many produced for publication purposes. File also contains photographic materials, including views of building by photographers Paul Hester, Henry Bowles and F.W. Seiders, as well as textual records.
Level of archival description:
File 56
File 56
Date:
1979-1982
1979-1982
People:
Form:
exhibitions
exhibitions
Title:
125 Kilos of Books
125 Kilos of Books
Actions:
Description:
125 Kilos of Books presents a selection of printed architectural works from the CCA collection dating from the fifteenth century to the present in order to provoke thought about what seems, at first sight, the most banal fact of any book: its size. With dimensions ranging from 10 centimetres to 1 metre, the works are explored through such themes as Buildings are Bigger(...)
125 Kilos of Books presents a selection of printed architectural works from the CCA collection dating from the fifteenth century to the present in order to provoke thought about what seems, at first sight, the most banal fact of any book: its size. With dimensions ranging from 10 centimetres to 1 metre, the works are explored through such themes as Buildings are Bigger(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
23 March 2006 to 30 April 2006
23 March 2006 to 30 April 2006
Title:
125 Kilos of Books
Actions:
Description:
125 Kilos of Books presents a selection of printed architectural works from the CCA collection dating from the fifteenth century to the present in order to provoke thought about what seems, at first sight, the most banal fact of any book: its size. With dimensions ranging from 10 centimetres to 1 metre, the works are explored through such themes as Buildings are Bigger(...)
125 Kilos of Books
Actions:
Description:
125 Kilos of Books presents a selection of printed architectural works from the CCA collection dating from the fifteenth century to the present in order to provoke thought about what seems, at first sight, the most banal fact of any book: its size. With dimensions ranging from 10 centimetres to 1 metre, the works are explored through such themes as Buildings are Bigger(...)
Form:
exhibitions
exhibitions
Date:
23 March 2006 to
30 April 2006
23 March 2006 to
30 April 2006
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Title:
Kids Build
Kids Build
Actions:
Description:
Pulling from the extensive collection of architectural toys and games at the CCA, Kids Build presents examples of the many ways that architectural space is rendered through toys, as well as playful explorations of the relationships between basic elements and the architectural worlds they generate. It also suggests that as toys represent architectural ideas, they(...)
Pulling from the extensive collection of architectural toys and games at the CCA, Kids Build presents examples of the many ways that architectural space is rendered through toys, as well as playful explorations of the relationships between basic elements and the architectural worlds they generate. It also suggests that as toys represent architectural ideas, they(...)
Location:
Hall cases
Hall cases
Date:
9 December 2015 to 24 April 2016
9 December 2015 to 24 April 2016
Title:
Kids Build
Actions:
Description:
Pulling from the extensive collection of architectural toys and games at the CCA, Kids Build presents examples of the many ways that architectural space is rendered through toys, as well as playful explorations of the relationships between basic elements and the architectural worlds they generate. It also suggests that as toys represent architectural ideas, they(...)
Kids Build
Actions:
Description:
Pulling from the extensive collection of architectural toys and games at the CCA, Kids Build presents examples of the many ways that architectural space is rendered through toys, as well as playful explorations of the relationships between basic elements and the architectural worlds they generate. It also suggests that as toys represent architectural ideas, they(...)
Form:
exhibitions
exhibitions
Date:
9 December 2015 to
24 April 2016
9 December 2015 to
24 April 2016
Location:
Hall cases
Hall cases
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Marcel Parizeau fonds
Marcel Parizeau fonds
Actions:
Reference number:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
People:
Date:
1917-1955
1917-1955
Title:
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1917-1955
1917-1955
People:
